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[Scene in J.S. Aoki Family barracks, Utah : sketch.]

Collector:
Kamikawa, Juichi  Search this
Artist:
Stonedenide, Ella, Mrs.  Search this
Names:
Aoki, J.S.  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 2.2" x 3.4".)
Container:
Box 1, Folder 2
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Drawings
Sketches
Place:
Topas (Utah)
Utah
Date:
1944
Scope and Contents:
Sketch by Mrs. Ella Stondenide: Aoki Family performing daily activities in the internment camp, Topaz, Utah, 1944.
Local Numbers:
AC0305-0000002 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings -- 1940-1950
Sketches -- 1940-2000
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Endo
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref29
Online Media:

Jerome Relocation Center / Chicot & Drew Counties, Arkansas [map]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 8" x 10.5".)
Container:
Box 1, Folder 5
Type:
Archival materials
Maps
Place:
Arkansas
Date:
circa 1943
Scope and Contents:
Japanese internment camp; origanally from Juichi Kamikawa; related collection Kamikawa and Omata Family Papers
Local Numbers:
AC0305-0000001 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945  Search this
Genre/Form:
Maps -- 1940-1950
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref34
Online Media:

[Vargettes: photographs, tickets, drawings [scrapbook page]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (Photographic prints: Silver gelatin on paper.; Drawings: Paint on paper, 14" x 9.8".)
Container:
Box 1, Folder 11
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Photographs
Tickets
Date:
circa 1943
Scope and Contents:
Scrapbook page of Juichi and Mrs. Kasu Kamikawa, containing a collage of images, tickets and an article about Vargettes, a play. The photographs depict preparations for the play.
Local Numbers:
AC0305-0000008 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Plays  Search this
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Performing arts  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white photoprints -- Silver gelatin
Tickets
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref45
Online Media:

Front Cover of Japanese Newsletter. [print]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 11.0" x 8.6".)
Container:
Box 1, Folder 15
Type:
Archival materials
Newsletters
Date:
1943
Scope and Contents:
Newsletters details the positive involvement of the Japanese-American soilders fighting for the United States in World War II.
Local Numbers:
AC0305-0000011 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945  Search this
Genre/Form:
Newsletters
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Miyake, Takashi
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref53
Online Media:

[Soldiers in combat during World War II : halftone reproduction of drawing]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 4.6" x 4.4".)
Container:
Box 1, Folder 8
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Drawings
Date:
Circa 1943
Scope and Contents:
Image of two soldiers shooting guns, persumably on the front lines.
Local Numbers:
AC0305-0000003 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Firearms  Search this
Shooting  Search this
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Combat  Search this
Genre/Form:
Drawings -- Reproductions
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu / Loose materials from black covered scrapbook
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref578

Selective Service System / Registration Certificate [for Juichi Kamikawa : printed identification card with hand-written signature and typed information]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 2.5" x 3.9".)
Container:
Box 1, Folder 8
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Identity cards
Certificates
Place:
California -- 1940-1950
Date:
1948
Scope and Contents:
Registration card verifiying Juichi Kamikawa is in the Selective Services. Includes personal information such as address and physical characteristics.
Local Numbers:
AC0305-0000004-01 (AC Scan)

AC0305-0000004-02 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Identity cards -- 1940-1950
Certificates -- 20th century
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu / Loose materials from black covered scrapbook
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref579
Online Media:

Spring Swing [folded card]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 3.1" x 2.7".)
Container:
Box 1, Folder 8
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Dance cards
Date:
Circa 1943
Scope and Contents:
Dance was hosted by The 400 Club. Inside of card gives the names of dances and those who signed up to dance with recipient of card.
Local Numbers:
AC0305-0000005-01 (AC Scan)

AC0305-0000005-02 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Dance -- United States  Search this
Dance parties  Search this
Genre/Form:
Dance cards
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu / Loose materials from black covered scrapbook
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref580
Online Media:

[Family that has been relocated : [black-and-white photoprint.]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (photo paper., 6.0" x 3.8".)
Container:
Box 2, Folder 3
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Photographs
Date:
circa 1943
Local Numbers:
AC0305-0000010 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Barracks -- 1940-1950  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kamikawa, Juichi and Mrs. Kazu / Photograph album (original)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref581

Resident Identification Card. [print]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 2.5" x 4.0".)
Container:
Box 1, Folder 13
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Identity cards
Place:
Utah
Date:
circa 1943
Scope and Contents:
Identification card for the War Relocation Authority Central Utah Project. Card for Michiko Kihara, includes personal details such as address.
Local Numbers:
AC0305-0000012-01 (AC Scan)

AC0305-0000012-02 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Identity cards -- 1940-1950
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kihari, Shigeya / 2 Imperial Japanese Government Passports in Japanese, English, and French for M. Kihara and K. Kihara, stamped 1912; Resident Identification card
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref582
Online Media:

[Japanese passport : printed form ]

Collector:
Kamikawa, Juichi  Search this
Names:
Kihara, Michiko  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (ink on paper., 10.3" x 7.9".)
Container:
Box 1, Folder 13
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Passports
Place:
Washington
Date:
June 26, 1912
Scope and Contents:
Passport of Michiko Kihara, granting her access from Japan to the United States. Includes personal information, hand-written. Front and back pages in Japanese.
Local Numbers:
AC0305-0000013-01 (AC Scan)

AC0305-0000013-02 (AC Scan)

AC0305-0000013-03 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Passports
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Kihari, Shigeya / 2 Imperial Japanese Government Passports in Japanese, English, and French for M. Kihara and K. Kihara, stamped 1912; Resident Identification card
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref583
Online Media:

[Woman standing outside barracks : black-and-white photoprint]

Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (Silver gelatin on paper., 6.0" x 3.8".)
Container:
Box 1, Folder 22
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Photographs
Date:
circa 1943
Scope and Contents:
On verso: "Nogel out barracks".
Local Numbers:
AC0305-0000009 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Barracks -- 1940-1950  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Vogel, Mabel Rose
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref68
Online Media:

For victory / keep 'em firing / 4th / war loan [homemade war poster : painting]

Artist:
Koyma, M.  Search this
Collector:
Kamikawa, Juichi  Search this
Names:
Thiel, Philip  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (Paint on paper., 17.2" x 11.9".)
Container:
Box 3, Folder 4
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Posters
Date:
circa 1943
Scope and Contents:
Hand-painted poster by M. Koyma, featuring a plane and a tank.
Local Numbers:
AC0305-0000006 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Tanks (Military science) -- World War, 1939-1945  Search this
Airplanes, Military  Search this
War posters, American  Search this
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Posters -- World War, 1939-1945 -- United States
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Vogel, Mabel Rose
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref73
Online Media:

Buy / Bonds / for victory [poster]

Artist:
Yoshi, Kazuo  Search this
Collector:
Kamikawa, Juichi  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Collection Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Extent:
1 Item (Paint on paper., 17.2" x 11.9".)
Container:
Box 3, Folder 4
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Date:
circa 1943
Scope and Contents:
Hand-painted poster features eagle and ship and encourages citizens to buy war bonds.
Local Numbers:
AC0305-0000007 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Eagles -- Design elements  Search this
Savings bonds  Search this
Concentration camps -- United States  Search this
World War, 1939-1945 -- Posters -- United States  Search this
War posters, American  Search this
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Vogel, Mabel Rose
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref75
Online Media:

Oral history interview with Kay Sekimachi [Stocksdale]

