York, Sarah Mountbatten-Windsor, Duchess of, 1959- Search this
11 Boxes (13 albums)
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
Materials are arranged in 13 albums
Organized by album title. The albums contain magazine and newspaper clippings, sketches, templates, speeches, and press releases, project slides. Arranged alphabetically by client, or in lieu of a client name, by project name (There is some overlap in the albums and the album labels are not accurate).
Dorothy "Sister" Parish born Dorothy May Kinnicutt in Morristown, New Jersey. Sister is a nickname given to her by her three brothers. She graduated from the Foxcroft School for Girls, an elite Virginia boarding school. She began her career in 1933. It was the year of the "Crash" and financial necessity prompted her to set up shop, "Mrs. Henry Parish II Interiors", in Far Hills, New Jersey, where she began decorating houses for friends. She had no formal training but attributes her taste and instinct for quality to European travel, exposure to art, and, most of all to her upbringing. Alone, and then together with her partner, Albert Hadley, who joined the firm in 1962, she has decorated houses of every size and kind throughout the world. It is said that she represents the "undecorated" look; Vogue magazine calls her "the most famous of all living American women interior designers whose ideas have influenced life-styles all over America."
Sister Parish--grande dame of American decor--shaped the American domestic aesthetic of various Kennedys, Astors, Paleys, and Whitneys. Parish-Hadley was the upper-crust New York firm formed by Mrs. Parish and the Tennessee-born decorator Albert Hadley.
Mr. Hadley, a graduate of and former teacher at Parsons School of Design in both New York and Paris, established his own design firm before joining McMillen, Inc. He began his legendary association with Mrs. Henry Parish II in 1962, when they co-founded the distinguished design firm of Parish-Hadley Associates, which grew to encompass 25 associates and staff members.
Described by The New York Times as "the most illustrious American decorating team of the 20th century," Parish-Hadley's client register includes names of the Kennedys, Rockefellers, Astors, Gettys, Whitneys and Vanderbilts. Parish's cozy, yet dignified style, combined with Hadley's Modernism and attention to architectural space, has led to Parish-Hadley's constant surviving achievement.
The partnership lasted until the death of Sister Parish in 1994. After closing Parish-Hadley in late 1999, Hadley opened a new office and continues collaborating with clients toward his goal to "help them realize more than they thought possible within the framework of their own tastes." His impressive roster of distinguished clients includes former Vice President and Mrs. Albert Gore, Diane Sawyer and Mike Nichols, former Ambassador and Mrs. Henry Grunwald and Mrs. Vincent Astor.
Location of Other Archival Materials Note:
Parish-Hadley Associates, Inc. papers; Also located at The John F. Kennedy Library of the National Archives and Records Administration. Boston, Mass.
All materials donated by Mr. Albert Hadley in 1999. Unprocessed.
Unprocessed; access is limited; Permission of Library Director required; Policy.
This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.
Materials are arranged in seven boxes as follows: I. design scrapbooks; sketches of textiles and wallpapers; II. Press (photos, articles and releases); exhibition brochures; financial and legal records; client records; misc. correspondence; III. client designs and records; IV. Cooper-Hewitt correspondence; travel sketchbooks; personal photos and correspondence; box of photos and slides (textiles and papers); V. design scrapbook; drawings and sketches; photocopies; William Katzenbach, Practical Book of American Wallpaper; VI. blocking materials; handblocks scrapbook; and VII. large drawings and design records.
American artist and textile designer Lanette Scheeline (1910- ) specializes in textile and wallpaper designs, and does custom block-printing for decorators. Scheeline is a Sausalito native, University of California graduate and former student at the Rudolph Schaeffer School of Design. She spent years working in other phases of textile or wallpaper design and all contributed to the background of technique, marketing, public taste and business judgment she needed in her own enterprises. She first gained recognition at the Golden Gate International Exposition (1940). Since then her work has been on view at the de Young Museum, Marin Art & Garden Fair, the Contemporary Gallery in Sausalito, the Merchandise Mart in Chicago, the Mill Valley Outdoor Art Club, the New-York Historical Society, and the Pacific Coast Textile Exhibition (1949, 1950) in the company of Trude Guermonprez and Jack Lenor Larsen among others.
Location of Other Archival Materials Note:
Materials are also available in the Cooper-Hewitt, National Design Musuem, Drawings and Prints Department.
All materials were donated to the museum by Lanette Scheeline in 1998.
Unprocessed; access is limited; Permission of Library Director required. Policy.
National Portrait Gallery (Smithsonian Institution) -- Designs and plans Search this
1 Linear foot
5 Items (rolled docs)
Scope and Contents:
Notebooks, card file, architectural plans, elevations, details, drawings, and designs for chairs, desks, cabinets, picture frames, etc. relating to Proetz's renovation of the National Portrait Gallery, Smithsonian Institution. Many of the designs and records pre-dating the renovation were evidently used by Proetz in the renovation.
Included are 7 notebooks, 1948-1955, recording work; ca. 280 photocopies of designs for furniture, fireplaces, lamps, and other accessories; a card file of American architects; and a file of drawings, notes, and photographs relating to work done for the National Portrait Gallery, Washington, D.C.; drawings, ca. 1930-1960, including: architectural plans for the renovation; elevations, details, electrical layouts, and proposed furniture for the homes of Mr. and Mrs. Charles E. Gilbert, Mr. and Mrs. Paul Hexter, and Joshua S. Cospen; and alterations and additions to the home of George D. Widener.
Biographical / Historical:
Architect, interior designer; New York, N.Y. and Washington, D.C. Proetz was a close friend and associate of the Charles Nagel, the first director of the National Portrait Gallery.
Transferred from the National Portrait Gallery 1977-1979.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Letters mostly concern an article that Proetz is preparing for House and Garden magazine about architecture in St. Louis. Proetz, writing from New Haven and New York City, writes to Putzel in St. Louis to ask Putzel to photograph architectural details for his proposed article. One letter includes thumbnail sketches and the location of doors, railings, and windows in St. Louis that are important to his article.
Biographical / Historical:
Proetz was an architect and interior designer; New York, N.Y. and Washington, D.C.; Putzel, a newpaper reporter for the St. Louis Post Dispatch and friend of Proetz.
Donated 1994 by Max Putzel.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.