Search Results

Author:

International Conference on Space Engineering (2nd : 1969 : Venice)  Search this

Partel, G. A  Search this

Association pour l'étude et la recherche astronautique et cosmique  Search this

Centro studi trasporti missilistici  Search this

Fondazione "Giorgio Cini"  Search this

Physical description:

xi, 729 pages with illustrations 25 cm

Type:

Congresses

Congrès

Conference papers and proceedings

Date:

1970

Topic:

Astronautics  Search this

Astronautique  Search this

Génie spatial--congrès  Search this

Call number:

TL787 .I48 1969

TL787.I48 1969

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_4961

Creator:

Spero, Nancy, 1926-2009  Search this

Names:

A.I.R. Gallery (New York, N.Y.)  Search this

Galerie Lelong (New York, N.Y.)  Search this

Golub, Leon, 1922-2004  Search this

Mendieta, Ana, 1948-1985  Search this

Sosa, Irene  Search this

Extent:

26.4 Linear feet

19.12 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Interviews

Video recordings

Documentary films

Motion pictures

Date:

1940s-2009

Summary:

The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Scope and Contents:

The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Biographical material includes biographical notes and curricula vitae, as well as several video recordings of documentaries about Spero by Patsy Scala and Irene Sosa which feature original footage of Spero at work. Correspondence is personal and professional, and includes letters from artists including Judy Chicago and Ana Mendieta, writers and curators such as Deborah Frizzell and Susanne Altmann, regarding Spero exhibition catalogs, monographs, and articles, and personal news from family members such as Spero's sons, and correspondence related to other aspects of Spero's career.

Interviews of Spero include transcripts, published interviews, and video recordings. Writings include many of Spero's statements about her work, as well as notes, published versions of articles written by Spero, and video recordings of talks and panel discussions she participated in.

Exhibition files for over 75 shows document the extent to which Spero's work has been widely exhibited in her lifetime with numerous solo exhibitions, including major retrospectives in London, Paris, Barcelona, and Madrid, and dozens of group exhibitions in which she participated over the course of her career.

Gallery and museum files supplement the exhibition files by further documenting Spero's dealings with numerous galleries and museums, including Galerie Lelong, which represents Spero's estate, Barbara Gross Galerie, the first gallery in Germany to represent Spero, the Museum of Fine Arts, Boston, the National Gallery of Canada, and many others. The series also documents Spero's involvement with A.I.R. Gallery, the first independent women's art venue in the United States.

Professional files document other aspects of Spero's career including, but not limited to, awards she received, organizations she participated in or contributed to, publishing projects related to her work, and individual projects she executed such as an installation at the Harold Washington Library in Chicago and the Artemis, Acrobats, Divas & Dancers mosaic tiles she created for the Metropolitan Transit Authority for the 66th Street/Lincoln Center subway station. Also included here are files related to works of art such as Codex Artaud, and Notes in Time.

Subject files, contents of which were presumably used as source material for Spero, document subjects of interest to her, many of which were incorporated into her work and consists primarily of printed material. Broad subject categories include animal rights and conservation, feminism, war, and women. One set of folders documents "museum and political actions" undertaken by Spero and other activists during the 1960s-1970s to fight for equal representation of women in the arts and challenge the male-dominated hierarchy of the art world. Subject files include multiple news articles on torture, rape, and other atrocities committed particularly against women during wartime and by repressive and autocratic political regimes, and also include source material on the archetypal images of women that were fundamental to her interpretation of the female experience.

Printed material documents Spero's entire career from the late 1950s on. Announcements, exhibition catalogs, invitations, news clippings, and periodicals provide comprehensive coverage of her many exhibitions and other events. Printed material also documents the activities of a few other artists, primarily from the 2000s, and includes periodicals, primarily about art, and video recordings of documentaries about art and various other subjects.

Photographic material includes photographs of Nancy Spero from the 1940s on, photos of Spero with family and friends, and photographs of artwork including the heads of Spero's 2007 Maypole: Take No Prisoners which was the last major work completed before her death, originally realized for the Venice Biennale. Also found are a few installation shots and prints, slides, and digital images of Notes in Time at A.I.R. Gallery in 1979.

