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Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-09T18:38:49.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_0n6aiU-xvyI

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-09T18:47:41.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_93F-hfvVzO4

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T17:20:54.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_J0efFx6tCXQ

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T18:02:24.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

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smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_LM_2N_Kvpvg

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-04-13T14:50:23.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_XQYQ27uA4yw

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T17:40:13.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_YZLP9IwCWVI

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-17T17:27:52.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_uMz31pusjHA

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T17:51:48.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_wCcM76L_A80

Creator:

Artschwager, Richard, 1923-  Search this

Names:

Adair Margo Gallery  Search this

Carpenter Center for the Visual Arts  Search this

Cornell University  Search this

Gagosian Gallery  Search this

Galerie Franck + Schulte  Search this

Harvard University  Search this

Herbert F. Johnson Museum of Art  Search this

Leo Castelli Gallery  Search this

Lorence-Monk Gallery (New York, N.Y.)  Search this

Museum Ludwig  Search this

Museum of Contemporary Art (Los Angeles, Calif.)  Search this

Museum of Fine Arts, Boston  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Skowhegan School of Painting and Sculpture  Search this

University of Wisconsin  Search this

Whitney Museum of American Art  Search this

Alloway, Lawrence, 1926-1990  Search this

Castelli, Leo  Search this

Copley, William Nelson, 1919-1996  Search this

Fischl, Eric, 1948-  Search this

Johnson, Ray, 1927-  Search this

Karp, Ivan C., 1926-2012  Search this

Katz, Alex, 1927-  Search this

Kimmelman, Michael  Search this

Lawler, Louise  Search this

LeWitt, Sol, 1928-2007  Search this

Murray, Elizabeth, 1940-  Search this

Namuth, Hans  Search this

Neuendorf, Hans  Search this

Ruscha, Edward  Search this

Schaffner, Ingrid  Search this

Schjeldahl, Peter  Search this

Waters, John, 1946-  Search this

Woodman, Betty, 1930-  Search this

Extent:

5.6 Linear feet

9.33 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Illustrated letters

Transcripts

Sketches

Photographs

Sound recordings

Video recordings

Date:

1959-2013

Summary:

The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.

Scope and Contents:

The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.

Arrangement:

The collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet, ER01-ER02; 0.555 GB)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet, ER03-ER10; 8.77 GB)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)

Biographical / Historical:

Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.

Related Materials:

Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.

Provenance:

The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.

Restrictions:

Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art critics  Search this

Topic:

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Art, Modern -- 20th century  Search this

Genre/Form:

Illustrated letters

Transcripts

Sketches

Photographs

Sound recordings

Video recordings

Citation:

Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Roy Lichtenstein Foundation.

Identifier:

AAA.artsrich

See more items in:

Richard Artschwager papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b1669278-fbd8-48b5-832c-ad4b93ec08bd

EDAN-URL:

ead_collection:sova-aaa-artsrich

Creator:

Augspurger, Mike  Search this

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Cater, Anita  Search this

Names:

One-Off Titanium  Search this

Extent:

0.25 Cubic feet

Type:

Collection descriptions

Archival materials

Interviews

Videotapes

Oral history

Betacam sp (videotape format)

Date:

1998

2001

2000

Summary:

Mike Augspurger was born in 1956 in Fort Wayne, Indiana. Working with steel land titanium, he invented an all terrain rear wheel drive handcycle. Collection contains approximately eight hours of video footage documenting Augspurger discussing his life and work and a promotional video titled One-Off Handcycle.

Scope and Contents:

This collection contains seven (7) hours of original (BetaCam SP) recordings and eight (8) hours of reference (viewing) copies documenting the life and work of Mike Augspurger, inventor of the One-Off All Terrain Handcycle. The recordings include a presentation by Augspurger for the Lemelson Center's Innovative Lives Program. Audience participants are students from Jefferson Junior High School (Washington, D.C.), Nysmith School (Herndon, Virginia), Nicholas Orem Middle School (Hyattsville, Maryland), and Rosa Parks Middle School (Olney, Maryland). The collection also contains interviews with Leni Fried, Augspurger's wife, and Provi Morillo, an owner of a One-Off Handcycle.

Arrangement:

The collection is organized into three series.

Series 1, Original Videos, 2000

Series 2, Reference Videos (viewing copies), 1998; 2000

Series 3, Supplemental Documentation, 2001

Biographical / Historical:

Mike Augspurger (1956-) was born and raised in Fort Wayne, Indiana, where he built, modified, and raced bicycles, motorcycles, and go-karts from a young age. He attended motorcycle mechanic school at the Indiana Institute of Technology and received his B.A. from Hampshire College in 1981. Augspurger founded Merlin Metalworks in 1987 with business partners and began using titanium to manufacture bicycle frames because of its flexibility, corrosion resistance, and lightweight nature. It was his friendship with neighbor Bob Hall, a wheelchair racing athlete, which prompted him to create an all terrain arm-powered cycle. He founded One-Off Titanium, Inc., to design, manufacture, and custom-build handcycles in 1989.

The Jermone and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is: to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation play in the history of the United States. The Innovative Lives series brings together museum visitors and, especially, school-aged children and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.

