Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Patterson, Wilhelmina Bessie, 1888-1962 Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:
Series 1: Dale-Patterson Family papers
Series 2: Charles Qualls papers
Series 3: Community Organizations
Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Taped by James C. Jones—San Ignacio de Moxos, 1977-1978
Notes provided by James C. Jones.
Side A
2. "Himno National," as played on the violin by Abelino Masapaija, Ignaciano Indian and founder of Pueblo Nuevo. Don Abelino is maestro de capilla (second only to Isidoro Teco; both learned music in the Escuela Indigenal of Padre Marchena), and as such, is well versed in related functions—such as prayer (rezador)—of the local Catholic liturgy (of Jesuit origin). November 20, 1977.
3. "Himno al Beni," as played by Abelino Masapaija on the violin. November 20, 1977.
4. Musicos of church in San Ignacio as they perform at a Christmas novenary Mass. Nine are performing tonight. The instruments: panpipes, pajarillo, drums, violins, and flute. The pajarillo is a Christmas-season instrument and is taken out only at that time. December 19, 1977.
5. Abelino Masapaija, maestro de capilla, relates how difficult it is for the Musicos to make the transition from Latin to Spanish, which Father Alfonso Elorriaga is pushing. Their canticles have by tradition been sung in Latin, and some of the Indians have even been trained to take part in responsive liturgy in Latin. November 20, 1977.
6. Macheteros perform on Christmas Day in the Belen. The composition is entitled "Taquirari Ignaciano" (the only name I'm given) and the flautist is Cirilo Yaca. December 25, 1977.
7. The bells toll, the drums roll. Such is the call to Mass in San Ignacio. Dia de la Degollacion de los Inocentes. December 28, 1977.
8. Musicians play a taquirari as Herod's soldiers dance in the Belen prior to beheading the male children. The musical instruments: 2 bajones (panpipes), 2 flutes, 2 violins, and 2 drums. December 28, 1977.
9. The Jerure perform in front of a Nino in the home of Marcelino Coseruna. The Jerure is an instrumental group of taitas. The day is January 1, 1978, or Dia de San Manuel. Members of the Jerure shout "San Manuel" at the close of the number
10. Abelino Masapaija, Chaco War veteran and founder of Pueblo Nuevo in the early 1950s, tells how he responded to efforts of the Carai (whites are called Caraiyana) Juan Ahez to block the creation of Pueblo Nuevo. Ahez was sending a Trinitario mozo to the new village site to pull up horcones which had been set for the capilla. When Abelino, leader of the founding party (which settled at Pueblo Nuevo after searching for the Loma Santa for six months), stopped the Trinitario mozo and defied Ahez, the latter had him called to San Ignacio by the authorities. This happened several times, until Abelino threatened to use force. Ahez said that the wood for the horcones belonged to him, but in reality, according to Abelino, Ahez wanted the Indians for his mozos; he did not want them to be free. November 5, 1977.
11. Sounds of the tropical night: sapos (ranas mainly) sing after a night and day of heavy rain. January 16, 1978 (behind the house of Ignacito Rivero).
12. Cantos en Idioma (Ignaciano), on a Friday afternoon of the Lenten season. Four or five male Cantores lead the cantos, with the Abadesas singing only what seems to be a chorus. Only the Cantores and Abadesas are present; all are seated toward the front of the church near the altar. February 24, 1978.
Side B
2. A speech made in the Belen by Horacio Semani, Corregidor Indigenal, Abelino Masapaija, Maestro de Capilia; and Salvador Chapi. The occasion is Chapi's retirement after 30 years as a teacher All these men are Indian, though Chapi has not taken part in the Indian culture since he returned from the Chaco War; it is significant that Chapi speaks in Spanish rather than in Ignaciano. March 5, 1978. In the Belen. [Chapi, though born among the Indians and educated in Father Marchena's Escuela Indigenal, takes a superior attitude toward them, an attitude which they much resent. They refer to him pejoratively as Carai, or "white." He seems to be more proud of having escaped his Indian past than of the past itself. There is much tension between him and the other Indians, and I was surprised that this event occurred; I do not know who arranged it—but probably Chapi did ]
3. A song "ofalegrla" in Ignaciano, sung by Manuel Inchu. He tells me the song can be sung on any festive occasion, though I recorded this at a velorio. March 20, 1978.
