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Donald Deskey collection

Creator:
Deskey, Donald, 1894-  Search this
Names:
Brunswick-Balke-Collender Company  Search this
Centre de recherche en économie et statistique (Paris, France)  Search this
Charak Furniture Company  Search this
Cooper-Hewitt Design Archive  Search this
Deskey Associates, Inc.  Search this
Deskey-Vollmer, Inc.  Search this
Donald Deskey Associates, Inc.  Search this
Johnson & Johnson, Inc.  Search this
New York World's Fair (1939-1940)  Search this
Procter & Gamble Company  Search this
Radio City Music Hall (New York, N.Y.)  Search this
Widdicomb Furniture Company  Search this
Deskey, Donald, 1894-  Search this
Extent:
75 Cubic feet
Type:
Collection descriptions
Archival materials
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Date:
1927-1989
Summary:
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Arrangement note:
Arranged into six records groups: 1) architecture/interiors projects; 2)Donald Deskey Associates; 3) industrial design projects; 4) reference; 5) Donald Deskey's personal papers; and 6) photographs. A special collection of more than one thousand slides of Deskey's work are boxed separately.
Biographical/Historical note:
Industrial, interior, and packaging designer. Born Blue Earth, Minnesota, November 23, 1894. By 1943, he had established Donald Deskey Associates in New York. Along with Dreyfuss, Bel Geddes, and Loewy, Deskey was one of the great industrial design pioneers in the 1930s.

He is best known for his designs for the furnishings and interiors of Radio City Music Hall in 1932, and for his work for companies such as: Widdicomb Furniture Company, Grand Rapids, Michigan; W & J Sloane, New York; and Estey Manufacturing Company, Owosso, Michigan. Deskey is also known for his familiar packaging designs for Procter & Gamble products, such as Crest toothpaste, Prell shampoo, and Tide detergent.

Donald Deskey Associates also was responsible for lamppost #10, the streetlight still in use today in New York City. Materials from this archival collection were featured in Cooper-Hewitt's 1994 exhibition and accompanying book, "Packaging the New: Design and the American Consumer, 1925- 1975."
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 3,000 drawings for furniture and textile designs.
Cooper-Hewitt, National Design Museum, Applied Arts Department. Two tables, handles, and a glass bottle and box designed by Deskey.
Cooper-Hewitt, National Design Museum, Textiles Department. One textile designed by Deskey.
Other sources of archival information on Deskey include, the Procter & Gamble Archive, Cincinnati, Ohio, and Deskey Associates, New York City.
Provenance:
The Deskey collection was donated to the museum in three installments.

In 1975, Deskey deposited at Cooper-Hewitt, National Design Museum,, hundreds of drawings, 3 four-drawer file cabinets of material, and several oversized packages comprising the bulk of his papers covering the period from 1927-1965. These items were officially donated to the museum in 1988.

In 1992, Deskey Associates of New York made an additional gift consisting of, approximately 1,000 35mm slides that documented projects from the 1960s through 1980s, and focused primarily on designs for packaging.

In 1994, Donald Deskey's nephew, Robert Deskey presented the Museum with, 120 postcards, letters, and family photographs.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Packaging designers -- United States  Search this
Interior designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Packaging -- Design  Search this
Street lighting -- New York (State) -- New York  Search this
Buildings, Prefabricated -- United States  Search this
Plastics -- Design  Search this
Interior decoration -- United States -- 20th century  Search this
Design, Industrial -- United States  Search this
Furniture design -- United States  Search this
Art deco -- United States  Search this
Genre/Form:
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Identifier:
SIL-CH.1975-11-77
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1975-11-77

Kurt Cobain; Standing with Evian Bottle

Artist:
Jesse Frohman, born 1958  Search this
Sitter:
Kurt Cobain, 20 Feb 1967 - 5 Apr 1994  Search this
Medium:
Inkjet print
Dimensions:
Image: 101.6 × 81.2 cm (40 × 31 15/16")
Sheet: 106.6 × 86.4 cm (41 15/16 × 34")
Type:
Photograph
Place:
United States\New York\Kings\New York
Date:
1993 (printed 2018)
Topic:
Interior  Search this
Costume\Headgear\Hat  Search this
Home Furnishings\Drinking vessel\Glass  Search this
Equipment\Smoking Implements\Cigarette  Search this
Container\Bottle  Search this
Costume\Dress Accessory\Eyeglasses\Sunglasses  Search this
Costume\Dress Accessory\Belt  Search this
Kurt Cobain: Male  Search this
Kurt Cobain: Performing Arts\Performer\Musician  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Jesse Frohman
Object number:
NPG.2019.111
Restrictions & Rights:
Usage conditions apply
Copyright:
© Jesse Frohman
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 1960-2000
On View:
NPG, South Gallery 342
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e0cfdfdc-08cf-4c87-8512-b5b9db87b593
EDAN-URL:
edanmdm:npg_NPG.2019.111

David Wojnarowicz at Home, NYC, 1990

Artist:
Nan Goldin, born 12 Sep 1953  Search this
Sitter:
David Wojnarowicz, 14 Sep 1954 - 22 Jul 1992  Search this
Medium:
Silver dye bleach print
Dimensions:
Image/Sight: 69.9 × 101.6 cm (27 1/2 × 40")
Frame: 73 × 104.8 × 6 cm (28 3/4 × 41 1/4 × 2 3/8")
Type:
Photograph
Place:
United States\New York\Kings\New York
Date:
1990
Topic:
Interior  Search this
Equipment\Smoking Implements\Cigarette  Search this
Nature & Environment\Bone\Skull  Search this
Nature & Environment\Bone\Skeleton  Search this
Costume\Outerwear\Coat\Jacket  Search this
David Wojnarowicz: Visual Arts\Artist  Search this
David Wojnarowicz: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Acquired in part through the generosity of James Alefantis and Donald A. Capoccia and Tom L. Pegues
Object number:
NPG.2015.103
Restrictions & Rights:
Usage conditions apply
Copyright:
© Nan Goldin
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 1960-2000
On View:
NPG, South Gallery 342
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4bcff683d-c83e-4ef0-bb7a-d87322fd4589
EDAN-URL:
edanmdm:npg_NPG.2015.103