Interviewee:
Stocksdale, Kay Sekimachi  Search this
Interviewer:
Baizerman, Suzanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Adamson, Glenn  Search this
Extent:
59 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2001 July 26-August 6
Scope and Contents:
An interview of Kay Sekimachi [Stocksdale] conducted 2001 July 26-August 6, by Suzanne Baizerman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Sekimachi's home in Berkeley, California.
Sekimachi speaks of her family and early childhood in Berkeley; a trip to Japan when she was four, during which her older brother died of dysentery; what it was like growing up in a Japanese community in Berkeley; the death of her father when she was ten years old; learning Japanese culture through her mother's cooking and traditions; the relocation of her family during WWII; learning to paint and draw at the relocation center in Tanforan; moving to Utah, then Cincinnati before finally returning to Berkeley; her trip to Japan in 1974 and how it felt like she really belonged there, and falling in love with the Japanese aesthetic; trips to London, and consequently meeting Ann Sutton and Peter Collingwood; studying and working with Trude Guermonprez; teaching for Mary Woodard Davis in Santa Fe, N.M.; her first trip to Haystack Mountain School of Crafts in Deer Isle, Maine.; how the community groups and guilds provided support and many friendships, including Claire Weaver; some of the magazines she subscribes to, and the numerous books that influenced her during her career, by Anni Albers, Mary Atwater, and others; how her work started out as functional and gradually became non-functional; the many different types of her artwork, monofilament, paper bowls, and hornets nests; the limitations of the loom, and learning to experiment with fiber; difficulty of selling her craft; the numerous places she has exhibited and sold her work, including but not limited to Local Color, Nanny's (both in San Francisco), the Mint Museum in Charlotte, N.C., the Metropolitan Museum of Art, New York City, and Brown Grotta Gallery in Wilton, Connecticut; how she doesn't like to deal with agents, and dealers; her marriage to Bob Stocksdale; her studio and the studio of her husband; all of the artwork in her dining room and living room area; and how she is still weaving, but is not as frequent in her studio because she has been taking care of Bob. Sekimachi also recalls Kenneth Trapp, Marguerite Wildenhain, Lee Nordness, Loiuse Allrich, Jack Lenor Larsen, Dominic DiMare, and others.
Biographical / Historical:
Kay Sekimachi (1926- ) is a Japanese American fiber artist based in Berkeley, California. Suzanne Baizerman is a curator at the Oakland Museum in Oakland, California. Sekimachi is also known as Kay Sekimachi Stocksdale. She is married to wood-turner Bob Stocksdale.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- California -- Berkeley  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekima01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekima01

Roger Shimomura papers, 1965-1990

Creator:
Shimomura, Roger, 1939-  Search this
Shimomura, Roger, 1939-  Search this
Subject:
Miller, Wayne  Search this
Chin, Frank  Search this
Hughes, Jonathan R. T.  Search this
Day, Akiko  Search this
Type:
Photographs
Scrapbooks
Scripts (documents)
Topic:
Painting, Modern -- 20th century -- United States  Search this
Japanese American painting  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American performance artists  Search this
Performance artists -- Kansas -- Lawrence  Search this
Printmakers -- Kansas -- Lawrence  Search this
Art -- Study and teaching -- Kansas -- Lawrence  Search this
Theme:
Asian American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10269
(DSI-AAA_SIRISBib)213417
AAA_collcode_shimroge
Theme:
Asian American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213417
Online Media:

Kamekichi Tokita Papers, circa 1900-circa 2010, bulk 1900-1948

Creator:
Tokita, Kamekichi, 1897-1948  Search this
Tokita, Kamekichi, 1897-1948  Search this
Subject:
Callahan, Kenneth  Search this
Tokita, Shokichi  Search this
Tokita, Elsie  Search this
Baker, Burt Brown  Search this
Boynton, Roy  Search this
Art Institute of Seattle  Search this
Seattle Art Museum  Search this
Hotel Cadillac  Search this
Henry Art Gallery  Search this
Public Works of Art Project  Search this
Minidoka Relocation Center  Search this
Type:
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Topic:
World War, 1939-1945 -- Japanese Americans  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945 -- Diaries  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Art, American -- Northwestern States  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Art, Modern -- 20th century -- Northwestern States  Search this
Theme:
Asian American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10444
(DSI-AAA_SIRISBib)213849
AAA_collcode_tokikame
Theme:
Asian American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213849
Online Media:

Kamekichi Tokita Papers

Creator:
Tokita, Kamekichi  Search this
Names:
Art Institute of Seattle  Search this
Henry Art Gallery  Search this
Hotel Cadillac (Seattle, Wash.)  Search this
Minidoka Relocation Center  Search this
Public Works of Art Project  Search this
Seattle Art Museum  Search this
Baker, Burt Brown  Search this
Boynton, Roy  Search this
Callahan, Kenneth, 1905-1986  Search this
Tokita, Elsie  Search this
Tokita, Shokichi  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Date:
circa 1900-circa 2010
bulk 1900-1948
Summary:
The scattered personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.
Scope and Contents:
The scattered personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.

Biographical materials include a file on the Public Works of Art Project, a file on the War Relocation Authority and the closing of the Minidoka internment camp, an immigration document, and an essay on Tokita written by Shokichi and Elsie Tokita.

Correspondence is primarily professional in nature and concerns exhibitions at the Seattle Museum of Art (previously the Art Institute of Seattle) and other topics. Correspondents include Burt Brown Baker, Roy Boynton, Kenneth Callahan, Henry Gallery, the Seattle Art Museum, and others.

Tokita's writings consist of three diaries, two notebooks, and scattered general writings, most of which are in Japanese. The diaries were kept during World War II and document the family's confinement at the Minidoka Relocation Camp in Idaho. Included is a transcript of the diaries which were translated from prewar to modern Japanese by Haruo Takasugi and from modern Japanese to English by Naomi Kusunoki-Martin.

Scattered business records include a patent application, records from the Cadillac Hotel, and a claim filed through the Department of Justice. A few published books in English and Japanese are about art and religion. Also found are exhibition catalogs for shows in which Tokita participated and clippings. There is one mixed media scrapbook about Tokita's exhibitions.

Artwork consists of unsigned pencil and watercolor sketches by Tokita. There is also a family photo album containing snapshots and portraits of the Tokita family and friends.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1934-1985 (Box 1; 4 folders)

Series 2: Correspondence, circa 1920-1944 (Box 1; 6 folders)

Series 3: Writings and Notes, 1923-circa 1950 (Box 1; 0.2 linear feet)

Series 4: Personal Business Records, 1928-1950 (Box 1; 3 folders)

Series 5: Printed Material, circa 1910-1940 (Box 1-3; 0.5 linear feet)

Series 6: Scrapbook, 1929-1933 (Box 2-3; 0.1 linear feet)

Series 7: Artwork, circa 1910-1940s (Box 2-3; 0.1 linear feet)

Series 8: Photograph Album, circa 1900-1930 (Box 2; 0.2 linear feet)
Biographical / Historical:
Kamekichi Tokita (1897-1948) was a Japanese American painter and businessman who emigrated from Japan in 1919 and settled in Seattle, Washington. Tokita was a member of the Seattle area progressive artists' collective known as the "Group of Twelve" and widely exhibited his artwork throughout the Pacific Northwest.

Kamekichi Tokita was born in Shizouka City, Japan and immigrated to the United States at the age of twenty-two. He settled in the Japantown neighborhood of Seattle, Washington where he opened the Noto Sign Company with business partner Kenjiro Nomura. Nomura was also an artist and encouraged Tokita's interest in oil painting. They both used the sign shop as their studio after-hours. In 1936, the Noto Sign Company closed and Tokita took over management of the Cadillac Hotel, although he continued to paint commercial signs. Tokita married Haruko Suzuki in 1932 and together they had eight children.