Provenance:

This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on May 5, 2000. The Innovative Lives series brings Museum visitors and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.

Restrictions:

The collection is open for research use. Series 1, Original Videos, 2000, is stored off-site and may not be used by researchers. Gloves must be worn when handling unprotected photographs and negatives.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. The Archives Center does not own rights to the promotional video One-Off Handcycle. Reproduction permission and fees from the Archives Center may apply. Copies of releases on file.

Topic:

Inventors -- 20th century  Search this

Inventions -- 1980-2000  Search this

Bicycles  Search this

Mountain bikes  Search this

Bicycle industry  Search this

Slides  Search this

Photographs  Search this

Genre/Form:

Interviews -- 1980-2000

Videotapes

Oral history -- 1990-2000

BetaCam SP (videotape format)

Citation:

Mike Augspurger Innovative Lives Presentation and Oral History, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0689

See more items in:

Mike Augspurger Innovative Lives Presentation and Oral History

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a5602e7d-e9d1-4b4e-bf35-c256d97a8a24

EDAN-URL:

ead_collection:sova-nmah-ac-0689

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Extent:

3 Cubic feet (20 boxes )

Type:

Collection descriptions

Archival materials

Oral history

Videotapes

Betacam sp (videotape format)

Vhs (videotape format)

Date:

2000 - 2001

Summary:

Thirty-three videotaped interviews of Nobel Prize laureates, conducted in Lindau, Germany, Washington, D.C., and elsewhere in the United States. The interviews form the core of the Nobel Voices Video History Project and the exhibition "Nobel Voices." Documents and preserves examples of the quest for innovation and its important messages for future generations.

Scope and Contents:

The thirty-three interviews total approximately twenty-six and one half hours in length and exist in five formats: digital, BetaCam SP, 1/2" VHS, cassette audio tapes, and transcripts. All five formats document the same interview content for each interviewee. The collection contains original, master, and reference videos, audio tapes, transcripts, production footage (stock and b-roll) and compact disks, documenting thirty-three Nobel laureates. All interviews were conducted by Neil Hollander. The production footage is from a variety of non-profit and commercial sources and there are no transcripts or time logs. The production footage was used in the exhibition interactive Ask the Prizewinners and the Nobel Prize: 100 Years of Creativity and Innovation (interactive CD-ROM). This CD-ROM explores the motivation and vision of Nobel laureates and the history of Alfred Nobel and his prize. This CD-ROM is a resource for educators and others interested in interdisciplinary approaches to stimulating creativity. The Ernst Otto Fischer (Chemistry 1973) interview was not conducted in English and there is no transcript. The Hans-Uno Bengtson interview documents a Swedish physicist and there is no transcript. Five interviews include laureate spouses: Kirsten Fischer Lindahl, Isabella Karle, Margaret Kroto, Nancy Mullis, and Phyllis Osheroff. The video interviews and transcripts are unedited. A three minute edited version of the interviews appears on the web at http:///www.NOfestiBEL.com.

Arrangement:

The collection is organized into six series.

Series 1: Original Videos, 2000

Series 2: Master Videos, 2000

Series 3: Reference Videos, 2000

Series 4: Audio Tapes, 2000-2001

Series 5: Transcripts, 2000

Series 6: Production Footage, undated

Biographical / Historical:

The National Museum of American History, Smithsonian Institution and the Deutsches Museum collaborated in June 2000 to conduct video interviews with thirty-three Nobel Laureates. Interviews were conducted in Lindau, Germany, Washington, D.C., and elsewhere in the United States. The video documentation subsequently formed the core of the Nobel Voices Video History Project and the exhibition Nobel Voices: Celebrating 100 Years of the Nobel Prize. The interviewees were asked about their motivations, visions for the future, and opinions on the nature of creativity and innovation. In the interviews, the laureates speak about their passion for their work, their childhood inspirations, the spirit of discovery, and the personal meaning of the Nobel Prize.

The Nobel Voices Video History Project documents and preserves examples of the quest for innovation and its important messages for future generations. Interviewees were: Werner Arber, Hans-Uno Bengton, Gunther Blobel, Paul Boyer, Claude Cohen-Tannouudji, Johann Deisenhofer, Kristen Lindahl Deisenhofer, Manfried Eigen, Richard Ernst, Edmond Fischer, Ernst Otto Fischer, Paul Greengard, Jerome Karle, Isabella Karle, Klaus von Klitzing, Walter Kohn, Harold Kroto, Robert B. Laughlin, David Lee, Rudolph A. Marcus, Kary B. Mullis, Nancy Mullis, Erwin Neher, Douglass D. Osheroff, Phyliss L. Osheroff, William D. Phillips, John Polanyi, John Pople, Gerardus t'Hooft, Robert C. Richardson, Jack Steinberger, Samuel C.C. Ting, Charles Townes, Martinus Veltman, and Jody Williams.

The Lemelson Center received generous support for the Nobel Voices exhibit from the Lemelson Foundation. The exhibit was developed in collaboration with the Deutsches Museum, Bonn, Germany, and the Smithsonian's National Portrait Gallery, with the cooperation of the Meetings of Nobel Prize Winners in Lindau, Germany, annually convened by Countess Sonja Bernadotte of Wisborg, Sweden. Nobel Voices explores the motivation and vision of Nobel laureates and the history of Alfred Nobel and his prize. It features personal video interviews of laureates, candid photographic portraits, and original artifacts, including Albert Einstein's pipe and William Faulkner's tweed jacket and typewriter.

