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Susan Cummins Gallery records, 1984-2002

Creator:
Susan Cummins Gallery  Search this
Subject:
Cummins, Susan  Search this
Metcalf, Bruce  Search this
Scott, Joyce  Search this
Ebendorf, Robert  Search this
Hu, Mary Lee  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Citation:
Susan Cummins Gallery records, 1984-2002. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry -- Collectors and collecting  Search this
Jewelry -- Design  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)11577
(DSI-AAA_SIRISBib)248745
AAA_collcode_susacumg
Theme:
Art Market
Art Gallery Records
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_248745

Keith Warner papers

Creator:
Warner, Keith, 1895-1959  Search this
Names:
"291" (Gallery)  Search this
American Place (Gallery)  Search this
Whitney Museum of American Art  Search this
Calder, Alexander, 1898-1976  Search this
Dorcely, Roland  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
Mondrian, Piet, 1872-1944  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Rosenburg, Paul  Search this
Russell, Morgan, 1886-1953  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weber, Max, 1881-1961  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Illustrated letters
Sketches
Date:
1935-1975
Summary:
The papers of American art collector Keith Warner measure 0.7 linear feet and date from 1935 to 1975. Correspondence, collecting files, and artwork detail Warner's role as a collector of art in the mid-twentieth century. Present in the collection are materials related to Alexander Calder, Roland Dorcely, Stanton MacDonald-Wright, Piet Mondrian, Alfred Stieglitz, and Max Weber.
Scope and Contents:
The papers of American art collector Keith Warner measure 0.7 linear feet and date from 1935 to 1975. Correspondence, collecting files, and artwork detail Warner's role as a collector of art in the mid-twentieth century. Present in the collection are materials related to Alexander Calder, Roland Dorcely, Stanton MacDonald-Wright, Piet Mondrian, Alfred Stieglitz, and Max Weber.

Warner's relationships with artists are documented in extensive letters which make up the bulk of the collection. Subjects range from exhibitions, the art market, artists' methods and works, art criticism, and collecting to personal subjects. Letters from Roland Dorcely and Alexander Calder include illustrated letters and postcards. Letters from Calder discuss a mix of business and personal matters, including a discussion of the design of jewelry commissioned for Warner's wife, Edna. Letters from Dorcely document Warner's cultivation, criticism, and collection of Dorcely's work, as well as the hardships of Haitian artists and Dorcely's views on art. The letters are in French with some English translations.

Correspondence with Alfred Stieglitz documents his common endeavor with Warner in collecting the paintings of John Marin, and Stieglitz's gallery, An American Place. Letters associated with An American Place continue after Stieglitz's death in 1946. Found with Alfred Stieglitz's letters are two letters from Georgia O'Keeffe. Max Weber letters include comments on his painting and sculpting, his retrospective show at the Whitney, the art press, national politics, and also refer to Stieglitz and Marin. An extensive group of correspondence with Stanton MacDonald-Wright is mostly undated; MacDonald-Wright writes freely about Stieglitz, the "291" group of artists, and his partner in Synchromism, Morgan Russell. Also included are letters from Piet Mondrian related to collecting, as well as letters from unidentified correspondents.

Warner's collecting files consist of diverse materials concerning his research, writing, and relationships with artists whose paintings he collected, particularly Roland Dorcely and Stanton MacDonald-Wright. Included are biographical sketches; writings about and by the artists, including manuscripts and published materials; newspaper and magazine clippings; exhibition announcements and catalogs; and photographs of works of art. Writings by Roland Dorcely, on the subject of his artistic process and perspective, include handwritten essays in French as well as typed English translations. Published articles from Script magazine (1945-1946) by Stanton MacDonald-Wright document his career as an art critic. Writings on Alexander Calder and Paul Rosenburg, taken from Warner's journal on Calder, and on the early relationship of Alfred Stieglitz and Georgia O'Keeffe, documented on a visit with Stieglitz on May 3, 1944, are also present.

Artwork consists of work by Alexander Calder and Roland Dorcely. Calder's work includes sketches proposing mobiles with notations as to material, scale, and cost. Dorcely's work includes sketches in graphite and ink of abstract figures and objects.
Arrangement:
The collection is arranged as 3 series.

