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Oral history interview with V. V. Rankine

Interviewee:
Rankine, V. V., 1920-2004  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Betty Parsons Gallery  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
David Herbert Gallery  Search this
Institute of Contemporary Arts (Washington, D.C.)  Search this
Jefferson Place Gallery  Search this
Albers, Josef  Search this
Bader, Franz, 1903-1994  Search this
Brooks, James, 1906-1992  Search this
Callahan, Harry M.  Search this
Cunningham, Merce  Search this
Davis, Gene, 1920-1985  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Denney, Alice  Search this
Dorrance, Nesta  Search this
Downing, Thomas, 1928-1985  Search this
Duncan, Augustin  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gabo, Naum, 1890-1977  Search this
Gilliam, Sam, 1933-  Search this
Gorky, Agnes  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Guston, Philip, 1913-1980  Search this
Halle, Kay  Search this
Hare, David, 1917-1992  Search this
Helburn, Theresa, 1887-1959  Search this
Johnson, Ray, 1927-1995  Search this
Kennedy, Kit  Search this
Kiesler, Frederick  Search this
Kinney, Gilbert H.  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Leopold, Richard  Search this
Louis, Morris, 1912-1962  Search this
Magruder, Esther  Search this
Merrill, Kevin  Search this
Nelson, Wretha  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Bonnie  Search this
Noland, Kenneth, 1924-2010  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pace, Stephen, 1918-2010  Search this
Parsons, Betty  Search this
Penn, Arthur, 1922-  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Renault, Jean  Search this
Richman, Robert  Search this
Russo, Alexander  Search this
Sheridan, Walt  Search this
Sherman, Saul  Search this
Snelson, Kenneth, 1927-2016  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Thomas, Dylan, 1914-1953  Search this
Truitt, Anne, 1921-2004  Search this
Warhol, Andy, 1928-1987  Search this
Yektai, Manoucher, 1922-  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Mar. 2-22
Scope and Contents:
An interview of V. V. Rankine conducted 1990 Mar. 2-22, by Liza Kirwin, for the Archives of American Art.
Rankine discusses the evolution of her nickname, V.V.; discovering her dyslexia; growing up in Boston; auditioning for a part in, "The Philadelphia Story"; her art studies with Amedee Ozenfant from 1944 to 1946; her studies at Black Mountain College with Josef Albers and Willem De Kooning in 1947; her friendship with Morris Louis and watching him work; living with her brother-in-law Arshile Gorky, in New York City; her first one-woman show at the David Herbert Gallery in New York in 1962; exhibiting at the Betty Parsons Gallery in New York and at the Jefferson Place Gallery in Washington, D.C.; Robert Richman and the Institute of Contemporary Arts; the relationship between her painting and her sculpture; favorite shapes and materials; and her summer home in East Hampton and artist friends there. Rankine also recalls Robert Rauschenberg, Jack Youngerman, Manoucher Yektai, Betty Parsons, Ibram Lassaw, Buckminster Fuller, Elaine De Kooning, Arthur Penn, Richard Leopold, John Cage, Merce Cunningham, Ken Noland, Morris Louis, Ray Johnson, Kenneth Snelson, David Hare, Frederick Kiesler, Raphael Soyer, Moses Soyer, Jean Renault, Agnes Gorky, Esther Magruder, James Johnson Sweeney, Jim Brooks, John Graham, Phillip Guston, Duncan Phillips, Theresa Helburn, Augustine Duncan, Tom Downing, Gene Davis, Alice Denney, Nesta Dorrance, Kevin Merrill, Sam Gilliam, Dylan Thomas, Kay Halle, Kit Kennedy, Naum Gabo, President Lyndon B. Johnson, Anne Truitt, Wretha Nelson, Franz Bader, Louise Nevelson, Andy Warhol, Jackson Pollock, Bonnie Newman, Alexander Russo, Walt Sheridan, Gilbert Kinney, Saul Sherman, Steve Pace, Lee Krasner, and others.
Biographical / Historical:
V.V. Rankine (1920-2004) was a painter and sculptor from Washington, D.C. Variable forms of the artist's name are notably E. R. (Elvine Richard) Rankine, Vivian Scott Rankine, and her married name, Mrs. Paul Scott.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.) -- Interviews  Search this
Topic:
Art, American  Search this
Sculptors -- Washington (D.C.) -- Interviews  Search this
Women artists -- Washington (D.C.)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rankin90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rankin90