Alfons Bach Papers

Creator:
Bach, Alfons, 1904-1999  Search this
Names:
Bigelow-Sanford Carpet Company  Search this
Callaway Mills  Search this
Cooper-Hewitt Design Archive  Search this
General Electric Company  Search this
Heywood-Wakefield Company  Search this
Palm Trail Plaza  Search this
Philco Corporation  Search this
Ridgeway Center  Search this
Sach's New York  Search this
Seneca Textile Building  Search this
Extent:
6 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Slides
Clippings
Aerial photographs
Sketches
Photographs
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Date:
1934 - 1992
Scope and Contents:
Biographical files cover the period from 1938-1989 and include resumes, clippings, correspondence, certificates, awards, speeches, brochures for exhibitions, and artwork. Project files cover the period from 1934-1961 and contain clippings, catalogs, brochures, and scrapbooks. This collection documents Bach's work as an industrial designer, architect, and painter from 1934-1992.

The files on the Ridgeway Center mall are particularly extensive. Photographs cover the period from 1937-1961 and document Bach's design projects, particularly the Ridgeway Center, his house in Stamford, and the Miami and New York offices of Callaway Mills. Portraits of Bach and his family are included as well. Glass lantern slides document of seven of Bach's interior and exterior design projects. Also included are several signed and numbered prints of Bach's watercolor scenes of the Riviera.
Arrangement:
Materials are arranged chronologically within four series.

Series 1: Biographical files, 1938-1989

Series 2: Project files, 1934-1961

Series 3: Photogaphs, 1937-1961

Series 4: Glass Slides
Biographical / Historical:
Industrial designer, architect, and painter. Born in Germany, 1904. Bach studied film directing and design in Europe. He turned to industrial design upon immigrating to the United States in 1926. His design work from 1932-53 include a Philco radio, furniture for Heywood-Wakefield, carpets for Bigelow-Sanford, and appliances for General Electric. Bach designed and built his own home in Stamford, Connecticut, in 1938.

In the late 1940s, he developed a plan for one of the first shopping malls in America, the Ridgeway Center of Stamford. He remodeled the interior and exterior of Sach's furniture store, 1948-49, and redesigned the Seneca Textile Building on 34th Street in Manhattan in 1952. Bach moved to Florida in 1959, where he designed the Palm Trail Plaza, a marina apartment complex in Delray Beach, completed in 1961. In addition, Bach was also a noted painter. His watercolors were featured in numerous exhibitions in the United States and Europe.
Related Archival Materials:
431 drawings of designs for furniture, textiles, lamps, pianos, clocks, appliances, and retail, office, and home interiors.,Cooper-Hewitt, National Design Museum, Drawings and Prints Department.
Provenance:
All materials were donated by Alfons Bach in 1993.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Architects -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Display of merchandise  Search this
Furniture design -- United States  Search this
Radio -- Receivers and reception  Search this
Carpets -- United States  Search this
Interior decoration -- United States  Search this
Architecture -- Designs and plans  Search this
Shopping malls -- United States  Search this
Watercolor painting -- United States  Search this
Apartment houses  Search this
Genre/Form:
Slides
Clippings
Aerial Photographs
Sketches
Photographs -- 20th century
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Citation:
Alfons Bach Papers, 1934-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1272
See more items in:
Alfons Bach Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1272

Tommi Parzinger collection

Creator:
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Parzinger, Tommi, 1903-1981.  Search this
Names:
American Designers' Institute  Search this
Charak of Boston  Search this
Cooper-Hewitt Design Archive  Search this
Katzenbach & Warren  Search this
Norddeutscher Lloyd  Search this
Palumbo Gallery  Search this
Parzinger Originals (Firm)  Search this
Textile Workers Union of America  Search this
Cameron, Donald  Search this
Parzinger, Tommi, 1903-1981.  Search this
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Rosenthal, Rena.  Search this
Tritt, Olga.  Search this
Widdicomb, William.  Search this
Extent:
5 Cubic feet
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Date:
1935-1981
Summary:
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Arrangement note:
Materials are arranged into ten record groups: I. Furniture Designs for Willow & Reed, Salterini, Parzinger Originals and others; II. Silver Design; III. Ceramic/China Design; IV. Designs for Objects made of non-precious metals; V. Objects of Miscellaneous or Obscure Materials; VI. Designs for Enamel Work; VII. Designs for Textiles and/or Wallcoverings; IX. Lighting Fixture Design (electric); and X. Miscellaneous Items. There are also seven 3-ring binders containing photographs of Parzinger's furniture, silver, ceramics, and metalwork from the 1930s--the 1970s. There are notes on the backs of many of the photographs. There are also sketches of his designs for clients. Binder 7 contains photographs of 63 furniture designs by T.H. Robsjohn-Gibbings.
Biographical/Historical note:
Tommi (Anton) Parzinger (1903-1981) was born in Munich and received professional design training there at the Kunstgewebeschule (School of Arts and Crafts).He began his career as a freelance designer in Germany and Austria, working in ceramics, wallpapers, lighting, textiles, and furniture. In 1932 he came to the United States as a prize for winning a poster contest for North German Lloyd, the steamship company. In 1935 he settled in New York and became associated with Rena Rosenthal ("smart furniture and accessories shop") as a designer of china, glassware and furniture. Furniture became is primary focus in 1938 he became a designer for Charak of Boston. In 1939 he formed his own business, Parzinger, Inc., 54 East 57th Street, designing silver as well as furniture. Renamed Parzinger Originals in 1946, the firm also had addresses at 32 East 57th Street; 601 Fifth Avenue and 441 Madison Avenue. Donald Cameron became his partner. In addition to his own firm, he designed furniture, fabrics, lighting and a range of accessories for other firms, including Salterini (wrought iron), Hofstatter (furniture), Dorlyn (brass), and Willow & Reed (rattan). He also produced custom designs for interior decorators and many private clients. In 1996 and 1998 his work was shown by Palumbo Gallery, 972 Lexington Avenue, New York City.
Separated Materials note:
The Cooper-Hewitt departments of Drawings and Prints, Applied Arts, and Textiles and Wallcoverings has additional materials on Parzinger in their collections.
Provenance:
All materials were donated to the museum by Donald Cameron in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Industrial designers -- Germany  Search this
Industrial designers -- United States  Search this
Furniture designers -- Germany  Search this
Furniture designers -- United States  Search this
Interior designers -- Germany  Search this
Topic:
Design -- History -- 20th century -- Sources  Search this
Genre/Form:
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Identifier:
SIL-CH.1998-19-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1998-19-1

