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Nancy Davidson papers, 1970s-2016

Creator:
Davidson, Nancy, 1943-  Search this
Davidson, Nancy, 1943-  Search this
Subject:
Halstead, Richard  Search this
Itatani, Michiko  Search this
Kozloff, Joyce  Search this
Lipton, Eunice  Search this
Mayer, Rosemary  Search this
Moore, Sabra  Search this
Spero, Nancy  Search this
Yoshida, Ray  Search this
Marianne Deson Gallery  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
N.A.M.E. Gallery  Search this
Walker Art Center  Search this
White Columns (Gallery)  Search this
Type:
Sketches
Sketchbooks
Photographs
Topic:
Sculptors -- New York (State) -- New York  Search this
Installations (Art)  Search this
Art -- Study and teaching  Search this
Women artists  Search this
Women sculptors  Search this
Record number:
(DSI-AAA_CollID)17402
(DSI-AAA_SIRISBib)384226
AAA_collcode_davinanc
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_384226
Online Media:

Nancy Davidson papers

Creator:
Davidson, Nancy, 1943-  Search this
Names:
Marianne Deson Gallery  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
N.A.M.E. Gallery  Search this
Walker Art Center  Search this
White Columns (Gallery)  Search this
Halstead, Richard  Search this
Itatani, Michiko  Search this
Kozloff, Joyce  Search this
Lipton, Eunice  Search this
Mayer, Rosemary  Search this
Moore, Sabra  Search this
Spero, Nancy, 1926-2009  Search this
Yoshida, Ray  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Date:
1970s-2016
Summary:
The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.
Scope and Contents:
The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary Art, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.
Arrangement:
The collection is arranged as seven series.

Missing Title

Series 1: Biographical Material, 1978-2015 (0.9 linear feet; Box 1)

Series 2: Correspondence, 1970s-2000s (0.8 linear feet; Box 1-2)

Series 3: Illustrated Notebooks and Notes, 1970s-2010 (1.6 linear feet; Box 2-4)

Series 4: Gallery and Exhibition Files, 1976-2002 (0.3 linear feet; Box 4)

Series 5: Printed Material, 1970s-2010s (1.3 linear feet; Box 4-5)

Series 6: Photographic Material, 1990s (1 folder; Box 5)

Series 7: Sketchbooks, circa 1980, circa 1990 (2 folders; Box 5)
Biographical / Historical:
Nancy Davidson (1943- ) is an interdisciplinary artist working primarily in sculpture and installation in New York, NY. She grew up in Chicago and received a Bachelor's degree from Northeastern Illinois University, a BFA from the University of Illinois, Chicago, and an MFA from the School of the Art Institute of Chicago. After completing her graduate degree in 1975, Davidson began her professional career in Chicago before moving to New York in 1979. While initially working in painting and drawing, Davison has become most well known for her works in sculpture investigating the feminized body. She has exhibited at the Institute of Contemporary Art in Philadelphia, the Corcoran Gallery in Washington, D.C., and in numerous galleries across the country. Davidson was a professor at Purchase College SUNY from 1984-2008.
Provenance:
Donated to the Archives of American Art in 2016 by Nancy Davidson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York  Search this
Installations (Art)  Search this
Art -- Study and teaching  Search this
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Citation:
Nancy Davidson papers, 1970s-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davinanc
See more items in:
Nancy Davidson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-davinanc

Elyn Zimmerman papers, 1969-2017

Creator:
Zimmerman, Elyn, 1945-  Search this
Zimmerman, Elyn, 1945-  Search this
Subject:
Diebenkorn, Richard  Search this
Gund, Agnes  Search this
Teraoka, Masami  Search this
Varnedoe, Kirk  Search this
Dicker, Ruth  Search this
Type:
Sound recordings
Topic:
Women sculptors  Search this
Installations (Art)  Search this
Record number:
(DSI-AAA_CollID)16275
(DSI-AAA_SIRISBib)371353
AAA_collcode_zimmelyn
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_371353

Elyn Zimmerman papers

Creator:
Zimmerman, Elyn, 1945-  Search this
Names:
Dicker, Ruth  Search this
Diebenkorn, Richard, 1922-1993  Search this
Gund, Agnes  Search this
Teraoka, Masami, 1936-  Search this
Varnedoe, Kirk  Search this
Extent:
28.5 Linear feet
0.223 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Date:
1969-2017
Summary:
The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 28.5 linear feet and 0.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material. Project and commission files comprise the majority of the collection at 18.2 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The papers include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.
Scope and Contents:
The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 28.5 linear feet and 0.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material.