Oral history interview with Hubert Leckie and Alexander Giampietro

Interviewee:
Leckie, Hubert W., 1913-1993  Search this
Creator:
Giampietro, Alexander (1912-2010)  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Institute of Design (Chicago, Ill.)  Search this
New Bauhaus (Chicago, Ill.)  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1992 Feb. 13
Scope and Contents:
An interview with Hubert Leckie and Alexander Giampietro conducted 1992 Feb. 13, by Liza Kirwin, for the Archives of American Art.
Leckie and Giampietro recall their student days at the New Bauhaus in Chicago (fall 1937- summer 1938) and the teaching methods of Laszlo Moholy-Nagy, Alexander Archipenko, Hin Bredendieck, Gyorgy Kepes, David Dushkin, and others there; the New Bauhaus approach to design; the closing of the school in 1938 and its reincarnation in the Institute of Design; Leckie's application of New Bauhaus principles in his teaching at American University and the Institute of Contemporary Arts (ICA) in Washington, D.C.; ICA exhibitions and programs; both teaching at the ICA from 1948 to 1951; their impressions of ICA director Robert Richman; the impact of the ICA on the Washington, D.C. art scene; and the exchange between the ICA, American University, the Washington Workshop Center for the Arts, Catholic University, and other schools. Leckie also discusses his role as the designer of the Archives of American Art Journal.
Biographical / Historical:
Hubert Leckie (1913-1993) was an art instructor and designer in Washington, D.C. Leckie is a former art instructor and was the designer of the Archives of American Art Journal. Alexander Giampietro (1912-2010) was a professor of art at Catholic University.
General:
Originally recorded on 1 sound cassettes. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Art teachers -- Training of -- Illinois -- Chicago  Search this
Art teachers -- Interviews  Search this
Topic:
Art -- Study and teaching -- Washington (D.C.)  Search this
Art -- Study and teaching -- Illinois -- Chicago  Search this
Designers -- Interviews  Search this
Function:
Art Schools -- Washington (D.C.)
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.leckie92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leckie92

Oral history interview with Willem De Looper, 1992 January 26-February 29

Interviewee:
De Looper, Willem, 1932-2009  Search this
Interviewer:
Forgey, Benjamin F., 1938-  Search this
Subject:
Phillips Collection  Search this
American University (Washington, D.C.)  Search this
Type:
Interviews
Sound recordings
Topic:
Art students -- Washington (D.C.) -- Interviews  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
World War, 1939-1945  Search this
Art -- Philosophy  Search this
Art criticism  Search this
Record number:
(DSI-AAA_CollID)12592
(DSI-AAA_SIRISBib)214744
AAA_collcode_deloop92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214744
Online Media:

Institute of Contemporary Arts records

Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Names:
Meridian House Foundation  Search this
People-to-People (Organization)  Search this
United States. Veterans Administration  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Copland, Aaron, 1900-1990  Search this
Cummings, E. E. (Edward Estlin), 1894-1962  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fangor, Wojciech, 1922-  Search this
Gabo, Naum, 1890-1977  Search this
Giampietro, Alexander  Search this
Gordimer, Nadine  Search this
Graves, Robert, 1895-1985  Search this
Gropius, Walter, 1883-1969  Search this
Hawkins, Erick  Search this
Huxley, Aldous, 1894-1963  Search this
Jahn, Janheinz  Search this
Phillips, Duncan, 1886-1966  Search this
Raine, Kathleen, 1908-2003  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richman, Robert  Search this
Richter, Hans, 1888-1976  Search this
Sage, Kay  Search this
Tanguy, Yves, 1900-1955  Search this
Williams, William Carlos, 1883-1963  Search this
Extent:
36 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
School records
Date:
1927-circa 1985
bulk 1947-1967
Summary:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Scope and Contents:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

Robert Richman's professional and personal relationships with numerous artists and writers which the ICA hosted in D.C. are documented in Correspondence and Artists' Files. Correspondence files include letters from Joseph and Anni Albers, Alfred Barr, e.e. cummings, Alexander Giampietro, Naum Gabo, Walter Gropius, Erick Hawkins, Duncan Phillips, Hans Richter, Kay Sage and Yves Tanguy, and William Carlos Williams. Also found is correspondence with benefactors, board members, and arts organizations regarding exhibitions and administrative details; and with teachers and the Veteran's Administration regarding school issues.

