I hear America singing : A cantata based on poems of Walt Whitman / George Kleinsinger (I.L.G.W.U. Radio Chorus ; Victor Symphony Orchestra ; Nathaniel Shilkret, conductor) -- Oh, what a beautiful morning (Victor Young, conductor) / Rodgers --Ol' man river / Kern --Annie Laurie --The green-eyed dragon --Steal away --The Lord's prayer / Malotte (Carroll Hollister, piano).
Local Numbers:
FW-ASCH-LP-0676
Camden.367
Publication, Distribution, Etc. (Imprint):
Camden 1957
General:
John Charles Thomas, baritone, with various accompaniments. John Charles Thomas; Walt Whitman; Nathaniel Shilkret; Victor Young; Carroll Hollister; George Kleinsinger; Albert Hay Malotte; Richard Rodgers; Jerome Kern; International Ladies' Garment Workers' Union. Radio Chorus.; RCA Victor Symphony Orchestra.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Labor & Labor Unions, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of the Alma Thomas paper is provided by The Walton Family Foundation and The Friends of Alma Thomas
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The Working Americans program explored and celebrated work-related traditions, looking at Americans not as people from a certain area of the country or from a particular culture, but in terms of how they made their living and what they needed to know to do their jobs. Each occupation has its own traditions and its own body of skills. In the Working Americans section, Festival-goers could meet and talk with members of many unions and organizations while they demonstrated the particular know-how essential to their varied tasks and while they shared, in the workshop areas, the particular tales and jokes that grow out of the nature of the work they do.
The Folklife of Transportation Workers Project celebrated the lore, lifestyles, and occupational skills of the American workers who operate, maintain, and regulate the nation's transport system. The airline pilot's complex take-off procedure, the flight attendant's responsibility for safety in the cabin, the railroader's ability to calculate and make complicated box-car switches could be found here; as well as bus and taxi drivers' tales of ways to handle over-demanding passengers, truck driving songs, and seafarers' yarns. Transportation workers keep the nation's economic lifeblood moving. They also harbor a rich lore, replete with heroes, tall tales, and songs, that was demonstrated within this program.
June 16-27, Workers Who Extract and Shape. Presentations included glass bottle blowing, glass engraving and horseshoe making.
July 1-11, Workers Who Build. This program celebrated the skills and folklore of the building and construction trades. Participants demonstrated building crafts such as carpentry, tile and terrazzo skills, and even the casting of plaster masks of visitors' faces.
July 14-25, Workers Who Clothe Us. Participants celebrated the skills and folklore of workers in the garment trades, with demonstrations of clothes design, bonnaz (machine embroidery), leather work, and industrial loom work.
July 28-August 8, Workers in Communications, Arts & Recreation. This theme celebrated the skills and folklore of the print and broadcast media, telephone communications, and performing arts. Members of the Graphic Arts International Union demonstrated newspaper printing, four-color printing, and book binding. Members of the United Paperworkers International Union demonstrated papermaking, and members of various performing arts groups gave workshops.
August 11-22, Workers in Professional & Technical Skills, Transportation. Presentations celebrated the skills and folklore of professionals who work in health and medical fields, the tobacco industry, and the print and copying industry. Demonstrations included hospital workers demonstrating operating room techniques, cigar rolling, pharmacists making compounds, and body repairmen working on cars. The Transportation area presented the occupational culture of the men and women who work in the various modes of transportation, including the railroads, metropolitan and long-distance buses, taxicabs, trucks, ships, and stations of the Coast Guard. In the Transportation area, the skills of railroad men, airline pilots, truck drivers and seamen were featured.
August 25-September 6, Workers Who Feed Us, Transportation. Participants celebrates the skills and folklore of people involved with various aspects of production, preparation, and distribution of food. Hotel and restaurant workers demonstrated decorative ice carving, specialty table settings, wine stewarding, and cold food decoration. The Transportation area presented the occupational culture of those who work in the various modes of transportation, including skills demonstrations by airline, railroad and metropolitan transit workers, as well as by Coast Guardsmen who showed ornamental rope work and knot tying.
Shirley Askew served as Program Coordinator, with Robert McCarl as Folklorist, Robert Porter as Field Research & Presentation Specialist, and Susan Donahue as Assistant Program Coordinator. Peter Seitel was Project Coordinator for the Transportation program, assisted by Jack Santino.
