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Curator Ann Yonemura on Hokusai

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2012-06-13T18:32:40.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_-fhius5R3IQ

Objects We Love: Folding screens mounted with poems from the anthology, Shin kokinshu

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-03-19T16:00:02.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_A49f-Oi81t8

Curator James Ulak on Masters of Mercy

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2012-07-06T15:18:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_xSXXAf77lRk

Smithsonian Folkways Presents: No-No Boy - A Documentary on ‘1975’

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-03-10T20:54:41.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_ECTUu4q7r1I

Tyler -- Royal Tulip Gardens

Garden designer:
Pullam, Noel  Search this
Brownlow, Casey  Search this
Architect:
Killabrew, James  Search this
Landscaping:
Wilhite Landscaping  Search this
Provenance:
The Gertrude Windsor Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Royal Tulip Gardens (Tyler, Texas)
United States of America -- Texas -- Smith -- Tyler
Scope and Contents:
The folder includes worksheets.
General:
Beds of tulips are spread throughout this one acre property, with primarily yellow, red and white varieties planted in curving beds bordered by boxwood, in island beds within brick borders, and in containers that are perched on a brick wall. Three varieties of white azaleas, two rose varieties, quince flowering japonica, camellia japonica, hicks yew and aucuba shrubs are grown here as well. The red brick house was built in 1955 and the first gardens were planted then. Mature trees include magnolia, oak, holly, hackberry and elm, with Japanese maples and dogwood adding color. Statuary and figural planters depict stags, an American eagle, St Francis with three birds, and an Oriental dancer. Additional elements in the garden rooms include perennial and annual flowers, ferns, vines, large urns, a shell birdbath and birdhouses.
Persons associated with the garden include Noel David Pullam (garden designer, 1975); Casey Brownlow (garden designer, 1992); Wilhite Landscaping (landscaping, 1980); James Killabrew (architect).
Related Materials:
Royal Tulip Gardens related holdings consist of 3 folders (13 35mm slides; 5 digital images)
See others in:
Eleanor Weller collection, circa 1978-2006.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Texas -- Tyler  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File TX052
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Texas
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref13518

Pottstown -- Company Farm

Patent owner:
Penn, Thomas  Search this
Penn, Richard  Search this
Former owner:
Ingles, James  Search this
Ingles, John  Search this
Beary, Christian  Search this
Beary, Daniel  Search this
Harley, Eli  Search this
Reifsnyder, John  Search this
Reitenbaugh, Joseph Elwood  Search this
Bullock, Anthony N.  Search this
Brooke, G. Clymer  Search this
Shelton Claude  Search this
Clevenger, Robert  Search this
Reading Railroad  Search this
Schuylkill Navigation Company  Search this
Provenance:
Four Counties Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Company Farm (Pottstown, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Pottstown
Scope and Contents:
The folder includes a worksheet, copies of photographs, copy of Pennsylvania Historic Resource Survey form, copies of public sale announcements, 1843 property inventory, 1754 deed, and garden plan.
General:
The property, being primarily a farm, had a relatively simple garden behind the house except for more sophisticated landscaping by the former owners of the Tudor-style house. Historically, there has been a strong connection of the property to the old Schuylkill Canal. In the early 19th century, the farm was used to raise mules needed to pull the barges from upstate Pennsylvania to Philadelphia. The present owners wished to emphasize the natural landscape. A pond is fed from run-off from a spring. Rhododendrons are interspersed with grassy areas and stone walls. A trip to a Japanese garden, designed by Kobori Enshu, inspired the owners to recreate it using stones to represent cranes and a small central peninsula representing the island of eternal youth. A later trip to Thailand inspired the garden's Thai Spirit House. The garden has been used for Thai students to perform dances, for weddings, and as a gathering place for Easter sunrise services and garden tours.
Special appreciation for the owners' children's hard work is shown by placing bronze statues in special garden settings. "Celebration," by L'Deane Trueblood (1999), is dancing in a large oval garden. The bronze statue, "Wings," by Gary Price (1996), stands on a high rock depicting a young boy launching his model plane. "Child of Peace," by Edward Fenno Hoffman III. (1960), depicts a boy cuddling a dove. "Garden Chimes," by Val Bertoia (2000), represents the gardener's love for music.
Persons associated with the garden include: Thomas and Richard Penn (patent owners, 1754); James and John Ingles (former owners, 1754-1806); Christian and Daniel Beary (former owners, 1806-1836); Eli Harley (1836-1844); John Reifsnyder (former owner, 1844-1847); Schuylkill Navigation Company (former owner, 1847-1896); Reading Railroad (former owners, 1896-1914); Joseph Elwood Reitenbaugh (former owner, 1914-1928); Anthony N. Bullock (former owner, 1928-1934); G. Clymer Brooke (former owner, 1934-1945); Claude and Minnie Shelton (former owners, 1945-1970); and Robert Clevenger (former owner, 1970).
Related Materials:
Company Farm related holdings consist of 1 folder (12 35 mm. slides and 2 photoprints)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Pottstown  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA620
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref16557