Missing Title

Series 1: Correspondence, 1940-1963 (0.4 linear feet; Box 1-2)

Series 2: Collecting Files, circa 1940-1975 (12 folders; Box 2, OV 3)

Series 3: Artwork, circa 1945-circa 1965 (2 folders; Box 2)
Biographical / Historical:
Keith Warner (1895-1959) was an American art collector. Warner was born and lived in Gloversville, New York, and maintained a manufacturing business that took him to New York City intermittently. Warner began collecting Chinese porcelains after World War I, and a few years later his interest shifted to American abstract painting. Warner retired from business in 1944. His collection was sold gradually after his death, mostly to private collectors, though some works are in museums in the United States and Japan.
Provenance:
The Keith Warner papers were donated in 1992 by Edna K. Allen, wife of Keith Warner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Artists -- United States  Search this
Art -- Haiti  Search this
Art, Abstract -- Collectors and collecting  Search this
Art criticism  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Synchromism (Art)  Search this
Art, American  Search this
Genre/Form:
Photographs
Illustrated letters
Sketches
Citation:
Keith Warner papers, 1935-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warnkeit
See more items in:
Keith Warner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97cf79e0a-b1cc-4c06-bf03-80608f90eb97
EDAN-URL:
ead_collection:sova-aaa-warnkeit
Online Media:

Oral history interview with Helen Williams Drutt English, 2018 January 8-26

Interviewee:
Drutt, Helen Williams, 1930-  Search this
Interviewer:
Milosch, Jane, 1964-  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Helen Williams Drutt English, 2018 January 8-26. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia -- Interviews  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Art dealers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Decorative arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Educators -- Pennsylvania -- Philadelphia -- Interviews  Search this
Jewelry  Search this
Pottery  Search this
Record number:
(DSI-AAA_CollID)17541
(DSI-AAA_SIRISBib)392623
AAA_collcode_drutt18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_392623

Oral history interview with Fleur Bresler

Interviewee:
Bresler, Fleur  Search this
Interviewer:
Adamson, Glenn  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Extent:
4 Items (sound files (3 hr., 26 min.) Audio, digital, wav)
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2018 April 19
Scope and Contents:
An interview with Fleur Bresler conducted 2018 April 19, by Glenn Adamson, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at the Bresler's home in Rockville, Maryland.
Ms. Bresler discusses being born and growing up in Washington, D.C. in the 1920s and 1930s and their family jewelry store R. Harris and Co.; aspects of being in a Jewish family in D.C. at the time of her childhood; her knitting of doll clothes and collecting of small objects as a child; her education in public schools in the D.C. area and work at the Beauvoir nursery school; her relationship with her husband Charles Bresler; the beginnings of her wooden duck decoy collection with its connections to Maryland; her and her husband's visits to the Easton Waterfowl Festival; her interest in quilts and quilt collecting. Ms. Bresler also describes first becoming interested in wood art after seeing "The Art of Turned Wood Bowls: The Edward Jacobson Collection" at the Renwick Gallery in 1986; the growing of her collection and her associations with fellow wood craft collectors; her affiliations with the Center for Art in Wood in Philadelphia and the Mint Museum in Charlotte, North Carolina; her philanthropic efforts and her and her family's plans for the legacy of her collections; and the commissioning and installation of a large table by Danny Laine. Ms. Bresler also recalls Jean McLaughlin; Senator Joseph McCarthy; Rude Osolnik; Stella Rubin; Martha Connell; Veena Singh; Albert LeCoff. As well as Irv Lipton; Charles Hummel; Nicholas Bell; Mia Hall; Judy Weisman; and David Sengel, among others.
Biographical / Historical:
Fleur Bresler (1926- ) is a collector of American craft and decorative arts in Rockville, Maryland. Glenn Adamson (1972- ) is a curator in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Art patronage -- Maryland  Search this
Art -- Collectors and collecting -- Maryland -- Interviews  Search this
Handicraft  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bresle18
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw976c50c2f-6e31-4b87-8333-fc4a60720e5f
EDAN-URL:
ead_collection:sova-aaa-bresle18
Online Media:

Anneberg Gallery records, 1945-1992, bulk 1966-1981

Creator:
Anneberg Gallery  Search this
Subject:
Anneberg, Margery  Search this
Forkner, Edgar  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Citation:
Anneberg Gallery records, 1945-1992, bulk 1966-1981. Archives of American Art, Smithsonian Institution.
Topic:
Folk art  Search this
Textile crafts  Search this
Decorative arts  Search this
Folk art -- Collectors and collecting  Search this
Folk art -- Mexico  Search this
Theme:
Art Market  Search this
Craft  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)11573
(DSI-AAA_SIRISBib)248730
AAA_collcode_annegall
Theme:
Art Market
Craft
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_248730