Correspondence is comprised predominately of received letters and fewer drafts and copies of outgoing letters. Notable correspondents include Zimmerman's late husband, curator Kirk Varnedoe, arts advocate Agnes Gund, and artists Ruth Dicker, Richard Diebenkorn, Kady Hoffman, and Masami Teraoka.

Writings include drafts of journal articles, a book mock-up, project notes, and statements. Agendas and address books are filed with writings.

Project and commission files comprise the bulk of the collection and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The files include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.

Exhibition files document Zimmerman's site-specific installations and exhibitions in a gallery and museum context. Files include correspondence, photographs, slides, statements, press releases, shipping information, and price lists.

Teaching files document the many courses Zimmerman taught in painting, drawing, design, architecture, and landscape architecture. Items include syllabi, assignments, lecture notes, reading lists, and articles.

Printed material primarily consists of items cataloging Zimmerman's career including exhibition announcements, catalogs, and press clippings. Subject files were saved and collected by Zimmerman and are arranged at the end of the series.
Arrangement:
The collection is arranged as six series.

Series 1: Correspondence, 1978-2011 (3.7 linear feet; Box 1-4)

Series 2: Writings, Agendas, and Address Books, 1970-2003 (0.5 linear feet; Box 4-5)

Series 3: Project and Commission Files, 1970-2016 (18.2 linear feet, Box 5-15, 21-22, OV 23-85, RD 97-98; 0.223 gigabytes, ER01-04)

Series 4: Exhibition Files, 1969-2015 (3.5 linear feet; Box 15-16, 20-21, OV 86-96, RD 99)

Series 5: Teaching Files, 1970-1994 (0.4 linear feet; Box 16)

Series 6: Printed Material, 1970-2017 (2.2 linear feet; Box 16-19)
Biographical / Historical:
Elyn Zimmerman (1945-) is a New York City and Los Angeles based sculptor best known for her large scale site-specific outdoor installations incorporating granite, water features, and landscape architecture.

Born in Philadelphia, Pennsylvania, Zimmerman moved to California for college, earning both her BFA and MFA from University of California, Los Angeles. While at UCLA, she studied with Richard Diebenkorn and Robert Irwin, and worked in photography, drawing, and site-specific installation. In 1978 she created Monarch's Trough for Artpark in Lewiston, New York, her first site-specific work using granite. For the next several decades Zimmerman would complete dozens of site-specific installations in public and private spaces across the United States, and submit proposals for dozens more. Working frequently with stone and granite, she developed a decades long relationship with a granite quarry in Cold Spring, Minnesota, which fabricated many of her designs. Zimmerman's clients have included the National Geographic Society, the Birmingham Art Museum, and the New York City Parks Department.

In addition to her site-specific work, Zimmerman has had an extensive exhibition history, and has shown for many years with Gagosian Gallery. In 2016, Zimmerman was the recipient of the Isamu Noguchi Award. She has taught at Mills College, California Institute of the Arts, Harvard University, New York University, and the University of Pennsylvania.

Zimmerman was married to the late curator Kirk Varnedoe from 1978-2002.
Provenance:
The collection was donated to the Archives of American Art in 2015 and 2017 by Elyn Zimmerman.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- Los Angeles  Search this
Sculptors -- New York (State) -- New York  Search this
Installation artists -- California -- Los Angeles  Search this
Installation artists -- New York (State) -- New York  Search this
Topic:
Women sculptors  Search this
Installations (Art)  Search this
Genre/Form:
Sound recordings
Citation:
Elyn Zimmerman papers, 1969-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zimmelyn
See more items in:
Elyn Zimmerman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zimmelyn

Oral history interview with Judy Pfaff, 2010 Jan. 27-Feb. 4

Interviewee:
Pfaff, Judy, 1946-  Search this
Pfaff, Judy, 1946-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Sound recordings
Interviews
Topic:
Installations (Art)  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15765
(DSI-AAA_SIRISBib)287545
AAA_collcode_pfaff10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287545
Online Media:

Oral history interview with Dara Birnbaum, 2017 May 30-31

Interviewee:
Birnbaum, Dara, 1946-  Search this
Birnbaum, Dara, 1946-  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Subject:
Pollock-Krasner Foundation  Search this
Type:
Interviews
Sound recordings
Topic:
Installations (Art)  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)17472
(DSI-AAA_SIRISBib)388185
AAA_collcode_birnba17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_388185
Online Media:

Oral history interview with Kiki Smith, 2017 July 20 and August 16

Interviewee:
Smith, Kiki, 1954-  Search this
Smith, Kiki, 1954-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Pollock-Krasner Foundation  Search this
Type:
Interviews
Sound recordings
Topic:
Installations (Art)  Search this
Women artists  Search this
Women printmakers  Search this
Women sculptors  Search this
Record number:
(DSI-AAA_CollID)17502
(DSI-AAA_SIRISBib)390043
AAA_collcode_smith17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_390043
Online Media:

Michele Zackheim papers, 1976-2012, bulk 1980-2000

Creator:
Zackheim, Michele, 1941-  Search this
Zackheim, Michele, 1941-  Search this
Subject:
College of Santa Fe  Search this
Type:
Interviews
Video recordings
Sound recordings
Photographs
Topic:
Mural painting and decoration  Search this
Installations (Art)  Search this
Women artists  Search this
Prints -- Technique  Search this
Authors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16180
(DSI-AAA_SIRISBib)366895
AAA_collcode_zackmich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366895
Online Media:

Oral history interview with Eleanor Antin

Interviewee:
Antin, Eleanor  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
4 Items (wav files (5 hr., 16 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2009 May 8-9
Scope and Contents:
An interview of Eleanor Antin conducted 2009 May 8-9, by Judith Olch Richards, for the Archives of American Art, at Antin's studio, in San Diego, California.
Biographical / Historical:
Eleanor Antin (1935- ) is a performance and installation artist in San Diego, California. Judith Olch Richards (1947- ) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 5 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Performance artists -- California -- San Diego  Search this
Installation artists -- California -- San Diego  Search this
Topic:
Women artists  Search this
Installations (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.antin09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-antin09

Oral history interview with Judy Pfaff

Interviewee:
Pfaff, Judy, 1946-  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
7 Items (Sound recording: 7 sound files (6 hr., 15 min.), digital, wav file)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2010 Jan. 27-Feb. 4
Scope and Contents:
An interview with Judy Pfaff conducted 2010 Jan. 27 and Feb. 4, by Judith Olch Richards, for the Archives of American Art, at Pfaff's home, in Kingston, N.Y.
Biographical / Historical:
Interviewee Judy Pfaff (1946-) is an installation artist in Kingston, N.Y. Interviewer Judith Olch Richards (1947- ) is former Executive director of iCI in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Installation artists -- New York (State)  Search this
Topic:
Installations (Art)  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pfaff10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pfaff10

Michele Zackheim papers

Creator:
Zackheim, Michele  Search this
Names:
College of Santa Fe -- Faculty  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Sound recordings
Photographs
Date:
1976-2012
bulk 1980-2000
Summary:
The papers of artist Michele Zackheim measure 2.3 linear feet and date from 1976 to 2012, bulk 1980-2000. The collection documents her career in the visual arts through correspondence, interviews, writings, project files, teaching files, printed material, and photographic material.
Scope and Contents:
The papers of artist Michele Zackheim measure 2.3 linear feet and date from 1976 to 2012, bulk 1980-2000. The collection documents her career in the visual arts through correspondence, interviews, writings, project files, teaching files, printed material, and photographic material.

Correspondence includes communication with museums, galleries, and publishers relating to Zackheim's projects. The interview is a radio broadcast on one sound cassette. Writings include an illustrated botany manuscript and learning portfolios. Project files relate to Zackheim's major works including Tent of Meeting and The Café Series, and are comprised of notes, correspondence, photographic material, video recordings, and a sound recording. Teaching files include notes, slides, and articles that Zackheim used for courses she taught at the College of Santa Fe. Printed material includes exhibition cards and announcements, clippings, journals, and a poster. Photographic material includes artwork, installation process, and portraits of the artist.
Arrangement:
The collection is arranged as 7 series

Missing Title

Series 1: Correspondence, 1986-2002 (0.2 linear feet; Box 1)

Series 2: Interviews, circa 1980s (0.1 linear foot; Box 1)

Series 3: Writings, 1990-1991 (0.3 linear feet; Box 1)

Series 4: Project Files, 1983-2012 (0.5 linear feet; Box 1-2)

Series 5: Teaching Files, circa 1990-1991 (0.4 linear feet; Box 2)

Series 6: Printed Material, 1977-1998 (0.4 linear feet; Box 2-3)

Series 7: Photographic Material, 1976-circa 2000 (0.4 linear feet; Box 2-3)
Biographical / Historical:
Michele Zackheim (1941- ) is a writer and former visual artist in New York City working throughout the 1970s-1990s as a fresco muralist, installation artist, print-maker, and painter.