Parish-Hadley Associates, Inc. collection

Topic:
House beautiful
Interior design (New York, N.Y.)
House & garden
Architectural digest (Los Angeles, Calif : 1925)
Creator:
Parish, Henry, Mrs., II  Search this
Parish-Hadley Associates  Search this
Hadley, Albert  Search this
Names:
Bank of New York  Search this
Cooper-Hewitt Design Archive  Search this
Gracie Mansion (New York, N.Y.)  Search this
Lenox Hill Neighborhood Association  Search this
McMillen Inc.  Search this
National Newark & Essex Bank (N.J.)  Search this
Northern Trust Bank  Search this
Paine Webber Inc.  Search this
Parish-Hadley Associates  Search this
Parsons School of Design  Search this
Ritz-Carlton Hotels (Firm)  Search this
White House (Washington, D.C.)  Search this
Andrew, Duke of York, 1960-  Search this
Astor, Brooke  Search this
Astor, Vincent, 1891-1959  Search this
Baldwin, Billy  Search this
Brown, Eleanor McMillen  Search this
Cameron, Libby  Search this
Chinsee, George.  Search this
Hadley, Albert  Search this
Hager, Gary.  Search this
Kleinberg, David.  Search this
Kwiatkowski, Henryk  Search this
McMahon, David  Search this
Mellon, Constance A.  Search this
Mellon, Paul, Mrs.  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Parish, Henry, Mrs., II  Search this
Rockefeller, Happy.  Search this
Whitney, Betsey Cushing Roosevelt, 1908-  Search this
Williams, Bunny, 1944-  Search this
York, Sarah Mountbatten-Windsor, Duchess of, 1959-  Search this
Extent:
11 Boxes (13 albums)
Type:
Collection descriptions
Archival materials
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Date:
[196-]-1994
Summary:
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
Arrangement note:
Materials are arranged in 13 albums

Organized by album title. The albums contain magazine and newspaper clippings, sketches, templates, speeches, and press releases, project slides. Arranged alphabetically by client, or in lieu of a client name, by project name (There is some overlap in the albums and the album labels are not accurate).
Biographical/Historical note:
Dorothy "Sister" Parish born Dorothy May Kinnicutt in Morristown, New Jersey. Sister is a nickname given to her by her three brothers. She graduated from the Foxcroft School for Girls, an elite Virginia boarding school. She began her career in 1933. It was the year of the "Crash" and financial necessity prompted her to set up shop, "Mrs. Henry Parish II Interiors", in Far Hills, New Jersey, where she began decorating houses for friends. She had no formal training but attributes her taste and instinct for quality to European travel, exposure to art, and, most of all to her upbringing. Alone, and then together with her partner, Albert Hadley, who joined the firm in 1962, she has decorated houses of every size and kind throughout the world. It is said that she represents the "undecorated" look; Vogue magazine calls her "the most famous of all living American women interior designers whose ideas have influenced life-styles all over America."

Sister Parish--grande dame of American decor--shaped the American domestic aesthetic of various Kennedys, Astors, Paleys, and Whitneys. Parish-Hadley was the upper-crust New York firm formed by Mrs. Parish and the Tennessee-born decorator Albert Hadley.

Mr. Hadley, a graduate of and former teacher at Parsons School of Design in both New York and Paris, established his own design firm before joining McMillen, Inc. He began his legendary association with Mrs. Henry Parish II in 1962, when they co-founded the distinguished design firm of Parish-Hadley Associates, which grew to encompass 25 associates and staff members.

Described by The New York Times as "the most illustrious American decorating team of the 20th century," Parish-Hadley's client register includes names of the Kennedys, Rockefellers, Astors, Gettys, Whitneys and Vanderbilts. Parish's cozy, yet dignified style, combined with Hadley's Modernism and attention to architectural space, has led to Parish-Hadley's constant surviving achievement.

The partnership lasted until the death of Sister Parish in 1994. After closing Parish-Hadley in late 1999, Hadley opened a new office and continues collaborating with clients toward his goal to "help them realize more than they thought possible within the framework of their own tastes." His impressive roster of distinguished clients includes former Vice President and Mrs. Albert Gore, Diane Sawyer and Mike Nichols, former Ambassador and Mrs. Henry Grunwald and Mrs. Vincent Astor.
Location of Other Archival Materials Note:
Parish-Hadley Associates, Inc. papers; Also located at The John F. Kennedy Library of the National Archives and Records Administration. Boston, Mass.
Provenance:
All materials donated by Mr. Albert Hadley in 1999. Unprocessed.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Topic:
Interior decoration -- United States -- History -- 20th century -- Sources  Search this
Genre/Form:
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Identifier:
SIL-CH.2000-3-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-2000-3-1