Henri Vever Papers

Creator:
Vever, Henri, 1854-1942  Search this
Names:
Vever, Henri, 1854-1942  Search this
Extent:
2.5 Linear feet (circa 35 items)
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Place:
Le Havre (France)
Paris (France)
Date:
1867-1932
Summary:
The papers of Parisian jeweler and art collector Henri Vever (1854-1942) include six diaries; a ledger of his art acquisitions; original oil paintings by Vever; and photographs. The materials document Vever's circle of friends, patrons, and other art collectors in turn-of-the-century Paris.
Scope and Content Note:
The Henri Vever Papers measure 2.5 linear feet (35 items) and span the years 1875 --1932. The collection contains six diaries, an account ledger, 20 photographs, one guest list, one ceremonial pommel, and six original oil paintings by Henri Vever.
Arrangement note:
This collection is organized into five series:

Series 1: Diaries, 1878-1901

Series 2: Account Ledger, 1894, 1907-1917

Series 3: Photographs, 1867-1932, n.d

— Subseries 3.1: Henri Vever and Family

— Subseries 3.2: Vever Family Estate in Noyers, France

Series 4: Art Works, 1914-1915

— Subseries 4.1: Pommel

— Subseries 4.2: Le Havre, France

— Subseries 4.3: Château de Noyers
Biographical Information:
Henri Vever Chronology

1854 -- Vever born in Metz, France.

1870 -- Following the German annexation of Metz during the Franco-Prussian War, the Vever family leaves Metz for Luxembourg.

1871 -- Jean-Jacques Ernest Vever (father of Henri) buys a jewelry studio in Paris. Vever begins apprenticeship at Loguet and at Hallet and attends night classes at the Ecole des Art Décoratif in Paris.

1873 -- Vever enters the Ecole des Beaux-Arts and the studios of M.A. Millet and J.L. Gérôme.

1881 -- Jean-Jacques Ernest Vever retires and Vever and his brother Paul assume control of the jewelry shop (Maison Vever). Henri Vever marries Jeanne Monthiers.

1882 -- Jeanne Vever gives birth to Marguerite Vever, the couple's only child.

1885 -- Vever buys first painting.

1891 -- Vever travels to Russia where the Maison Vever takes part in a jewelry exhibition in Moscow.

1892 -- Vever becomes a regular participant of the dîners japonisants organized by art dealer Siegfried Bing.

1893 -- Vever appointed commissioner for jewelry to the World's Columbian Exposition, in Chicago. Maison Vever exhibits jewelry at the Exposition.

1894 -- Vever donates forty Japanese prints to the Louvre.

1900 -- Vever joins the Société Franco-Japonasie and is elected the mayor of Noyers, France.

1906-1908 -- Vever publishes, Bijouterie Française au XIXe Siècle.

1913 -- With Georges Marteau, Vever authors, Miniatures Persanesa catalogue of the 1912 Exposition des Arts Musulmans.

1915 -- Paul Vever dies.

1919 -- Maison Vever commissioned to make sword of honor offered to Marshall Ferdinand Foch by the city of Paris to celebrate the end of World War I.

1921 -- Vever retires.

1939 -- Marguerite Vever dies.

1942 -- Henri Vever dies.

1982 -- Maison Vever closes.

Jeweler, art collector, and author Henri Vever was born in Metz, France in 1854. Together with his older brother Paul, Henri Vever managed the family jewelry firm, Maison Vever, from 1881 until Paul's death in 1915 and Henri's retirement in 1921. As an art collector, Vever amassed a large collection of European, Asian, and Islamic art. Through his work as a jeweler, art collector, and author, Henri Vever played an important role in the twentieth-century art world.

To equip him with the proper skills to run Maison Vever, Henri Vever apprenticed in the studios of Louguet and of Hallet and attended the Ecole des Arts Décoratifs in 1871. Two years later, the Ecole des Beaux-Arts accepted Henri and he entered the studios of artists M.A. Millet and J.L. Gérôme. Jean-Jacque Ernest Vever retired from Maison Vever in 1881 and his two sons, Henri and Paul, assumed control.

The youngest son of Jean-Jacques Ernest Vever, Henri Vever was born into a family of jewelers. His grandfather, Pierre-Paul Vever, launched a successful jewelry shop in Metz in 1854. Upon retirement, Pierre-Paul Vever's son, Henri's father, assumed control of the shop. With the German annexation of Metz during the Franco-Prussian War in 1870, Jean-Jacque Ernest Vever took his family to Luxembourg and one year later acquired a jewelry shop at 19 Rue de la Paix in Paris and named the new shop Maison Vever.

