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Resting on Bottom of a Lake

Artist:
Shinagawa Takumi 品川工 (1908-2009)  Search this
Medium:
Ink on paper
Dimensions:
H x W (Image): 24.1 × 36.5 cm (9 1/2 × 14 3/8 in)
Type:
Print
Origin:
Japan
Date:
ca. 1950
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
abstract  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.1623
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye391e52a9b-13e5-4844-904e-cfa9b1657b7b
EDAN-URL:
edanmdm:fsg_S2019.3.1623

Landscape

Artist:
Ito Ben 伊藤勉 (1917-1992)  Search this
Medium:
Woodblock print with monotype; ink on paper
Dimensions:
H x W (Image): 54.6 × 44.3 cm (21 1/2 × 17 7/16 in)
Type:
Print
Origin:
Japan
Date:
ca. 1950
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
abstract  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.797
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37e6b7385-93b7-4553-9252-290a8100d3b7
EDAN-URL:
edanmdm:fsg_S2019.3.797

Surreal Landscape

Artist:
Izumi Shigeru 泉茂 (1922-1995)  Search this
Medium:
Ink on paper
Dimensions:
H x W (Image): 49.5 × 35.6 cm (19 1/2 × 14 in)
Type:
Print
Origin:
Japan
Date:
ca. 1955
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
abstract  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.842
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye36780df3e-64cb-46ab-92c5-fe12043b819b
EDAN-URL:
edanmdm:fsg_S2019.3.842

Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Type:
Collection descriptions
Archival materials
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Place:
New York (N.Y.) -- Transportation
Hudson River
Date:
1777-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Passenger ships  Search this
Marine machinery  Search this
Ships  Search this
Shipbuilding industry  Search this
Ferries  Search this
Transportation -- Japan  Search this
River boats  Search this
Marine engines  Search this
Boats  Search this
Transportation -- Far Eastern  Search this
Ships -- Equipment and supplies  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Docks  Search this
Health  Search this
Ocean liners  Search this
Merchant Marine -- United States  Search this
Ships -- Far Eastern  Search this
Rivers  Search this
Transportation -- river boat  Search this
World War, 1939-1945 -- Merchant Marine  Search this
Harbors  Search this
Trade associations  Search this
Transportation -- 1900-1910  Search this
Boats and boating  Search this
Water transport -- 18th century  Search this
Boats -- Southeast Asia  Search this
Cargo  Search this
Local transit -- New York (N.Y.)  Search this
Sailboats  Search this
Waterways  Search this
Sailing  Search this
Transportation -- New York (N.Y.)  Search this
Local transit  Search this
Scientific expeditions  Search this
Water transfer  Search this
Transportation -- History  Search this
Wharves  Search this
Steamboats  Search this
Boats -- New York (N.Y.)  Search this
Transportation  Search this
Public health  Search this
Marine engineers  Search this
Ocean travel  Search this
Seamen -- 1910-1920  Search this
Musical performances  Search this
Transportation -- Law and legislation -- United States  Search this
Merchant seamen  Search this
Marine engineering  Search this
Models and modelmaking  Search this
Navigation  Search this
Seamen -- 1940-1950  Search this
Travel  Search this
Importers  Search this
Shipping  Search this
Cruise ships  Search this
Ships -- New York (N.Y.)  Search this
Flags  Search this
Exports -- 19th century  Search this
Genre/Form:
Menus -- Ships -- 1940-1950
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Publications -- Business
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Steamboats
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cc542278-2f59-4b3b-9008-a8b7679a46b5
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steamboats
Online Media:

Curtiss-Wright Corporation Records

Creator:
Curtiss-Wright Corporation  Search this
Names:
Curtiss-Wright Airports Corporation  Search this
Keystone Aircraft Corp  Search this
Extent:
212.29 Cubic feet (598 boxes)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Reports
Drawings
Financial records
Date:
1868-1972
bulk 1925-1949
Summary:
This collection consists of the corporate records of the Curtiss-Wright Corporation. Included in the collection are technical and engineering reports of Curtiss-Wright Airplane Division's operations in St. Louis (Robertson), MO (1935-1945) and Buffalo, NY, (1932-1945), as well as AAS Material Division and AAF Air Technical Services Command memorandum reports collected by Curtiss-Wright's St. Louis and Buffalo technical reference libraries. The collection also contains the files of Curtiss-Wright's Patent Department, which hold records of patents filed by Curtiss-Wright and patent-infringement cases involving Curtiss-Wright. Also included in the collection are specifications issued by and photos commissioned by the Keystone Aircraft Corporation (Huff-Daland Airplanes, Inc. until March 1927), which had been acquired by Wright in 1928 along with Loening Aeronautical Engineering Corp., and formed the Keystone Division of Curtiss-Wright until 1932 when Keystone's Bristol, PA factory closed its doors. The collection also contains financial records of the Curtiss-Wright Airports Corporation, which was liquidated in 1936, as well as an extensive negative collection featuring Curtiss-Wright aircraft from the 1930s and 1940s, concentrated especially on the war years.
Scope and Contents:
The Curtiss-Wright Corporation Records collection contains approximately 212 cubic feet of material. The collection contains the following material:

Army Air Service Material Division & Army Air Force Technical Services Command Memo

Reports & Technical Reports which include testing of various Curtiss-Wright models of aircraft and/or various parts of aircraft

Technical & Engineering Reports from the St. Louis, MO plant [Robertson] & Buffalo, NY plant

Patents, Patent Dockets, Patent Serial numbers, Suits, License Agreements, Patents filed by Curtiss-Wright & Patent Infringement Cases [1800s to 1940s]

Miscellaneous Research Files

Corporate & Financial Records [1923 to 1972]

Correspondence

Blueprint Drawings

Advertisements from Newspapers & Magazines in Scrapbooks

Engine Decals

Photographs

Negatives & Glass Plates
Arrangement:
This collection was arranged into Series and Subseries:

Series I: Curtiss-Wright Corporation Records

Subseries I: Corporation Reports\Records Subseries II: Patents Subseries III: Patent Serial Numbers Subseries IV: Patent Application/Dockets Subseries V: Patent Litigation Subseries VI: Aircraft & Engine Designations arranged by Designation Subseries VII: Photographs Subseries VIII: Keystone Aircraft Corporation Subseries IX: Oversize Scrapbooks of Advertising Material, Newspaper Clippings

Series II: Technical Reports

Subseries I: Air Corps Materiel Division, Reports [ACMR] Subseries II: Buffalo Reports Subseries III: St. Louis

Series III: Glass Format Photography

Series IV: 1969 Accretion - Listing of Archival Material

Series V: Master Print Books [this part of the collection has not been processed]
Historical note:
An historic event in aviation occurred on June 26, 1929 when two major aircraft companies: the Curtiss Aeroplane and Motor Company merged with the Wright Aeronautical Corporation to form the Curtiss-Wright Corporation. After this merger, the former Wright organization took over all of the engine and propeller manufacture while Curtiss concentrated on airplanes. This merger was completed by organizing two major divisions under their original names, but under the direction of a corporate headquarters located in New York City. However, there was a recognized separation of spirit as well as specialized facilities that was never completely resolved in succeeding years. The election of former Wright personnel to key corporate positions soon led to Wright becoming the dominant division. At the height of the Lindbergh Boom during the 1920s and 1930s, the Curtiss-Wright Corporation was made up of the following identified organizations: The Curtiss Aeroplane & Motor Company; The Curtiss-Caproni Corporation; The Curtiss-Robertson Airplane Manufacturing Company; The Keystone Aircraft Corporation; The Moth Aircraft Corporation; The Travel Air Manufacturing Company; The Wright Aeronautical Corporation; Curtiss-Wright Flying Service; The Curtiss-Wright Sales Corporation; The Curtiss-Wright Export Corporation. Curtiss-Wright was quickly becoming the 'General Motors of the Air' until the great depression in October 1929. Sales dropped and Curtiss-Wright was forced to close certain satellite plants and transfer some of their product lines to the St. Louis facility. It looked like even the Buffalo plants would also have to close when Curtiss-Wright received an order from Colombia, South America for Hawks and Falcons. This was the largest military order to Curtiss since the war. The Colombia sale saved the Curtiss-Wright organization at this low point in its history. This order kept the production lines going until new military and civil markets began to open up as the depression waned and the build-up for World War II began. During the U.S. military build-up prior to the attack on Pearl Harbor, all existing Curtiss-Wright plants were expanded and new aircraft factories were built at Columbus, Ohio and Louisville, Kentucky. The dropping of the two atomic bombs on Japan resulted in an unexpected early end to World War II. All of the major U.S. airplane builders including Curtiss-Wright were hit by massive contract cancellations because of the Japanese surrender. In 1946 Curtiss-Wright had only two experimental military models at hand for postwar delivery and no assurance of production orders. Curtiss-Wright was forced to shut down all airplane plants and transfer all units of the Aeroplane Division to their Columbus Plant. The eventual sale of the Airplane Division to North American included design rights to the former Curtiss-Wright airplanes. The Curtiss-Wright Airplane Division, which manufactured airframes, finally closed down in 1951.
Provenance:
Curtiss-Wright Corporation, gift, XXXX, 1969
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Curtiss, General, Aircraft  Search this
Aeronautics, Commercial -- United States  Search this
Curtiss-Wright aircraft  Search this
Aeronautics, Military  Search this
Genre/Form:
Motion pictures (visual works)
Reports
Drawings
Financial records
Citation:
Curtiss-Wright Corporation Records, Acc. XXXX-0067, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0067
See more items in:
Curtiss-Wright Corporation Records
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg21b19fbef-7db3-4c81-be86-3bb02ecbfee0
EDAN-URL:
ead_collection:sova-nasm-xxxx-0067
Online Media:

Motherwell, Robert - Biographical Materials (Zurich File)

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 45
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94bcf57f6-30a8-40a6-8428-e3ad8d52ccca
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3005
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  • View Motherwell, Robert - Biographical Materials (Zurich File) digital asset number 1

Daruma

Artist:
Kosugi Misei 小杉未醒 (1881-1964)  Search this
Medium:
Hanging scroll; ink and color on silk
Dimensions:
H x W (image): 53.5 × 41.8 cm (21 1/16 × 16 7/16 in)
H x W (overall): 150.5 × 61.5 cm (59 1/4 × 24 3/16 in)
Type:
Painting
Origin:
Japan
Date:
late 1940s or 1950s
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Mary and Cheney Cowles Collection  Search this
Credit Line:
The Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles
Accession Number:
F2020.5.27a-f
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye337407229-f2bd-4c4d-ba7a-cc4bff93140c
EDAN-URL:
edanmdm:fsg_F2020.5.27a-f
Online Media:

Japanese American Documentary Collection

Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Names:
Japanese Americans Citizens League  Search this
Emi, Frank  Search this
Hashimoto, M.  Search this
Kamikawa, Juichi  Search this
Kamikawa, Kazu, Mrs.  Search this
Kawashiri  Search this
Kihari, Shigeya  Search this
Matsumoto  Search this
Miyake, Takashi  Search this
Oliver, Floyd A.  Search this
Ozamoto, T.  Search this
Vogel, Mabel Rose  Search this
Wakabayashi, Ron  Search this
Former owner:
National Museum of American History (U.S.). Division of Armed Forces  Search this
Extent:
1 Cubic foot (3 boxes and 1 oversized folder)
Type:
Collection descriptions
Archival materials
Typescripts
Passports
Albums
Books
Cartoons (humorous images)
Christmas cards
Comic books
Newsletters
Panoramas
Personal papers
Photograph albums
Photographs
Posters
Ration books
Scrapbooks
Telegrams
Place:
Minidoka
Manzanar
Idaho
Amache (Calif.)
California -- 1940-1950
Date:
1900s-1993
Scope and Contents:
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are camp newsletters and Japanese passports, identification cards, ration books, meal passes, posters; a photograph album contains both family photographs and a record of achievements of members of the Kamikawa family. There is a transcript of a taped interview with Mrs. Kamikawa, who was nearly 90 in February 1982, the time of the interview. A book, Lone Heart Mountain by Estelle Ishigo, portrays in text and sketches life in the relocation centers.

The collection has been filed under the name of each donor rather than by subject such as passports, newsletters, photographs. With very few exceptions the material is in good condition. The historical sketch of the Matsumoto family tree in the photograph album is badly damaged.
Arrangement:
1 series, arranged alphabetically by donor.
Biographical / Historical:
On December 7, 1941, the Japanese bombed Pearl Harbor and the United States went to war. On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066 authorizing the military to exclude "any and all persons" from designated areas of the United States to protect the national defense. Thus, without the imposition of martial law, the military were given authority over the civilian population.