As a child in Japan, Tokita studied calligraphy in China. Although he attended a few art school classes in in the U.S. and went on weekend painting trips with Nomura and other Seattle artists, Tokita is considered to be a largely self-trained artist. Support and recognition came from Dorothy V. Morrison of the Henry Gallery at the University of Washington who wrote to Tokita to inquire whether a "group of Japanese artists in the city" would be interested in exhibiting their work. Although the exhibition of Japanese artists did not happen, Tokita later loaned paintings to the gallery for inclusion in an exhibition sponsored by the American Federation of Arts. Throughout the late 1920s and 1930s Tokita exhibited widely in the Seattle area. In 1935, the Seattle Daily Times touted the work of Tokita and other painters in the "Group of Twelve" that also included Morris Graves, Kenneth Callahan, Walter F. Isaacs, and Ambrose and Viola Patterson, among others. In 1942, after the bombing of Pearl Harbor, Kamekichi Tokita and his family (five children at the time), along with the 110,000 – 120,000 Japanese and Japanese-American citizens living on the West Coast, were ordered under President Franklin Roosevelt's Executive Order 9066 to relocate to one of several confinement camps. For the first six months of their confinement, the family lived at a temporary Civilian Assembly Center in Puyallup, Washington. They were transferred to the Minidoka Relocation Camp in Hunt, Idaho where they remained until their release in 1945. The confinement camps were organized much like communes and independent cities (fenced and guarded) where the residents were self-reliant for most of their basic necessities, including schooling. While interned in Minidoka, Tokita worked as a sign painter and continued to privately paint, using whatever materials he could find, including beaver board. His work was featured in art shows at the camp. Many of his camp scenes are now lost or were given away.

At the end of World War II, Tokita and his family (now seven children) moved back to the Seattle-area. Unable to find housing, the Tokitas lived at a Japanese language school until Tokita was able to re-establish his business. During this period he painted very little. In 1946 Tokita and his wife purchased the New Lucky Hotel in the Chinatown area of Seattle. Shortly thereafter, Tokita fell ill and died in 1948. Many of his works are believed to have been destroyed or lost. Some of his work remains, however, and is among the permanent collections of the Seattle Art Museum, the Tacoma Art Museum, the Portland Art Museum.

Note: Much of this biographical note was taken from "A Biographical Resume" written by Shokichi and Elsie Y. Tokita.
Separated Materials:
A watercolor painting on paper by Kamekichi Tokita, Untitled (Still Life), 9 x 12 in. was transferred to the Smithsonian American Art Museum in 2012.
Provenance:
The Kamekichi Tokita papers were donated by his son, Shokichi Tokita in 1990. He donated a third and final diary in 2017. They were collected as part of the Archives of American Art Northwest Asian American project in Seattle, Washington.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
World War, 1939-1945 -- Japanese Americans  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945 -- Diaries  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Art, American -- Northwestern States  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Art, Modern -- 20th century -- Northwestern States  Search this
Genre/Form:
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Citation:
Kamekichi Tokita papers, circa 1900-circa 2010, bulk circa 1910-1948. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tokikame
See more items in:
Kamekichi Tokita Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tokikame

Bob Stocksdale and Kay Sekimachi papers

Source:
Stocksdale, Kay Sekimachi  Search this
Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stockbob

Roger Shimomura papers

Creator:
Shimomura, Roger, 1939-  Search this
Names:
Chin, Frank, 1940-  Search this
Day, Akiko  Search this
Hughes, Jonathan R. T.  Search this
Miller, Wayne  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Scripts (documents)
Date:
1965-1990
Summary:
The papers of painter, printmaker, performance artist, and teacher Roger Shimomura measure 2.6 linear feet and date from 1965 to 1990. Found within the papers are biographical materials, correspondence, writings, notes, printed material, one scrapbook, and photographs.
Scope and Content Note:
The papers of painter, printmaker, performance artist, and teacher Roger Shimomura measure 2.6 linear feet and date from 1965 to 1990. Found within the papers are biographical materials, correspondence, writings, notes, printed material, one scrapbook, and photographs.