That same year Henri married Jeanne Monthiers and she gave birth to the couple's only child, Margeurite, in 1882. Henri, Jeanne, and Margeurite Vever lived at 19 Rue de la Paix in the same building that housed Maison Vever. In 1892 Jeanne Vever inherited her family's estate in Noyers, France.

The Vever brothers ran a very successful jewelry studio. Not only did Maison Vever's clientele base expand during their tenure, but its designs were often prizewinners at various expositions around the world. The 1900 Exposition Universalle in Paris offers an example. The Maison Vever submission won a Grand Prix at this exposition in which the art movement Art Nouveau played a major role.

Henri Vever was a proponent of the Art Nouveau movement, a turn-of-the-century art movement whose adherents sought to forge a new, modern style, one that would, "reunite art and craft." According to curator Glenn Lowry, Vever's interest in Art Nouveau affected the Maison Vever's designs. "…during the 1880s many of the Maison Vever's designs were highly traditional, by the beginning of the 1890s the firm was at the vanguard of the art nouveau movement.

In addition to his work at Maison Vever, Vever amassed an enormous and influential collection of European, Asian, and Islamic art. Initially a collector of European art, by the late 1880s Vever's collecting interests expanded to include Asian and then Islamic art works. According to Lowry, Vever's interest in Islamic art was sparked in 1891 when he traveled to Moscow to participate in a jewelry exhibition. In approximately 1892 Vever joined Les Amis de l'Art Japonais, a group whose members met for dinners at which they discussed Japanese art. Claude Monet was also a member of this group.

From 1906 to 1908, Vever published a three-volume series, Bijouterie Française au XIXe Siècle . This set became the, "standard text on nineteenth-century jewelry". Through his art collections, writings, and profession, Henri Vever played an important role in the twentieth-century art world. He acquired a large art collection and often loaned pieces out for exhibition to various galleries and museums throughout the world. Henri Vever retired from Maison Vever in 1921 and the sons of Paul Vever, André and Pierre, took over the reigns. Henri Vever died in 1942 at the country estate in Noyers. Maison Vever continued operation until 1982 when it permanently shut its doors.
General note:
For a more detailed look at the life of Henri Vever, please see the following publication from which much of this biographical information originates: Lowry, G.D. with Nemazee, S. (1988). -- A jeweler's eye: Islamic arts of the book from the Vever Collection -- . Washington D.C.: Arthur M. Sackler Gallery, Smithsonian Insitution with Seattle: University of Washington Press.

Biographical Overview

1854 -- Vever born in Metz, France.

1870 -- Following the German annexation of Metz during the Franco-Prussian War, the Vever family leaves Metz for Luxembourg.

1871 -- Jean-Jacques Ernest Vever (father of Henri) buys a jewelry studio in Paris. Vever begins apprenticeship at Loguet and at Hallet and attends night classes at the Ecole des Art Décoratif in Paris.

1873 -- Vever enters the Ecole des Beaux-Arts and the studios of M.A. Millet and J.L. Gérôme.

1881 -- Jean-Jacques Ernest Vever retires and Vever and his brother Paul assume control of the jewelry shop (Maison Vever). Henri Vever marries Jeanne Monthiers.

1882 -- Jeanne Vever gives birth to Marguerite Vever, the couple's only child.

1885 -- Vever buys first painting.

1891 -- Vever travels to Russia where the Maison Vever takes part in a jewelry exhibition in Moscow.

1892 -- Vever becomes a regular participant of the dîners japonisants organized by art dealer Siegfried Bing.

1893 -- Vever appointed commissioner for jewelry to the World's Columbian Exposition, in Chicago. Maison Vever exhibits jewelry at the Exposition.

1894 -- Vever donates forty Japanese prints to the Louvre.

1900 -- Vever joins the Société Franco-Japonasie and is elected the mayor of Noyers, France.

1906-1908 -- Vever publishes, Bijouterie Française au XIXe Siècle.

1913 -- With Georges Marteau, Vever authors, Miniatures Persanes a catalogue of the 1912 Exposition des Arts Musulmans.

1915 -- Paul Vever dies.

1919 -- Maison Vever commissioned to make sword of honor offered to Marshall Ferdinand Foch by the city of Paris to celebrate the end of World War I.

1921 -- Vever retires.

1939 -- Marguerite Vever dies.

1942 -- Henri Vever dies.