Under this order, nearly 120,000 men, women and children of Japanese ancestry, nearly two thirds of who were United States citizens, were forced out of their homes and into detention camps in isolated areas of the west. Many of them spent the years of the war living under armed guards, and behind barbed wire. Children spent their school days in the camps, young men left to volunteer or be drafted for military service. The War Relocation Authority administered the camps.

This collection of documentary materials relates to the involuntary relocation of Japanese Americans was collected by the Division of Armed Forces History in connection with the exhibit A More Perfect Union: Japanese Americans and the United States Constitution at the National Museum of American History in 1988. The donors either were members of the Japanese American Citizens League or reached through the League. Interesting and revealing information is available about a few of the donors. They were primarily teenagers or young adults at the time of the relocation and the materials in the collection reflect their interests and concerns. Juichi Kamikawa, who had completed a year of college in Fresno, California, graduated from the Corcoran School of Art in Washington, D.C. after the war and became a respected artist. His family record is one of distinction in both Japan and the United States for several generations. Masuichi Kamikawa, his father, received the Order of the Sacred Treasure from the Japanese Emperor for outstanding contributions to the cultural heritage of Japan. Among achievements cited were his work in merchandizing and banking in Fresno, California. Mary Tsukamoto is one of the contributors to the video conversations in the exhibit. She is a retired teacher who was 27 years old in 1942 and a long time resident of Florin, California. Along with her entire family, she was sent to the center at Jerome, Arkansas. Mabel Rose Vogel taught high school at one of the camps, Rowher Center, Arkansas.
Related Materials:
The Division of Armed Forces History (now Division of Political and Military History) will have additional documents collected for the exhibit, A More Perfect Union, described above, that may be useful. Another collection on this topic in the Archives Center is collection #450, the Gerald Lampoley Collection of Japanese American Letters, 1942 1943, a collection of six letters written by Japanese Americans to their former teacher. Researchers may also refer to the records of the War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, in the National Archives. Further, the National Headquarters of the Japanese American Citizens League in San Francisco, California, and the Japanese American National Museum in Los Angeles, California, maintain related collections.
Provenance:
Donated by a number of Japanese Americans, many of whom are members of the Japanese American Citizens League, headquartered in San Francisco. This material was acquired for inclusion in the exhibition, A More Perfect Union, described above, but was not placed on display for one reason or another. In certain instances, items in this collection were omitted from the exhibit if they were considered too fragile or too sensitive to prolonged exposure to light. It is possible that related items, currently on display, ultimately will be transferred to the Archives Center; if this occurs, it would be useful to distinguish between the two groups of exhibited and undisplayed materials. Transferred from the Division of Armed Forces History, June 1988.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Military history, Modern  Search this
Concentration camps -- 1942-1945 -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Typescripts -- 1940-1950
Passports
Albums -- 1940-1950
Books
Cartoons (humorous images) -- 20th century
Christmas cards
Comic books
Newsletters -- 1940-1950
Panoramas
Personal papers -- 1940-1950
Photograph albums -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Posters -- 1940-1960
Ration books
Scrapbooks -- 1900-1950
Telegrams -- 1940-1950
Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0305
See more items in:
Japanese American Documentary Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8673e758f-a7ad-4aef-9bb3-f18a66dfd07a
EDAN-URL:
ead_collection:sova-nmah-ac-0305
Online Media:

Gerald Lamboley Collection of Japanese-American Letters

Creator:
Sato, Sanji (student)  Search this
Satow, R. (student)  Search this
Satow, Susama Paul (student)  Search this
Lamboley, E. Gerald  Search this
Sato, Kiyo (student)  Search this
Komata, Tomi (student)  Search this
Names:
Edward Kelley School (Sacramento (Cal.))  Search this
Pinedale Assembly Camp.  Search this
Poston Relocation Camp  Search this
War Relocation Authority  Search this
Cox, Mary Aline, 1890-1972 (teacher)  Search this
Extent:
0.12 Cubic feet (1 folder, 6 letters)
Type:
Collection descriptions
Archival materials
Correspondence
Biographies
Typescripts
Transcripts
Place:
Sacramento (Calif.) -- Correspondence -- 1940-1950
Poston (Ariz.) -- Correspondence -- 1940-1950
Pinedale (Calif.) -- Correspondence -- 1940-1950
Date:
1942-1943
Summary:
Letters from students of Japanese-American ancestry to Miss Cox, their former teacher at the Edward Kelley School in Sacramento, California. This teacher has been identified as Mary Aline Cox by Ms. Colleen Zoller, January 13, 2009.
Scope and Contents:
This collection contains six letters dated 1942 1943 from former students of Japanese American ancestry to Miss Cox, a teacher at the Edward Kelley School in Sacramento, California. Three letters were written from inside a camp, while the others were written from outside of camp. The letters are arranged chronologically. Sanji Sato, a young male not yet out of high school, penned both Letters 1 and 3. The first dated June 12, 1942 was written from Pinedale "A.C." [Assembly Center]. This letter contains a brief description of the center, one of many used to keep internees until the ten more permanent camps were prepared to receive them, and its physical surroundings, as well a mention of the medical examination and vaccinations the evacuees underwent.