Artists' Files contains mostly incoming and outgoing correspondence, but also found are biographies, exhibition printed materials, handwritten notes, newspaper clippings and scattered portrait photographs. Of interest are files on Aaron Copland, e.e. cummings, T.S. Eliot, Wojciech Fangor, Nadine Gordimer, Robert Graves, Aldous Huxley, Janheinz Jahn, Kathleen Raine, and Sir Herbert Read.

In addition to Correspondence and Artists' Files, materials regarding ICA's programming, such as correspondence with artists and galleries, press releases, shipping records, financial records, printed materials, photographs, inventory and price lists, are found in ICA Program Files.

The ICA and Robert Richman collaborated with numerous arts and international exchange organizations to organize exhibitions, performances, symposium, and to host visiting artists. Materials regarding such collaborations are found in Organizations and includes correspondence, scattered financial records, notes, and printed materials such as bulletins, brochures, schedules, reports, and press releases. This series also includes substantial material related to the Fine Arts Committee of the People-to-People Program, an international exchange initiative of President Dwight D. Eisenhower begun in 1956.

The school's records include correspondence, notebooks (attendance books), teacher files documenting classes and grades, extensive student files and student enrollment cards, mailing lists, class cards, and notes for classes taught by Robert Richman.

Administrative and Financial Files include accounting and banking records, budgets, founding documents, fundraising records, grants records, mailing lists, membership lists, and Meridian House Foundation records.

ICA's programs are also documented by comprehensive printed materials arranged by ICA seasons, 1947-1967. Printed materials include program calendars, exhibition announcements, invitations, membership forms, and press releases. Also found are newspaper clippings and three oversized clippings scrapbooks.

Photographs include black and white photographs and negatives of people, most of whom are unidentified. Robert Richman's personal papers includes personal correspondence, correspondence related to "New Republic," handwritten and typed writings, some bills, and his curriculum vitae.

Unrepresented in this collection are records of ICA's ICONART Collection (Contemporary Arts Archives), an archive of films and tapes of artists' performances, lectures and events held by ICA.
Arrangement:
The collection is arranged as 9 series.

Series 1: Correspondence, 1937, 1944-1980 (2.7 linear feet; Boxes 1-3)

Series 2: Artists' Files, 1943-1967, 1970-1979 (4.9 linear feet; Boxes 3-8)

Series 3: ICA Program Files, circa 1947-1968 (5.2 linear feet; Boxes 8-13, 27)

Series 4: Organizations, 1927, 1940s-1967 (7.3 linear feet; Boxes 13-20, OV 39)

Series 5: ICA School Files, 1945-1953 (7.0 linear feet; Boxes 21-27)

Series 6: Administrative and Financial Files, 1945-1979, 1983 (5.2 linear feet; Boxes 28-33, 38)

Series 7: Printed Materials, 1945-1970 (2.9 linear feet; Boxes 33-35, 38)

Series 8: Photographs, circa 1930s-1960s, circa 1985 (0.4 linear feet; Boxes 35-36)

Series 9: Personal Papers of Robert Richman, 1940s-1980 (0.4 linear feet; Boxes 36-37)
Biographical / Historical:
The Washington, D.C. arts and educational organization, Institute of Contemporary Arts (ICA), was founded by poet Robert Richman in 1947 to bring arts and culture to the nation's capital. The school, originally named the King-Smith School of Creative Arts, was redesigned and renamed Institute of Contemporary Arts by Richman in 1948. The school's philosophy was based on Sir Herbert Read's Education Through Art, and provided professional training in painting, sculpture, literature, music, and theater. In addition, the ICA operated an evening school and brought prominent artists and literary figures to the nation's capital for exhibitions, concerts, workshops, lectures, readings, and performances. Teachers at the school included potter Alexander Giampietro, sculptor David Aaron, designers Beatrice Takeuchi and Hubert Leckie, and painter Kenneth Noland.

The school closed in August 1951, but the ICA continued to provide an impressive roster of programs and performances held at the Corcoran Gallery of Art and other D.C. institutions, such as exhibitions by Naum Gabo, Bernard Leach, Isamu Noguchi, and Hans Richter; readings by W.H. Auden, T.S. Eliot, Katherine Anne Porter, and Dylan Thomas; lectures by Charles Eames, Aldous Huxley, Octavio Paz, and Frank Lloyd Wright; and performances by Aaron Copland, Paul Hindemith, José Limón Dance Company, and Ravi Shankar. The organization also sponsored visiting professorships for international artists and writers, such as Nadine Gordimer, and hosted an annual Congress of Artists and Writers from 1959-1964.