Visitors to the exhibition pass through eight sections telling the story of the Nobel Prize and those who have achieved it: The Nobel Prizes, Nobel Encounters, Inventing the Future, Alfred Nobel: The Man Behind the Prize, The World of the Laureates, Through Young Artists' Eyes, The Nobel Laureates in Lindau, and Images of Nobel Prize Winners from the National Portrait Gallery. For more information about the Nobel Prize and Nobel Laureates see http://nobelprize.org/ administered by the Nobel Foundation.

Provenance:

The collection was transferred from the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation, May 18, 2001.

Restrictions:

The collection is open for research use.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed release forms on file.

Topic:

Medicine  Search this

Chemistry  Search this

Physics  Search this

Inventors -- 20th century  Search this

Nobel Prizes  Search this

Genre/Form:

Oral history -- 2000-2010

Videotapes -- 2000-2010

BetaCam SP (videotape format)

VHS (videotape format)

Citation:

Nobel Voices Oral History Project, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0771

See more items in:

Nobel Voices Video History Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep89dd62049-91e7-4ce4-a316-abf27078db5e

EDAN-URL:

ead_collection:sova-nmah-ac-0771

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Interviewee:

Madhani, Akhil  Search this

Speaker:

Berger, Sondra  Search this

Extent:

0.25 Cubic feet (1 Box)

Type:

Collection descriptions

Archival materials

Oral history

Videotapes

Interviews

Date:

1999-12

Scope and Contents:

Collection documents inventor Akhil Madhani and his invention, the Black Falcon, a teleoperated surgical instrument.

Arrangement:

Series 1: Original videotapes

Series 2: Master Videotapes

Series 3: Reference Videotapes

Series 4: Digital Images

Provenance:

Created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation, National Museum of American History, 1999.

Restrictions:

Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Copies of signed releases on file.

Topic:

Surgical instruments and apparatus -- 1990-2000  Search this

Robotics laboratories -- 1990-2000  Search this

Robot industry -- 1990-2000  Search this

Robotics -- 20th century  Search this

Inventions -- 1990-2000  Search this

Inventors -- 1990-2000  Search this

Genre/Form:

Oral history -- 1990-2000

Videotapes -- 1990-2000

Interviews -- 1980-2000

Citation:

Akhil Madhani Innovative Lives Presentation, 1999, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0709

See more items in:

Akhil Madhani Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f39cb0e8-da95-460d-9ec6-4535b69c3878

EDAN-URL:

ead_collection:sova-nmah-ac-0709

Creator:

Cater, Anita  Search this

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Ganson, Arthur, 1955-  Search this

Extent:

0.5 Cubic feet (3 boxes )

Type:

Collection descriptions

Archival materials

Oral history

Videotapes

Interviews

Date:

October 4, 2002.

Scope and Contents note:

Collection consists of original, master, and reference videos documenting interviews with Arthur Ganson, kinetic sculptor and inventor.

Arrangement:

3 series: (1) Original videos, (2) Master videos, (3) Reference videos.

Biographical/Historical note:

Kinetic sculptor and inventor.

Provenance:

Videohistory created by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.

Restrictions:

Unrestricted research access on site by appointment.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Sculptors -- Interviews -- Massachusetts  Search this

Kinetic sculpture  Search this

Sculptors  Search this

Inventions -- 20th century  Search this

Inventors  Search this

Genre/Form:

Oral history -- 2000-2010

Videotapes

Interviews -- 2000-2010

Citation:

Arthur Ganson Innovative Lives Presentation, October 4, 2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0830

See more items in:

Arthur Ganson Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep870252893-f667-48d5-abf0-4eddc7e37b5a

EDAN-URL:

ead_collection:sova-nmah-ac-0830

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Berger, Sondra  Search this

Moore, Ann, 1940-  Search this

Moore, Mike  Search this

Names:

Auckerman, Lucy  Search this

Extent:

2 Cubic feet (5 boxes , BetaCamSP, 1/2 inch VHS videotapes)

Type:

Collection descriptions

Archival materials

Audio cassettes

Betacam sp (videotape format)

Floppy disks

Interviews

Oral history

Videotapes

Place:

Africa, French-speaking West

Date:

1999-10

Summary:

Ann Moore is the inventor of the Snugli baby carrier and Air Lift oxygen carrier. The collection contains original, master, and reference videos, audiocassette recordings, and transcripts documenting Moore's inventive career.

Scope and Contents:

This collection contains 5.5 hours of original BetaCam SP recordings, 5.5 hours of master video copies, 5.5 hours of reference copies, 5.5 hours of audiocassette recordings, transcripts, and articles documenting the life and work of Ann Moore, inventor of the Snugli baby carrier and Air Lift oxygen carrier. The recordings include a presentation by Ann and Mike Moore for the Lemelson Center's Innovative Lives Program. Audience participants include students from Seven Locks Elementary School in Bethesda, Maryland; Burrville Elementary School in Washington, D.C.; Barrett Elementary School in Arlington, Virginia; and Jefferson Junior High School in Washington, D.C. Ann Moore's interview includes footage of her home in Colorado and discussions with users of the Air Lift oxygen carrier and Weego baby carrier.