Sponsors included the AFL-CIO and its Affiliates, U.S. Department of Labor, and U.S. Department of Transportation.
Transportation fieldworkers:
John Drake, Elaine Eff, Jan Faul, Archie Green, Alice Lacy, Worth Long, Luis Kemnitzer
Presenters:
Benny Ambush, Karen Byrne, Debbie Dixon, Steve Hagberg, Marta Schley, Barbara Schwartz
Participants:
Workers Who Extract and Shape Products
Members of the following unions:
United Cement, Lime & Gypsum Workers International Union
Thomas F. Miechur, President
Glass Bottle Blowers Association of the United States and Canada
Harry A. Tulley, President
American Flint Glass Workers Union
George M. Parker, President
International Union of Journeymen Horseshoers of the United States and Canada
Duke Bonde, Jr., President
International Association of Machinists and Aerospace Workers
Floyd E. Smith, President
Molders and Allied Workers Union
Anton J. Trizna, President
American Federation of Musicians
Hal C. Davis, President
The Music Performance Trust Funds
Kenneth E. Raine, Trustee
Saul Broudy
Andy Cohen
Larry Hanks
Fred Holstein
John Kolstad
Lew London
Faith Petrick
Utah Phillips
Mark Ross
Jane Voss
Bodie Wagner
Pop Wagner
Workers Who Build
Members of the following unions:
International Union of Bricklayers and Allied Craftsmen
Thomas F. Murphy, President
United Brick and Clay Workers of America
Roy L. Brown, President
United Brotherhood of Carpenters and Joiners of America
William Sidell, President
International Brotherhood of Electrical Workers
Charles H. Pillard, President
International Union of Operating Engineers
J.C. Turner, President
International Association of Bridge and Structural Iron Workers
John H. Lyons, President
Laborers' International Union of North America
Angelo Fosco, President
International Union of Wood, Wire and Metal Lathers
Kenneth M. Edwards, President
Operative Plasterers and Cement Masons International Association of the United States and Canada
Joseph T. Power, President
United Association of Journeymen and Apprentices of the Plumbing and Pipe Fitting Industry of the United States and Canada
Martin J. Ward, President
Sheet Metal Workers International Union
Edward J. Carlough, President
Workers Who Clothe Us
Members of the following unions:
Amalgamated Clothing and Textile Workers Union
Murray H. Finley, President
International Ladies' Garment Workers Union
Sol C. Chaikin, President
International Leather Goods, Plastics and Novelty Workers Union
Ben Feldman, President
Amalgamated Meat Cutters and Butcher Workmen of North America, Furriers Division
Joseph Belsky, President
Workers in Communications, Arts and Recreation
Members of the following unions:
Actors' Equity Association
Theodore Bikel, President
Communications Workers of America
Glenn E. Watts, President
Graphic Arts International Union
Kenneth J. Brown, President
American Federation of Television and Radio Artists
Kenneth Harvey, President
National Association of Broadcast Employees and Technicians
Edward M. Lynch, President
International Association of Fire Fighters
William H. McClennan, President
American Guild of Musical Artists
Cornell MacNeil, President
American Guild of Variety Artists
Penny Singleton, Executive-President
Hebrew Actors' Union
Herman Yablokoff, President
Workers in Professional and Technical Skills and Services
Members of the following unions and organizations:
Amalgamated Clothing and Textile Workers Union
Murray H. Finley, President
The American Occupational Therapy Association, Inc.
