Skip to main content Smithsonian Institution

Search Results

Collections Search Center
645 documents - page 1 of 33

Oral history interview with Leo Holub, 1997 July 3

Interviewee:
Holub, Leo, 1916-2010  Search this
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Adams, Ansel  Search this
Arnautoff, Victor Mikhail  Search this
Barnes, Matthew Rackham  Search this
Corbett, Edward  Search this
Cunningham, Imogen  Search this
Gaw, William A.  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer  Search this
Mondale, Walter F.  Search this
Oldfield, Otis  Search this
Packard, Emmy Lou  Search this
Piazzoni, Gottardo  Search this
Randolph, Lee F.  Search this
Rivera, Diego  Search this
Sinel, Joseph Claude  Search this
Smith, Hassel  Search this
Sterne, Maurice  Search this
Weston, Edward  Search this
White, Minor  Search this
Wilson, Charis  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts  Search this
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Sound recordings
Interviews
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)12356
(DSI-AAA_SIRISBib)216329
AAA_collcode_holub97
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216329
Online Media:

Benjamin H. Stansbury Papers

Donor:
Stansbury, Jacqueline  Search this
Creator:
Stansbury, Benjamin H., 1935-1996  Search this
Names:
Dymo Industries  Search this
Industrial Design Affiliates  Search this
Mattel Toys  Search this
Product Specialists  Search this
Ronco Teleproducts  Search this
Stansbury Company  Search this
Walter Dorwin Teague Associates  Search this
Extent:
5 Cubic feet (15 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Photographs
Correspondence
Clippings
Memorandums
Manuals
Design drawings
Slides (photographs)
Date:
1955 - 1995
Summary:
The collection documents the inventing and design work of Benjamin Stansbury.
Scope and Contents:
The collection documents the inventing and design work of Benjamin Stansbury. It contains correspondence; photographs and slides; memoranda, manuals and other internal company documents; design drawings; clippings; and trade literature. The bulk of the material relates to Stansbury's work at the Stansbury Company and the PULSAR electric toothbrush.
Arrangement:
The collection is arranged into ten series.

Series 1: Personal Materials, 1954-1983

Series 2: Walter Dorwin Teague and Associates Records, 1959-1971

Series 3: Dymo, 1961, 1966

Series 4: Mattel Toymakers, Inc., 1962-1966

Series 5: Product Specialists, 1962-1971

Series 6: Innovation, undated

Series 7: Industrial Design Affiliates, 1964-1973

Series 8: The Stansbury Company, 1966-1994 (bulk 1978-1990)

Series 9: Ronco Teleproducts, Inc., 1978-1980

Series 10: Pulse Innovations, Inc., 1990-1995
Biographical / Historical:
Benjamin H. Stansbury, Jr. (September 26, 1934-March 11, 1996) was born in Chattanooga, Tennessee and graduated high school from the Baltimore Polytechnic Institute (founded in 1883 as an engineering school). He attended the Georgia Institute of Technology, School of Architecture, earning a BS in Engineering in 1957. From 1957 to 1961, Stansbury worked for Walter Dorwin Teague Associates in New York as an industrial designer. At Teague, Stansbury worked on a variety of products and missile components. In 1960, he won the Industrial Design Institute Design Award Citation for the Euphorian dental chair (for Ritter Dental). While at Teague, Stansbury met Helen Marie Beheney (December 5, 1935-July 27, 2014) who was a secretary. The couple married in 1961 in California and had two children, Claude and Jacqueline.

Stansbury left New York for Berkeley, California where he joined Dymo Industries, Inc. as Director of New Product Planning from 1961 to 1965. At Dymo, Stansbury crafted a new corporate image and supervised plant and office construction. From 1965 to 1966 he worked for Mattel Toymakers in Hawthorne, California as Director of Corporate Planning and Acquisitions. In 1966, Stansbury, along with John Pylant, formed Product Specialists in Santa Monica. Rudy Hurwich later invested in the company as a three-way partner. Product Specialists focused on product development, manufacturing and marketing. While at Product Specialists, Stansbury developed and built a folding polypropylene boat called the Stowboat (US Patent 4,556,009) available in three sizes (seven, eight and nine feet). His marketing included the phrase, "Let's Go Stowboating!" Stansbury obtained approximately thirty-five patents, many of which were design patents. Almost all of the patents issued to him were assigned to the company who contracted his services. In 1969, Stansbury founded Innovation, a company to take conceptual ideas to the point of commercialization and to then license or sell them.