Arrangement:

The collection is arranged into five series.

Series 1: Original videos, 1999

Series 2: Master videos, 1999

Series 3: Audiocassettes, 1999

Series 4: Reference videos, 1999

Series 5: Supplemental documentation, 1999

Biographical / Historical:

Ann Moore was born in 1940 in a small Ohio farming community and studied pediatric nursing at the University of Cincinnati. She joined the Peace Corps in 1962 as part of a medical team and was sent to Togo. She met her husband Mike Moore during training. While in Togo, Ann Moore noticed that most women tied their babies onto their backs with a long piece of fabric, which made the babies more content. Back in Colorado, Moore wanted to carry her newborn daughter Mandela in the same way. With the assistance of her mother, Lucy Aukerman, Moore designed the first Snugli baby carrier in 1969 (US Patent 3,481,517). She patented the Snugli in 1984 (US Patent 4,434,920). Snugli, Inc. grew from a small company where each Snugli was handmade by Aukerman and her neighbors to a large company with an international presence and a factory in Colorado. In 1985 Ann and Mike Moore sold Snugli, Inc. to Gerico, a Huffy Company. In 1986 Ann invented Air Lift, a soft mesh backpack oxygen carrier so people on oxygen could be more mobile (US Patent 4,739,913).

Ann and Mike Moore became disappointed in how Gerico had simplified the Snugli design so it could be manufactured less expensively so in 1999 the Moores launched Weego, a soft baby carrier similar to the original Snugli. The Weego has some modern improvements, including an adjustable buckle around the top of the carrier instead of pin tucks. The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation plays in the history of the United States. The Innovative Lives series brings together Museum visitors and especially school age children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.

Provenance:

This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 15, 1999.

Restrictions:

The collection is open for research use.

Rights:

Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.

Topic:

Infants -- Care  Search this

Inventions -- 1950-2000  Search this

Inventors -- 1950-2000  Search this

Slides  Search this

Women inventors  Search this

Women inventors -- 20th century  Search this

Genre/Form:

Audio cassettes -- 1990-2000

BetaCam SP (videotape format)

Floppy disks

Interviews -- 1980-2000

Oral history -- 1990-2000

Videotapes -- 1990-2000

Citation:

Ann Moore Innovative Lives Presentation and Interview, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.0706

See more items in:

Ann Moore Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep807245371-e2c3-4d78-b05a-ebd7d0d9b573

EDAN-URL:

ead_collection:sova-nmah-ac-0706

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Names:

Nobel Voices: Celebrating 100 Years of the Nobel Prize (Exhibition).  Search this

Extent:

0.75 Cubic feet (4 boxes)

Type:

Collection descriptions

Archival materials

Oral history

Videotapes

Interviews

Betacam sp (videotape format)

Photographs

Date:

2001-10-01

Summary:

Approximately five hours of video footage documenting Harold Kroto, chemist and Nobel Laureate (Chemistry, 1996) discussing carbon structures called "bucky balls" named after architect Buckminster Fuller's geodesic domes. Kroto describes properties and mathematical principles represented by these structures and he discusses his background and winning the Nobel Prize.

Scope and Contents:

This collection contains five (5) hours of original (BetaCam SP), master (BetaCam SP), reference videos (VHS) and one (1) audio cassette documenting Harold Kroto, chemist and Nobel Laureate (Chemistry, 1996). Kroto discusses carbon structures called "bucky balls" named after architect Buckminster Fuller's geodesic domes and describes properties and mathematical principles represented by these structures. Kroto also discusses his background and winning the Nobel Prize. Audience participants are students from Queen Anne School (Upper Marlboro, Maryland) and Nysmith School for the Gifted (Herndon, Virginia). There are two sets of reference viewing copies; the Innovative Lives Presentation was filmed using two different camera angles (camera 1 and camera 2). The content is the same.

Arrangement:

The collection is divided into three series.

Series 1, Original Videos and Audio Cassette, 2001

Series 2, Master Videos, 2001

Series 3, Reference Videos and Audio Cassette, 2001

Biographical / Historical:

Harry Kroto (1939-) was born in Wisbech, Cambridegshire, England and raised and educated in Bolton, Lancashire, England. He attended Bolton School where he studied art, geography, gymnastics, and woodwork. He later graduated from the University of Sheffield earning a BSc degree (1958-1961) and a Ph.D. (1961-1964) in chemistry. Kroto's doctorate work focused on "Spectroscopy of Free Radicals Produced by Flash Photolysis." Kroto's postdoctoral work in electronic and microwave spectroscopy was conducted at the National Research Council in Ottawa, Canada, and at Bell Laboratories in New Jersey studying liquid phase interactions by Raman Spectroscopy. In 1967, Kroto joined the staff at the University of Sussex (Brighton) where he became a professor in 1985 and in 1991 was made Royal Society Research Professor. At Sussex, Kroto began exploring the possible source of carbon chains in space. Based on this research along with his colleagues Robert Curl and Richard Smalley, both of Rice University, Kroto received the 1996 Nobel Prize in Chemistry for the discovery of "fullerenes." Named after architect Buckminster Fuller's soccer-ball shaped geodesic dome, fullerenes are formed when vaporized carbon condenses in an atmosphere of inert gas.