Jerry A. Johnson, Ph.D., President
James J. Garibaldi, Executive Director
Ronald Stone, OTR; President
Virginia Occupational Therapy Association
Silbyl Levine, OTR; President
District of Columbia Occupational Therapy Association
International Association of Machinists, AFL-CIO, Local 1650
Bill Hampton
Kenneth Green
Lloyd Mann
Lloyd Crindlebaugh
F.E. Wood
Bill Hoppe
H.L. Norton
G.F. Roady
M.R. McCutchen
L.C. Leeds
Eddie Glaszczak, Platte City, Missouri
Bill Hoffman, Liberty, Missouri
B.J. Wilson
J.J. Kunrod
John McKim
Harry Powell
B.L. Yardley
N.C. Mosley
Gary Mason
S.M. Ballew
Tracy Bales
Wally Hayward
Dick Lincoln
Brotherhood of Locomotive Engineers
B.B. Thomas
B.M. Byrd
O.L. Williams
E.B. Dollar
G.L. Bridgeman
Charles Hughes
Ed Irby
Transport Workers Union, Maintenance, Local 514
R.N. Smythe
P.O. Young
H.V. Highberger
C.R. Burke
J.S. Lowe
B.L. Lamb
S.W. Hathcock
P.E. Corn
A.B. Williams
J. Shade
R.H. Stanley
W.D. Myers
A.D. Sorenson
J.L. Locut
W.C. Popejoy
R.J. Barker
B.M. Maris
S.H. Walden
R.C. Sagar
M.D. Harrell
B.L. Ewing
J.L. Guynn
T.R. Hopper
C.E. Quinn
K.L. Anderson
Truckers
Jim Ringer
Ray Bieri
Jack Hamilton
George Gordon
Edgar Graves
James Marshall
Artie Marshall
William Peoples, III
Margaret Brooks
Bernice McDonald
Doris Miller
Ed Miller
Lee Voorhies
Richard Voorhies
Timmy Voorhies
Dale Setzer
Harry Bavdakian
Sea Chanteys
Louis Killen
Gerret Warner
Jeff Warner
John Benson
Jeff Davis
John Roberts
Maintenance of Way
Simon Shaw
Al Marshall
Bob Dudley
Roy Johnson
Clifton Anderson
Robert Dudley
Henry Hawkins
Brotherhood of Railway Carmen, Locals 1395, 43, 468, 364, 175
C. Lightfoot
G. Butcher
S. Miedzienowski
W. Palmer
J. Palumbo
M. Walston
P. Lawson
W. Hardin
C. Green
S. Siadys
F. Burke
H. Lewin
Coast Guard
BMC C.D. Haywood
QM1 G.H. Hornbeck
BMC D.B. McMichael
ASM T.A. Hallmark
BM1 L.L. Proud
QM2 J.W. White
MK2 B.G. Borato
MK1 S.J. Halloran
Allied Pilots Association
Capt. Jenks
Jim Foringer
Capt. N. Schweitzer
W.J. Rogers
Capt. (Hap) Hazard
Al Voras
Transportation Workers Union Flight Attendants, Local 552
Karen Hill
Marti O'Rourke
Dee Dee Dougherty
Tootie Higgs
Judy Marek
Ed Gold
Ed Pagan
Linda Welker
Gussie Utting
Roy Brayton
Carol Peisinger
Fran Bollero
Carolyn Green
Mary Jo Kerr
Janet Piersan
United Transportation Union
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The Union Workers program had arisen in 1971 from the sense that surprisingly little was popularly known about the traditions, the feelings, the sense of pride and craftsmanship of the union worker. If we were to have a true understanding of contemporary American folk culture, Festival organizers believed, the perspectives of working Americans of all types need to be presented in broadly based cultural forums. It was in part to celebrate the union worker's considerable contribution to America's cultural and social fabric that member unions of AFL-CIO were invited to take part in the Festival. The American worker had an opportunity here to have a voice in a program designed to reach all America via the stage of a prestigious American cultural institution.
American labor groups were represented at the 1972 Festival because their members were living tradition bearers. In most people's thinking at the time, there was a sharp distinction between the dying crafts of rural America and the viable trades of urban America's workers. The Smithsonian saw the separation as an artificial one, usually based on only a limited knowledge of the occupation of one or the other group. In terms of the training or apprenticeship processes, the passing on of a body of technical knowledge, personal skills, and tricks of the trade from master craftsman to green apprentice is very little different whether one was doing dry-wall stone masonry in Vermont or laying bricks in downtown Philadelphia.