In 1969, Stansbury was hired by Industrial Design Affiliates (IDA) of Beverly Hills to help turn around the faltering design practice. After years of creative frustration working for someone else, Stansbury left IDA and founded his own design firm, the Stansbury Company, in 1973. Stansbury believed in giving creative people as much freedom as possible and all of his employees were encouraged to be part of the creative process. His company provided full service product development--concept, design, appearance models, engineering development, prototype construction and testing, tool patterns, and pre-production models. A strong emphasis was placed on engineering and manufacturability. Some of the diverse products created included: an exercise bike, roller skates, a smokeless ashtray, a sewage treatment device for boats, cosmetic bottles, surgical rubber gloves, musical toys, a dental chair, packaging (Elvis concert album), and special effects (twenty-four foot alligator) for the film Alligator and miniature sets for the disaster filmMeteor. In 1978, The Stansbury Company was awarded the Western Plastics Art and Design Award for the toy category (sun runner roller skates) and the rotational molding category (La Chair). Some of his clients included: Honda Motor Car, Mansfield Sanitary, Procter and Gamble, Max Factor & Company, Mattel Toys, Schlage Lock, Technicolor, Tomy Toys, Redkin, Jaybee Manufacturing, American Hospital Supply Company and Ronco Teleproducts, Inc.

Stansbury was also a senior consultant to the Bender Corporation, which advised large manufacturing facilities about air quality issues and engineering improvements. He worked with the company on matters related to fluid dynamic modeling and to devise optimal air movements/clearance within a structure.

Stansbury was heavily involved in local politics in Beverly Hills, California. He served as traffic commissioner (1973-1977) and as a planning commissioner (1977-1980). In 1980, Stansbury was elected to the Beverly Hills City Council serving as mayor in 1983 and 1988. After leaving politics, Stansbury continued to invent and in 1992, moved to King City, Ontario, Canada to pursue his invention of the PULSAR Electric Toothbrush (US Patent 5,259,083). The patent was later reissued (RE 35,941) on November 3, 1998. Stansbury was an initial shareholder in Pulse Innovations, Inc., a Canadian corporation formed to develop, market, and license the Pulse toothbrush. The other shareholders in Pulse Innovations included Spark Innovations, Inc. (SPI), a Canadian venture capital incubator and other investors. At SPI, Stansbury was Vice-President of technical services and acted as an engineering consultant and technical advisor on other products under development. In 1995, Procter & Gamble was given an exclusive development option for the Pulse toothbrush, but ultimately Procter & Gamble underwent a restructuring and returned its focus to core products which did not include electric toothbrushes. In 1996, Pulse entered into an agreement with Butler Gum, Canada's largest consumer oral care product company. Stansbury's children, Claude and Jacqueline sold their parents' shares in Pulse Innovations to other shareholders. Stansbury returned to the United States in 1995 and died on March 16, 1996, in Alexandria, Virginia.
Separated Materials:
Artifacts related to the Ronco Egg Scrambler are located in the Division of Work and Industry.

Artifacts related to The Mr. Dentist, Pulse toothbrushes, Hayes School Publishing Co. posters for ""Good Manners"" (1957) and Safety (1957), a Sesame Street learning kit and parent guides (1970) are located in the Division of Home and Community Life.

A Hayes School Publishing Company poster for ""Good Habit Check Charts"" (1959) is located in the Division of Medicine and Science.

Materials related to Helen Stansbury's volunteer work for the Democratic Party, especially a George McGovern Handbook, 1972 and Mike Dukakis materials, 1988 are in the Division of Political History (now Division of Political and Military History).
Provenance:
Collection donated to the Archives Center by Benjamin H. Stansbury's daughter, Jacquelyn Stansbury in 2015.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Toys  Search this
Inventors  Search this
Designers  Search this
Design, Industrial  Search this
Inventions -- 1950-2000 -- United States  Search this
Toothbrushes  Search this
Genre/Form:
Photographs -- 2000-2010
Correspondence -- 1950-2000
Clippings -- 1950-2000
Memorandums -- 1950-2000
Manuals -- 1950-2000
Design drawings -- 1950-2000
Slides (photographs) -- 1950-2000
Citation:
Benjamin H. Stansbury Papers, Archives Center, National Museum of American History
Benjamin H. Stansbury Collection, 1959-1995, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1350
See more items in:
Benjamin H. Stansbury Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1350