The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is: to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation play in the history of the United States. The Innovative Lives series brings together museum visitors and, especially, school aged children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.

Provenance:

This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 1, 2001.

Restrictions:

The collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed release forms on file.

Topic:

Nobel Prizes  Search this

Chemists -- 20th century  Search this

Chemistry -- 20th century  Search this

Slides  Search this

Genre/Form:

Oral history -- 2000-2010

Videotapes

Interviews -- 2000-2010

BetaCam SP (videotape format)

Photographs

Citation:

Harry Kroto Innovative Lives Presentation and Interview, October 1, 2001, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0792

See more items in:

Harry Kroto Innovative Lives Presentation and Interview

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8fbc29a95-cf23-40af-8a02-67270d5e3905

EDAN-URL:

ead_collection:sova-nmah-ac-0792

Presenter:

Crew, Spencer, Dr., 1949-  Search this

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Inventor:

Walker, Hal, Jr. (Hildreth), 1933-  Search this

Interviewee:

Stephens, Lee  Search this

Walker, Bettye Davis, Dr.  Search this

Speaker:

Lemelson, Jerome H., 1923-1997  Search this

Molella, Arthur P., 1944-  Search this

Travis, John  Search this

Heyman, Ira Michael, 1930-2011  Search this

Names:

A-MAN (African American Male Achievers Network)  Search this

Extent:

0.5 Cubic feet (3 boxes)

Type:

Collection descriptions

Archival materials

Interviews

Lectures

Betacam sp (videotape format)

Videotapes

Oral history

Slides

Date:

1995 June 1

Summary:

Collection documents inventor Hal Walker and his research and development work with lasers and electric automobiles.

Scope and Contents:

This collection contains original (Betcam SP), master (Betacam SP), reference (1/2" VHS) videos and photographs documenting Spencer Crew, Secretary I. Michael Heyman, Arthur Molella and Jerome Lemelson in honor of the establishment of the Lemelson Center and the first Innovative Lives Program (a series of lecture-demonstrations by American inventors and entrepreneurs for young people--by Hildreth "Hal" Walker. Hal Walker discusses his background and how he became an inventor. With John Travis, a chemist from the National Institute of Standards and Technology, Walker demonstrates the properties and applications of lasers, including measuring the distance to the moon and voice communications. Walker developed laser equipment that projected images of the moon back to the earth during the 1969 Apollo moon walk.

Arrangement:

Collection is arranged into four series.

Series 1: Original videos

Series 2: Master videos

Series 3: Reference videos

Series 4: Photographs

Biographical / Historical:

Hal Walker was born in 1933 in Louisiana. In 1951, he joined the Navy and served for four years as a qualified electrician's mate. In 1955, Walker joined Douglas Aircraft Company installing radar systems and at the same time began taking classes at L.A. City College. Soon after joining Douglas Aircraft, a series of layoffs occurred and Walker joined RCA working with the Ballistic Missile Early Warning System (BMEWS). He continued to sharpen his technical and managerial skills developing industrial and medical uses for lasers, plasma, quantum physics, and holography. By 1981, Walker joined Hughes Aircraft, the organization that brought Laser Target Designator Systems (LTDs) to the United States Army's weapons inventory. Walker retired from Hughes Aircraft in 1989 and with his wife, Dr. Bettye Davis Walker, founded A-MAN, the African American Male Achievers Network, Inc. Science Discovery Learning Center. A-MAN's mission is to utilize Science, Technology, Engineering and Mathematics (STEM)-related projects as a motivational tool and advance the educational achievement, and the intellectual and career development of African-American, Latino and other minority students pre-K thru 12thgrades.

Provenance:

Created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation in 1995.

Restrictions:

Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed copies of releases for Hal Walker and Mark Lee Stephens on file.

Topic:

Electric engineering -- 1980-2000  Search this

Inventors -- 1950-2000  Search this

Automobiles, Electric  Search this

Lasers  Search this

Inventions -- 20th century  Search this

Optics  Search this

Physics -- 20th century  Search this

African American inventors -- 20th century  Search this

Aerospace engineers  Search this

Aerospace industries  Search this

Photographs  Search this

Genre/Form:

Interviews -- 1980-2000

Lectures -- 1990-2000

BetaCam SP (videotape format)

Videotapes

Oral history -- 1990-2000

Slides

Citation:

Hal Walker Innovative Lives Presentation, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0602

See more items in:

Hal Walker Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c073da41-9132-467c-93f7-29ef12a33c9d

EDAN-URL:

ead_collection:sova-nmah-ac-0602

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T17:47:43.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_DKblc4CX4_Q

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-05-25T15:31:20.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_s_3YKtE1V6E

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2009-03-30T17:29:44.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_soNI66VBAQw

Creator:

Singer Manufacturing Company  Search this

Singer Company (The), (Fairfield, New Jersey)  Search this

Names:

I.M. Singer & Company (Location of Meeting--New York, New York; )  Search this

Clark, Edward, 1850s-1860s  Search this

Singer, Isaac Merrit, fl. 1850s-1860s  Search this

Extent:

11 Cubic feet (3 oversize folders, 20 boxes)

Type:

Collection descriptions

Archival materials

Design drawings

Date:

1927-1983

bulk 1960-1977

Summary:

The bulk of the collection consists of renderings of sewing machines and related products by industrial designers such as Henry Dreyfuss, Robert P. Gersin, Eliot Noyes, and Malcolm S. Park; by designers of Singer's in-house design department; and by consultants to the firm. Materials include decals, photographs, negatives, patents, and renderings and sketches. This collection documents the influence of industrial design on Singer sewing machines as well as other household products such as vacuum cleaners.