Biographical materials include a photograph of Shimomura and a resume. The bulk of the papers consist of correspondence files about exhibitions, grants, performances, lectures, and the Japanese-American redress movement. Correspondence is with friends, colleagues, galleries, and with universities and colleges. Correspondents include Frank Chin, Akiko Day, Jonathan R. T. Hughes, and Wayne Miller. Writings and notes include Shimomura's artist's statement, scripts to four plays, and one folder of miscellaneous notes. The papers also include clippings, exhibition announcements, catalogs and miscellaneous printed material. A scrapbook contains clippings of articles that document Shimomura's career. Photographs are of artwork by other artists.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1989-1990 (Box 1; 1 folder)

Series 2: Correspondence, 1969-1990 (Boxes 1-3; 2.3 linear feet)

Series 3: Writings and Notes, 1984, 1987-1989 (Box 3; 5 folders)

Series 4: Printed Material, 1975-1990 (Box 4; 0.2 linear feet)

Series 5: Scrapbook, 1975-1989 (Box 4; 1 folder)

Series 6: Photographs, circa 1970s (Box 4; 1 folder)
Biographical Note:
Roger Shimomura (b. 1939) is a Japanese American painter, printmaker, performance artist, and teacher who has worked primarily in Kansas since 1969.

Roger Shimomura was born in 1939 in Seattle, Washington. He was a third generation Japanese-American and received his B.A. in Graphic Design from the University of Washington in 1961, and a M.F.A. in Painting from Syracuse University in 1969. Shimomura spent two childhood years in one of 10 concentration camps for Japanese-Americans during WWII, and later served as an officer in the United States Army from 1962 to 1965. He was active in the Japanese-American redress movement in the 1970s. Since the 1970s, Shimomura's work has combined American popular imagery with the Japanese ukiyo-e tradition.

He has had over 125 solo exhibitions of paintings and prints, as well as presented his experimental theater pieces at such venues as the Franklin Furnace, New York City, Walker Art Center, Minneapolis, and The Smithsonian Institution, Washington, DC. Shimomura has been a visiting artist and lectured on his work at more than 200 universities, art schools, and museums across the country. Shimomura began teaching at the University of Kansas' Department of Art in 1969 and worked there until his retirement in 2004. At that time he started the Shimomura Faculty Research Support Fund, an endowment to foster faculty research in the Department of Art. Throughout his career, Shimomura has had numerous exhibitions and experimental theater pieces on a national level. In 1999, the Seattle Urban League designated a scholarship in his name that has been awarded annually to a Seattle resident pursuing a career in art. In 2002, the College Art Association presented him with the "Artist Award for Most Distinguished Body of Work," for his 4 year, 12-museum national tour of the painting exhibition, "An American Diary." Shimomura continues to live and work in Kansas.
Provenance:
Roger Shimomura donated his papers in 1990, as part of the Archives of American Art's Northwest Asian-American project in Seattle.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Kansas -- Lawrence  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Japanese American painting  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Asian American performance artists  Search this
Performance artists -- Kansas -- Lawrence  Search this
Printmakers -- Kansas -- Lawrence  Search this
Art -- Study and teaching -- Kansas -- Lawrence  Search this
Genre/Form:
Photographs
Scrapbooks
Scripts (documents)
Citation:
Roger Shimomura papers, 1965-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shimroge
See more items in:
Roger Shimomura papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shimroge

Roy Leeper and Gaylord Hall collection of Miné Okubo papers

Creator:
Okubo, Miné, 1912-2001  Search this
Names:
Central Utah Relocation Center  Search this
Hall, Gaylord  Search this
Hamilton, Howard  Search this
Leeper, Roy  Search this
Tono, Doris  Search this
Tono, Harry  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Sketches
Illustrated letters
Date:
circa 1940-2001
Summary:
The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.
Scope and Contents:
The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.