Oral history interview with Ingrid Hutton

Interviewee:
Hutton, Ingrid  Search this
Interviewer:
Long, Rose-Carol Washton  Search this
Names:
Hutton-Hutschnecker Gallery  Search this
Leonard Hutton Galleries  Search this
Hutton, Leonard, Sir  Search this
Extent:
1 Sound cassette (Sound recording: 1 sound cassette (65 min.), analog)
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1993 March 4
Scope and Contents:
An interview of Ingrid Hutton conducted 1993 March 4, by Rose-Carol Washton Long for the Archives of American Art.
Hutton discusses her and her husband Leonard's origins in Germany and their emigrations to the United States, she in 1960 and he in 1934. She explains how her husband's career as an interior decorator led him to open the Leonard Hutton Gallery and how she became involved with it. Hutton talks of their focus on German expressionism and Russian constructivism, including a discussion of public interest in the movements and patronage trends. She mentions her plans to show contemporary Russian art in the future.
Biographical / Historical:
Ingrid Hutton is an art dealer and part of the Leonard Hutton Galleries in New York, N.Y. Leonard Hutton Galleries changed its name in 1969 to Hutton-Hutschnecker Gallery, and back again to Leonard Hutton Galleries in 1971.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Art Dealers Association.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Russian -- 20th century  Search this
Constructivism (Art) -- Russia  Search this
Expressionism (Art) -- Germany  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hutton93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hutton93

Eyre de Lanux papers

Creator:
Lanux, Eyre de  Search this
Names:
Aragon, Louis, 1897-1982  Search this
Barney, Natalie Clifford  Search this
Casagrande, Paolo  Search this
Eyre, Paul  Search this
Eyre, Wilson, 1858-1944  Search this
Fahlman, Betsy  Search this
Ford, Consuelo  Search this
Lanux, Pierre de Combret, 1887-1955  Search this
Lear, Tobias, 1762-1816  Search this
Lee, Ann  Search this
Lenard, Alexander  Search this
Strong, Anne  Search this
Wyld, Evelyn  Search this
Extent:
10.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Diaries
Sketches
Travel journals
Sound recordings
Prints
Paintings
Date:
1865-1995
Summary:
The papers of portrait painter, writer, and designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers include biographical materials, personal business records, sixty-four diaries dating from 1922 through 1988, writings and notes, research files, printed materials, artwork, and photographs of Eyre de Lanux, her family, and friends. There is extensive correspondence with her husband Pierre de Lanux and her long-time lover Paolo Casagrande, as well as with other friends and family.
Scope and Content Note:
The papers of portrait painter, writer, and furnishings designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers reflect Eyre's personal life in Paris with her husband, Pierre de Lanux and her travels with longtime lover Paolo Casagrande. The bulk of the collection consists of diaries spanning 1922 to 1988 and correspondence. Also found are de Lanux's sketches and drawings, some of which depict Parisian scenes and portraits of her lovers and friends. Other materials found include biographical information, personal business records, writings and notes including short stories, research files on Tobias Lear and Wilson Eyre, printed materials, and scattered photographs.

Biographical records include various membership certificates, medical records, travel papers and tickets, and a transcript of a psychic reading. Also found is a sound recording concerning Pierre de Lanux.

Personal business records consist of addresses, a personal calendar, consignment and loan agreements concerning the sale of Eyre's art collection, miscellaneous receipts, rental and lodging forms, stocks, and a copy of a will.

Correspondence spans the years 1922 until 1995 and includes an extensive exchange between Eyre and her husband Pierre, her lover Paolo Casagrande, and her daughter Anne Strong (Bikou.) Other notable correspondents include Louis Aragon, Natalie Barney, Betsy Fahlman, Consuelo Ford, Alexander Lenard, and Evelyn Wyld. Much of the correspondence is personal in nature, however a folder of correspondence between Eyre and her literary editors is found at the end of the series.

The papers include sixty-four diaries dating from 1922 through 1988; there are no diaries for the period 1927 to 1947 with the exception of two small notebooks dated 1938 and 1945. The diaries resume in 1948, with Eyre's arrival in Rome, and continue, with multiple volumes for most years, until the late 1980s when her eyes failed. The handwriting is difficult to read, and moves from one language to another within entries, employing English, French, and Italian. Eyre de Lanux used her diaries to record her impressions of the world rather than to enumerate daily activities.

Writings include drafts, copies, and notes for de Lanux's short stories from the 1920s until the 1980s. There are also annotated entries and drafts of her magazine column, "Letters to Elizabeth", poems, a note written to Paris, and notes concerning interior decoration. Writings by others include poems by Ann Lee, travel journals by Paolo Casagrande and Paul Eyre, and a draft of Pierre de Lanux's "Memoires-Jours de Notre Vivre."

Research files consist of Eyre de Lanux's notes, drafts, photographs, published works, and research correspondence relating to her biography on Tobias Lear, the personal secretary of George Washington and a proposal for a work entitled Illusions of Identity. Other materials include copies of Betsy Fahlman's research on architect Wilson Eyre, de Lanux's uncle.

Printed material is scattered and includes periodicals with copies of writings by Pierre and Eyre de Lanux, one exibition announcement, printed reproductions of works of art, blank postcards, and souvenirs gathered from de Lanux's many trips abroad.

Photographs are of Eyre in her studio and of her family and friends including Louis Aragon, Natalie Barney, Paolo Casagrande and family, Alice Delmar, Paul Eyre, Consuelo Ford, Pierre de Lanux, Anne Strong, and Evelyn Wyld. There is a photo of Natalie Barney's 20 Rue Jacob Temple d'Amitie. Other photos are of buildings, travel, interiors, and works of art. Among the photographs of works of art include two portraits, one of Eyre de Lanux by Romaine Brooks and one of Romaine Brooks by Eyre de Lanux.

Artwork include sketches, drawings, prints, and paintings by Eyre de Lanux probably dating from the 1920s to the 1940s. There is a painted sketch of interior decoration from circa 1949. Sketches are of Parisian street scenes, portraits of friends, a design for a perfume advertisement for the fashion house Lucien Lelong, illustrated notes for Consuelo Ford, and miscellaneous subjects.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Information, 1965-1966 (Box 1; 10 folders)

Series 2: Personal Business Records , 1933-1989 (Box 1; 10 folders)

Series 3: Correspondence, 1924-1992 (Boxes 1-4; 3.0 linear feet)

Series 4: Diaries, 1922-1988 (Boxes 4-7; 3.5 linear feet)

Series 5: Writings and Notes, 1917-1995 (Boxes 7-8; 1.3 linear feet)

Series 6: Research Files, circa 1900-1980s (Boxes 8-9; 1.0 linear feet)

Series 7: Printed Material, circa 1910-1987 (Boxes 9, 11; 0.5 linear feet)

Series 8: Photographs, circa 1870-1973 (Box 10, OVs 18-20; 0.5 linear feet)

Series 9: Artwork, circa 1920-circa 1949 (Boxes 10-11, OVs 12-17; 0.8 linear feet)
Biographical Note:
Eyre de Lanux (1894-1996) spent much of her life traveling between Paris, Italy, and New York. In addition to portrait and frescoe painting, de Lanux designed furnishings and was a prolific writer.