Scope and Contents:

The bulk of the collection consists of drawings by industrial designers such as Henry Dreyfuss, Robert P. Gersin, Eliot Noyes, and Malcolm Park; by designers of Singer's in-house design department; and by consultants to the firm. These materials show the influence of industrial design on Singer machines.

Series 1, Photographs, 1927-1979, is divided into three subseries: Subseries 1, Editorial Department, 1927-1979; Subseries 2, Competitors, undated; and Subseries 3, Miscellaneous, 1977 and undated.

Subseries 1, Editorial Department, 1927-1979, consists of camera-ready art presumably for catalogs and advertising created by the editorial department at Singer Manufacturing. The photographs are black-and-white (8" x 10") and depict "cut away" views of the internal workings of Singer sewing machines before the casing was put on the machine. When the machines are not Singer, it is noted. The model number is provided, and the photographs are arranged chronologically.

Subseries 2, Competitors, undated, consists of images depicting mostly competitor sewing machines that are mounted on pages with captions. The images are black-and-white (2" x 2") and include companies such as Adler, Bernina, Elgin, Juki, Meister, Necchi, Sewmaid, Veritas, and Zundapp. The series is arranged alphabetically by manufacturer name.

Subseries 3, Miscellaneous, 1977 and undated, consists of black-and-white and color photographs (8" x 10" or smaller) for the 560 machine and a sewing cabinet.

Series 2, Decalcomania, undated, consists of one album of decal samples and loose decal/transfer cards created for Singer sewing machines and other sewing machine companies. Decalcomania is a decorative technique by which engravings and prints are transferred to other materials, such as the body of a sewing machine. Today, the use of the word "decal" is more widely used.

Some of the decals are on tracing paper, tin, and poster board. Some are in color with floral designs, and the size and style of font vary. Other decals include patent marks, the name "Singer Manufacturing Company," "Singer," oil level, and there are custom decals for specific sewing machine companies such as the Camel Sewing Machine Company, Ltd.

The decals are arranged numerically by transfer numbers, and there are two distinct groups of decal design/transfer cards. One group is numbered 63 to 141 (not inclusive) with the majority of the designs in color; the other set of decal cards is arranged in an unbound portfolio book numbered 1 to 41. Many of the decal/transfer cards have additional information about which machine or class of machines the transfer was designed for. For example, transfer #316 was used for the 99-13 machine. Machine 99-13 is also labeled with a sticker titled "SD-37." Presumably this indicates that the decal was Singer design number 37. If a decal was cancelled this is noted with a date.

Series 3, Industrial Designers' Materials, 1936-1983, consists of industrial designers and is divided into twelve subseries: Subseries 1, Henry Dreyfuss Associates, 1964-1978; Subseries 2, Robert P. Gersin Associates, Inc., 1980-1983; Subseries 3, Industrial Design Group and Industrial Design Laboratory, 1970-1975; Subseries 4, Innovations and Development, Inc., circa 1977-1979; Subseries 5, Leo Jiranek, circa 1960-1964; Subseries 6, Monte L. Levin, 1961-1962; Subseries 7, Mezey Macowski, 1967-1969; Subseries 8, Eliot Noyes, 1969, 1978; Subseries 9, Malcolm S. Park, 1936-1978; Subseries 10, Schmitz, 1973; Subseries 11, Eric Schneider, 1980. The series is arranged alphabetically.

Subseries 1, Henry Dreyfuss Associates, 1964-1978, consists of storyboards and renderings (20" x 25" or smaller) in ink, colored pencils and crayon for sewing machines and sewing machine carrying cases. Many of the renderings are preliminary. The subseries is arranged sequentially by assigned drawings numbers designated "D." Drawing D18 is heavily annotated on the reverse side

Subseries 2, Robert P. Gersin Associates, Inc., 1980-1983, consists of twenty drawings mounted on foam core board for various sewing machine concepts from 1980-1983. Many of the drawings depict side and front elevations. Gersin (1929-1989) was an award-winning industrial designer. He founded Robert P. Gersin Associates, Inc., in 1959 and worked on a wide range of designs, including interiors, products and corporate identity programs. In 1984 the company designed the logotype and corporate identity program for Sears, Roebuck & Company, and in 1988 it designed the interior for Casual Corner stores.

Subseries 3, Industrial Design Group and Industrial Design Laboratory, 1970-1975, consists of renderings ( 20 1/2" x 26") and storyboards (15" x 20") created by the the Singer Technical Center in Elizabeth, New Jersey. The majority of the work is stamped with "Industrial Design Group" or "Industrial Design Laboratory." The storyboards consist of color photographs mounted to poster board and depict a variety of sewing machines, a hand stitcher, and electric pinking scissors. The majority of renderings are not attributed to a specific designer, but some were drawn by designer W. Current.

