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The Morse Historic Design Lecture | A Grand Statement: The Surtout de Table

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2018-11-30T21:36:15.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_howdsu31Z50

The Morse Historic Design Lecture | Jorge F. Rivas Pérez: Design by Transformation

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2022-09-19T16:52:13.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_qq_lMrQEYfY

Running Fence, Sonoma and Marin Counties, California, 1972-76, Rubber-Crafters, Smithville, West Virginia, Factory workers sewed the fabric panels on industrial sewing machines and then folded the panels for insertion in nylon bags

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40 x 59.1 cm)
Type:
Photography-Photoprint
Date:
Spring/Summer 1976
Topic:
Figure group  Search this
Occupation\industry\construction  Search this
Architecture Interior\industry\factory  Search this
Modern art movement\installation exterior\Running Fence  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.117
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7981c0ee0-46e1-4be0-88c1-b3dbb3b45d24
EDAN-URL:
edanmdm:saam_RF.3.117

Running Fence, Sonoma and Marin Counties, California, 1972-76, Board of Supervisors, Marin County Public Hearing

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40.0 x 59.1 cm)
Type:
Photography-Photoprint
Date:
February 4, 1975
Topic:
Figure group  Search this
Occupation\political  Search this
Object\art object\drawing  Search this
Architecture Interior\civic  Search this
Modern art movement\installation exterior\Running Fence  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.135
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7220892b9-7029-4a4a-ab6b-6e63ecf06b9b
EDAN-URL:
edanmdm:saam_RF.3.135

Running Fence, Sonoma and Marin Counties, California, 1972-76, Sonoma County Public Hearing

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40.0 x 59.1 cm)
Type:
Photography-Photoprint
Date:
1975
Topic:
Figure group  Search this
Architecture Interior\civic  Search this
Modern art movement\installation exterior\Running Fence  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.140
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk752b61c8f-3f3a-4f26-b2e2-6048be39b524
EDAN-URL:
edanmdm:saam_RF.3.140

Running Fence, Sonoma and Marin Counties, California, 1972-76, Public Hearing Sonoma County

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Sitter:
Christo  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40.0 x 59.1 cm)
Type:
Photography-Photoprint
Date:
March 18, 1975
Topic:
Figure group  Search this
Architecture Interior\civic  Search this
Modern art movement\installation exterior\Running Fence  Search this
Portrait male\bust  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.172
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk763726b7d-cb1e-4857-9195-fee5f2e29159
EDAN-URL:
edanmdm:saam_RF.3.172

Running Fence, Sonoma and Marin Counties, California, 1972-76, Engineer in cab of truck recording data on anchors

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Medium:
black and white photograph
Dimensions:
23 1/4 x 15 3/4 in. (59.1 x 40.0 cm)
Type:
Photography-Photoprint
Date:
April 29-August 20, 1976
Topic:
Occupation\industry\construction  Search this
Architecture\vehicle\truck  Search this
Modern art movement\installation exterior\Running Fence  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.176
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76bb7b6b0-403c-44fe-bc7c-64e5e558fa63
EDAN-URL:
edanmdm:saam_RF.3.176

Running Fence, Sonoma and Marin Counties, California, 1972-76, Robert E. Tresch

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Sitter:
Robert E. Tresch  Search this
Medium:
black and white photograph
Dimensions:
23 1/4 x 15 3/4 in. (59.1 x 40.0 cm)
Type:
Photography-Photoprint
Date:
1973-1976
Topic:
Architecture\vehicle\truck  Search this
Occupation\farm\dairy  Search this
Modern art movement\installation exterior\Running Fence  Search this
Portrait male\knee length  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.179
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76a777af9-75ec-4bef-8617-2f22d4e859a2
EDAN-URL:
edanmdm:saam_RF.3.179

Running Fence, Sonoma and Marin Counties, California, 1972-76, Kenneth Williamsen

