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James S. Plaut papers, [ca. 1929]-1980

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Plaut, James S. (James Sachs), 1912-1996  Search this
Subject:
Adenauer, Konrad  Search this
Bernstein, Leonard  Search this
Breuer, Marcel  Search this
Eisenhower, Dwight D. (Dwight David)  Search this
Gandhi, Indira  Search this
Wright, Frank Lloyd  Search this
Gropius, Walter  Search this
Peirce, Waldo  Search this
Ruckstull, F. W. (Fred Wellington)  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Berman, Eugene  Search this
Kirstein, Lincoln  Search this
Kokoschka, Oskar  Search this
Milles, Carl  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
World Crafts Council  Search this
Expo 67 (Montréal, Québec)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Place:
Israel
Theme:
Sketches & Sketchbooks  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9561
(DSI-AAA_SIRISBib)211762
AAA_collcode_plaujame
Theme:
Sketches & Sketchbooks
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211762

Oral history interview with Elizabeth Saltonstall, 1981 November 18

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Benson, Frank Weston  Search this
Bosley, Frederick A.  Search this
Chase, Frank Swift  Search this
Clark, Henry Hunt  Search this
Cross, Anson K.  Search this
Hale, Philip Leslie  Search this
James, Alexander  Search this
Miller, George Charles  Search this
Presser, Josef  Search this
Saltonstall, Nathaniel  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow  Search this
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.)  Search this
Type:
Interviews
Sound recordings
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13235
(DSI-AAA_SIRISBib)215615
AAA_collcode_salton81
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215615
Online Media:

Oral history interview with Elizabeth Saltonstall

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.) -- Faculty  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.) -- Faculty  Search this
Windsor School (Boston, Mass.) -- Students  Search this
Benson, Frank Weston, 1862-1951  Search this
Bosley, Frederick A., 1881-1942  Search this
Chase, Frank Swift, 1886-1958  Search this
Clark, Henry Hunt  Search this
Cross, Anson K., 1862-1944  Search this
Hale, Philip Leslie, 1865-1931  Search this
James, Alexander, 1890-1946  Search this
Miller, George Charles, b. 1894  Search this
Presser, Josef, 1909-1967  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow, 1906-1978  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 November 18
Scope and Contents:
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Printmakers--Massachusetts--Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.salton81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salton81

James S. Plaut papers

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Names:
Expo 67 (Montréal, Québec)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
World Crafts Council  Search this
Adenauer, Konrad, 1876-1967  Search this
Berman, Eugene, 1899-1972  Search this
Bernstein, Leonard, 1918-1990  Search this
Breuer, Marcel, 1902-  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969  Search this
Gandhi, Indira, 1917-1984  Search this
Gropius, Walter, 1883-1969  Search this
Kirstein, Lincoln, 1907-  Search this
Kokoschka, Oskar, 1886-  Search this
Milles, Carl, 1875-1955  Search this
Peirce, Waldo, 1884-1970  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
1.4 Linear feet
2.2 Linear feet (Addition)
4 Volumes (Reels 581 and 5139: Scrapbooks)
Type:
Collection descriptions
Archival materials
Volumes
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Place:
Israel
Date:
[ca. 1929]-1980
Scope and Contents:
Correspondence, business files, academic papers, photographs, clippings, sketchbook, sketches, and miscellaneous notes.
REEL 581: Selected items from 2 family scrapbooks, 1933-1943 and 1946-1956; including clippings, photographs, correspondence, invitations and awards. Most material pertains to Plaut's work as director of the ICA and advisor to the government of Israel. Also included are correspondence from Georges Rouault, Carl Milles, and Oskar Kokoschka; and 6 drawings by Waldo Peirce.
REEL 5139: Two family scrapbooks, 1956-1959 and 1960-1980, containing clippings, invitations, photographs and miscellaneous material from Plaut's work World's Fairs at Brussels, 1958, New York, 1964 and Japan, 1970. Also found are family snapshots of the Plaut's travels, their children and grandchildren and include 7 earlier photographs of Plaut and his parents, ca. 1906-1932, and one photograph of Eleanor Roosevelt, 1959.
UNMICROFILMED: Travel sketchbook of Rome; term papers, honors thesis, and sketches for an architectural history course; files relating to Plaut's positions at the Museum of Fine Arts, Boston, the ICA, the World Crafts Council, and other professional and personal concerns; correspondence, including letters from Eugene Berman, Carl Milles, Lincoln Kirstein, Paul Sachs and others; personal and work related photographs; lecture notes; slides from the World's Craft Fair Council, 1974; 2 untranscribed sound tape reels of an interview made by Plaut for Alfred Auerbach concerning the Brussels World's Fair 1958 and typed list of questions for the interview; and miscellaneous papers.
ADDITION: Resumes and obituaries; correspondence; the book, Waldo Peirce, by Margit Varga, 1941, with insertions of a caricature by Peirce, illustrated postcards, and a letter; photographs of Walter Gropius House, Lincoln, Mass. and 7 photographs of Plaut with Frank Lloyd Wright, Walter Gropius, Marcel Breuer, Konrad Adenauer, Indira Gandhi, Leonard Bernstein, and Dwight David Eisenhower; scrapbook and slides pertaining to Plaut's work for the World's Fair, Brussels, 1958; writings and publications; publications of the ICA and the WCC; the book, The Overcoat, by Nikoli Gogel, presented to Plaut upon retirement from the WCC; publications by others on art and design; and a file on James and Mary Plaut's personal art collection, ca. 1935-1990s.
Biographical / Historical:
Art administrator and museum director; Boston, Mass. Plaut was born to a wealthy family in Cincinnati, Ohio, graduated from HarvardCollege, and received an M.A. from Harvard University. His uncle was Paul Sachs, a connoisseur and influential museology professor at Harvard andsor. Plaut held curatorial positions at the Museum of Fine Arts, Boston, and became Director of Boston's Institute of Modern Art in 1939 (later the Institute of Contemporary Art or ICA) where he staged early exhibitions of contemporary design and European avant-garde paintings and sculpture until his resignation in 1956. Plaut was also involved in many international exhibitions and expositions, serving as Deputy U.S. Commissioner to the World's Fair in Brussels, 1958, and was Secretary General of the World Crafts Council, 1967-1976 and a consultant on industrial design in Israel.
Provenance:
Scrapbooks on reel 581 lent for microfilming by Plaut, 1973; his estate, via the executor Edward M. Condit, Jr., lent those on reel 5139 in 1996. Plaut donated the unmicrofilmed material in 1985 and 1992, and additional papers were received as a bequest in 1996 via the executor of his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Function:
Art museums -- Massachusetts -- Boston
Genre/Form:
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Identifier:
AAA.plaujame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-plaujame

