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Volume (83)

Type:
Archival materials
Date:
Feb. 1867–Dec. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, Item 4.7.2.1
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.7: Elizabeth City (Agent) / 4.7.2: Endorsements Sent and Received
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref138
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Oral history interview with Mary Ann Scherr

Interviewee:
Scherr, Mary Ann, 1931-  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Kent State University -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Faculty  Search this
Penland School of Handicrafts  Search this
Extent:
71 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 April 6-7
Scope and Contents:
An interview of Mary Ann Scherr conducted 2001 April 6-7, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
This interview took place in the artist's home and studio, Raleigh, N.C.
Biographical / Historical:
Mary Ann Scherr (1921- ) is a jeweler from Raleigh, N.C. Mary Douglas (1956-) is a curator at the Mint Museum of Craft and Design in Charlotte, N.C.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Jewelers -- North Carolina -- Raleigh -- Interviews  Search this
Metal-work -- Technique  Search this
Art -- Philosophy  Search this
Design, Industrial  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.scherr01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scherr01

Oral history interview with Robert Ebendorf

Interviewee:
Ebendorf, Robert, 1938-  Search this
Interviewer:
Rosolowski, Tacey A.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 16-18
Scope and Contents:
An interview of Robert Ebendorf conducted 2004 April 16-18, by Tacey Rosolowski, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Greenville, N.C.
Ebendorf speaks of growing up in Topeka, Kansas; spending time in his grandparents' tailor shop; his relationship with his parents; having difficulties in school; making jewelry in arts and crafts class; meeting Carlyle Smith and deciding to study art at the University of Kansas; staying at the University of Kansas to get his MFA in Three-Dimensional Design; taking part in important early exhibitions including the "Wichita National"; collaging in his artwork and letters; how his art professors including, Robert Montgomery, mentored him; studying metal craft in Norway on a Fulbright; getting a job teaching at Stetson University; returning to Norway on a Tiffany Grant and working in a goldsmith shop; rebuilding the metals program at the University of Georgia; traveling to Norway once again and designing for the David Anderson Firm; experimenting with mixed media and found objects in his work; exhibiting at the Susan Cummins Gallery; hunting for objects with his daughter Brittany; teaching at SUNY New Paltz; using the ColorCore material; expressing both the masculine and feminine in his art; and making crafts with his mother.
Ebendorf also speaks of his current daily routine and the importance of a home studio; the influence of Scandinavian art on his work, especially the art of Claus Bury; doing work on commission; teaching at Penland School of Crafts and Haystack Mountain School of Crafts; taking part in the founding of the Society of North American Goldsmiths and serving as President; teaching at East Carolina University; preparing students for a career in metalsmithing; the changing trends in American and European jewelry; organizing the "Conversations" series of workshops at SUNY New Paltz; reading various art publications and the need for more critical writing about craft; selling work at craft fairs; the challenges of working with various galleries and museums; the importance of his work Lost Souls and Found Spirits; his recent retrospective "The Jewelry of Robert Ebendorf: A Retrospective of Forty Years;" and his current work and plans for the future. Ebendorf also recalls Kurt Matzdorf, Fred Woell, Bill Brown, Philip Morton, Ronald Pearson, L. Brent Kington, Linda Darty, Jamie Bennett, Earl Krentzin, and others.
Biographical / Historical:
Robert Ebendorf (1938- ) is a metalsmith from Greenville, North Carolina. Tacey A. Rosolowski is an art historian from Washington, D.C.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 6 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art metal-work  Search this
Metal-work -- Economic aspects  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Metal-workers -- North Carolina -- Interviews  Search this
Jewelers -- North Carolina -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ebendo04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ebendo04

Robert Ebendorf papers

Creator:
Ebendorf, Robert, 1938-  Search this
Names:
East Carolina University -- Faculty  Search this
Extent:
4.8 Linear feet
0.554 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Sketchbooks
Collages
Date:
1920-2015
bulk 1960-2010
Summary:
The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; audio and video recordings of interviews in digital format; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.
Scope and Contents:
The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; audio and video recordings of interviews in digital format; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1920-2014 (Boxes 1, 6; 0.2 linear feet, ER01-ER02; 0.554 GB)