Arrangement:

The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1950-2009 (Box 1, FC 30; 0.85 linear feet, ER01-ER04; 9.58 GB)

Series 2: Correspondence, 1946-2009 (Boxes 1-4, 27; 2.75 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.6 linear feet)

Series 4: Writings, 1950-2007 (Boxes 5-6; 1 linear foot)

Series 5: Exhibition Files, circa 1976-2009 (Boxes 6-9, 27, OV 28; 3.3 linear feet, ER09-ER10, ER14-ER17; 1.5 GB)

Series 6: Gallery and Museum Files, 1972-2009 (Boxes 9-14; 5.1 linear feet; ER05-ER08, ER12-ER13; 2.962 GB)

Series 7: Professional Files, circa 1967-2008 (Boxes 14-17, RD 29; 3.5 linear feet; ER15; 0.74 GB)

Series 8: Subject Files, 1950s-2009 (Boxes 17-19, 27, OV 28; 2.4 linear feet)

Series 9: Business Records, circa 1976-2008 (Boxes 19-20; 0.7 linear foot)

Series 10: Printed Material, 1949-2009 (Boxes 20-25, 27, OV 28; 5.5 linear feet)

Series 11: Photographic Material, 1940s-2009 (Boxes 25-27; 0.7 linear foot; ER18-ER19; 0.151 GB)

Biographical / Historical:

Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist based in New York City whose work was executed primarily on paper from the 1960s on, and often incorporated text. Spero was among the first feminist artists and a political activist whose convictions were expressed relentlessly in her work. Using archetypal representations of women to examine the range of female experience, Spero centered "woman as protagonist" whilst simultaneously examining the suffering women have long been subjected to through structural inequality, the systematic abuses of repressive political regimes, and the atrocities of war.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). Spero studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. Spero and Golub returned to New York in 1964 with their three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became an activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery, and Spero's work from here on was primarily executed on paper.

Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In the 1970s archetypal representations of women in mythology, history, art, and literature became predominant in her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.

Related Materials:

Also among the holdings of the Archives of American Art are an interview with Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.

Provenance:

Following a gift of materials by Nancy Spero in 1979, the majority of the collection was donated by Spero's sons, Stephen Golub, Philip Golub, and Paul Golub, in 2013.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Printmakers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Art -- Political aspects  Search this

Feminism and art  Search this

Women artists  Search this

Women printmakers  Search this

Women painters  Search this

Genre/Form:

Sound recordings

Interviews

Video recordings

Documentary films

Motion pictures

Citation:

Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by The Walton Family Foundation. Funding for the digitization of the collection was provided by the Smithsonian American Women's History Initiative.

Identifier:

AAA.spernanc

See more items in:

Nancy Spero papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ee586015-b282-427f-88a2-0768b0b0e79b

EDAN-URL:

ead_collection:sova-aaa-spernanc

Creator:

Stanley, Pete, 1940-  Search this

Names:

Grooms, Mimi Gross  Search this

Grooms, Red  Search this

Kean, Katharine  Search this

Extent:

1 Item

Type:

Collection descriptions

Archival materials

Place:

Germany -- description and travel

Italy -- description and travel

Date:

1961-1962

Scope and Contents:

A diary kept by Pete Stanley primarily about a trip that he took by horse-drawn carriage with Mimi Gross, Red Grooms, Katharine Kean (known as KK), and Nello Falteri (known as Paperino) from Florence to Venice, Italy and back performing shadow puppet shows as Il Piccolo Circo d'Ombra di Firenze (the Little Shadow Circus from Florence). The diary includes entries from July 24, 1961 (leaving Florence) to August 23, 1961 (in Venice) and entries from March 24-31, 1962 about Stanley's travels in Germany. Also included are a few sketches of puppets and acquaintances, such as circus performer Alberto Adami.

Biographical / Historical:

Pete Stanley (1940- ) is a bluegrass musician in London, England.