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Sitter:
Kenneth Williamsen  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40.0 x 59.1 cm)
Type:
Photography-Photoprint
Date:
1973-1976
Topic:
Architecture\vehicle\truck  Search this
Modern art movement\installation exterior\Running Fence  Search this
Occupation\farm\rancher  Search this
Portrait male\full length  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.185
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk71ae02e98-5f0c-4140-9729-62a7be9b1f0c
EDAN-URL:
edanmdm:saam_RF.3.185

Running Fence, Sonoma and Marin Counties, California, 1972-76, Mr. and Mrs. Wilbur Volkerts

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Sitter:
Barbara Volkerts  Search this
Wilbur Volkerts  Search this
Medium:
black and white photograph
Dimensions:
15 3/4 x 23 1/4 in. (40.0 x 59.1 cm)
Type:
Photography-Photoprint
Date:
1973-1976
Topic:
Architecture Exterior\other\swimming pool  Search this
Modern art movement\installation exterior\Running Fence  Search this
Occupation\farm\rancher  Search this
Portrait female\waist length  Search this
Portrait male\waist length  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.189
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7e3c5e91f-5fa0-47a6-bda8-7abbf31a77e6
EDAN-URL:
edanmdm:saam_RF.3.189

Running Fence, Sonoma and Marin Counties, California, 1972-76

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Medium:
black and white photograph
Dimensions:
14 x 17 7/8 in. (35.6 x 45.4 cm)
Type:
Photography-Photoprint
Date:
1974-1976
Topic:
Architecture Exterior\civic\post office  Search this
Modern art movement\installation exterior\Running Fence  Search this
Landscape\California\Valley Ford  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.279
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b8ec3ea3-fb43-4b80-9e5e-991287a033f1
EDAN-URL:
edanmdm:saam_RF.3.279

Running Fence, Sonoma and Marin Counties, California, 1972-76, Christo testifies before the North Central Regional Division of the California Coastal Zone Conservation Commission at teh San Raphael Civic Center

Artist:
Christo and Jeanne-Claude, active 1958  Search this
Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this
Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this
Photographer:
Gianfranco Gorgoni, Italian, born Rome, Italy 1941  Search this
Sitter:
Christo  Search this
Medium:
black and white photograph
Dimensions:
14 x 17 7/8 in. (35.6 x 45.4 cm)
Type:
Photography-Photoprint
Date:
April 24, 1975
Topic:
Architecture Interior\civic  Search this
Modern art movement\installation exterior\Running Fence  Search this
Portrait male  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
Photograph © Gianfranco Gorgoni, 1978
Object number:
RF.3.280
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Related Collection
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7407d3bef-86f0-4431-9b37-a3fc2a7c5172
EDAN-URL:
edanmdm:saam_RF.3.280

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Slides (photographs)
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Inka Engineering Symposium 3: Cusco, Inka Capital: Planning and Construction

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-19T16:21:34.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_fLkAhs6FhmE

Alice Trumbull Mason papers

Creator:
Mason, Alice Trumbull, 1904-1971  Search this
Names:
American Abstract Artists  Search this
Kelpe, Paul, 1902-1985  Search this
Lassaw, Ibram, 1913-2003 -- Photographs  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Poetry
Date:
1921-1977
Summary:
The papers of abstract artist Alice Trumbull Mason date from 1921 to 1977 and measure 1.3 linear feet. The collection documents her career as a painter, particularly her role as one of the founders of the American Abstract Artists group, through biographical materials; correspondence with family, friends, fellow artists, art galleries, museums, and organizations; writings and notes, including notebooks of poetry and other creative writings; a small amount of printed material; photographs of Mason, friends, and her artwork; and original artwork, including five sketchbooks.
Scope and Content Note:
The papers of abstract artist Alice Trumbull Mason date from 1921 to 1977 and measure 1.3 linear feet. The collection documents her career as a painter, particularly her role as one of the founders of the American Abstract Artists group, through biographical materials; correspondence with family, friends, fellow artists, art galleries, museums, and organizations; writings and notes, including notebooks of poetry and other creative writings; a small amount of printed material; photographs of Mason, friends, and her artwork; and original artwork, including five sketchbooks.