Subseries 4, Innovations and Development, Inc., circa 1977-1979, consists of renderings created by consultants to Singer Manufacturing of Fort Lee, New Jersey. The renderings are ink on tracing paper (19" x 24") and they are not numbered or dated.

Subseries 5, Leo Jiranek, circa 1960-1964, consists of three drawings (19 1/2" x 24") for a 1964 World's Fair house and World's Fair chair. Jiranek (1900-1990) was born in Grand Rapids, Michigan. He graduated from Princeton University in 1922 and went to work for Turner Construction Company. In 1924 he took over his father's furniture design business. Considered by many to be the "Dean of Furniture Designers," one of the industry's first freelancers, he contributed to more furniture companies than any other designer, including Magnavox, Thomasville, Ethan Allen, Kroehler, Haywood Wakefield, The Lane Co., Bassett, Broyhill and Garrison. In the 1960s, Jiranek founded and was president of the Jiranek School of Furniture Design and Technology in New York City.

Subseries 6, Monte L. Levin, 1961-1962, was an industrial designer who founded Monte Levin Associates in 1945. The renderings (18 1/2" x 22" or smaller) are ink on tracing paper and depict Singer sewing machine cases.

Subseries 7, Mezey Macowski, 1967-1969, consists of seven (14" x 16 1/2") ink- colored drawings depicting a sewing table.

Subseries 8, Eliot Noyes, 1969, 1978, consists of two colored ink on vellum renderings of electric scissors. Noyes (1910-1977) was an American architect and industrial designer who worked on projects for IBM. The renderings for Singer sewing machines (A-E) were done by Gordon Bruce while at Eliot Noyes Industrial Design, Inc.

Subseries 9, Malcolm S. Park, 1936-1978, consists of a 130-page portfolio depicting Park's (1905-1991)work as an industrial designer for Singer Manufacturing Company. The pages are 13" x 16" and materials are mounted on the pages with captions. In some instances, materials have come loose. The types of materials include, patents, patent drawings, ephemera, correspondence, renderings, advertising, photographs for sewing machines, sewing machine cabinets, irons, buttonholers, vacuum cleaners, floor polishers, timers, clocks, and stitching attachments.

Subseries 10, Schmitz, 1973, consists of one drawing (17 1/2" x 21") for a portable sewing machine called the Easy Egg.

Subseries 11, Eric Schneider, 1980, consists of six ink on tracing papers renderings (17" x 23") for sewing machines.

Subseries 12, Unknown Designers, undated, consists of two renderings (18" x 23") for sewing machines with parts labeled in German and renderings (12" x 16") depicting views of sewing systems, household items, and storage systems. Some of the items include sewing machines, vacuums, cash registers, canisters, intercoms, alarms, and fire and smoke detectors.

Series 4, Design Patents, 1936-1980, is divided into four subseries: Subseries 1, United States Design Patents, 1936-1980; and Subseries 2, Foreign Design Patents, 1961-1968. Design patents may be granted to anyone who invents a new, original, and ornamental design for an article of manufacture.

Subseries 1, United States Design Patents, 1936-1980 consists of design patents that were assigned to the Singer Manufacturing Company by the inventors, Adam Baker Barnhart, Herbert S. Barnhart, Henry Dreyfuss, Christian Julian Felix, Russell A. Fritts, Donald M. Genaro, Hans Hacklander, Lloyd G. Kent, Jr., Monte L. Levin, Abbot Lutz, Michael McCann, L.C. Marsac, Charles F. Neagle, Malcolm S. Park, W. J. Peets, Robert E. Redman, Edgar P. Turner, Julian U. Von der Lancken, Tobin Wolf, Thaddeus J. Zylbert.

The majority of the patents are in patent jackets which were maintained by the Singer Manufacturing Company Patent Department. Patent jackets or patent folders are typically pre-printed with standard information such as patent number, actions, references, assignment, application serial number, and fee paid. This permitted easier documentation for the patent department. The jackets contain correspondence with the United States Patent and Trademark Office, foreign patent and trademark offices, as well as the inventor/designer, company attorneys and other company officials; drawings; photographs; newspaper clippings, and a sample of embroidery stitching. The three-way folders (10" x 15") are designed to house all of the legal documentation about the patenting process. In some instances, patents were abandoned, and this is noted. Additional file jackets include those for foreign applications and patents corresponding with United States application serial numbers. These pre-printed jackets contain the names of countries (such as Great Britain, Brazil, Italy, Japan and Sweden) where Singer Manufacturing was filing for design protection.

The majority of the design patents are for sewing machines and sewing machine cases, but there are some designs for vacuum cleaners, electric scissors, an embroidery attachment, a floor polishing machine, a display stand for needles, and a statuette. For example, the statuette was used as an award in the Singer World Stylemaker Contest and was intended to represent anyone that a person desires as well as signifying the craft of home sewing with an unrolled bolt of cloth draped around the statuette. The United States Design Patents are arranged numerically by design patent number, and the foreign design patents are arranged alphabetically by country, then numerically by patent number.