Pittsburgh -- Mellon Park (Walled Garden in Mellon Park)

Provenance:
Garden Club of Allegheny County  Search this
Photographer:
Seamans, Joe  Search this
Denmarsh, Alexander  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Pennsylvania -- Allegheny -- Pittsburgh
Mellon Garden (Pittsburgh, Pennsylvania)
Scope and Contents:
31 digital images (2007-2019), 14 35 mm slides (circa 1980) and 2 file folders including copies of historic photographs (dates unknown, 1956, 1970, 1974) and a copy of the 1934 Country Life pictorial feature on the Mellon garden.
Varying Form:
Also known as Mellon Estate.
General:
Persons associated with the garden include: Richard Beatty Mellon and Jennie King Mellon (former owners, 1910-1938); Richard King Mellon (former owner, 1938-1943); City of Pittsburgh (owner, 1943- ); Ferruccio Vitale (1875-1933) & Alfred Geiffert, Jr. (1890-1957) and Gilmore D. Clarke (landscape architects, 1927-1929); Frederick R. Bonci and Natalie Byrd Plecity, LaQuatra Bonci Associates (landscape architects, 2005- ); Edmond Romulus Amateis (1897-1981) (sculptor of fountain, 1929); Samuel Yellin (1885-1940) (iron work, 1929); Janet C. Zweig (1950- ) (artist, 2008-2010); Hal Hilbish (lighting designer, circa 2008).
The half-acre walled garden was the renaissance garden situated behind the grand estate of the Mellon family; the mansion was demolished in 1940. Land was donated to Pittsburgh and maintained as a public park, but gardens inevitably declined. The nonprofit Pittsburgh Parks Conservancy, members of the Garden Club of Allegheny County and master gardeners provided maintenance, but the restoration of this garden was impelled by the desire of the Seamans family to create a memorial for their daughter, Ann Katherine Seamans. Original features remained: the tapestry brick wall on three sides, limestone steps for the classical processional through the garden, two Samuel Yellin wrought iron gates, and the pink granite fountain by sculptor Edmond R. Amateis backed by a terrace and stone wall. A raised octagonal flower bed below the steps was reconstructed, and holly hedges partially form a fourth wall where the house stood. Restored flagstone walkways around the rectangular lawn are bordered by plantings on either side including allées of Japanese stewartia, sun and shade perennials, spring bulbs, black gum trees for shade, understory magnolia and serviceberry, and woody shrubs including oakleaf hydrangea and Delaware Valley azaleas. The walled garden was reopened as a public park in 2010.

The memorial is an art installation within the lawn: 150 fiber optic light sticks depicting constellations, planets and stars as they were over Pittsburgh on the day and time of Ann Seamans' birth. Each light is labeled on a small disk and there is an interpretive sign on a raised overlook with a limestone bench in one corner. Artist Janet Zweig conceived the project that was installed by wiring each light stick into conduits under the lawn. The garden has park benches around the perimeter and lightweight movable furniture on the terrace.

Persons associated with the garden include: Richard Beatty Mellon and Jennie King Mellon (former owners, 1910-1938); Richard King Mellon (former owner, 1938-1943); City of Pittsburgh (owner, 1943- ); Ferruccio Vitale (1875-1933) & Alfred Geiffert, Jr. (1890-1957) and Gilmore D. Clarke (landscape architects, 1927-1929); Frederick R. Bonci and Natalie Byrd Plecity, LaQuatra Bonci Associates (landscape architects, 2005- ); Edmond Romulus Amateis (1897-1981) (sculptor of fountain, 1929); Samuel Yellin (1885-1940) (iron work, 1929); Janet C. Zweig (1950- ) (artist, 2008-2010); Hal Hilbish (lighting designer, circa 2008).
Related Materials:
Related materials at the Hunt Institute for Botanical Documentation and the James Van Trump Archives (Pittsburgh History and Landmark's Foundation?). See also the Archives of American Gardens' J. Horace McFarland Company Collection.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Pittsburgh  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA407
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32268