Biographical material consists of resumes, passports, exhibition files, as well as documentation of her membership and active participation in art organizations, including her work as an officer in the American Abstract Artists group. Also found here are scattered personal financial and legal records. Personal and professional correspondence is with family members, including many detailed letters between her and her husband Warwood, fellow artists, including Paul Kelpe, art organizations, curators, museums, galleries, and others. Professional correspondence generally discusses selection of exhibition and awards, sale of artwork, and art events. Writings and notes, mostly from the 1920s and 1930s, consist of Mason's notes on art history and her creative writings, including poetry and "abstract writing." Also found are a few writings about abstract art and various notes and lists.

Printed material includes news clippings on topics of interest to Mason, and other miscellaneous items such as brochures, and exhibition announcements. Photographs include several portraits of Mason with her artwork, photographs of friends including artist Ibram Lassaw, photographs of an American Abstract Artists exhibition, and artwork by her and others. Original artwork found in this collection includes five sketchbooks belonging to Mason, including two that document her travels through Greece and Italy, and other loose drawings.
Arrangement:
The collection is arranged into 6 series:

Missing Title

Series 1: Biographical Material, 1925-1968 (Box 1, OV 3; 0.2 linear feet)

Series 2: Correspondence, 1922-1977 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, 1921-1965 (Box 1; 6 folders)

Series 4: Printed Material, 1936-1974 (Box 1; 2 folders)

Series 5: Photographs, 1920s-1967 (Box 1, OV 3; 5 folders)

Series 6: Artwork, 1924-1963 (Box 1-2, OV 3; 0.4 linear feet)
Biographical Note:
Alice Trumbull Mason was born in 1904 in Litchfield, Connecticut. Her mother, Anne Leavenworth Train, was an accomplished artist before she met Alice's father, William Trumbull, a descendent of the Revolutionary War era painter, John Trumbull. Alice spent much of her childhood in Europe with her family. From 1921 to 1922 they lived in Florence and Rome where she studied at the British Academy. In 1923 she continued her studies with painter Charles W. Hawthorne at the National Academy of Design in New York and from 1927 to 1928 attended courses at the Grand Central Art Galleries taught by Arshile Gorky. Gorky inspired her interest in abstract painting, and Mason painted her first non-objective works in 1929. In 1928 she returned to Italy and Greece and was greatly influenced by ancient art, Byzantium, and Italian primitives. She married Warwood Mason, a merchant seaman, in 1930 and her daughter Emily was born in 1932 and her son Jonathan in 1933. During this period she stopped painting and devoted her creative energy to writing poetry inspired by American avant-garde writers.