At the 1972 Festival, union workers showed examples of present-day skills and crafts of needletrades workers, Iithographers, carpenters, wheelwrights, and molders. Four unions were featured: the International Ladies' Garment Workers Union, the United Brotherhood of Carpenters and Joiners of America, the International Molders and Allied Workers Union and the Lithographers and Photoengravers International Union. In some cases, the tools and machinery used today clearly date from another era. In other instances, new tools and machines, new skills and crafts have been developed. All were demonstrated through presentations and workshops that highlighted the transmission of traditional skills and knowledge from one worker to another. The presentations of trades was complemented by a diverse musical program, made possible by support from the American Federation of Musicians and the Music Performance Trust Funds, that had two themes: one was the songs closely connected to particular occupations and industries or to the task of organizing workers, and the other was the blues music of black working people, whether in rural or urban settings.
The Union Workers program was sponsored by the U.S. Department of Labor and AFL-CIO. Mark Mason served as Labor Program Coordinator.
Participants:
International Ladies' Garment Workers Union
Louis Stuhlberg, President
Exhibit Chairmen:
Jasper Payton, Jr.
Betsy Raymond
Gus Tyler
Lester Blumstein, Brooklyn, New York
Mary Bowden, Baltimore, Maryland
Eligia Fernandez, 1915-1983, Long Island City, New York
Mathias Greenberg, Brooklyn, New York
Helen Jackson, Powhatan, Virginia
Evelyn Ledbetter, Petersburg, West Virginia
Gloria Maldonado, New York, New York
Etta Mae Owen, 1928-2000, Baltimore, Maryland
George Pretlow, 1900-1986, Baltimore, Maryland
Sandra Saunders, Baltimore, Maryland
Augustine Schiavo, 1909-1994, Brooklyn, New York
United Brotherhood of Carpenters and Joiners of America
William Sidell, President
Exhibit Chairmen:
Charles L. Allen
James E. Tinkcom
James David Bouchard, Miami, Florida
Charles Phillip Burke, Pasadena, Texas
William S. Champ, Oxon Hill, Maryland
Vance A. Gray, Delaware City, Delaware
Anthony Macciocca, 1925-2003, Yeadon, Pennsylvania
Carl Norred, Holden, Louisiana
William R. Schultz, Whitemarsh, Maryland
International Molders and Allied Workers Union
Draper Doyal, President
Exhibit Chairmen:
Carl Studenroth
James E. Wolfe
Leonard Davis, 1918-2004, Sidney, 0hio
Alex Grant, 1940-2004, Savannah, Georgia
Sylvester Hoying, 1924-2002, Sidney, 0hio
Lithographers and Photoengravers International Union
Kenneth J. Brown, President
Exhibit Chairmen:
Harvey Lovin
Walter Lypka
John A. Stagg
Glen A. Adams, Colmar Manor, Maryland
Thomas G. Carberry, Oxon Hill, Maryland
Tommy Cummings, Toronto, Canada
George C. Jones, Rockville, Maryland
Richard R. Latimer, Silver Hill, Maryland
American Federation of Musicians
Hal C. Davis, President
in cooperation with
The Music Performance Trust Funds
Kenneth E. Raine, Trustee
(funding performers on the Union Workers stage)
Union Workers' Workshops and Concerts
Discussion leaders:
Kenneth S. Goldstein
Archie Green
Performers:
Howard Armstrong, 1909-2003
Tom Armstrong
Carey Bell, 1936-
Ted Bogan, 1913-1990
Saul Broudy
Sam Chatmon, 1899-1983
Sarah Cleveland, 1905-1987
Elizabeth Cotten, 1895-1987
Jimmy "Fast Fingers" Dawkins, 1936-2013
Joe Glazer, 1918-2006
Mitch Greenhill
Hacksaw Harney, 1902-1973
Joe Harper
Ted Harvey, 1930-
Roscoe Holcomb, 1912-1981
John Jackson, 1924-2002
Norman Kennedy, 1934-
Willie Kent, 1936-
Carl Martin, 1906-1979
Willie Morris, 1906-
Hoyle Osborne
Eugene Pearson
Brewer Phillips, 1924-1999
U. Utah Phillips, 1935-2008
A.L. Phipps (1916-1995) Family
Eugene Powell, 1908-1998
Jean Ritchie, 1922-2015
Alice Seeger, 1934-
Mike Seeger, 1933-2009
Sunnyland Slim, 1907-1995
Rosalie Sorrels, 1933-
Hound Dog Taylor, 1915-1975
Walter Vinson, 1901-1975
Willie Williams
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1972 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.