1982 -- Maison Vever closes.
Related Archival Materials note:
The Arthur M. Sackler Gallery holds the, Vever Collection of Islamic Manuscripts. Additionally, the Archives holds, the Vever Family Photograph Album which contains photographs depicting the Vever family from 1881-1930 and the family estate in Noyers, France.
Provenance:
The Henri Vever Papers were donated to the Archives by the grandson of Henri Vever, François Mautin, in 1988. Additionally, Mr. Mautin donated six original oil paintings by Henri Vever to the Arthur M. Sackler Gallery in 1988. These paintings were transferred to the Archives in 1993.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art nouveau  Search this
Works of art  Search this
Art, Asian  Search this
Jewelry -- History -- Twentieth century -- France  Search this
Art, Islamic  Search this
Art, European  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Jewelry -- History -- Nineteenth century -- France  Search this
Genre/Form:
Photographs
Diaries
Citation:
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Gift of François Mautin, 1988
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of François Mautin, 1988
Identifier:
FSA.A1988.04
See more items in:
Henri Vever Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3d3281055-b7bc-4181-ba67-3231bf2750e6
EDAN-URL:
ead_collection:sova-fsa-a1988-04
Online Media:

Dinner List: "Dîner des amis de l'art Japonais" Guest list and addresses for a dinner, guests include Claude Monet.

Creator:
Vever, Henri, 1854-1942  Search this
Names:
Clemenceau, Georges, 1841-1929  Search this
Monet, Claude, 1840-1926  Search this
Vever, Henri, 1854-1942  Search this
Whistler, James McNeill, 1834-1903  Search this
Zorn, Anders, 1860-1920  Search this
Collection Creator:
Vever, Henri, 1854-1942  Search this
Extent:
4 Items (handwritten pages)
Container:
Box 1, Folder 7
Type:
Archival materials
Place:
Paris (France)
France -- Ile-de-France -- Paris
Date:
1893
Scope and Contents:
Handwritten list of guests to a dinner by Société des amis de l'art japonais (Society of Friends of Japanese Art), likely held in Paris in 1893. Guests included an array of notable artists, politicians, collectors, dealers and publishers.
Guest list of Les Amis de Art Japonaise Diner
Biographical / Historical:
Jeweler, art collector, and author Henri Vever was born in Metz, France in 1854. Together with his older brother Paul, Henri Vever managed the family jewelry firm, Maison Vever, from 1881 until Paul's death in 1915 and Henri's retirement in 1921. As an art collector, Vever amassed a large collection of European, Asian, and Islamic art. Through his work as a jeweler, art collector, and author, Henri Vever played an important role in the twentieth-century art world.
The Société des amis de l'art japonais (Society of Friends of Japanese Art) was first organized in 1892 by the Paris Asian art dealer Sigfried Bing. Vever was a founding member. The group held dinners multiple times each year to discuss their interest primarily in Japanese prints.
Local Numbers:
FSA A1988.04 4.1
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting -- France -- Paris  Search this
Art, Asian  Search this
Art, Japanese  Search this
Collection Citation:
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Gift of François Mautin, 1988
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of François Mautin, 1988
Identifier:
FSA.A1988.04, Item FSA A1988.04 4.1
See more items in:
Henri Vever Papers
Henri Vever Papers / Series 1: Diaries
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ef84069c-65d9-4dfd-afa8-0e9103fda1fd
EDAN-URL:
ead_component:sova-fsa-a1988-04-ref106

Account Ledger

Creator:
Vever, Henri, 1854-1942  Search this
Names:
Vever, Henri, 1854-1942  Search this
Yamanaka, Sadajiro  Search this
Collection Creator:
Vever, Henri, 1854-1942  Search this
Extent:
175 Items (pages of handwriting)
Type:
Archival materials
Works of art
Photographs
Place:
Paris (France)
France -- Ile-de-France -- Paris
Date:
1907-1917
Scope and Contents:
Handwritten ledger of Henri Vever's purchases of art from dealers between January 1907 and July 1917. Dealers include Yamanaka Sadajiro, Marcel Bing and George Joseph Demotte.
Arrangement:
This collection is in a box with a smaller, unbound purchase ledger dated 1894.
Biographical / Historical:
Jeweler, art collector, and author Henri Vever was born in Metz, France in 1854. Together with his older brother Paul, Henri Vever managed the family jewelry firm, Maison Vever, from 1881 until Paul's death in 1915 and Henri's retirement in 1921. As an art collector, Vever amassed a large collection of European, Asian, and Islamic art. Through his work as a jeweler, art collector, and author, Henri Vever played an important role in the twentieth-century art world.
Local Numbers:
FSA A1988.04 2.2
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting -- France -- Paris  Search this
Art, Asian  Search this
Art, European  Search this
Art, Islamic  Search this
Genre/Form:
Works of art
Photographs
Collection Citation:
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Gift of François Mautin, 1988
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of François Mautin, 1988
Identifier:
FSA.A1988.04, Item FSA A1988.04 2.2
See more items in:
Henri Vever Papers
Henri Vever Papers / Series 2: Account Ledger / Account Ledger
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc32caccb20-69a4-44b1-a57a-c224f89173a2
EDAN-URL:
ead_component:sova-fsa-a1988-04-ref609