Provenance:

Donated 2014 by Pete Stanley.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Identifier:

AAA.stanpete

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw932a024a9-f055-4870-ba0e-e1214f123441

EDAN-URL:

ead_collection:sova-aaa-stanpete

Creator:

Goley, Mary Anne  Search this

Names:

Biennale di Venezia  Search this

Extent:

72 Items

Type:

Collection descriptions

Archival materials

Date:

1970

Summary:

The collection consists of 72 slides taken by Mary Anne Goley documenting the 1970 Venice Biennale on art and architecture, Venice, Italy.

Scope and Contents:

The collection consists of 72 slides taken by Mary Anne Goley documenting the 1970 Venice Biennale on art and architecture, Venice, Italy.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Mary Anne Goley is an art historian in Arlington, Virginia.

Provenance:

The Slides of the Venice Biennale were donated in 2021 by Mary Anne Goley.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- Washington (D.C.)  Search this

Topic:

Women art historians  Search this

Citation:

Slides of the Venice Biennale, 1970. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.golemary

See more items in:

Slides of the Venice Biennale

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw982085c52-f124-490e-8170-43e3c7f439a2

EDAN-URL:

ead_collection:sova-aaa-golemary

Extent:

1 Film reel (color sound; 1,440 feet, 16mm)

Type:

Archival materials

Film reels

Date:

1977

Scope and Contents:

Edited film produced by BBC is a tour of Venice, Italy, hosted by television personality Valerie Singleton. Distributed by Time-Life.

Legacy Keywords: Tourism ; Cities and towns ; Architecture Italy

General:

Local Numbers: HSFA 1994.21.244

Collection Restrictions:

The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

REMC 2 educational film collection, Human Studies Film Archives, Smithsonian Institution

See more items in:

REMC 2 educational film collection

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc95b6d8471-d912-4407-a86c-354abaaa0737

EDAN-URL:

ead_component:sova-hsfa-1994-21-ref194

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Map-folder 27

Type:

Archival materials

Scope and Contents note:

Venice, Italy; November 14, 1969.

Full sized. 39 ½ x 13 ½ . Red and black lettering on yellow.

Collection Restrictions:

Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 12: Posters and Oversize Graphics / 12.2: Foreign Tours / 12.2.5: Italy/Italian

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8584b10ff-6bec-49ed-9c6d-a19b1441eb6e

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref21640

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 12

Type:

Archival materials

Photographs

Date:

undated

Series Restrictions:

Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions / 2.2: Stereographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep894415aa1-5d64-458c-9940-2cbbce5d3deb

EDAN-URL:

ead_component:sova-nmah-ac-0060-s02-ref3106

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 12

Type:

Archival materials

Photographs

Date:

1898

Series Restrictions:

Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions / 2.2: Stereographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ab4b155c-af19-46fc-847d-04d0e4b08fe2

EDAN-URL:

ead_component:sova-nmah-ac-0060-s02-ref3147

Creator:

Speicher, Eugene Edward, 1883-1962  Search this

Palmer, Erastus Dow, 1817-1904  Search this

Reid, Robert, 1862-1929  Search this

Robus, Hugo, 1885-1964  Search this

Rossiter, Thomas Prichard, 1818-1871  Search this

Weber, Max, 1881-1961  Search this

Whittier, John Greenleaf, 1807-1892  Search this

Widener, P. A. B. (Peter Arrell Brown), 1834-1915  Search this

Names:

Houghton, Mifflin and Company  Search this

United States. National Park Service  Search this

Hayne, Paul Hamilton, 1830-1886  Search this

Kensett, John Frederick, 1816-1872  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

11 Items (Letters, written in ink, ball point, graphite)

1 Photograph

Type:

Archival materials

Photographs

Correspondence

Date:

1818-1847

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Robert Reid, Hugo Robus, Thomas Prichard Rossiter, Eugene Speicher, John Greenleaf Whittier and Peter A.B. Widener.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Erastus D. Palmer was an American sculptor. He sculpted portrait busts and religious bas-reliefs in a style that combined neoclassical idealism and realism. His most famous sculpture is "The White Captive," which depicts a young girl who has been captured by Native Americans.

Isaac Newton Phelps Stokes was an American architect born into the wealthy Phelps Stokes family. He designed St-Paul's Chapel at Columbia University and some residential buildings in New York. Phelps Stokes also published The Iconography of Manhattan Island, a six volume work about New York City. He commissioned John Singer Sargent to paint a portrait with himself and his wife, Edith née Minturn.

