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The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37000 Slides (photographs) (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides (photographs)
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Little Court

Artist:
James McNeill Whistler (1834-1903)  Search this
Medium:
Etching; ink on paper
Dimensions:
H x W: 12.2 x 17.2 cm (4 13/16 x 6 3/4 in)
Type:
Print
Origin:
United States
Date:
ca. 1880-1881
Topic:
work  Search this
architecture  Search this
Italy  Search this
United States  Search this
American Art  Search this
shop front  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1905.188
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3626048de-67c4-437c-a5fb-b6773cf70f75
EDAN-URL:
edanmdm:fsg_F1905.188

Ilse Getz papers

Creator:
Getz, Ilse, 1917-  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Date:
1928-1999
Summary:
The papers of collage artist Ilse Getz measure 3.4 linear feet and date from 1928 through 1999, with the bulk of the papers dating from circa 1947-circa 1990. Her personal life is reflected through biographical material including a genealogy of the Bechhold family; marriage and death certificates; and writings that include journals, artist statement, poems and notes. The collection contains letters from friends, artists, collectors, and museum and art gallery representatives; exhibition files; and printed material relating to Getz's exhibitions. Also found are photographs, slides and transparencies of artwork.
Scope and Contents:
The papers of collage artist Ilse Getz measure 3.4 linear feet and date from 1928 through 1999, with the bulk of the papers dating from circa 1947-circa 1990. Her personal life is reflected through biographical material including a genealogy of the Bechhold family; marriage and death certificates; and writings that include journals, artist statement, poems and notes. The collection contains letters from friends, artists, collectors, and museum and art gallery representatives; exhibition files; and printed material relating to Getz's exhibitions. Also found are photographs, slides and transparencies of artwork.
Arrangement:
This collection is organized into 6 series.

Series 1: Biographical Material, circa 1934-1996 (Box 1, OV 5; 0.2 linear feet)

Series 2: Letters, circa 1950-1999 (Box 1; 0.5 linear feet)

Series 3: Exhibition Files, circa 1944-1990 (Box 1, 2, 4; 1.0 linear feet)

Series 4: Writings, circa 1928-1987 (Box 2, 4; 0.2 linear feet)

Series 5: Printed Material, circa 1956-1990 (Box 2, 3, 4, OV 5; 1.0 linear feet)

Series 6: Photographs, circa 1940-1985 (Box 3; 0.5 linear feet)
Biographical / Historical:
Ilse Getz (1917-1992) was born in Nuremberg, Germany and immigrated to the U.S. in 1933. She studied at the Art Students League with George Grosz and Morris Kantor and at the Ozenfant School. Getz was a collage and construction artist active from the 1950s through the 1980. She exhibited at several galleries in New York City including the Bertha Schaefer Gallery and Rosenberg Gallery.

During her childhood, Ilse Getz (nee Bechhold) had been uprooted both from home and country. She was first displaced in 1929, when she was sent to Hamburg to live with her sister after her father died by suicide. In 1933, Ilse and her sister left Nazi Germany, and traveled to Italy, Spain, Cuba, and Mexico. Ilse joined immediate family in New York. In 1937, Ilse married lawyer David Getz and settled in Allentown, Pennsylvania. Three years later she had a child and became a naturalized citizen of the United States.

In 1942, while visiting her sister in Mexico, Getz created her first oil painting. Upon returning to New York, Ilse continued her artistic exploration and studied with George Grosz and Morris Kantor at the Art Students League. By 1945, Getz had already held her first solo exhibition at the Norlyst Gallery in New York.

Getz traveled extensively throughout her life, incorporating the experiences in her work. During 1947-1948, she traveled and worked in Europe, visiting Switzerland, France, Spain and Portugal among other countries before retiring for four months in Guaruja, Brazil. She destroyed most of the artwork created during that period and returned to New York City.

During the summer of 1956, Getz taught and exhibited at the Positano Art Workshop in Italy along with Piero Dorazio. She repeated the experience two years later. In 1958, Getz married her second husband, artist Manoucher Yektai. The following year, Getz and Yektai went to Yaddo in Saratoga Springs, New York after having received fellowships to the artists' community.