Mason began painting again in 1934 and was recognized as a key figure of American abstraction. In 1935 she met and became close friends with fellow artist Ibram Lassaw, and they, along with several other artists, began to meet on a regular basis which led to the first American Abstract Artists group exhibition in 1937. Mason remained very active in the group and served as treasurer in 1939, secretary from 1940 to 1945, and president from 1959 to 1963. She was also an activist for abstract art, protesting the decisions of the Museum of Modern Art several times for excluding abstract artists from exhibitions. During the 1940s her paintings and concept of "architectural abstraction" was influenced by the arrival of Piet Mondrian in New York. Also in the 1940s she had two one-woman shows, but throughout her career she felt there was a bias against women in the New York art world and most often she participated in AAA group shows. Her work would be viewed as an important bridge for future abstract and conceptualist artists. In 1958 her son died, and though she continued to paint and participate in exhibitions, she never recovered from this tragedy and in the late 1960s withdrew into seclusion until her death in 1971.
Related Material:
Also found in the Archives of American Art is a collection of interviews by Ruth Bowman of members of the American Abstract Artists group conducted between 1963-1965, that includes an interview with Alice Trumbull Mason. The Archives of American Art also houses 2.3 linear feet of the records of the American Abstract Artists group.
Separated Material:
A portion of the material donated by Alice Trumbull Mason in 1969 relating to her involvement with the American Abstract Artists was separated and filed with the American Abstract Artists records at the Archives of American Art. Files of news clippings and exhibition catalogs were transferred to the Smithsonian American Art Museum and National Portrait Gallery Library after microfilming.
Provenance:
A portion of this collection was donated by Alice Trumbull Mason in 1969. Additional material was donated from 1972 to 1977 by Mason's daughter, Emily Mason Kahn.
Restrictions:
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women authors  Search this
Genre/Form:
Photographs
Sketchbooks
Poetry
Citation:
Alice Trumbull Mason papers, 1921-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.masoalic
See more items in:
Alice Trumbull Mason papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95e72c55c-ce27-48d3-a5d7-2904106402d0
EDAN-URL:
ead_collection:sova-aaa-masoalic
Online Media:

Artwork

Collection Creator:
Mason, Alice Trumbull, 1904-1971  Search this
Extent:
(Box 1-2, OV 3; 0.4 linear feet)
Type:
Archival materials
Date:
1924-1963
Scope and Contents note:
Artwork by Alice Trumbull Mason includes loose drawings and five sketchbooks, most of which date from the 1920s when she was studying painting and traveling in Europe. Loose drawings are of her family, various abstract images, architecture, landscapes, and other studies. A sketchbook dating from circa 1925 to 1928 includes portraits, seated figures, and anatomy drawings. Two sketchbooks dating from 1928 to 1929 document her trips to Italy and Greece, and include descriptions and dates for each drawing. Other sketchbooks from the 1920s include various sketches similar to those found in the loose drawings. This series also includes a signed etching by Mason's friend Letterio Calapai and a small painting by her granddaughter, Cecily Kahn.
Arrangement note:
Microfilm reel and frame numbers are noted at folder headings.
Collection Restrictions:
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alice Trumbull Mason papers, 1921-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.masoalic, Series 6
See more items in:
Alice Trumbull Mason papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9432e4e55-30cc-44b1-ae62-a818446da347
EDAN-URL:
ead_component:sova-aaa-masoalic-ref63

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
1.4 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Transcripts
Video recordings
Photographs
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Missing Title

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30, 1.33 GB; ER05)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Mosaicists -- New York (State) -- New York  Search this
Topic:
War relief  Search this
Travel  Search this
World War, 1939-1945  Search this
Women artists  Search this
Motion pictures (visual works)  Search this
World War, 1914-1918  Search this
Women muralists  Search this
Function:
Art commissions
Genre/Form:
Transcripts
Video recordings
Photographs
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91dab1643-4ed7-41c1-bd7a-196576d7d777
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

Inka Road Symposium 11: Cusco: A New Vision of the Ancient City

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-07-15T18:45:36.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_WlTLiEhvbXQ

The silk road and beyond narratives of a Muslim historian Iftikhar H. Malik

Title:
Silk road
Author:
Malik, Iftikhar Haider 1949-  Search this
Physical description:
xv, 368 pages 23 cm
Type:
Biography
Biographies
History
Place:
Pakistan
Date:
2020
Topic:
Historians  Search this
Muslims--Social life and customs  Search this
Muslims--History  Search this
Islam--Social aspects  Search this
Islam and culture  Search this
Musulmans--Mœurs et coutumes  Search this
Musulmans--Histoire  Search this
Islam--Aspect social  Search this
Islam et civilisation  Search this
Muslims  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1147700

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Missing Title

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca20c0c-5a91-42e5-9ff4-d5217f7fd266
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

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