Robert Reid was an American artist who studied in New England and Paris. He began by painting French peasants, but became known for his murals and stained glass designs. Some of his work can be found in the Congressional Library in Washington, D.C.

Hugo Robus was an American painter and sculpture from Ohio. He studied in the United States and Paris, and then taught at the Modern Art School in New York. He worked in a very lyrical cubist style, usually with people as his subject.

Thomas Prichard Rossiter was an American painter born in New Haven, Connecticut. He traveled throughout Europe, painting portraits along the way, and he kept a studio in Paris. He painted mostly portraits, but also completed a series of paintings depicting the life of Christ.

John Frederick Kensett was an American artist and engraver who worked in New Haven, Connecticut, and New York City.

Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.

Eugene Speicher was an American realist painter from Buffalo, New York. He attended the Art Students League, and then studied in Europe for a few years. He was considered a leading portrait artist in America at the time, favoring female subjects. Speicher won numerous awards for his work, and was appointed Director of the American Academy of Arts and Letters in 1945.

Max Weber was a Russian-born Jewish-American cubist. He studied with Matisse, Rousseau, and Picasso in Paris. Weber helped introduce cubism to America.

John Greenleaf Whittier was an American Quaker poet. Whittier was an ardent abolitionist who was extremely influenced by the doctrines of humanitarianism, compassion, and social responsibility found in Quakerism. He was a founding member of the American Anti-Slavery Society, and worked as a lobbyist. He is remembered today for his patriotic poetry, and his poems that were later turned into hymns.

Paul Hayne was an American poet who Whittier references in his letter to the publishers Houghton, Mifflin & Co. Hayne had just died, and his son, W.H. Hayne, wanted to edit his later poems for publication.

Widener (1834-1915) was an American businessman from Pennsylvania. During the Civil War, he supplied meat to the Union Army. By investing in trolley cars and public transit services, Widener became quite successful and wealthy. He was an avid art collector whose collection included works by Rembrandt, Edouard Manet, and Auguste Renoir. He is considered one of the top 100 wealthiest Americans of all time.

Local Numbers:

FSA A2009.06 6

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 6

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ab5429cd-d428-4427-b439-71f5316aec84

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref4

Artist:

Jan van der Straet, called Stradanus, Flemish, 1523–1605  Search this

Engraver:

Rafael Sadeler I, Flemish, 1560/61 - 1628/32  Search this

Medium:

Pen and ink, brush and wash on laid paper

Dimensions:

10.7 × 14.7 cm (4 3/16 × 5 13/16 in.)

Type:

figures

Drawing

Object Name:

Drawing

Made in:

Florence, Tuscany, Italy

Date:

1594–1596

Credit Line:

Museum purchase through gift of various donors

Accession Number:

1901-39-2667

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq46965cbb2-cd20-41c0-abae-c1f9620d081d

EDAN-URL:

edanmdm:chndm_1901-39-2667

Print Maker:

Gabriel Perelle, French, 1604–1677  Search this

Adam Perelle, French, 1638 – 1695  Search this

Publisher:

Nicolas Langlois, French, 1640 - 1703  Search this

Medium:

Etching on laid paper

Object Name:

Print

Type:

Print

Published in:

Paris, France

Place depicted:

Venice, Italy

Date:

late 17th century

Credit Line:

Purchased for the Museum by the Advisory Council

Accession Number:

1921-6-533-248

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq4156583d3-a9dd-4302-b653-17d57b70ca02

EDAN-URL:

edanmdm:chndm_1921-6-533-248

Collection Creator:

Greenberg, Clement, 1909-1994  Search this

Container:

Box 6, Folder 9

Type:

Archival materials

Date:

1962-1983

Series Restrictions:

Correspondence between Peter Fuller, Andre Emmerich, and Clement Greenberg; correspondence with Nuala O'Faolain; Greenberg family letters; and additional individual letters from a variety of correspondents are access restricted. Written permission is required. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided by The Walton Family Foundation.

