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Charles Nagel papers

Creator:
Nagel, Charles, 1899-1992  Search this
Names:
Brooklyn Museum  Search this
City Art Museum of St. Louis  Search this
Nagel & Dunn (Firm : St. Louis, Mo.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
St. Mark's Episcopal Church (St. Louis, Mo.)  Search this
Yale University. Gallery of Fine Arts  Search this
Hurd, Peter, 1904-1984  Search this
Kimball, Fiske, 1888-1955  Search this
Nagel, Anne, 1866-1951  Search this
Nagel, Charles, 1849-1940  Search this
Nagel, Charles, 1899-1992 -- American Furniture, 1650-1850  Search this
Proetz, Victor, 1897-1966  Search this
Proetz, Victor, 1897-1966 -- Papers, ca. 1928-1966  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Saarinen, Eero, 1910-1961  Search this
Warren, Earl, 1891-1974  Search this
Wurster, William Wilson  Search this
Extent:
3.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
ca. 1927-1992
Scope and Contents:
The bulk of the papers consist of Nagel's files on his various positions and projects (ca. 3.3 ft), containing a variety of materials, including correspondence, writings, notes, art works, clippings, photographs and printed material. Also included are files pertaining to Nagel's father, lawyer and statesman Charles Nagel, and to his mother, Anne; and papers of and relating to Nagel's friend and associate, architect Victor Proetz (0.6 ft).
Nagel's files on positions and projects are arranged chronologically, and relate to: design projects while a student at Yale University, ca. 1926-1928; his struggle with career choices (mostly typescripts of letters to his father), ca. 1927-1931; his appointment to the Yale University Gallery of Fine Arts; commissions during his partnership in Nagel & Dunn (includes photographs of Fred Dunn, St. Mark's Episcopal Church, and other designs); organizing the exhibit "Italy at Work: Her Renaissance in Design Today, 1950-1951," his publication American Furniture, 1650-1850, and other activities while director of the Brooklyn Museum, 1946-1955; his position as juror and secretary for the Jefferson National Expansion Memorial Competition and working with other jurors Fiske Kimball and William Wurster, and design winner, Eero Saarinen; the Independence National Historical Park Project, Philadelphia, Pa.; positions at the City Art Museum, St. Louis, Mo.; establishment of the National Portrait Gallery (includes photographs of staff, the building, exhibitions, and opening celebrations, 1964-1969, notably Chief Justice Earl Warren, Smithsonian Secretary S. Dillon Ripley, and artist Peter Hurd); his emigration to Cuernavaca, Morelos, Mex.; and alterations and additions to St. Michael and All Angels Church in Cuernavaca, 1983. Included in several files are photographs of Nagel, his residences, and colleagues, and architectural drawings.
Files on his father contain honorary degrees and awards, photographs and printed material relating to the naming of a post office in his honor, St. Louis, Mo., and other events honoring him.
The papers of Victor Proetz, ca. 1928-1966 (ca. 0.6 ft), include obituaries; correspondence; a Last Will and Testament; a list of Proetz's commissions, 1934-1943; writings by Proetz and others; Proetz's "The Astonishment of Words," 1971, posthumously published; a scrapbook; exhibition announcements and catalogs; printed material; and photographs of Proetz and his designs for interiors and furniture.
Biographical / Historical:
Museum director; architect. Nagel was born in St. Louis, Mo. He attended Yale University, earning a B.A. in 1923, a B.A. in architecture in 1926 and M.F.A. in architecture in 1928. Upon graduation, he was employed at the firms of Jamieson & Spearl, and Hall & Proetz, St. Louis, and with Coolidge, Shepley, Bulfinch, Abbott in Boston.
He taught art history at Yale, and served as curator of Decorative Arts at Yale's Gallery of Fine Arts, 1930-1936, returning to architecture with the firm Nagel & Dunn, St. Louis, from 1936-1942. His positions as museum director include the City Art Museum in St. Louis, 1942-1946 (acting) and 1955-1964; the Brooklyn Museum, 1946-1955; and the National Portrait Gallery, 1964-1969.
Provenance:
Donated 1992 and 1994 by Lucie O. Nagel, widow of Charles Nagel. According to Mrs. Nagel, the material relating to Victor Proetz was given to Nagel by Proetz, who was a close friend and associate, and by the Proetz estate following his death in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Museum directors -- Missouri -- St. Louis  Search this
Museum directors -- New York (State) -- Brooklyn  Search this
Museum directors -- Washington (D.C.)  Search this
Museum curators -- Connecticut -- New Haven  Search this
Architects -- Connecticut  Search this
Architects -- Massachusetts -- Boston  Search this
Architects -- Missouri -- St. Louis  Search this
Architects -- New York (State) -- New York  Search this
Interior decorators -- Missouri -- St.Louis  Search this
Interior decorators -- Washington (D.C.)  Search this
Interior decorators -- New York (State) -- New York  Search this
Topic:
Gateway Arch (Saint Louis, Mo.)  Search this
Church architecture  Search this
Function:
Art museums -- United States
Architectural firms -- United States
Genre/Form:
Drawings
Identifier:
AAA.nagechar
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9082fde7c-823c-466b-b5f1-7c18783eab94
EDAN-URL:
ead_collection:sova-aaa-nagechar

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