Larry Zim World's Fair Collection

Collector:
National Museum of American History (U.S.). Division of Cultural History  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
National Museum of American History (U.S.). Division of Cultural History  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 148 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research but two oversize folders are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Jan., Mar.-May, Aug., Sept., Dec. 1952

Collection Creator:
Maidenform, Inc.  Search this
Container:
Box 22, Folder 8
Type:
Archival materials
Collection Restrictions:
The collection is open for research use. Only reference copies of audiovisual materials may be used for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

The donor has imposed restrictions on reproduction, broadcast or use of the collection for commercial purposes of any kind by third parties. Reproduction, broadcast or other use of the collection for commercial purposes of any kind by third parties is subject to prior written consent. These permissions will be required until July 2047. Please see the repository for further details.
Collection Citation:
Maidenform Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maidenform Collection
Maidenform Collection / Series 4: Publications / 4.2: Maiden-Forum Newsletters
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0585-ref184
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jan., Mar.-May, Aug., Sept., Dec. 1952 digital asset number 1

Francis M. Mair Papers

Donor:
Mair, LaVeda  Search this
Creator:
Mair, Francis M., 1916-1991 (commercial artist)  Search this
Names:
Landor Associates  Search this
United States. Naval Training School  Search this
Landor, Walter  Search this
Extent:
56 Cubic feet (104 Boxes, 40 map-folders)
Type:
Collection descriptions
Archival materials
Beverage labels
Fruit crate labels
Labels
Place:
San Francisco (Calif.)
Date:
1935-1994
Summary:
Client files, administrative files, artwork, and collected food labels from graphic and industrial designer Francis Mair. Mair specialized in beverage labels and packaging during his many years with Landor Associates in San Francisco. Late in his career, he directed Landor's Museum of Packaging History. His prolific freelance career included designs for furniture, decorative arts, letterhead, and corporate images. His personal artwork included alphabets, typefaces, and sketchbooks. Much of his personal artwork is humorous or erotic.
Scope and Contents:
The collection consists largely of client files and artwork from Mair's years with Landor Associates and his freelance design work. Mair's specialty was the design of beverage containers, labels, and packaging, and there is a significant body of material produced for West Coast and national breweries and wineries. Mair also managed Landor's Museum of Packaging Antiquities, and there are several boxes of the Museum's administrative files. Of particular interest is Mair's large collection of historical and contemporary wine, liquor, and fruit crate labels (both foreign and domestic). The labels seem to have served as an inspiration and a record of his work, as well as documentation of historical packaging for the Museum. Mair's freelance clients were diverse, though most of them were small businesses and organizations in the San Francisco Bay Area. In addition to food and beverage labels, these commissions included posters, promotional materials, letterhead and personal announcements, invitations, and cards. Lastly, the collection includes personal artwork and records of entrepreneurial projects (such as the Flexigon, a flexible geometric toy).
Arrangement:
Collection is arranged into eight series.

Series 1, Professional Materials, 1956-1991, undated

Series 2, Landor Associates Files, 1946-1993, undated

Series 3, Landor Museum of Packaging Antiquities, 1960-1989, undated

Series 4, Freelance Client Files, 1946-1989, undated

Series 5, United States Naval Training School, Radio Chicago, 1943-1945, undated

Sereis 6, Personal Artwork and Designs, 1935-1994, undated

Series 7, Reference Files, 1950-1985, undated

Series 8, Labels, undated
Biographical / Historical:
Francis Marion Mair was born in Streator, Illinois to Alexander Morrison Mair and Jessie C. Williams on May 5, 1916. He began his career as an artist and designer at the University of Illinois School of Design in Chicago receiving a Bachelor of Fine Arts degree in Painting in 1938. That year he joined the United States Navy and where he designed visual aids for the Naval Training School in Chicago, Illinois. Even at this early stage in his career, acute design sense and humor are evident in his work. In 1949, he joined Landor Associates in San Francisco, California where he worked for forty years, retiring in 1989. At Landor, he specialized in designing packaging and labeling for beverages. He also was the director of Landor's Museum of Packaging History which shared quarters with Landor Associates on the Ferryboat Klamath. Throughout his career, Mair took on diverse freelance projects. One of his most successful was the Suva line of rattan furniture and decorative objects for Decorative Imports. Mair published articles in Advertising Age, Industrial Design, Advertising Techniques, and Wines and Vines. Mair died on April 29, 1991 in Contra Costa County, California.
Related Archival Materials:
Materials at the Archives Center, National Museum of American History