Subseries 2, Foreign, 1961-1968, consists of foreign design patents from the Congo, England, France and Italy.

Series 5, Utility Patents for Henry Dreyfuss, 1961-1965, is divided into two subseries, Subseries 1, United States Utility Patents, 1964-1965 and Subseries 2, Foreign Utility Patents, 1961-1964. Utility patents are granted to anyone who invents or discovers any new, useful, and non-obvious process, machine, article of manufacture, or composition of matter, or any new and useful improvement thereof. The United States and foreign utility patents are issued to industrial designer Henry Dreyfuss.

Series 6, Posters, 1985, consists of two posters from the National Museum of American History's exhibit titled "Industrial Design, An American Case History." The exhibit ran from July 24, 1985 to September 30, 1985.

Series 7, Miscellaneous, 1980, consists of a North Atlantic Consumer Products Group Research and Development Department report about the combination carrying case for 400/500K and 250/362m Series flat bed machines. The report contains project specifications and photographs.

Arrangement:

The collections is divided into seven series.

Series 1, Photographs, 1927-1979

Subseries 1, Editorial Department, 1927-1979

Subseries 2, Competitors, undated

Subseries 3, Miscellaneous, 1977 and undated

Series 2, Decalcomania, undated

Series 3, Industrial Designers' Materials, 1936-1983

Subseries 1, Henry Dreyfuss Associates, 1962-1978

Subseries 2, Robert P. Gersin Associates, Inc., 1980-1983

Subseries 3, Industrial Design Group and Industrial Laboratory, 1970-1975

Subseries 4, Innovations and Development, Inc., circa 1977-1979

Subseries 5, Leo Jiranek, circa 1960-1964

Subseries 6, Monte L. Levin, 1961-1962

Subseries 7, Mezey Macowski, 1967-1969

Subseries 8, Eliot Noyes, 1969, 1978

Subseries 9, Malcom S. Park, 1936-1978

Subseries 10, Schmitz, 1973

Subseries 11, Eric Schneider, 1980

Subseries 12, Unknown designers, undated

Series 4, Design Patents, 1936-1980

Subseries 1, United States Design Patents, 1936-1980

Subseries 2, Foreign Design Patents, 1961-1968

Series 5, Utility Patents for Henry Dreyfuss, 1961-1965

Subseries 1, United States Utility Patents, 1964-1965

Subseries 2, Foreign Utility Patents, 1961-1964

Series 6, Posters, 1985

Series 7, Miscellaneous, 1970

Biographical / Historical:

In 1851, I.M. Singer and Company, with headquarters in New York, was founded by inventor Isaac Merrit Singer and businessman/lawyer Edward Clark. In 1863 the business was incorporated as the Singer Manufacturing Company. After 1867 the company became the dominant firm in the industry despite the fact that it sold more expensive products than any of its competitors. Business expanded in the United States and abroad while designers focused their efforts on making mechanical improvements in the machines in the last half of the nineteenth century. America's industrial design profession emerged during the Great Depression and began to influence the design of the sewing machine. Many compnaies mass-produced technological goods and designers began to play a crucial role in American industry. After the Stock Market crash of 1929 and during the Great Depression, goods were made to look more attractive and increase sales. Many firms, such as Singer Manufacturing Company, employed industrial designers as consultants. Other industrial designers established their own firms and agencies.

Related Materials:

Materials in the Archives Center, National Museum of American History

Warshaw Collection of Business Americana, Sewing Machines (AC0060)

Landor Design Collection, circa 1930-1994 (AC0500)

Francis M. Mair Papers, circa 1938-1990 (AC0548)

Freda Diamond Collection, 1945-1984 (AC0616)

Lucian Bernhard Advertising Art Collection, 1920s-2000 (AC1161)

Materials in Other Organizations

Archives of American Art, Smithsonian Institution

Belle Kogan papers, 1920-1986

Philip McConnell typescripts, [circa 1957]

Arthur J. Pulos papers, 1935-[circa 1980s] (bulk 1947-1960)

Oral history interview with Arthur J. Pulos, 1980 July 31-1982 December 5

Oral history interview with Wendell Castle, 1981 June 3-December 12

Smithsonian Institution Archives

Singer Sewing Machine Advertising Leaflets, Smithsonian and Washington, D.C., Images, undated (SIA Acc. 99-056)

Cooper Hewitt Museum, Smithsonian Institution

Henry Dreyfuss Collection, 1927-1972

Hagely Museum and Archives

Singer Company Records, 1860-1985

The Newberry Library, Roger and Julie Baskes Department of Special Collections

Singer Manufacturing Company Records, 1861-1871

Wisconsin Historical Society

Singer Manufacturing Company Records, 1850-circa 1975

Provenance:

The Singer Company of Fairfield, New Jersey donated the collection on July 17, 1985.

Restrictions:

The collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Industrial design -- 1927-1983  Search this

Genre/Form:

Design drawings -- 20th century

Citation:

Singer Industrial Design Collection, 1927-1983, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0169

See more items in:

Singer Industrial Design Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8746852c1-7f0c-477b-beaa-54007e75e98a

EDAN-URL:

ead_collection:sova-nmah-ac-0169