Oral history interview with Helen Williams Drutt (English), 1991 July 5-October 20

Interviewee:
Drutt, Helen Williams, 1930-  Search this
Interviewer:
Pacini, Marina  Search this
Subject:
Sewell, Darrel, 1939-  Search this
Helen Drutt Gallery  Search this
Philadelphia Museum of Art  Search this
Philadelphia Council of Professional Craftsmen  Search this
Moore College of Art  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Helen Williams Drutt (English), 1991 July 5-October 20. Archives of American Art, Smithsonian Institution.
Topic:
Handicraft -- Exhibitions  Search this
Handicraft -- Collectors and collecting -- Pennsylvania -- Pennsylvania  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12221
(DSI-AAA_SIRISBib)215077
AAA_collcode_drutt91
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215077

Oral history interview with Bill and Peggy Foote

Interviewee:
Foote, Bill, 1937-  Search this
Foote, Peggy, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Names:
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Viola Frey Oral History Project  Search this
Arneson, Robert, 1930-1992  Search this
Bransten, Rena, 1933-  Search this
Carnwath, Squeak, 1947-  Search this
Champion, Gloria  Search this
Coykendall, Vernon  Search this
Fiske, Charles  Search this
Foote, Bill, 1937-  Search this
Frey, Viola, 1933-2004  Search this
Hanson, Shirley  Search this
Hoffman, Nancy, 1944-  Search this
Knecht, Gary  Search this
Laycox, Jack  Search this
Maybeck, Jackie  Search this
McDonald, Richard  Search this
Perry, Sam, 1963-  Search this
Schulz, Maryanne  Search this
Treadwell, Noni Eccles  Search this
Voulkos, Peter, 1924-2002  Search this
Wenger, Leslie  Search this
Extent:
5 Items (sound files (4 hrs., 38 min.), digital, wav)
131 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2014 February 16-17
Scope and Contents:
An interview with Bill and Peggy Foote conducted 2014 February 16-17, by Mija Riedel, for the Archives of American Art's Viola Frey Oral History Project at Bill's office and home in San Francisco, California.
Dr. and Ms. Foote speak of their early days growing up and their introduction to art; their meeting in Stockton; the beginnings of the Lincoln Square Gallery; their introduction to Viola Frey; their increasing involvement as art dealers in the Bay Area in the '60s and '70s; Peggy Foote's time at the California College of Arts and Crafts; their collection of Viola Frey's work and other artists' work; their interactions with Charles Fiske and Viola Frey; Frey's early years in Lodi; Frey's love of collecting jewelry and small ceramic figurines; and Frey's work in relation to gender issues. They also discuss Frey and Fiske's health issues; Frey's time at CCAC; Frey's relationship with Fiske; Frey's work as it related to Robert Arneson and Peter Voulkos and other Bay Area artists; Peggy Foote's gallery Conway Antiques in the 70's and 80's; Bill Foote's remembrances at Frey's memorial. Mr. and Ms. Foote also recall Shirley Hanson, Rena Bransten, Squeak Carnwath, Gary Knecht, Leslie Wenger, Nancy Hoffman, Richard McDonald, Maryanne Schulz, the Wiebe twins, Robert Arneson, Vernon Coykendall, Noni Eccles Treadwell, Sam Perry, Jackie Maybeck, Gloria Champion, Jack Laycox, and others.
Biographical / Historical:
Bill Foote (1937- ) and his wife Peggy (1935- ) are art collectors and retired art and antique dealers in San Francisco, California who collected Viola Frey's works of art. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Antique dealers  Search this
Art dealers -- California -- San Francisco  Search this
Topic:
Art -- Collectors and collecting -- California -- San Francisco  Search this
Feminism and art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.foote14
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91dd75b8f-c2c8-4bd2-af4e-5c0e95429cbd
EDAN-URL:
ead_collection:sova-aaa-foote14
Online Media:

Oral history interview with Bill and Peggy Foote, 2014 February 16-17

Interviewee:
Foote, Bill, 1937-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Foote, Peggy, 1935-  Search this
Arneson, Robert  Search this
Bransten, Rena  Search this
Carnwath, Squeak  Search this
Champion, Gloria  Search this
Coykendall, Vernon  Search this
Fiske, Charles  Search this
Foote, Bill  Search this
Frey, Viola  Search this
Hanson, Shirley  Search this
Hoffman, Nancy  Search this
Knecht, Gary  Search this
Laycox, Jack  Search this
Maybeck, Jackie  Search this
McDonald, Richard  Search this
Perry, Sam  Search this
Schulz, Maryanne  Search this
Treadwell, Noni Eccles  Search this
Voulkos, Peter  Search this
Wenger, Leslie  Search this
Viola Frey Oral History Project  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bill and Peggy Foote, 2014 February 16-17. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- San Francisco  Search this
Feminism and art  Search this
Record number:
(DSI-AAA_CollID)16168
(DSI-AAA_SIRISBib)366486
AAA_collcode_foote14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366486

Oral history interview with Tony Ganz, 2014 December 6

Interviewee:
Ganz, Tony, 1947-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Bonin, Ted  Search this
Bontecou, Lee  Search this
d'Offay, Anthony  Search this
Deitsch, Jeffrey  Search this
Fries, Charles W.  Search this
Ganz, Paul  Search this
Ganz, Sally  Search this
Ganz, Sol  Search this
Ganz, Victor  Search this
Hesse, Eva  Search this
Lowry, Glenn D.  Search this
Marks, Matthew  Search this
Matta-Clark, Gordon  Search this
Mutrux, Gail  Search this
Oldenburg, Claes  Search this
Picasso, Pablo  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Thek, Paul  Search this
Weinberg, Adam D.  Search this
Whiteread, Amber  Search this
Zwirner, David  Search this
D. Lisner Jewelry  Search this
Harvard University  Search this
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tony Ganz, 2014 December 6. Archives of American Art, Smithsonian Institution.
Topic:
Motion picture producers and directors  Search this
Art -- Collectors and collecting  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)16213
(DSI-AAA_SIRISBib)368428
AAA_collcode_ganz14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_368428
Online Media:

Oral history interview with Phillip A. Bruno, 2009 January 13-21

Interviewee:
Bruno, Phillip A., 1930-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Avery, Milton  Search this
Bacon, Francis  Search this
Baskin, Leonard  Search this
Bertoia, Harry  Search this
Bravo, Claudio  Search this
Brown, Joan  Search this
Calder, Alexander  Search this
Clews, Henry  Search this
Crawford, Ralston  Search this
Cuevas, José Luis  Search this
Ernst, Max  Search this
Estes, Richard  Search this
Giacometti, Alberto  Search this
Hefner, Hugh M. (Hugh Marston)  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex  Search this
Koenig, Fritz  Search this
Kubach-Wilmsen, Anna Maria  Search this
Kubach, Wolfgang  Search this
Matisse, Henri  Search this
Morgan, Randall  Search this
Nagare, Masayuki  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise  Search this
Park, David  Search this
Peterdi, Gabor  Search this
Rothko, Mark  Search this
Schapiro, Meyer  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Barnes Foundation  Search this
Columbia University  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
World House Galleries  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Phillip A. Bruno, 2009 January 13-21. Archives of American Art, Smithsonian Institution.
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15648
(DSI-AAA_SIRISBib)282216
AAA_collcode_bruno09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282216
Online Media:

Oral history interview with Fleur Bresler, 2018 April 19

Interviewee:
Bresler, Fleur, 1926-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Fleur Bresler, 2018 April 19. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage -- Maryland  Search this
Art -- Collectors and collecting -- Maryland -- Interviews  Search this
Handicraft  Search this
Record number:
(DSI-AAA_CollID)17565
(DSI-AAA_SIRISBib)394194
AAA_collcode_bresle18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_394194
Online Media:

Arabella Duval Huntington papers, 1888-1925

Creator:
Huntington, Arabella Duval, 1850 or 51-1924  Search this
Subject:
Titian  Search this
Cavalcaselle, G. B. (Giovanni Battista)  Search this
Duveen, Joseph Duveen, Baron  Search this
Huntington, Collis Potter  Search this
Huntington, Henry Edwards  Search this
Citation:
Arabella Duval Huntington papers, 1888-1925. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California  Search this
Antiques -- Private collections -- California  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)9682
(DSI-AAA_SIRISBib)211890
AAA_collcode_huntarab
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211890