Industry on Parade (NMAH.AC.0507)

Reel #167, Sitting Bull's Last Stand, 1953. Peter Meindl, a German woodcarver, making cigar store wooden Indians, New Hampshire.

Walter Landor and Associates (AC0500)

NW Ayer Advertising Agenecy Records (AC0059)

Hills Bros. Coffee Company Records (AC395)

Emmett McBain Afro American Adertising Poster Collection (AC0192)

Warshaw Collection of Business Americana (AC0060)

Marilyn E. Jacklear Memorial Collection of Tobacco Advertisements (AC1224)

Marlboro Oral History and Documentation Project (AC0198)
Related Materials:
A glass final production version of a French's mustard jar and three hand-carved, solid-wood prototypes for this jar are in the Museum's Division of Work and Industry. These were found in Mair's home studio.
Provenance:
Collection donated by LaVeda Mair, April 23, 1996.
Restrictions:
Collection is open for research.
Rights:
Copyright for a portion of the collection held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
advertising -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Commercial art -- 1940-1990  Search this
Design, Industrial  Search this
Erotica  Search this
Graphic design  Search this
Labels -- Alcoholic beverages  Search this
Labels -- Crates -- Fruit  Search this
Liquors -- advertising -- 1940-1990  Search this
Nudes  Search this
Nudity  Search this
Packaging  Search this
Rattan furniture  Search this
Toys  Search this
Wine labels  Search this
Wit and humor  Search this
Wit and humor in advertising  Search this
Genre/Form:
Beverage labels
Fruit crate labels
Labels
Citation:
Francis M. Mair Papers, 1938-1990, Archives Center, National Museum of American History. Gift of LaVeda Mair.
Identifier:
NMAH.AC.0548
See more items in:
Francis M. Mair Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0548

Oral history interview with Leo Holub

Interviewee:
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Adams, Ansel, 1902-1984  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Corbett, Edward, 1919-  Search this
Cunningham, Imogen, 1883-1976  Search this
Gaw, William A., 1891-1973  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer, 1880-1958  Search this
Mondale, Walter F., 1928-  Search this
Oldfield, Otis, 1890-1969  Search this
Packard, Emmy Lou, 1914-1998  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Sinel, Joseph Claude, 1889-1975  Search this
Smith, Hassel, 1915-2007  Search this
Sterne, Maurice, 1878-1957  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Wilson, Charis, 1914-2009  Search this
Extent:
2 Sound cassettes (Sound recording (90 min), analog)
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 July 3
Scope and Contents:
An interview of Leo Holub conducted 1997 July 3, by Paul Karlstrom, for the Archives of American Art, in San Francisco, Calif.
Holub discusses his background, being born in Arkansas, moving to New Mexico, and then to Oakland, Calif. (1923); early educational experiences in Oakland, and later at the Art Institute of Chicago; seeing Edward Weston's photographic work at an exhibition in Chicago, and admiring Weston's nude studies of Charis Wilson; his return to the Bay Area; his studio on Montgomery St. (Monkey Block); meeting painter Matthew Barnes, who had assisted Diego Rivera with his murals at the California School of Fine Arts (CSFA), 1931-1932; his experiences as a student at CSFA- its program and instructors which included Maurice Sterne, Gottardo Piazzoni, Lee Randolph, Dick Hackett, Otis Oldfield, William Gaw, Spencer Mackey, and Victor Arnautoff; fellow students including Hassel Smith, Ed Corbett, and Florence Michelson (his future wife); and his beginning awareness of modernism.
Holub discusses his involvement with the Golden Gate International Exposition (1939); apprenticeship with industrial designer Joe Sinel and the advent of the product design era; his founding of Design Development Associates, and staying only a year before moving to Grass Valley, Calif. for his son's health; his return to the Bay Area, succeeding Emmy Lou Packard at the San Francisco Planning Office graphic arts dept.; working at the housing agency and redevelopment agency and as chief designer for the Bay Area Rapid Transit report.
He recalls his encounter with Ansel Adams at the 1955 Yosemite workshop where Holub produced a pictorial map of Yosemite; Adam's "zone system" of exposing for shadows and developing for highlights; going on to teach at CSFA (1955-1957), where Imogen Cunningham was a guest instructor; Minor White replacing him; his ten years at Stanford University's planning office (1960-1970); his campus views "Stanford Scene" that were used by the university to appeal for more space for the art dept., and his shows at Stanford's art gallery in 1964 and at the Washington, D.C. home of Vice President Walter Mondale in 1980.
Biographical / Historical:
Leo Holub (1916-2010) was a photographer, lithographer, and teacher from San Francisco, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Function:
Art Schools -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holub97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holub97