Elizabeth Eyre de Lanux was born on March 20, 1894, the eldest daughter of Richard Derby Eyre (1869-1955) and Elizabeth Krieger Eyre (d. 1938). As Elizabeth's mother suffered from depression, the responsibilities of parenthood fell largely to Richard Eyre, a successful patent lawyer.

Elizabeth attended Miss Hazen's School in Pelham Manor, Westchester County, New York and enrolled in classes at the Art Students League in 1912 and during 1914-15. Her teachers were George Bridgman and John C. Johansen. At this time, she resided at 47 Washington Square but soon moved to 15 W. 67th Street. She exhibited two paintings, "L'Arlesienne," and "Allegro," in the first annual exhibition of the Society of Independent Artists in 1917.

In early 1918, while working for the Foreign Press Bureau of the Committee on Public Information, Elizabeth met writer Pierre Combret de Lanux (1887-1955.) They married in New York in a civil ceremony on October 9, 1918. Immediately after the Armistice, they sailed for Paris, settling at Number 19 Rue Jacob. Their daughter, Anne-Françoise, nicknamed "Bikou," was born December 19, 1925.

Possibly from the beginning of their marriage, but certainly from the early 1920s, Eyre and Pierre accorded one another the freedom to take other lovers. From 1923 to 1933, Pierre de Lanux was based mainly in Geneva, where he worked for the League of Nations as director of the Paris Office. The marriage endured until Pierre's death in March 1955.

In Paris, from 1919-20, Elizabeth continued her painting and drawing studies. At this time, she began signing her sketches "Eyre de Lanux." Café society at Le Boeuf sur le Toit was an inexhaustible source for portrait subjects, as were socialite Natalie Clifford Barney's Friday salons. A series of "Outlines of Women," line drawings touched with wash, were exhibited in May 1921 at New York's Kingore Galleries. On view was Eyre's portrait of Barney, identified as "Amazone" in the exhibit leaflet, and those of various high-society figures, including Marion Tiffany, actress Eva Le Gallienne, and tennis champion Julie Lentilhon.

Eyre and Pierre resided in the United States from September 1920 to April 1922, and lived at the Chelsea Hotel during the spring of 1921. While Pierre traveled, Eyre completed work on a pair of oak doors painted in tempera, vermillion, and gold with the 13th century legend of Sainte Marie l'Égyptienne. The doors went on exhibit in March 1922 at Knoedler Galleries and received a favorable review in The Sun. Eyre would not exhibit again in New York until 1943, when her fresco, "Persiennes, Persiennes" was included in "The Art of 31 Women Show" at Art of This Century Gallery.

Eyre began the study of frescoe painting in the late 1920s with Constantin Brancusi. Exhibits of her later frescoes were held in 1952 at Alexander Iolas in New York and in Paris at Le Sillon in 1960.

During her years in Paris, Eyre was associated with members of the Parisian arts and literary circles. Ezra Pound made corrections to her 1923 poem "Rue Montorgueil." Eyre met Surrealist poet Louis Aragon, who may have fell in love with her. Aragon's 1919 poem, "Isabelle," dedicated cryptically to one "Madame I.R." on its 1926 publication, tells of his love for "une herbe blanche." Their one-year liaison began in earnest in March 1925, soon after Eyre's relationship with Natalie Barney had ended. An affair with political writer Pierre Drieu La Rochelle, initiated in early 1923 and carried on intermittently, also ended at this time.

In 1933 Eyre and Pierre purchased a number of works of contemporary art. These included a Picasso watercolor and drawing from his Cubist period, a Braque, a Berman, two Picabia drawings, an Yves Tanguy, a large Mirà, and two paintings by de Chirico. In future years, gallery-owner Betty Parsons 1900-82), whom Eyre doubtless knew in Paris, would assist her in selling paintings from her collection. Many would be sold at a great loss to meet expenses.

From 1927 to 1933, Eyre collaborated with British carpet designer Evelyn Wyld (1882-1973), creating modernist furniture in glass, cowhide, wood, and lacquer for private clients. Eyre met Wyld while interviewing her for her monthly column, "Letters of Elizabeth," which ran for two years in Town and Country magazine. Eyre and Wyld exhibited their interiors in the 1928 and 1929 annual showings of the Artistes-Décorateurs and in 1930 at the first exhibit of the Société Union des Artistes Modernes. In 1932, the two women opened Décor, a furniture gallery in Cannes. The business, hurt by a decline in demand following the 1929 stock market crash, closed in 1933.

Eyre returned to Paris in 1945 There she met a young Italian writer, Paolo Casagrande. Eyre was 54 years old and he roughly half her age. With his encouragement, she rented a studio at 53 Via Margutta and beganworking on large frescoes and fresco portraits. One of her sitters was Tennessee Williams.

The relationship with Casagrande endured until the end of Eyre's life. Although Casagrande married in 1950 and eventually had children, he and Eyre maintained an almost continuous, passionate correspondence. They traveled for long periods in southern Italy, Sicily, Greece, and Morocco. During their Moroccan sojourn in 1951 and 1952, Eyre began making notes for short stories. "La Place de La Destruction" was published in 1955 in La Nouvelle Revue Française, and "The House in the Medina" appeared in Harper's Bazaar in November 1963. Her sketchbooks, watercolors, and frescoes from this period reveal her fascination with the North African landscape.