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Karin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Description of antique Chinese paintings and brass wares as well as of porcelains of different ages

Names:
Yue, Seaouke  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
2 Linear feet (150 Prints: album (black and white) 1 writing tablet: catalog Dimensions 39 x 27 cm.)
Container:
Box 5, Folder 5
Type:
Archival materials
Scope and Contents:
One album, measuring 39 x 31 cm., of approximately 150 black and white photographs of the Chinese art collection of Seaouke Yue [You Xiaoqi], which included paintings, porcelain and works in bronze. The prints are pasted into the album and identified by typed identification slips, also pasted into the album. A paper label on the front cover reads "Photos of Chinese Arts Seaouke Yue Collection". A one-volume descriptive catalog accompanies the photo album. The catalog (39 x 27 cm.) consists of 50 tipped-in leaves, with typescript descriptions of each art work pasted onto the leaves. The descriptions have been annotated in pencil. A paper label has been pasted to the front cover and bears the typed title "Description of antique Chinese paintings and brass wares as well as of porcelains of different ages", with the author's name and "Photo list #298" printed underneath in black ink.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 1: Genealogical and Biographical Data / 1.6: Writings and Notes / 1.6.2: Freer Travel Writings and Maps
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref2381
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  • View Description of antique Chinese paintings and brass wares as well as of porcelains of different ages digital asset number 1

Record of Charles Lang Freer's purchase of Japanese paintings from the Hayashi Sale in Paris

Creator:
Freer, Charles Lang, 1856-1919  Search this
Katsushika, Hokusai, 1760-1849  Search this
Names:
Bing, Siegfried, 1838-1905  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
14 Sheets (includes seven sheets related to a payment of balance the following month)
Type:
Archival materials
Sheets
Vouchers
Place:
Japan
Paris (France)
Date:
February, 1903
Scope and Contents:
Purchased through Siegfried Bing, from the sale of the Hayashi Tadamasa Collection, Paris, February, 1903. Purchases included 2 paintings by Katsushika Hokusai and a six-fold screen by Kitagawa Utamaro. Also included 4 carved wood panels depicting apsaras. There is an additional invoice dated June 25th for Syrian and Japanese ceramics which were apparently paid for by the credit balance of a Hayashi sale hanging scroll that Freer returned to Bing.
Freer collection numbers: F1903.52; F1903.53; F1903.54; F1903.284; F1903.285; F1903.286; F1903.287; F1903.202; F1903.203; F1903.204; F1903.205
Arrangement:
Freer's purchase vouchers are generally organized by date of purchase.
Local Numbers:
FSA A.01 06.5.2.1903.02.15
General:
Purchased through Parisian dealer Sigfried Bing.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Antiquities  Search this
Art, Japanese  Search this
Art, Buddhist  Search this
Genre/Form:
Vouchers
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 06.5.2.1903.02.15
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 6: Financial Materials / 6.5: Vouchers / 6.5.2: Financial materials - Vouchers - Art vouchers / Invoices after 1883
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref3315
Online Media:

Elizabeth Gordon Papers

Creator:
Gordon, Elizabeth, 1906-2000  Search this
Names:
Claiborne, Craig  Search this
Gordon, Elizabeth, 1906-2000  Search this
Leach, Bernard, 1887-1979  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Periodicals
Photographs
Correspondence
Personal papers
Place:
Japan
Date:
1958-1987
Summary:
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Scope and Contents:
The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Arrangement note:
This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.
Biographical Information:
Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.
Provenance:
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Interior decoration -- Periodicals  Search this
Landscape gardening  Search this
Art, Japanese  Search this
Aesthetics, Japanese  Search this
House funishings  Search this
Interior decoration  Search this
Museum exhibits  Search this
Interior decorators  Search this
Gardens -- Japan  Search this
Genre/Form:
Periodicals -- 1940-1970
Photographs
Correspondence
Personal papers -- 1950-2000
Citation:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Identifier:
FSA.A1988.03
See more items in:
Elizabeth Gordon Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1988-03
Online Media:

Snow puppies

Creator:
Smithsonian Insider  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 16 Dec 2016 13:15:50 +0000
Topic:
Science  Search this
See more posts:
Smithsonian Insider
Data Source:
Smithsonian Insider
EDAN-URL:
edanmdm:posts_e6035827b8f09fe77244508ce439dcc9