4. This song is sung mainly by the parents of a bride and groom during a marriage feast, after everybody has had lots of chicha Horacio Semani sings. March 20, 1978.
5. This song, music and lyrics, was composed by Manuel Inchu to commemorate the departure of Ignacianos from San Ignacio in 1959, led by a Guarayu, in search of the Loma Santa. He says the song expresses the tragedy of the event, the great suffering experienced by the "parientes" on this occasion He calls the song La Loma Santa. March 20, 1978.
6. Several songs are here sung by Benedicta Guayacuma de Caiti (wife of Jose Caiti).
7. Chaco War veteran Horacio Semani (ne 1910) talks generally about the Chaco War and contrasts the perseverance and strength of the youth of his time with those of today. He talks about how malnourished the youth of today are, of how they no longer consume dairy products. March 8, 1978.
8. Chaco War veteran Horacio Semani compares Kollas with Cambas (the Kolla Indian with the Camba Indian), noting how dense (or torpid) the Kollas are as compared to the Cambas, even though both are Indios. March 10, 1978.
9. Horacio Semani contrasts the current economic conditions of Ignacianos with those he knew as a child March 14, 1978.
10. Juan Bautista Savala contrasts life before the arrival of the Caraiyana with the misery of today. March 25, 1978.
11. Juan Bautista Savala talks of consequences of Reforma Agraria (though he does not call it that) for Ignacianos. March 25, 1978.
12. Horacio Semani, Corregidor Indigenal, tells of how youth of today no longer want to dance in the fiestas; of how they no longer speak Ignaciano; of how costumbres are being lost; and of how population increase and the commercialization of skins and pelts have affected Ignacianos—everybody now is a cazador. Tremendous changes since his youth. March 15, 1978.
13. Selections from velorio of Virgen de Carmen (July 16, velorio held on night of July 15th) held in home of Felipe Apace. First on the tape are the Ovejitos (a song-and-dance group), then the "salves" are sung by don Felipe and a rezador (a compadre of Felipe Apace). The rezador has a sheet on which are written the words of the salves. Toward the last, the Toritos (another song-and-dance group) arrive and are heard; Daniel Yuco (my good friend) plays the flute. July 15, 1978.
14. Jerure play in the Belen on evening of July 29 (antevispera of the Fiesta de San Ignacio) just before doing a turn of the plaza to announce the fiesta season. July 29, 1978.
15. A sample of dance number played by flautist and drummers from Macheteros in home of First Cacique of Macheteros during a private fiesta The Macheteros are performing before the home altar August 3, 1978.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
Copy photographs depicting buildings, farms, Dakota Indians, and mission school activities in and around the St. Francis Mission on the Rosebud Reservation. The majority of the photographs were made by Eugene Buechel, a Jesuit who served at St. Francis and Holy Rosary missions. The collection also includes some photographs by Fr. Salvatore Gentile of a Sun Dance on the Pine Ridge Reservation.
Biographical/Historical note:
St. Francis Mission was a Jesuit mission established on the Rosebud Reservation in South Dakota in 1886. The central function of the mission was education, in the form of the St. Francis Mission school. Father Digmann, often referred to as the founder of St. Francis Mission, also established thirty-seven mission stations around the reservation. In 1972 the mission school was turned over to the tribe's community corporation, Sicangu Oyate Ho, Inc., which renamed it St. Francis Indian School.
Local Call Number(s):
NAA Photo Lot R74-10
Reproduction Note:
Copy prints and negatives made by Smithsonian Institution, 1973-1974.
Location of Other Archival Materials:
Photographs of St. Francis Mission may be found in the National Anthropological Archives in MS 4574.