In March, 1961, possibly in order to pull away from Casagrande, Eyre left Paris and returned to New York permanently, taking a studio apartment at The Picasso on East 58th Street. In a diary entry made shortly before moving day, she wrote, "Write to Paolo every day, and mail it only occasionally." Her last visit to Paris occurred in 1978. Until legal blindness overtook her, Eyre pursued various research and writing projects.

She began work on a biography of Tobias Lear, a secretary to George Washington and a distant maternal ancestor. She also gathered photographs for "Illusions of Identity," a book of associations between the physical and metaphysical worlds with a preface by Ray Bradbury; the book was never published. In 1980, she supplied paintings to illustrate Overheard in a Bubble Chamber (1981), a book of science poems for children written by her close friend Lillian Morrison. The New Yorker magazine published three of her short stories: "Montegufoni" (1966), "Cot Number Eleven" (1968), and "Putu" (1972). Plans to bring together twelve stories in one volume were never realized.

Eyre de Lanux died in August 1996 at the age of 102.
Provenance:
The Eyre de Lanux papers were donated to the Archives of American Art by de Lanux's daughter Anne de Lanux Strong and grandson Paul Eyre in 1996.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Eyre de Lanux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Authors -- France -- Paris  Search this
Designers  Search this
Authors -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painters -- France -- Paris  Search this
Modernism (Art)  Search this
Genre/Form:
Drawings
Photographs
Diaries
Sketches
Travel journals
Sound recordings
Prints
Paintings
Citation:
Eyre de Lanux papers, 1865-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lanueyre
See more items in:
Eyre de Lanux papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lanueyre
Online Media:

Departmental Records

Creator::
Renwick Gallery  Search this
Extent:
25 cu. ft. (25 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Clippings
Brochures
Exhibition catalogs
Architectural drawings
Floor plans
Black-and-white photographs
Color transparencies
Color photographs
Black-and-white negatives
Color negatives
Date:
1957, 1961-1989, 1997-2003
Descriptive Entry:
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and with artists; the museum shop; exhibitions; repair and renovation of the Renwick Gallery building; special events; and lectures.

Exhibitions documented include: The Object As Poet; Craft Multiples; Americas: The Decorative Arts in Latin America in the Era of the Revolution; Costumes from Arab World; The Decorative Designs of Frank Lloyd Wright; Design Is. . .; The Grand Renwick Souvenir Show; Ryijy Rugs from Finland: 200 Years of a Textile Art; Irena Brynner: Jewelry Since 1950; A Feast of Color: Corpus Christi Dance Costumes from Ecuador; Grass; Arne Jacobsen: Danish Architect and Designer; An Interior Decorated: Joyce Kozloff; The Designs of Raymond Loewy; Glass by Dale Chihuly: The Cylinder and Basket Series; Signs of Life: Symbols in the American City; Ronald Pearson: Silver and Gold; Bo'Jou Neefee! Profiles of Canadian Indian Art; French Folk Art; Figure and Fantasy; A Modern Consciousness: D. J. DePree and Florence Knoll; New Stained Glass; Belgian Lace; Man Made Mobile: The Western Saddle; Contemporary Textile Art from Austria; The New Fabric Surface: Printed, Painted, and Dyed; 200 Years of Royal Copenhagen Porcelain; Boxes and Bowls: Decorated Containers by the 19th Century Haida, Tlingit, and Tsimshian Indian Artists; Contemporary Nigerian Art: Craftsmen from Oshogbo; Painted Weavings by Lia Cook and Neda Alhilali; Twills With Titles: H. Theodore Hallman, Weaver Kenneth G. Mills, Poet; Skoogfors, 20th Century Goldsmith; The Woven and Graphic Art of Anni Albers; Material Evidence: New Color Techniques in Handmade Furniture; Masterworks of Louis Comfort Tiffany; Bound to Vary: Billy Budd, Sailor; The Boat Show: Fantastic Vessels, Fictional Voyages; Treasures from the Land, Twelve New Zealand Craftsmen and their Native Materials; Harvey K. Littleton Retrospective Exhibition; Celebration: A World of Art and Ritual; Dan Dailey: Glass, 1972-1987; Material Evidence: New Color Techniques in Handmade Furniture; Lost and Found Traditions: Native American Art 1965-1985; Clay Revisions: Plate, Cup, Vase; American Art Pottery; Stephen de Staebler: The Figure; The Goldsmith; Chicago Furniture; The Tibetan Yak in Art and Craft; Contemporary Australian Ceramics; Edward Colonna; Scandinavian Modern 1880-1980; The Animal Image: Contemporary Objects and the Beast; William Harper: Recent Works in Enamel; Georg Jensen, Silversmithy: 77 Artists, 75 Years; The Harmonious Craft: American Musical Instruments; Cynthia Schira: New Work; Lafayette Square, 1963-1983: Architecture, Preservation, and the Presidency; Quilts from the Indiana Amish; Russia: The Land, The People, 1840-1910; Frank Lloyd Wright and the Johnson Wax Building: Creating a Corporate Cathedral; Fanfare: Fans from the 18th Century - 20th Century, Parts I, II, III; Architecture in Silver; The Art of Turned Wood Bowls; The Flexible Medium: Art Fabric from the Museum's Collection; Threads: Seven American Artists and Their Miniature Textile Pictures; Paint on Wood: Decorated American Furniture Since the 17th Century; Venini Glass; American Art Deco; New Glass; American Porcelain: New Expressions in an Ancient Art; Good as Gold: Alternative Materials in American Jewelry; Newcomb Pottery; Clay for Walls; Russel Wright: American Designer; and A Century of Ceramics in the U.S., 1878-1978.