Zackheim was born in Reno, Nevada and grew up in Compton, California. She began working as an artist in the 1970s in New York City, where she was active in the early feminist art movement. In the 1980s, Zackheim moved to Santa Fe, New Mexico, where she taught at the College of Santa Fe and continued to make art. Notable projects include Inherited Dreams, Tent of Meeting, and The Café Series. Tent of Meeting was a large-scale installation using fabric that she printed with images from religious history and proposed the possibility of peaceful coexistence among people of various backgrounds.

In the mid-1990s, Zackheim became a writer of biographical fiction. She currently teaches Creative Writing from a Visual Perspective at the School of Visual Arts in New York City.
Provenance:
Michele Zackheim donated her papers to the Archives in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Mural painting and decoration  Search this
Installations (Art)  Search this
Women artists  Search this
Prints -- Technique  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Video recordings
Sound recordings
Photographs
Citation:
Michele Zackheim papers, 1976-2012, bulk 1980-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zackmich
See more items in:
Michele Zackheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zackmich

Oral history interview with Dara Birnbaum

Interviewee:
Birnbaum, Dara  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Names:
Pollock-Krasner Foundation  Search this
Extent:
7 Items (sound files (5 hrs., 2 min.), digital, wav)
97 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 30-31
Scope and Contents:
An interview with Dara Birnbaum conducted 2017 May 30-31, by Linda Yablonsky, for the Archives of American Art, at Birnbaum's home and studio in New York, N.Y.
Biographical / Historical:
Dara Birnbaum (1946- ) is a video and installation artist in New York, New York. Linda Yablonsky (1948- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Topic:
Installations (Art)  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.birnba17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-birnba17

Oral history interview with Kiki Smith

Interviewee:
Smith, Kiki, 1954-  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Pollock-Krasner Foundation  Search this
Extent:
4 Items (sound files (3 hrs., 21 min.) Audio, digital, wav)
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 July 20 and August 16
Scope and Contents:
An interview with Kiki Smith conducted 2017 July 20 and August 16, by Christopher Lyon, for the Archives of American Art, at Smith's home and studio in New York, New York.
Smith speaks of her approach to art as a means of investigating form, scale, and technique; her first printmaking experiences; her childhood in South Orange, New Jersey; her fascination with the human body and religious iconography; early exposure to art and artists through her father, Tony Smith; her involvement in Collaborative Projects, Inc.; the effect of her father's death on her artwork; her experimental art-making process; her first exhibitions in her mid-30s and 40s; her work in glass painting; the role of animals and pets in her life and artwork; her experiences with puppet theatre; the influence of illustrated books on her artwork; the influence of other artists such as Eva Hesse, Lee Bontecou, Frida Kahlo, and Nancy Spero on her artwork; the role of her femininity in her representations of bodies; her formative period of living and working in Berlin during the early 1980s; differences she has observed in the American and European art worlds; her experiences making sculptures in foundries; her experiences working with different gallerists; and her experiences working with four "generations" of assistants. Smith also recalls Malcolm McLaren, Vivienne Westwood, Robert Rauschenberg, Richard Tuttle, Tom Otterness, Charlie Ahearn, Cara Perlman, Walter Robinson, Amy Taubin, Leslie Tonkonow, Joe Fawbush, Raimund Kummer, Geneviève Cadieux, Hermann Pitz, Brooke Alexander, Bill Goldston, Chuck Close, Barbara Krakow, Anthony d'Offay, Susan Dunne, Lorcan O'Neill, and others.
Biographical / Historical:
Kiki Smith (1954- ) is a sculptor, installation artist, and printmaker in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Installations (Art)  Search this
Women artists  Search this
Women printmakers  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.smith17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smith17

We Are Here! Eiteljorg Contemporary Art Fellowship 2012: Anna Tsouhlarakis

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2012-05-23T19:26:24.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_PaS3ULdFNFI

Oral history interview with Eleanor Antin, 2009 May 8-9

Interviewee:
Antin, Eleanor, 1935-  Search this
Antin, Eleanor, 1935-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Installations (Art)  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15792
(DSI-AAA_SIRISBib)288872
AAA_collcode_antin09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_288872
Online Media:

Double Phantom/EntroP.R.