Biographical materials consist of Roy Leeper's medical licenses. The bulk of the collection is comprised of Miné Okubo's letters, many of which are illustrated, to Hall and Leeper discussing her health, career, their purchase of her artwork, and mutual friends. Other correspondents include Howard Hamilton and Doris and Harry Tono. Writings and notes by Okubo inlcude a statement about the pricing of her artwork and a list of artwork. Leeper and Hall's personal business records concern the purchase and loan of Okubo's artwork for exhibitions.

Printed materials include a 1944 edition of Fortune magazine devoted to the internment of Japanese Americans during World War II. The issue includes reproductions of Okubo's illustrations of life in the World War II internment camp in Topaz, Utah. Photographs include snapshots of Okubo at an exhibition with her art and of works of art. Sketches and drawings depict mostly cats and flowers.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1942-1994 (1 folder; Box 1)

Series 2: Correspondence, 1957-2001 (0.8 linear feet; Box 1)

Series 3: Writings and Notes, circa 1940-circa 1970 (3 folders; Box 1)

Series 4: Personal Business Records, 1957-1998 (0.1 linear feet; Box 1)

Series 5: Printed Material, 1944-2000 (0.3 linear feet; Boxes 1-3)

Series 6: Photographs, circa 1940-circa 1990s (3 folders; Box 1)

Series 7: Artwork, 1960s-1997 (0.1 linear feet; Boxes 1-2)
Biographical / Historical:
Miné Okubo (1912-2001) was a Japanese American painter, illustrator, and author. She is known for her book Citizen 13600in which she described her experience at the Topaz War Relocation Camp in Utah through prose and drawings.

Born in Riverside, California in 1912, Okubo began her arts education at Riverside Junior College and transferred to the University of California, Berkeley where she completed her BA and MA in Fine Arts (where she first met Roy Leeper). In 1938, she received an award to travel and study under Fernand Léger in Paris. When World War II began in Europe, she moved back to California and worked under the Federal Arts Project. She produced some solo murals and also assisted Diego Rivera on his Treasure Island mural Pan American Unity, (1940).

In April of 1942, Miné Okubo and one of her brothers were sent to the Tanforan Assembly Center under Executive Order 9066, which forcibly interned over 100,000 Japanese and Japanese-American citizens living on the West Coast of the United States. Six months later, they were sent to the Topaz War Relocation Camp in Topaz, Utah. There, Okubo taught art in the camp's school and often sketched camp life. She was art editor for the camp newsletter Trek, a supplement to the Topaz Times.

In 1944, Fortune magazine published a sympathetic special edition on the Japanese and Japanese American internment during World War II. The magazine hired Okubo to illustrate two of the articles. She was permitted to leave the camp and move to New York City, where she remained for the rest of her life, working as a painter and illustrator. She wrote and illustrated a book about her experiences in the Topaz confinement camp, Citizen 13600, which won the American Book Award in 1984. Miné Okubo died in 2001. Medical doctor Roy Leeper befriended Miné Okubo while they were both students at the University of California. Later, he and his partner dentist Gaylord Hall were reintroduced to Okubo and her artwork by a mutual friend. They began a life-long relationship with Okuba, both as friends and collectors.
Related Materials:
Riverside City College in Riverside, California also holds the Miné Okubo papers.
Provenance:
Roy Leeper and Gaylord Hall donated the collection of Miné Okubo papers in 2001.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Art patronage  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American authors  Search this
Genre/Form:
Photographs
Drawings
Sketches
Illustrated letters
Citation:
Roy Leeper and Gaylord Hall collection of Miné Okubo papers, circa 1940-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.okubmine
See more items in:
Roy Leeper and Gaylord Hall collection of Miné Okubo papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-okubmine

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