Series 2: Correspondence, 1965-2015 (Boxes 1-2; 1.1 linear feet)

Series 3: Writings, circa 1945-2014 (Box 2; 4 folders)

Series 4: Teaching Files, 1974-2012 (Box 2; 5 folders)

Series 5: Personal Business Records, circa 1963-2006 (Box 2; 0.4 linear feet)

Series 6: Printed Material, 1949-2015 (Boxes 2-3, 6; 0.7 linear feet)

Series 7: Artwork, circa 1940-1987 (Boxes 3, 6; 0.2 linear feet)

Series 8: Sketchbooks, circa 1963-1968 (Boxes 3, 6; 5 folders)

Series 9: Photographs, circa 1920-2012 (Boxes 3-7; 1.9 linear feet)
Biographical / Historical:
Robert Ebendorf (1938-) is a metalsmith and jeweler in Greenville, North Carolina. Ebendorf was born in Topeka, Kansas, and earned a BFA in 1958 and an MFA in 1963 from the University of Kansas. Upon receiving a Fulbright grant, he studied in Norway at the School for Applied Arts and Crafts in 1963 and returned to work at Norway Silver Designs in Fredikstad on a Louis Comfort Tiffany Foundation grant from 1965 to 1966.

A founding member and once president of the Society of North American Goldsmiths, Ebendorf has been deeply committed to forwarding the metals field as an innovator, organizer, and teacher. The artist is known for his original combinations of precious and non-precious materials alongside found objects and has held teaching positions at Stetson University, the State University of New York at New Paltz, Haystack Mountain School of Crafts in Maine, Penland School of Crafts in North Carolina, and East Carolina University.
Related Materials:
Also in the Archives of American Art is an oral history interview of Robert Ebendorf conducted 2004 April 16-18, by Tacey Rosolowski, in Greenville, N.C.
Provenance:
The collection was donated by Robert Ebendorf in 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Jewelers -- North Carolina  Search this
Metal-workers -- North Carolina  Search this
Topic:
Mail art  Search this
Art -- Study and teaching  Search this
Genre/Form:
Sketches
Sketchbooks
Collages
Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ebenrobe
See more items in:
Robert Ebendorf papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ebenrobe

Mary Ann Scherr papers

Creator:
Scherr, Mary Ann, 1931-  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
4 Linear feet
0.282 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1941-2013
bulk 1960-2000
Summary:
The papers of jeweler and designer Mary Ann Scherr measure 4.0 linear feet and 0.282 GB and date from 1941 to 2013, with the bulk of the material from 1960 to 2000. Scherr's career is documented through scattered biographical material and a digital video recording of an interview; correspondence with museums, universities, professional entities, and colleagues; writings by her as well as professional and student writings about her; business records documenting projects and connections with institutions and organizations; news clippings, promotional ephemera, catalogs, posters, and other printed materials; and photographs of Scherr and of her artwork. An additional 2.0 linear feet donated in 2016 includes biographical material including information about Scherr's children, resumes and awards; personal and professional correspondence; teaching files and material regarding honorary degrees; project files pertaining to Scherr's "Body Monitors" jewelry; financial records including invoices for projects and supplies; photographs of Scherr with her designs, with others, and of works of art; artwork consisting of designs, illustrations, and computer clip art design; and printed material.
Scope and Contents:
The papers of jeweler and designer Mary Ann Scherr measure 4.0 linear feet and 0.282 GB and date from 1941 to 2013, with the bulk of the material from 1960 to 2000. Scherr's career is documented through scattered biographical material and a digital video recording of an interview; correspondence with museums, universities, professional entities, and colleagues; writings by her as well as professional and student writings about her; business records documenting projects and connections with institutions and organizations; news clippings, promotional ephemera, catalogs, posters, and other printed materials; and photographs of Scherr and of her artwork. An additional 2.0 linear feet donated in 2016 includes biographical material including information about Scherr's children, resumes and awards; personal and professional correspondence; teaching files and material regarding honorary degrees; project files pertaining to Scherr's "Body Monitors" jewelry; financial records including invoices for projects and supplies; photographs of Scherr with her designs, with others, and of works of art; artwork consisting of designs, illustrations, and computer clip art design; and printed material.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1948-2005 (Box 1; 0.1 linear feet, ER01; 0.282 GB)