See more items in:

Clement Greenberg papers

Clement Greenberg papers / Series 3: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dbb95845-de97-4f73-adfe-3fa7562ae175

EDAN-URL:

ead_component:sova-aaa-greeclep-ref363

Collector:

Louis C. Fletcher  Search this

Donor Name:

Mrs. Louis C. Fletcher  Search this

Culture:

Chinese (?)  Search this

Object Type:

Bead

Place:

Venice, Italy, Europe

Accession Date:

9 Oct 1913

Topic:

Ethnology  Search this

Accession Number:

055955

USNM Number:

E277676-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/34c2dd1a0-3d06-4c19-9518-04f601ae324f

EDAN-URL:

edanmdm:nmnhanthropology_8381228

Donor Name:

Mrs. Joshua Evans Jr.  Search this

Culture:

Indian  Search this

Object Type:

Necklace

Place:

United States, North America

Accession Date:

20 Jun 1961

Topic:

Ethnology  Search this

Accession Number:

236918

USNM Number:

E398442-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3d4730cd9-7265-45b5-83fb-b2af71967eb4

EDAN-URL:

edanmdm:nmnhanthropology_8426594

Collector:

Josephine H. Bishop  Search this

Donor Name:

Lloyd W. Swift  Search this

Object Type:

Necklace

Place:

Venice, Mexico (not certain) / Italy (not certain), North America (not certain) / Europe (not certain)

Accession Date:

26 Sep 1969

Topic:

Ethnology  Search this

Accession Number:

285954

USNM Number:

E411084-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/394fe5dbd-fac7-4678-95df-1aa85f18898a

EDAN-URL:

edanmdm:nmnhanthropology_8441666

Donor Name:

Accession Number Unknown  Search this

Object Type:

Bead

Place:

Venice, Italy, North America / Europe

Topic:

Ethnology  Search this

Accession Number:

000000

USNM Number:

E422911-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3b85c7fa8-ec51-495d-907b-2664cb514144

EDAN-URL:

edanmdm:nmnhanthropology_8455866

Collector:

K. W. Verhoeff  Search this

Preparation:

Alcohol (Ethanol)

Place:

Venice, Italy

Published Name:

Monolistra bericum (Fabrani)

Vireia berica

USNM Number:

56174

See more items in:

Invertebrate Zoology

Arthropoda

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3989f451d-74b5-42a9-b4d9-5e00150cd480

EDAN-URL:

edanmdm:nmnhinvertebratezoology_262236

Ocean/Sea/Gulf:

Atlantic, Mediterranean Sea - Adriatic Sea, Gulf of Venice  Search this

Place:

Venice., Veneto, Italy, Europe, Atlantic

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Acanthopterygii, Perciformes, Blennioidei, Blenniidae, Blenniinae

Published Name:

Blennius ocellaris

Accession Number:

000000

USNM Number:

34367

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/34faf77f0-67c0-4e47-bb8b-a1cd2ad71fd7

EDAN-URL:

edanmdm:nmnhvz_5179550

Collector:

Italian Commission, Berlin Fishery Exhibit  Search this

Ocean/Sea/Gulf:

Atlantic, Mediterranean Sea - Adriatic Sea, Gulf of Venice  Search this

Place:

Venice, Veneto, Italy, Europe, Atlantic

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Acanthopterygii, Perciformes, Percoidei, Mullidae

Published Name:

Mullus barbatus

USNM Number:

124431

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/356326722-a0a8-4853-bf0b-94107c875e96

EDAN-URL:

edanmdm:nmnhvz_11135189

Ocean/Sea/Gulf:

Atlantic, Mediterranean Sea - Adriatic Sea, Gulf of Venice  Search this

Prep Count:

1

Preparation:

Polyester

Place:

Venice., Veneto, Italy, Europe, Atlantic

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Acanthopterygii, Perciformes, Blennioidei, Blenniidae, Blenniinae

Published Name:

Blennius ocellaris

Accession Number:

2078776

Other Numbers:

Catalog Number : USNM 34367

USNM Number:

RAD106553

See more items in:

Vertebrate Zoology

Fishes

Fish Images

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/30b7afd44-43b6-4597-931b-84fa93d443c1

EDAN-URL:

edanmdm:nmnhvz_11879737