Jane England Chandler papers relating to Miye Matsukata necklace, 1980 June 2

Creator:
Chandler, Jane England  Search this
Subject:
Matsukata, Miye  Search this
Citation:
Jane England Chandler papers relating to Miye Matsukata necklace, 1980 June 2. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry -- Private collections  Search this
Jewelry -- Collectors and collecting  Search this
Jewelry making  Search this
Decorative arts  Search this
Women artists  Search this
Women designers  Search this
Theme:
Art Market  Search this
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)7373
(DSI-AAA_SIRISBib)209528
AAA_collcode_chanjane
Theme:
Art Market
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209528

Samuel Putnam Avery papers, 1857-1902

Creator:
Avery, Samuel Putnam, 1822-1904  Search this
Subject:
Bellows, A. F. (Albert Fitch)  Search this
Benson, Eugene  Search this
Blashfield, Edwin Howland  Search this
Bonheur, Rosa  Search this
Bouguereau, William Adolphe  Search this
Colman, Samuel  Search this
Cook, Clarence  Search this
Cropsey, Jasper Francis  Search this
Darley, Felix Octavius Carr  Search this
Daubigny, Charles François  Search this
Durand, John  Search this
Gifford, Sanford Robinson  Search this
Greene, Edward D. E.  Search this
Hoppin, Augustus  Search this
Hugo, Victor  Search this
La Farge, John  Search this
Lefebvre, Jules  Search this
McEntee, Jervis  Search this
Moore, Charles Herbert  Search this
Mount, William Sidney  Search this
Richards, T. Addison (Thomas Addison)  Search this
Thompson, Launt  Search this
Tuckerman, Henry T. (Henry Theodore)  Search this
Whistler, James McNeill  Search this
Citation:
Samuel Putnam Avery papers, 1857-1902. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Theme:
Diaries  Search this
Art Market  Search this
Lives of American Artists  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)5802
(DSI-AAA_SIRISBib)208642
AAA_collcode_aversamu
Theme:
Diaries
Art Market
Lives of American Artists
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208642

Popular jewelry of the '60s, '70s & '80s / Roseann Ettinger

Title:
Popular jewelry of the sixties, seventies, and eighties
Author:
Ettinger, Roseann  Search this
Physical description:
192 p. : col. ill. ; 28 cm
Type:
Catalogs
Date:
1997
C1997
20th century
Topic:
Costume jewelry--Collectors and collecting  Search this
Costume jewelry--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_517378

Out of the dark ; Into the water / H. M. Batsel

Title:
Into the water, out of the dark
Out of the dark, into the water
Artist:
Batsel, Hannah  Search this
Author:
Batsel, Hannah Into the water  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Printer:
Columbia College (Chicago, Ill.)  Search this
Annex at Spudnik Press  Search this
Funder:
Caxton Club  Search this
Subject:
Batsel, Oliver Robert -2004  Search this
Empyreal Trading Company  Search this
Physical description:
24 unnumbered pages, 24 unnumbered pages : illustrations (some color) ; 25 cm
Type:
Books
Artists' books
History
Dos-à-dos bindings (Binding)
Screen prints
Linocuts
Artists' books (books).)
Place:
Gulf Breeze (Fla.)
Florida
Illinois
Chicago
Date:
2016
Topic:
Trading companies--History  Search this
Collectors and collecting  Search this
Hurricane Ivan, 2004  Search this
Artists' books  Search this
Artists' books--Awards  Search this
Caxton Club Award  Search this
History  Search this
Call number:
N7433.4.B389 O98 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101855

Jane England Chandler papers relating to Miye Matsukata necklace

Creator:
Chandler, Jane England  Search this
Names:
Matsukata, Miye, 1922-1981  Search this
Extent:
2 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1980 June 2
Scope and Contents:
A photocopied statement for insurers document, describing the "Kathmandu" necklace created by Miye Matsukata and owned by Chandler; and a photocopy of a letter, from Matsukata to Chandler, conveying the intended design, and the travels that provided the inspiration for the design of the necklace.
Biographical / Historical:
Jane England Chandler was a collector in Alexandria, Virginia.

Miye Matsukata was a Japanese born American jewelry designer based in Boxton, Massachusettes.
Provenance:
Photocopies donated by Jane England Chandler, 1984. Photocopies subsequently discarded after microfilming, 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Designers -- Massachusetts -- Boston  Search this
Jewelers -- Massachusetts -- Boston  Search this
Topic:
Jewelry -- Private collections  Search this
Jewelry -- Collectors and collecting  Search this
Jewelry making  Search this
Decorative arts  Search this
Women artists  Search this
Women designers  Search this
Identifier:
AAA.chanjane
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d079a5ad-1269-4691-ad60-6c9b7e46ea88
EDAN-URL:
ead_collection:sova-aaa-chanjane

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