Letter 3, more lengthy in nature, covers the dates January 1, 1943, to March 6, 1943. Sent from Poston, Arizona (location of the largest relocation camp), Sato indicated the block and barrack numbers of his lodgings. The camp is defined by the arid surroundings, temperature, flora and fauna, and natural landmarks; its

inhabitants are defined by their New Year's Exhibition and Boy Scout Troops. Pertinent to the historian are Sato's opinion of the "loyalty" forms, why Japanese Americans should fight in World War II, and the behavior of other Poston residents. Also of interest are his personal discussions of his former life on the farm, his passion for the American flag, and remembrance of his dog.

Letter 2 was written by a student identified as "Kiyo" on December 26, 1942, in Garrett, Indiana while on vacation from college (later identified as Ms. Kiyo Sato). A former internee at Poston Relocation Center, she wrote of her reaction to school and dorm life, as well as her reaction, as a person of Japanese ancestry, to a Midwestern town. She expressed hope of ending any misconceptions and of the evacuees returning home "in one piece." Letter 4 is signed "R. Satow and family" and dated April 19, 1943. A year after leaving the relocation center, the writer, having reached Keenesburg, Colorado, thanks Miss Cox for her assistance. The writer's surroundings are reported in addition to updates on other former internees' activities.

The Poston Relocation Center was also the home of Susuma Paul Satow, writer of Letter 5. Satow diplayed the belief that his volunteering in the army benefited the government and reflected well on Japanese Americans. Another topic discussed the regret that some "No No Boys" experienced and Satow's personal lack of empathy for them. The writer voiced concern about anti Japanese American discrimination in Sacramento, and, thus, his hesitancy to return.

Letter 6, from Tomi Komata, was undated and meant to inform Miss Cox of his life in college (possibly Downer College). "Released and happy," Komata announced the lack of expected discrimination and the racial tension that did exist, as well as his scorn of those in camp who listened to rumors of prejudice. Mentions of the WRA and how internees should be more willing to embrace its programs are included.
Arrangement:
1 series. Not arranged.
Biographical / Historical:
On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066 to bar "any and all persons" from certain sections of the United States for purposes of national defense. A reaction to the "yellow peril" "demonstrated" by the attack on Pearl Harbor December 7, 1941, the Executive Order would mean that all Japanese immigrants and Americans of Japanese ancestry would be required to "evacuate" the West Coast of the United States. By the end of this policy in 1946, over 120,000 men, women, and children had been forcefully relocated to various types of internment camps.

Not only had the possessions and lives of these people been disrupted, their privacy and Constitutional rights were ignored as the government thoroughly investigated their lives, looking for any signs of disloyalty to America. Early in 1943, tests were made of their "loyalty" as they were asked to forswear allegiance to the emperor of Japan, swear allegiance to the United States, and volunteer for military service.

Through programs established by the War Relocation Authority (WRA), internees were permitted to leave the camps permanently, provided they had a job or attended a college or university and passed additional government investigations. By 1943, 17,000 people had left the camps in this manner. Others left by joining the military. By 1946, the last permanent camp was dismantled.
Materials in Other Organizations:
Materials at Other organizations

War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, National Archives and records Administration

National Headquarters of the Japanese American Citizens League in San Francisco, California