Marquette University's Raynor Memorial Libraries in Milwaukee, WI, holds the records of the St. Francis Mission.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
St. Francis Indian Mission (South Dakota) Search this
Genre/Form:
Photographs
Citation:
Photo Lot R74-10, St Francis Indian Mission photograph collection, National Anthropological Archives, Smithsonian Institution
Similar to RSN 23180; frames in separate envelopes.
Currently stored in box 3.1.32 [56], moved from [127].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Boston, Mass.: The Rev. Paul M. Carasig, S.J., a native of the Philippine Islands,, who has been a guest of the Boston College High School, on James Street. 5/25/26. 1921 photonegative
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Currently stored in box 1.1.16 [42] ], moved from [182].
Orig. No. 457-3.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1984 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Voltaire; Comment Candide fut eleve dans un beau chateau... / Lylian Chauvin, Robert Franc. French language.
102 Voltaire; Comment Candide recontra son ancien maitre de philosophie le docteur Pangloss, et ce qu'il en advint / Lylian Chauvin, Robert Franc. French language.
103 Voltaire; Comment on fit un bel auto-da-fe pour empecher les tremblements de terre, et comment Candide fut fesse... / Lylian Chauvin, Robert Franc. French language.
201 Voltaire; Histoire de Cunegonde / Lylian Chauvin, Robert Franc. French language.
202 Voltaire; Ce qu'il advint de Cunegonde, de Candide, du Grand Inquiiteur et d'un Juif / Lylian Chauvin, Robert Franc. French language.
203 Voltaire; Histoire de la Vieille / Lylian Chauvin, Robert Franc. French language.
301 Voltaire; Comment Candide fut oblige de se separer de la belle Cunegonde ey da la Vielle / Lylian Chauvin, Robert Franc. French language.
302 Voltaire; Comment Candide et Cacambo furent recs chez les jesuites du Paraguay, et comment Candide tua le frere... / Lylian Chauvin, Robert Franc. French language.
303 Voltaire; Ce qui advint aux deux voyageurs aver deux filles, deux singes, et les sauvages nommes Oreillons / Lylian Chauvin, Robert Franc. French language.
304 Voltaire; Arrivee de Candide et de son valet au pays d'Eldorado, et ce qu'ils y virent / Lylian Chauvin, Robert Franc. French language.
305 Voltaire; Charges des tresors d'Eldorado, Candide et Cacambo parviennent a Surinam / Lylian Chauvin, Robert Franc. French language.
306 Voltaire; Comment Candide fit connaissance avec Martin / Lylian Chauvin, Robert Franc. French language.
401 Voltaire; Ce qui arriva en France a Candide et a Martin / Lylian Chauvin, Robert Franc. French language.
402 Voltaire; Comment, parvenu a Venise, Candide y vista le seigneur Pococurante / Lylian Chauvin, Robert Franc. French language.
403 Voltaire; Comment, ayant retrouve Cacambo, mais non Cunegonde. Candide en route pour Constanople ou sa belle... / Lylian Chauvin, Robert Franc. French language.
404 Voltaire; Comment il faut cultiver notre jardin / Lylian Chauvin, Robert Franc. French language.
Local Numbers:
FW-ASCH-LP-3837
Caedmon.2004
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1958
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
A dramatic reading in French, starring Robert Franc and Lilyan Chauvin, with supporting cast.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Rules of the board of trustees--The Cherry mine tragedy (2x)--Wild Bill Hicock--The sloopers from Stavanger--The Licoln and Douglass debate--The magnetic doctress--The diary of Willy Price--Elsie Strawn Armstrong, pioneer--The ballad of starved rock--Father Marquette and Jesuit Indian instructions--Note to Mr. Asch--Shalepile blues
Local Numbers:
FW-ASCH-7RR-2208
General:
Folkways 2080
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Sierra de la Giganta. Near Jesuit irrigating canal, Rancho Viejo (on road from Loreto to San Javier). Between the Las Parras summit and San Javier, the broad upper basin of Arroyo Santo Domingo is bordered by buttelike peaks and mesas., Baja California Sur, Mexico, North America