In 1960, Getz was commissioned by Richard Barr to create the set for Eugene Ionesco's play, The Killer. The venue was the Seven Arts Theater in New York City and she completed the set in five days. Getz spent the next two years in Paris where she was represented by the Iris Clert Gallery; she exhibited in France, Germany and England. In 1962, Getz returned to New York City and maintained a studio on the Upper East Side. Getz married for the third time in 1964 to Gibson Danes who was then the Dean of Yale School of Art and Architecture. The couple lived in New York and Connecticut, and eventually settled in Newtown, Connecticut.

Getz participated in national and international exhibitions and in solo and group shows. Her collages and constructions incorporate items such as dolls, toys, birds, eggs, playing cards, and game boards. In 1978, retrospective exhibitions of Getz's work were held at the Neuberger Museum in Purchase, New York and in her native city at the Kunsthalle Nürnberg. Retrospective exhibitions were also held in 1980 at the Goethe House and Alex Rosenberg Gallery.

Later in life, Getz suffered from advanced Alzheimer's disease. In 1992, Gibson Danes, fearful that he would no longer be able to properly care for his wife, took both his life and that of Ilse Getz. They were found dead in their garage from acute carbon monoxide toxicity after breathing the fumes of their idling car.
Provenance:
The papers were donated in 2001 by Patricia Getz-Gentle, the daughter of Ilse Getz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Collagists -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Diaries
Photographs
Citation:
Ilse Getz Papers, 1928-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.getzilse
See more items in:
Ilse Getz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eaa347d5-7fa5-4528-9c0e-cfbdfce62a96
EDAN-URL:
ead_collection:sova-aaa-getzilse
Online Media:

Inka Engineering Symposium 3: Cusco, Inka Capital: Planning and Construction

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-19T16:21:34.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_fLkAhs6FhmE

The Morse Historic Design Lecture | Jorge F. Rivas Pérez: Design by Transformation

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2022-09-19T16:52:13.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_qq_lMrQEYfY

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-127
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4c7e28aea-ed4d-4b79-8f49-789dac3e7228
EDAN-URL:
edanmdm:chndm_1921-6-216-127

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-128
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq409973ec6-56b9-4ee2-bcae-6e21c0d22b09
EDAN-URL:
edanmdm:chndm_1921-6-216-128

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-129
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4596d77dc-4f29-4863-bc10-d2f89b6f0180
EDAN-URL:
edanmdm:chndm_1921-6-216-129

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-130
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq486d80def-a1d2-4596-a28f-55a58ebfb41d
EDAN-URL:
edanmdm:chndm_1921-6-216-130

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-131
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4b4f2fa3d-0063-4760-87e2-e52832f45c3f
EDAN-URL:
edanmdm:chndm_1921-6-216-131

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-132
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4014cc38b-4e37-4f32-b1bf-57ee31e5ac7d
EDAN-URL:
edanmdm:chndm_1921-6-216-132

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-133
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40058f9c5-084c-4399-b818-3e378fb974f0
EDAN-URL:
edanmdm:chndm_1921-6-216-133

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Retailer:
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-134
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4532ddb21-3cb0-419c-9460-b75fe3e69c1a
EDAN-URL:
edanmdm:chndm_1921-6-216-134

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-135
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4603df656-46d3-4e71-ad86-064d1787f355
EDAN-URL:
edanmdm:chndm_1921-6-216-135

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-136
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4417b08e2-0ca8-422d-a1be-fd299ce3bec5
EDAN-URL:
edanmdm:chndm_1921-6-216-136

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-137
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq44bec6f11-21bd-48af-af02-39adbee99c80
EDAN-URL:
edanmdm:chndm_1921-6-216-137

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-138
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4fdb30e54-bd53-4695-88c3-3fb38b30bcfe
EDAN-URL:
edanmdm:chndm_1921-6-216-138

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-139
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq49ba6402c-e977-4b13-8b20-a88cafe33c6d
EDAN-URL:
edanmdm:chndm_1921-6-216-139

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-140
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq44c650a25-20a8-455a-a692-3f5eaca64a40
EDAN-URL:
edanmdm:chndm_1921-6-216-140

Designs After Architecture Fragments

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Made in:
Italy
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-141
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4db4e874b-b589-44c0-b80f-955e0552fb7f
EDAN-URL:
edanmdm:chndm_1921-6-216-141

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