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Design, Industrial  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

Bendix Trophy Race, 1951 (1 of 2)

Collection Creator:
Bendix Corporation.  Search this
Bendix Aviation Corp  Search this
Container:
Box 2, Folder 20
Type:
Archival materials
Date:
1951
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Bendix Air Races Collection, Acc. NASM.1988.0115, National Air and Space Museum, Smithsonian Institution.
See more items in:
Bendix Air Races Collection
Bendix Air Races Collection / Series 2: Bendix Trophy Races by Year
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1988-0115-ref571
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Bendix Trophy Race, 1951 (1 of 2) digital asset number 1

Sketch of tractor, for John Deere

Artist:
Henry Dreyfuss Associates, New York, New York, USA  Search this
Client:
John Deere, Moline, Illinois, USA  Search this
Medium:
Pen and ink, crayon on tracing tissue
Dimensions:
35.5 x 42.7 cm (14 in. x 16 13/16 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Made in:
USA
Date:
April 18, 1961
Credit Line:
Gift of Henry Dreyfuss
Accession Number:
1972-88-373
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4b912d80b-0963-4826-adcd-c2bb1bfb44bd
EDAN-URL:
edanmdm:chndm_1972-88-373

Industrial Designers Society of America (IDSA)

Collection Creator:
Vassos, John, 1898-1985  Search this
Extent:
2 Linear feet (Boxes 4-6, Box 16, OV21)
Type:
Archival materials
Date:
circa 1938-1976
Scope and Contents:
Files document the founding, shifting, and merging of industrial design organizations within the United States.

The American Designers Institute (ADI) was established in 1938 and renamed the Industrial Designers Institute (IDI) in 1951; the American Society of Industrial Designers (ASID) was established in 1955 as the renamed Society of Industrial Designers (SID); and the Industrial Design Education Association (IDEA) was established in 1957 because nether professional society (IDI or ASID) accepted educators as members. All organizations merged in 1964 to form the Industrial Designers Society of America (IDSA).

John Vassos co-founded and served as the first president of ADI in 1938, and was president again in 1948. He was elected Chairman of the Board of IDSA when it was formed in 1965.

Materials include: annual meeting and symposium files; organization by-laws and founding documents; board and committee meeting minutes; correspondence; membership materials; and printed materials and publicity.
Arrangement:
Files are arranged generally by organization formation and reflects their eventual consolidation: ADI, SID, IDI, ASID, IDEA, and IDSA.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Vassos papers, 1898-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vassjohn, Series 4
See more items in:
John Vassos Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-vassjohn-ref73

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Manufacturer's Photograph of K4s Class Locomotive, Pennsylvania Railroad

Manufacturer:
Pennsylvania Railroad, Philadelphia, Pennsylvania, USA  Search this
Industrial Designer:
Raymond Loewy, American, b. France, 1893–1986  Search this
Medium:
Photographic Print
Dimensions:
18.7 x 24.2 cm (7 3/8 x 9 1/2 in.), irregular
Type:
transportation
Photograph
Object Name:
Photograph
Made in:
USA
Date:
ca. 1926
Credit Line:
Gift of the Pennsylvania Railroad through Samuel M. Vauclain
Accession Number:
1937-58-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq44d524b01-71d1-4270-9cc6-98ea7a6feeb7
EDAN-URL:
edanmdm:chndm_1937-58-1