Some of these materials date from the time when the Smithsonian American Art Museum was known as the National Collection of Fine Arts and the National Museum of American Art. Materials include correspondence, memoranda, trip reports, brochures, staff meeting notes, artists' surveys, images, exhibition catalogs, checklists, postcards, invitations, brochures, exhibition labels, research materials, architectural drawings, floor plans, and clippings.
Topic:
Museums -- Administration  Search this
Art museums  Search this
Art museum directors  Search this
Art museum curators  Search this
Museum exhibits  Search this
Decorative arts  Search this
Lectures and lecturing  Search this
Craft festivals  Search this
Buildings -- Repair and reconstruction  Search this
Special events  Search this
Museum stores  Search this
Genre/Form:
Manuscripts
Clippings
Brochures
Exhibition catalogs
Architectural drawings
Floor plans
Black-and-white photographs
Color transparencies
Color photographs
Black-and-white negatives
Color negatives
Citation:
Smithsonian Institution Archives, Accession 10-128, Renwick Gallery, Departmental Records
Identifier:
Accession 10-128
See more items in:
Departmental Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa10-128

Rear Admiral John N. Christenson

Artist:
Gerald P. York, born c. mid 20th century  Search this
Sitter:
John N. Christenson, born 1960  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher (sight): 119.4 × 85.7cm (47 × 33 3/4")
Type:
Painting
Date:
2013
Topic:
Interior  Search this
Printed Material\Book  Search this
Costume\Jewelry\Ring  Search this
Home Furnishings\Furniture\Table  Search this
Costume\Dress Accessory\Tie  Search this
Costume\Dress Accessory\Ribbon  Search this
Costume\Jewelry\Pin  Search this
John N. Christenson: Male  Search this
John N. Christenson: Military\Navy\Officer\Admiral  Search this
Portrait  Search this
Credit Line:
Owner: U.S. Naval War College
Object number:
2013.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm44e44c6a4-4f54-4f71-ba65-b6990b52467b
EDAN-URL:
edanmdm:npg_2013.11

Frank A. Barrett

Artist:
Adolph Spohr, 1889 - 1966  Search this
Sitter:
Frank A. Barrett, 1892 - 1962  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 107.3 x 87.5cm (42 1/4 x 34 7/16")
Type:
Painting
Place:
United States\Colorado\Denver\Denver
Date:
mid 20th Century
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Home Furnishings\Drape  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Frank A. Barrett: Male  Search this
Frank A. Barrett: Politics and Government\US Senator\Wyoming  Search this
Frank A. Barrett: Politics and Government\Governor\Wyoming  Search this
Frank A. Barrett: Politics and Government\State Legislator\Wyoming  Search this
Frank A. Barrett: Politics and Government\State Senator\Wyoming  Search this
Portrait  Search this
Credit Line:
Owner: Wyoming State Museum
Object number:
A75.06.05
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm484bfca0b-b339-42c1-9963-b34a3a948588
EDAN-URL:
edanmdm:npg_A75.06.05

Daniel D. Tompkins

Artist:
C. Bernard Pereira, 19th - 20th Century  Search this
Copy after:
Ezra Ames, 1768 - 1836  Search this
Sitter:
Daniel D. Tompkins, 1774 - 1825  Search this
Medium:
Oil on canvas
Dimensions:
116.9 x 86.4cm (46 x 34")
Type:
Painting
Topic:
Interior  Search this
Home Furnishings\Furniture\Table  Search this
Architecture\Column  Search this
Equipment\Drafting & Writing Implements\Inkstand  Search this
Daniel D. Tompkins: Male  Search this
Daniel D. Tompkins: Politics and Government\State Legislator\New York  Search this
Daniel D. Tompkins: Law and Law Enforcement\Lawyer  Search this
Daniel D. Tompkins: Politics and Government\Vice-President of US  Search this
Daniel D. Tompkins: Politics and Government\Governor\New York  Search this
Daniel D. Tompkins: Military\Army\Officer\War of 1812  Search this
Daniel D. Tompkins: Military\Militia\Officer  Search this
Daniel D. Tompkins: Law and Law Enforcement\Judge\Justice\State Supreme Court Justice\New York  Search this
Portrait  Search this
Credit Line:
Owner: Columbia University, Art Properties
Object number:
NY350443
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm490fa41db-d17a-4657-bd52-53baf61b45b0
EDAN-URL:
edanmdm:npg_NY350443

Harry S Truman

Artist:
Bela Kerekes, 20th Century  Search this
Sitter:
Harry S Truman, 8 May 1884 - 26 Dec 1972  Search this
Medium:
Oil
Dimensions:
61 x 45.7cm (24 x 18")
Type:
Painting
Date:
1968
Topic:
Home Furnishings\Furniture\Bookcase  Search this
Interior\Library  Search this
Harry S Truman: Male  Search this
Harry S Truman: Law and Law Enforcement\Lawyer  Search this
Harry S Truman: Politics and Government\Vice-President of US  Search this
Harry S Truman: Natural Resources\Agriculturist  Search this
Harry S Truman: Military\Army\Officer\Captain  Search this
Harry S Truman: Law and Law Enforcement\Judge  Search this
Harry S Truman: Politics and Government\President of US  Search this
Harry S Truman: Politics and Government\US Senator\Missouri  Search this
Harry S Truman: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Harry S. Truman Library & Museum
Object number:
78-333 HSTL
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm40edfb8b5-ad18-40de-b143-9fca5cc694e4
EDAN-URL:
edanmdm:npg_78-333_HSTL

Beauford Halbert Jester

Artist:
John Moran, active mid-20th Century  Search this
Sitter:
Beauford Halbert Jester, 1893 - 1949  Search this
Medium:
Oil on canvas
Dimensions:
115 x 85cm (45 1/4 x 33 7/16")
Type:
Painting
Date:
1949
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Home Furnishings\Drape  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Beauford Halbert Jester: Male  Search this
Beauford Halbert Jester: Law and Law Enforcement\Lawyer  Search this
Beauford Halbert Jester: Military\Soldier  Search this
Beauford Halbert Jester: Politics and Government\Politician  Search this
Beauford Halbert Jester: Politics and Government\Governor\Texas  Search this
Portrait  Search this
Credit Line:
Owner: Texas State Library
Object number:
1989.377 TSL
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42529d226-c1ce-4f78-aac5-c12c641703ae
EDAN-URL:
edanmdm:npg_1989.377_TSL