Conflict of visions [videorecording] / producer, Tug Yourgrau; editor, Joel Olicker, c1987

Creator:
WGBH Educational Foundation  Search this
WGBH Educational Foundation  Search this
Subject:
Aldrich, Nelson W.  Search this
Allara, Pamela  Search this
Bloom, Hyman  Search this
Chaet, Bernard  Search this
Coburn, Ralph  Search this
Goodrich, Lloyd  Search this
Plaut, James S. (James Sachs)  Search this
Swan, Barbara  Search this
Yourgrau, Tug  Search this
Olicker, Joel  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Type:
Video recordings
Interviews
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Expressionism (Art)  Search this
Record number:
(DSI-AAA_CollID)21890
(DSI-AAA_SIRISBib)216531
AAA_collcode_wgbhedut
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216531

Conflict of visions [videorecording] / producer, Tug Yourgrau; editor, Joel Olicker

Creator:
WGBH Educational Foundation  Search this
Names:
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Aldrich, Nelson W.  Search this
Allara, Pamela  Search this
Bloom, Hyman, 1913-  Search this
Chaet, Bernard  Search this
Coburn, Ralph, 1923-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Olicker, Joel  Search this
Plaut, James S. (James Sachs), 1912-1996  Search this
Swan, Barbara, 1922-  Search this
Yourgrau, Tug  Search this
Extent:
1 Item (videocassette (VHS) (ca. 30 min), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Date:
c1987
Scope and Contents:
Examines the Boston art scene in the late l930s and l940s, where traditional conservative artistic taste clashed with the emerging Boston Expressionists trained at the Museum of Fine Arts, Boston School. Focuses on the artists' relationship to the newly formed Institute of Modern Art, and the uproar which resulted when its director, James Plaut, issued a statement viewed as antagonistic to artists explaining the change of name of the museum to the Institute of Contemporary Art. Discussing the events are artists Barbara Swan, Bernard Chaet, Ralph Coburn and Hyman Bloom, ICA director James Plaut and president Nathanial Saltonstall, art historian Pamela Allara, Nelson Aldrich and Lloyd Goodrich.
Publication, Distribution, Etc. (Imprint):
Boston: WGBH Educational Foundation, c1987
General:
First broadcast on WGBH January 1988.
Provenance:
Donated in 1993 by the WGBH Educational Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Expressionism (Art)  Search this
Function:
Art museums -- Massachusetts -- Boston
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.wgbhedut
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wgbhedut

Contemporary German art / the Institute of Modern Art

Author:
Institute of Modern Art (Boston, Mass.)  Search this
Physical description:
40 p. : ill ; 26 cm
Type:
Exhibitions
Date:
1939
20th century
Topic:
Art, German  Search this
Call number:
N6868 .C66 1939
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_814430

Four modern American painters : Peter Blume ... Stuart Davis ... Marsden Hartley ... Jacob Lawrence ... : from March 2 until April 1, 1945

Author:
Blume, Peter 1906-1992  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Subject:
Blume, Peter 1906-  Search this
Physical description:
1 folded sheet ([6] p.) ; 23 cm
Type:
Exhibitions
Place:
United States
Date:
1945
[1945]
20th century
Topic:
Painting, American  Search this
Painters  Search this
Call number:
ND212 .F676 1945
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_683930

The journal and catalog of the exhibition entitled "Sculpture and Carl Milles;" held at the Institute of Modern Art, Boston, Mass., from Jan. 28th through Mar. 2d, 1941

Author:
Institute of Contemporary Art (Boston, Mass.)  Search this
Subject:
Milles, Carl 1875-1955  Search this
Physical description:
lv. (unpaged) 12 plates. 27cm
Type:
Books
Date:
1941
1941]
Call number:
N40.1.M648 B7
N40.1.M648B7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_36524

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