Design for Plastic Laminate: Grayscale Harlequin

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Photostats mounted on board
Dimensions:
10.3 × 6.5 cm (4 1/16 × 2 9/16 in.)
Type:
industrial design
Photostat
Object Name:
Photostat
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-12
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4a447c4d7-eb49-44c2-91f8-7f1d65aff8dc
EDAN-URL:
edanmdm:chndm_1988-101-1992-12

Design for Plastic Laminate: Pink and Orange Harlequin

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Brush and orange, pink gouache, graphite on cardstock mounted on board
Dimensions:
24.1 × 19.4 cm (9 1/2 × 7 5/8 in.)
Mount: 24.1 × 21.3 cm (9 1/2 × 8 3/8 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-13
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq43e275163-d0c5-4f00-9ffc-109089dc55c1
EDAN-URL:
edanmdm:chndm_1988-101-1992-13

Design for Plastic Laminate: Dingbats

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Photostat mounted on board
Dimensions:
24.1 × 19.5 cm (9 1/2 × 7 11/16 in.)
Mount: 24.1 × 21.4 cm (9 1/2 × 8 7/16 in.)
Type:
industrial design
Photostat
Object Name:
Photostat
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-14
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40dde4f4c-e605-49f2-bffa-40b9253b9a43
EDAN-URL:
edanmdm:chndm_1988-101-1992-14

Design for Plastic Laminate: White Ogives

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Brush and white gouache on cardstock mounted on board
Dimensions:
24.1 × 19.5 cm (9 1/2 × 7 11/16 in.)
Mount: 24.1 × 21.4 cm (9 1/2 × 8 7/16 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-15
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4498cdc64-719c-41e1-b925-a008da6859b2
EDAN-URL:
edanmdm:chndm_1988-101-1992-15

Design for Plastic Laminate: Helices and Lines, Pink and White

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Pink, white pastel on black wove paper mounted on board
Dimensions:
19.5 × 13.2 cm (7 11/16 × 5 3/16 in.)
Mount: 24.1 × 21.3 cm (9 1/2 × 8 3/8 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-28
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq45f84853a-24d2-42cf-a55f-a2b7fffe0f79
EDAN-URL:
edanmdm:chndm_1988-101-1992-28

Design for Plastic Laminate: Green and Blue Checkerboard

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Brush and sage green, sky blue gouache, graphite on cardstock mounted on board
Dimensions:
24.1 × 19.2 cm (9 1/2 × 7 9/16 in.)
Mount: 24.1 × 21.7 cm (9 1/2 × 8 9/16 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-34
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4aac8f2b7-243c-4e50-9611-183ef91dd543
EDAN-URL:
edanmdm:chndm_1988-101-1992-34

Design for Plastic Laminate: Ochre Fish on Orange

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Stamp and ochre gouache, brush and orange gouache on cardstock mounted on board
Dimensions:
8.9 × 7.8 cm (3 1/2 × 3 1/16 in.)
Mount: 24.1 × 21.6 cm (9 1/2 × 8 1/2 in.)
Type:
industrial design
Drawing
Object Name:
Drawing
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-36
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42528f50a-da63-4687-b7c4-b72a9c641f7f
EDAN-URL:
edanmdm:chndm_1988-101-1992-36

Design for Plastic Laminate: Net

Designer:
Donald Deskey, (American, 1894–1989)  Search this
Office of:
Donald Deskey Associates, New York, New York, USA  Search this
Manufacturer:
Micarta, American, founded ca. 1910  Search this
Medium:
Photostat and negative mounted on board
Dimensions:
13 × 11.1 cm (5 1/8 × 4 3/8 in.)
Mount: 24.1 × 21.6 cm (9 1/2 × 8 1/2 in.)
Type:
industrial design
Photostat
Object Name:
Photostat
Place:
USA
Made in:
New York, New York, USA
Date:
ca. 1960
Credit Line:
Gift of Donald Deskey
Accession Number:
1988-101-1992-37
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ea3ad5aa-0630-4b49-8901-1e46532b422c
EDAN-URL:
edanmdm:chndm_1988-101-1992-37

Modify Your Search







or


Narrow By