Artist:
Miguel Luciano, born San Juan, Puerto Rico 1972  Search this
Medium:
1952 Schwinn Phantom bicycles, flags
Dimensions:
overall: 120 × 40 × 32 in. (304.8 × 101.6 × 81.3 cm)
Type:
Installation Art
Date:
2017
Topic:
Architecture\vehicle\bicycle  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase made possible by Marianna and Juan A. Sabater
Copyright:
© 2017, Miguel Luciano. photo: Jason Wyche
Object number:
2020.25.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7dd719d7a-f3e3-45d0-b589-5ae818f3a2d6
EDAN-URL:
edanmdm:saam_2020.25.1

Pa-lan-te

Artist:
Miguel Luciano, born San Juan, Puerto Rico 1972  Search this
Medium:
neon
Dimensions:
overall: 120 × 24 in. (304.8 × 61 cm)
Type:
Installation Art
Date:
2017
Topic:
Object\letter  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase made possible by Marianna and Juan A. Sabater
Copyright:
© 2017, Miguel Luciano. photo: Jason Wyche
Object number:
2020.25.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7db68276b-5831-43ba-ad7a-1d178ccab9bd
EDAN-URL:
edanmdm:saam_2020.25.2

Installation Art

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(clipping)
Container:
Box 14, Folder 31
Type:
Archival materials
Date:
1993
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref921

Oral history interview with Alexis Smith

Creator:
Smith, Alexis, 1949-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Holly Solomon Gallery  Search this
Honor Fraser Gallery  Search this
Margo Leavin Gallery  Search this
Mizuno Gallery  Search this
Nicholas Wilder Gallery  Search this
University of California, Irvine -- Students  Search this
University of California, Los Angeles -- Faculty  Search this
Bell, Larry, 1939-  Search this
Burden, Barbara  Search this
Burden, Chris, 1946-  Search this
Celmins, Vija, 1938-  Search this
Chicago, Judy, 1939-  Search this
Coplans, John  Search this
Gehry, Frank O., 1929-  Search this
Grieger, Scott  Search this
Howard, Coy  Search this
Irwin, Robert, 1928-  Search this
Krull, Craig  Search this
Moses, Avilda  Search this
Ruppersberg, Allen, 1944-  Search this
Sedivy, Richard  Search this
Solomon, Jerry  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 11 min.), digital, wav)
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- description and travel
Date:
2014 January 24-April 14
Scope and Contents:
An interview with Alexis Smith conducted 2014 January 24 and April 14, by Hunter Drohojowska-Philp, for the Archives of American Art at Smith's studio, in Venice, California.
Ms. Smith discusses growing up in Southern California and her early years living with her parents on the grounds of Metropolitan State Hospital, a mental institution in Norwalk, California; her mother's death when Ms. Smith was 11; the family's time in Whittier and Palm Springs and being raised as an only child by her father; her early interest in French studies and travel to France as a student; her interest in studying art beginning with a John Coplans class at UC Irvine; her time at at UC Irvine in the early days of the university and her growing attraction to the life of an artist; the origin of her name Alexis Smith; and the encouragement of her fellow artists to continue pursuing her cut-up collages from literature, photos, magazines, and Hollywood ephemera. Ms. Smith also describes her time with her artist women's group in the 70s; her husband Scott Grieger; working for Frank Gehry; her showing with the Nicholas Wilder Gallery; her relationship with Chris Burden and her time with him during his period of performance pieces in the 70s; the Riko Mizuno Gallery; her work with terrazzo and its use for installations at the LA Convention Center, Ohio State University, and other installations; the appropriation of text and the assistance of Jerry Solomon utilizing custom frames in her artwork; the impact of women from history, media and literature on her art; her relationship with Coy Howard; the Holly Solomon Gallery; her Jane series; her On the Road series; her installation Snake Path at UC San Diego; her piece for SITE Santa Fe Red Carpet; teaching at UCLA; her installation of the piece Scarlet Letter at Las Vegas Central Library and its subsequent removal; her associations with Margo Leavin Gallery and Honor Fraser gallery; and the loss of her long-time studio space and the challenges of storing her artwork. Ms. Smith also recalls Judy Chicago, Robert Irwin, Vija Celmins, Larry Bell, Barbara Burden, Richard Sedivy, Avilda Moses, Craig Krull, and Allen Ruppersberg among others.
Biographical / Historical:
Alexis Smith (1949- ) is a collage, multimedia, and installation artist in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
General:
Originally recorded as 5 sound files. Duration is 3 hr., 11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Collagists -- California  Search this
Topic:
Art -- Study and teaching  Search this
Installations (Art)  Search this
Multimedia (Art)  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.smith14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smith14

Exhibition Installation, Art Students' League

Collection Creator:
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Container:
Box 6, Folder 34
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Julian E. Levi papers, 1846-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Julian E. Levi papers
Julian E. Levi papers / Series 9: Photographs / 9.1: Artwork / Artwork by Levi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-levijuli-ref192

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