Mary Dale

Artist:
Henry C. Balink, 1882 - 1963  Search this
Sitter:
Mary Dale, 20th Century  Search this
Medium:
Oil on canvas
Dimensions:
36.1cm x 30.8cm (14 3/16" x 12 1/8"), Accurate
Type:
Painting
Place:
United States\New Mexico
Date:
1944
Topic:
Interior  Search this
Mary Dale: Female  Search this
Portrait  Search this
Credit Line:
Owner: Gilcrease Museum
Object number:
0137.1344
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm40371aa86-8139-4254-90d0-aee3fdfa8723
EDAN-URL:
edanmdm:npg_0137.1344

Lyndon Baines Johnson

Artist:
Louis Lupas, 20th Century  Search this
Sitter:
Lyndon Baines Johnson, 27 Aug 1908 - 22 Jan 1973  Search this
Medium:
Pastel on paper
Dimensions:
53.7cm x 61.2cm (21 1/8" x 24 1/8"), Sight
Type:
Painting
Date:
1966
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Printed Material\Papers  Search this
Interior\Office  Search this
Home Furnishings\Drape  Search this
Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this
Home Furnishings\Furniture\Desk  Search this
Costume\Jewelry\Cufflinks  Search this
Costume\Jewelry\Pin  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Lyndon Baines Johnson: Male  Search this
Lyndon Baines Johnson: Literature\Writer  Search this
Lyndon Baines Johnson: Politics and Government\Vice-President of US  Search this
Lyndon Baines Johnson: Education\Educator\Teacher  Search this
Lyndon Baines Johnson: Politics and Government\President of US  Search this
Lyndon Baines Johnson: Society and Social Change\Philanthropist  Search this
Lyndon Baines Johnson: Politics and Government\US Senator\Texas  Search this
Lyndon Baines Johnson: Politics and Government\US Congressman\Texas  Search this
Lyndon Baines Johnson: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
Owner: Lyndon Baines Johnson Library and Museum
Object number:
ART BOX J1
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm45d9b4ce3-60ba-49af-aa48-7f7085c368c5
EDAN-URL:
edanmdm:npg_ART_BOX_J1

Lyndon Baines Johnson

Artist:
Louis Lupas, 20th Century  Search this
Sitter:
Lyndon Baines Johnson, 27 Aug 1908 - 22 Jan 1973  Search this
Medium:
Pastel on paper
Dimensions:
53.8cm x 62.3cm (21 3/16" x 24 1/2"), Sight
Type:
Painting
Date:
1966
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Interior\Office  Search this
Home Furnishings\Drape  Search this
Architecture\Window  Search this
Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this
Home Furnishings\Furniture\Desk  Search this
Costume\Jewelry\Cufflinks  Search this
Costume\Jewelry\Pin  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Lyndon Baines Johnson: Male  Search this
Lyndon Baines Johnson: Literature\Writer  Search this
Lyndon Baines Johnson: Politics and Government\Vice-President of US  Search this
Lyndon Baines Johnson: Education\Educator\Teacher  Search this
Lyndon Baines Johnson: Politics and Government\President of US  Search this
Lyndon Baines Johnson: Society and Social Change\Philanthropist  Search this
Lyndon Baines Johnson: Politics and Government\US Senator\Texas  Search this
Lyndon Baines Johnson: Politics and Government\US Congressman\Texas  Search this
Lyndon Baines Johnson: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
Owner: Lyndon Baines Johnson Library and Museum
Object number:
ART BOX J1.DUP1
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f5529b83-ccc3-4102-9022-1cbb168fd674
EDAN-URL:
edanmdm:npg_ART_BOX_J1.DUP1

Upton Beall

Artist:
Olive Combs, 20th Century  Search this
Unidentified Artist  Search this
Sitter:
Upton Beall, 19th Century  Search this
Medium:
Pastel on paper
Dimensions:
Sight: 79cm x 50.7cm (31 1/8" x 19 15/16"), Estimate
Type:
Drawing
Place:
United States\Maryland\Montgomery\Rockville
Date:
1981
Topic:
Interior  Search this
Upton Beall: Male  Search this
Upton Beall: Visual Arts\Architect  Search this
Portrait  Search this
Credit Line:
Owner: Montgomery County Historical Society
Object number:
MD200001
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4543d7959-c8d4-4b01-bcf7-df46ac0ede39
EDAN-URL:
edanmdm:npg_MD200001

John R. Dethmers

Artist:
Lucien Le Breton, born early 20th Century  Search this
Sitter:
John R. Dethmers, 1903 - 1971  Search this
Medium:
Oil on canvas
Dimensions:
99.9cm x 74.5cm (39 5/16" x 29 5/16"), Sight
Type:
Painting
Date:
1950-1980
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
John R. Dethmers: Male  Search this
John R. Dethmers: Law and Law Enforcement\Judge\Justice\State Supreme Court Justice\Michigan  Search this
Portrait  Search this
Credit Line:
Owner: Supreme Court of Michigan
Object number:
MI040026
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm41a64aba5-7cee-4af2-a7f9-07f1929557a0
EDAN-URL:
edanmdm:npg_MI040026

Wiliam McKendree Evans

Artist:
Marcia Silvette, 20th Century  Search this
Sitter:
Wiliam McKendree Evans, 1847 - 1939  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 100.6cm x 80.5cm (39 5/8" x 31 11/16"), Accurate
Type:
Painting
Date:
1935
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Wiliam McKendree Evans: Male  Search this
Wiliam McKendree Evans: Military\Army\Officer\Civil War\Confederate  Search this
Wiliam McKendree Evans: Business and Finance\Businessperson\Accounting\Accountant  Search this
Portrait  Search this
Credit Line:
Owner: Virginia Museum of History and Culture
Object number:
POR.946.186
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e02fb2a2-4a33-4251-8b0c-b309784a716c
EDAN-URL:
edanmdm:npg_POR.946.186

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