Japanese American National Museum in Los Angeles, California
Materials in the Archives Center, National Museum of American History:
Japanese American Documentary Collection, 1905-1945 (AC0305)
Provenance:
Collection donated by E. Gerald Lamboley, June 2, 1992.
Restrictions:
Collection is open for research.
Rights:
Usage or copyright restrictions. Contact repository for further information.
Topic:
Japanese Americans -- Forced removal and internment -- 1942-1945  Search this
Incarcerees -- Japanese Americans -- 1940-1950  Search this
Concentration camps -- United States  Search this
World War, 1939-1945 -- Japanese Americans  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
Teachers -- 1940-1950  Search this
Students -- 1940-1950  Search this
Genre/Form:
Correspondence -- 1940-1950
Biographies
Typescripts -- 1940-1950
Transcripts
Citation:
Gerald Lamboley Collection of Japanese-American Letters, 1942-1943, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0450
See more items in:
Gerald Lamboley Collection of Japanese-American Letters
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d2d7d897-1aec-4cea-abc1-1d59bbf0fce3
EDAN-URL:
ead_collection:sova-nmah-ac-0450
Online Media:

Large bowl

Artist:
Hamada Shoji (1894-1978)  Search this
Medium:
Stoneware with iron and rice-husk ash glazes
Dimensions:
H x Diam: 15.7 x 48.9 cm (6 3/16 x 19 1/4 in)
Type:
Vessel
Origin:
Mashiko, Tochigi prefecture, Japan
Date:
ca. 1950
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
stoneware  Search this
Japanese Art  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds
Accession Number:
S1989.30
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a136dc76-965f-41f3-8b01-2b3d5e55120d
EDAN-URL:
edanmdm:fsg_S1989.30
Online Media:

Map of my Mind

Artist:
Kawakami Sumio 川上澄生 (1895-1972)  Search this
Medium:
Ink on leather
Dimensions:
H x W (Image): 26.3 × 38.4 cm (10 3/8 × 15 1/8 in)
Type:
Print
Origin:
Japan
Date:
ca. 1950
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.931
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3137b3a37-4887-4d4e-81f3-8c12ee39e556
EDAN-URL:
edanmdm:fsg_S2019.3.931

Map of my Mind

Artist:
Kawakami Sumio 川上澄生 (1895-1972)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (Image): 32.7 × 48.3 cm (12 7/8 × 19 in)
Type:
Print
Origin:
Japan
Date:
ca. 1950
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.932
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye37ea101a8-9473-4fcc-ae27-aba8537eee40
EDAN-URL:
edanmdm:fsg_S2019.3.932

Men and Women Eighteen People

Artist:
Kawakami Sumio 川上澄生 (1895-1972)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (Image): 21.6 × 17.8 cm (8 1/2 × 7 in)
Type:
Print
Origin:
Japan
Date:
ca. 1945
Period:
Showa era
Topic:
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.934
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ec5c9d38-8cd8-42fd-815b-1453c0953d41
EDAN-URL:
edanmdm:fsg_S2019.3.934

Research

Collection Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Container:
Box 15, Folder 57
Type:
Archival materials
Date:
1975
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art / Series 4: Exhibition Files / "James Brooks Retrospective" (1975)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901b78c13-47d1-48de-86cd-6bf4409dc533
EDAN-URL:
ead_component:sova-aaa-finccoll-ref1957

Alice Weber Photograph Albums

Creator:
Weber, Alice  Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Photograph albums
Photographs
Place:
Okinawa
Shanghai (China) -- 1940-1950
Kauai (Hawaii)
Oahu (Hawaii)
Honolulu (Hawaii)
China
Guam
Hawaii
Hilo (Hawaii)
Date:
1945-1948
Summary:
Collection consists of two photograph albums documenting Alice Weber's work and travels to California, Japan (specifically Okinawa), Hawaii, China and Guam from 1945-1948. The images depict base housing and facilities, Weber's co-workers, aircraft, sheet metal shops, historic sites, agriculture (including cane, pineapple and coffee cultivation in Hawaii), native people, cities, and other subjects.
Scope and Contents:
Two photograph albums, captioned (in some instances with brief descriptions, locations, and dates), documenting Alice Weber's travels to California, Okinawa, Japan, Hawaii, China and Guam, from 1945-1948.. The images depict such things as base housing and facilities in Hawaii, Weber's co-workers, aircraft, sheet metal shops, historic sites, agriculture (including cane, pineapple and coffee cultivation in Hawaii), native people, cities, and other subjects. There is also a printed booklet titled First Air Division, 1947. The booklet describes Okinawa and was written and compiled by Captain Robert F. Meritt, staff public information officer for the United States Air Force. Many of the line illustrations in the booklet were drawn by McFadden of the Daily Okinawan.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Alice Weber worked in a civilian capacity on a military base in Okinawa, Japan. Her work was connected to sheet metal. Her work and travels took her to California, Japan, Hawaii, China, and Guam.
Related Materials:
Materials in the Archives Center