Richard Waddell and Dorothy Miller at the Waddell Gallery ppening of the Takeshi Kawashima exhibition

Subject:
Miller, Dorothy Canning  Search this
Waddell, Richard H.  Search this
Waddell Gallery  Search this
Type:
Photographs
Date:
circa 1970
Record number:
(DSI-AAA)18909
See more items in:
Waddell Gallery records, 1961-1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18909
Online Media:

Script for Seven Kabuki Plays

Creator:
Shimomura, Roger, 1939-  Search this
Type:
Writings
Date:
198-
Topic:
Asian American artists  Search this
Japanese American artists  Search this
Japanese Americans  Search this
Performance art  Search this
Theatrical productions  Search this
Record number:
(DSI-AAA)19678
See more items in:
Roger Shimomura papers, 1965-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19678

End of Winter

Artist:
John Henry Twachtman, born Cincinnati, OH 1853-died Gloucester, MA 1902  Search this
Medium:
oil on canvas
Dimensions:
22 x 30 in. (55.8 x 76.3 cm)
Type:
Painting
Date:
after 1889
Topic:
Landscape\season\spring  Search this
Landscape\Connecticut\Greenwich  Search this
Landscape\river\stream  Search this
Credit Line:
Smithsonian American Art Museum, Gift of William T. Evans
Object number:
1909.7.65
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk78136817b-36cb-411f-9e50-16519b8fc2d8
EDAN-URL:
edanmdm:saam_1909.7.65

Super Buddahead

Alternate Title:
Roger Shimomura Self-portrait
Artist:
Roger Shimomura, born 1939  Search this
Sitter:
Roger Shimomura, born 1939  Search this
Medium:
Lithograph
Dimensions:
Image: 74.9 × 25.4 cm (29 1/2 × 10")
Sheet: 85.2 × 33.2 cm (33 9/16 × 13 1/16")
Type:
Print
Date:
2012
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Imaginary  Search this
Costume\Outerwear\Cape  Search this
Cartoon  Search this
Self-portrait  Search this
Roger Shimomura: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquired through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.
Object number:
NPG.2017.24
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2012, Roger Shimomura
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm491c7ef91-cd63-4c2c-94c6-3e5a80352c55
EDAN-URL:
edanmdm:npg_NPG.2017.24

A Rustic Genji (Inaka Genji)

Engraver:
Morikawa, Kokichiro  Search this
Designer:
Kuniteru, Utagawa  Search this
Printer:
Nakamura, Tsurusaburo  Search this
Object Name:
print
Credit Line:
Gift of T. Tokuno, Chief of the Japanese Bureau of Engraving and Printing (Insatsukyoku), 1889-90
ID Number:
GA.03215.25
Catalog number:
03215.25
Accession number:
22582
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Tokuno Gift
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-5bc9-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1412163
Online Media:

Block cutter's tools

Measurements:
sheet: 27.5 cm x 38.5 cm; 10 13/16 in x 15 5/32 in
Object Name:
Drawing
Date made:
ca 1888-89
Credit Line:
Gift of T. Tokuno, Chief of the Japanese Bureau of Engraving and Printing (Insatsukyoku), 1889-90
ID Number:
GA.03209.02
Accession number:
22582
Catalog number:
03209.02
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Tokuno Gift
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-92e2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1412605

Block printer's tools

Measurements:
sheet: 27.5 cm x 38.5 cm; 10 13/16 in x 15 5/32 in
Object Name:
Drawing
Date made:
ca 1888-89
Credit Line:
Gift of T. Tokuno, Chief of the Japanese Bureau of Engraving and Printing (Insatsukyoku), 1889-90
ID Number:
GA.03209.04
Accession number:
22582
Catalog number:
03209.04
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Tokuno Gift
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-92e3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1412606

Story of Kiyomori Tairi

Artist:
Fusatane, Utagawa  Search this
Measurements:
overall: 50 cm x 36 cm; 19 11/16 in x 14 3/16 in
Object Name:
Print
Other Terms:
Print; Relief; Wood Cut
Credit Line:
Gift of T. Tokuno, Chief of the Japanese Bureau of Engraving and Printing (Insatsukyoku), 1889-90
ID Number:
GA.03632
Catalog number:
03632
Accession number:
23893
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Tokuno Gift
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-759a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_790729

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