In the late 1950s and early 1960s, the ICA was successful in securing some large grants to continue and expand its programming and to secure permanent space at the Meridian House Foundation. However, by the late 1960s the organization's programming declined.

ICA founder Robert Richman was a poet and literary editor at New Republic magazine in the early 1950s. He was active in the arts community in D.C. and in international exchange organizations, including the Fine Arts Committee of the People-to-People Project, an initiative started by President Dwight D. Eisenhower in the late 1950s. Robert Richman passed away in 1987.
Provenance:
The Institute of Contemporary Arts records were donated by Maida Richman, the wife of the ICA's founder, Robert Richman, in 1986.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Societies, etc. -- Washington (D.C.)  Search this
Genre/Form:
Scrapbooks
Photographs
School records
Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-instcona
Online Media:

Oral history interview with Willem De Looper

Interviewee:
De Looper, Willem  Search this
Interviewer:
Forgey, Benjamin, art critic  Search this
Names:
American University (Washington, D.C.). Fine Arts Dept.  Search this
Phillips Collection  Search this
Extent:
134 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1992 January 26-February 29
Scope and Contents:
An interview of Willem De Looper conducted 1992 January 26 and February 29, by Benjamin Forgey, for the Archives of American Art. De Looper discusses growing up in the Hague, in Holland, during WWII; his family and educational background; moving to the United States in 1950; his U.S. Army service; his studies at American University and his teachers including Robert Gates, Ben Summerford, William Calfee, and Sarah Baker; his early experiments with abstraction; his first studio in Washington, D.C.; exhibiting at the Jefferson Place Gallery in the 1960s and later at the B.R. Kornblatt Gallery; working at the Phillips Collection for twenty-five years; and materials, techniques, and influences in his painting. He recalls Tom Downing, the Institute of Contemporary Art (Washington, D.C.), John Gernand, Sam Gilliam, Michael Clark, Duncan and Marjorie Phillips, Harold Giese, William Woodward, Jim McLaughlin, and others.
Biographical / Historical:
Willem De Looper (1932-2009) was a painter from Washington, D.C.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (D.C.) -- Interviews  Search this
Topic:
Art students -- Washington (D.C.) -- Interviews  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
World War, 1939-1945  Search this
Art -- Philosophy  Search this
Art criticism  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.deloop92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deloop92

Institute of Contemporary Arts; Washington, D.C.

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 12, Folder 5
Type:
Archival materials
Date:
1964
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Leo Castelli Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8651

Correspondence

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Extent:
2.7 Linear feet (Boxes 1-3)
Type:
Archival materials
Date:
1937
1944-1980
Arrangement:
This series is arranged as 2 subseries.

1.1 Alphabetical, 1945-1969, circa 1975-1978

1.2 Chronological, 1937, 1944-1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona, Series 1
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref1

H, Miscellaneous

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1946-1965
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 1: Correspondence / 1.1: Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref10

Chen, Chi-Ying

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 1
Type:
Archival materials
Date:
1962
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref100

Ciardi, John

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 2
Type:
Archival materials
Date:
1961
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref101

Clark, Kenneth, Sir

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 3
Type:
Archival materials
Date:
1953-1959
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref102

Cocteau, Jean

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 4
Type:
Archival materials
Date:
1962-1963
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref103

Coleman, Elliott

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 5
Type:
Archival materials
Date:
1957-1963
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref104

Colum, Padraic

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 6
Type:
Archival materials
Date:
1961-1962
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref105

Conquest, Robert

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 7
Type:
Archival materials
Date:
1959-1960
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref106

Conrad, Doda

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 8
Type:
Archival materials
Date:
1964
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref107

Cooke, Alistair

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 9
Type:
Archival materials
Date:
1957
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref108

Cooper, Douglas

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 10
Type:
Archival materials
Date:
1959-1960
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref109

Holiday Cards

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
circa 1950-1951
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 1: Correspondence / 1.1: Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref11

Copeland, Aaron

Collection Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Container:
Box 5, Folder 11
Type:
Archival materials
Date:
1955-1961
1946
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Institute of Contemporary Arts records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
See more items in:
Institute of Contemporary Arts records
Institute of Contemporary Arts records / Series 2: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-instcona-ref110

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