The History of the Royal Hawaiian Band Collection, 1836-1980 (AC0361)

A.R. Van Tassell Photograph Albums, 1900-1956 (AC1015)

Underwood & Underwood Glass Stereograph Collection, 1895-1921 (AC0143)

Warshaw Collection of Business Americana, Hawaii Series, ca. 1724-1977 (AC0060)
Provenance:
Collection donated by Ruth Masters on December 31, 2008.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Copyright status unknown. Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Airplanes  Search this
Agriculture -- Hawaii  Search this
Aircraft  Search this
Military bases  Search this
Pineapples -- Hawaii  Search this
Coffee -- Hawaii  Search this
Hawaiians  Search this
Sheet-metal work  Search this
Sugar cane -- Hawaii  Search this
Genre/Form:
Photograph albums -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Citation:
Alice Weber Photograph Albums, 1945-1948, dates, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1144
See more items in:
Alice Weber Photograph Albums
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85506af5a-0332-4d1f-9371-36c0fb8ff175
EDAN-URL:
ead_collection:sova-nmah-ac-1144

Cats Bathing

Artist:
Kimura Sohachi  Search this
Medium:
Ink and color on paper
Dimensions:
H x W: 36.2 x 25.6 cm (14 1/4 x 10 1/16 in)
Type:
Print
Origin:
Japan
Date:
ca. 1953
Period:
Showa era
Topic:
bathing  Search this
cat  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Robert O. Muller collection  Search this
Credit Line:
Robert O. Muller Collection
Accession Number:
S2003.8.1081
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3fb8557a5-6db8-48a9-aad3-b8b6149c78c9
EDAN-URL:
edanmdm:fsg_S2003.8.1081

Carp Leaping Up A Waterfall

Artist:
Ohara Koson 小原古邨 (1877-1945)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (image): 27.2 x 23.9 cm (10 11/16 x 9 7/16 in)
Type:
Print
Origin:
Japan
Date:
ca. 1945
Period:
Showa era
Topic:
carp  Search this
waterfall  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Robert O. Muller collection  Search this
Credit Line:
Robert O. Muller Collection
Accession Number:
S2003.8.2053
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye34780cd05-d797-4e17-a7d5-a605f17ff46e
EDAN-URL:
edanmdm:fsg_S2003.8.2053

Kuchi-e

Artist:
Kubota Kinsen (1875-1954)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (overall): 22 x 30 cm (8 11/16 x 11 13/16 in)
Type:
Print
Origin:
Japan
Date:
ca. 1953
Period:
Showa era
Topic:
woman  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
kuchi-e  Search this
Japanese Art  Search this
Robert O. Muller collection  Search this
Credit Line:
Robert O. Muller Collection
Accession Number:
S2003.8.3813
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3704e4bc7-0320-4dbd-8c7c-587ef3f776bf
EDAN-URL:
edanmdm:fsg_S2003.8.3813

Heaed of a bunraku puppet

Artist:
Kame Tobei (1901-1977)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W: 30.5 x 21.9 cm (12 x 8 5/8 in)
Type:
Print
Origin:
Japan
Date:
ca. 1949
Period:
Showa era
Topic:
woman  Search this
puppetry  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
Robert O. Muller collection  Search this
Credit Line:
Robert O. Muller Collection
Accession Number:
S2003.8.442
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3364a4673-d929-4be1-ac8d-a0e6f5abdc41
EDAN-URL:
edanmdm:fsg_S2003.8.442

Drooping Cherry Blossoms

Artist:
Kotozuka Ei'ichi 琴塚英 (1906-1979)  Search this
Medium:
Ink on paper
Dimensions:
H x W (Image): 27.3 × 39 cm (10 3/4 × 15 3/8 in)
Type:
Print
Origin:
Japan
Date:
ca. 1948
Period:
Showa era
Topic:
cherry blossom  Search this
Showa era (1926 - 1989)  Search this
Japan  Search this
Japanese Art  Search this
The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this
Credit Line:
Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment
Accession Number:
S2019.3.1051
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye363889a5f-3746-497c-aa77-681692354c45
EDAN-URL:
edanmdm:fsg_S2019.3.1051

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