Series 2: Correspondence, 1941-2007 (Box 1; 5 folders)

Series 3: Writings, 1979-2005 (Box 1; 2 folders)

Series 4: Personal Business Records, 1947-2004 (Box 1; 0.3 linear feet)

Series 5: Printed Material, 1950-2007 (Box 1-2; 1.2 linear feet)

Series 6: Photographs, circa 1960-1999 (Box 2; 0.3 linear feet)
Biographical / Historical:
Mary Ann Scherr (1921-) is a jeweler and designer living in Raleigh, North Carolina. Scherr was born in Akron, Ohio, and trained at the Cleveland Institute of Art, The University of Akron, and Kent State University, among others. She has worked in illustration, automotive and toy design, fashion, and metalwork but is most renowned for her functional approach to jewelry design through "body monitors," high-tech utilitarian ornaments that monitor and react to the conditions of the wearer or the wearer's surroundings.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Mary Ann Scherr conducted by Mary Douglas, April 6-7, 2001.
Provenance:
The collection was donated by Mary Ann Scherr in 2001, 2005, and 2008 under the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Additional material donated 2016 by Scott Scherr, Mary Ann Scherr's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of video recording requires advance notice.
Rights:
The Mary Ann Scherr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Goldsmiths -- North Carolina -- Raleigh  Search this
Jewelers -- North Carolina -- Raleigh  Search this
Topic:
Jewelry making  Search this
Women artists  Search this
Genre/Form:
Photographs
Citation:
Mary Ann Scherr papers, 1941-2007, bulk 1960-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schemary
See more items in:
Mary Ann Scherr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schemary

Mary Ann Scherr papers, 1941-2013, bulk 1960-2000

Creator:
Scherr, Mary Ann, 1931-2016  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Photographs
Topic:
Jewelry making  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)6026
(DSI-AAA_SIRISBib)236023
AAA_collcode_schemary
Theme:
Women
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_236023
Online Media:

Robert Ebendorf papers, 1920-2015, bulk 1960-2010

Creator:
Ebendorf, Robert, 1938-  Search this
Subject:
East Carolina University  Search this
Type:
Sketches
Sketchbooks
Collages
Topic:
Mail art  Search this
Art -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)16246
(DSI-AAA_SIRISBib)370571
AAA_collcode_ebenrobe
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370571
Online Media:

Oral history interview with Mary Ann Scherr, 2001 April 6-7

Interviewee:
Scherr, Mary Ann, 1931-2016  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Subject:
Parsons School of Design  Search this
Kent State University  Search this
Penland School of Handicrafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Jewelers -- North Carolina -- Raleigh -- Interviews  Search this
Metal-work -- Technique  Search this
Art -- Philosophy  Search this
Design, Industrial  Search this
Women artists  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)12648
(DSI-AAA_SIRISBib)227010
AAA_collcode_scherr01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227010
Online Media:

Oral history interview with Robert Ebendorf, 2004 April 16-18

Interviewee:
Ebendorf, Robert, 1938-  Search this
Interviewer:
Rosolowski, Tacey A.  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Art metal-work  Search this
Metal-work -- Economic aspects  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Metal-workers -- North Carolina -- Interviews  Search this
Jewelers -- North Carolina -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)11967
(DSI-AAA_SIRISBib)247257
AAA_collcode_ebendo04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247257
Online Media:

The History of O. Henry's 'The Gift of the Magi'

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 23 Dec 2019 16:00:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_dd509bf9e69382d79a3970f01c39b8cf

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