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Oral history interview with Richard Lippold, 1971 Dec. 1

Interviewee:
Lippold, Richard, 1915-2002  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Callahan, Harry M. (Harry Morey)  Search this
Gabo, Naum  Search this
Albers, Josef  Search this
Arp, Jean  Search this
Johnson, Ray  Search this
Zettler, Emil Robert  Search this
Valentiner, Wilhelm Reinhold  Search this
Type:
Sound recordings
Interviews
Topic:
Sculpture  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)12454
(DSI-AAA_SIRISBib)211970
AAA_collcode_lippol71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211970

Oral history interview with Ted Muehling, 2007 November 17-18

Interviewee:
Muehling, Ted, 1953-  Search this
Interviewer:
Milosch, Jane, 1964-  Search this
Subject:
Celmins, Vija  Search this
Gulotta, Gerry  Search this
Buxbaum, Gerda  Search this
Sullivan, Louis H.  Search this
Kiss, Gabriella  Search this
English, Helen Williams Drutt  Search this
Harding, Ingrid  Search this
Mauer, Ingo  Search this
Czeresko, Deborah  Search this
Zeisel, Eva  Search this
Grcic, Konstantin  Search this
Hobson, Jade  Search this
Morris, Robert Lee  Search this
Smith, Kiki  Search this
Pratt Institute  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass blowing and working  Search this
Design, Industrial  Search this
New York (N.Y.)  Search this
Jewelry  Search this
Jewelers  Search this
Record number:
(DSI-AAA_CollID)16122
(DSI-AAA_SIRISBib)362671
AAA_collcode_muehli07
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362671

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Seligmann, René  Search this
Seligmann, Jacques  Search this
de Hauke, César  Search this
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
Parker, Theresa D.  Search this
Haardt, Georges  Search this
Schiff, Mortimer L.  Search this
Arenberg  Search this
La Fresnaye, Roger de  Search this
Trevor, Clyfford  Search this
Seligman, Germain  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Seligmann, Arnold  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art treasures in war  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art, European  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

ENIAC Accumulator #2

Associated Name:
University of Pennsylvania  Search this
Maker:
University of Pennsylvania  Search this
Physical Description:
metal (overall material)
Measurements:
overall: 102 in x 24 in x 24 in; 259.08 cm x 60.96 cm x 60.96 cm
Object Name:
mainframe component
Place Made:
United States: Pennsylvania, Philadelphia
Date made:
1947-02-12
Related Publication:
Kendrick, Kathleen M. and Peter C. Liebhold. Smithsonian Treasures of American History
ID Number:
CI.321732.01
Catalog number:
321732.01
Accession number:
242457
See more items in:
Medicine and Science: Computers
Military
Computers & Business Machines
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-29eb-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_334742
Online Media:

Hohner Echo Elite Double Harmonica

Maker:
Hohner  Search this
Physical Description:
wood (overall material)
metal (overall material)
paper (overall material)
ink (overall material)
Measurements:
box: 2 5/8 in x 7 in x 1 1/4 in; 6.6675 cm x 17.78 cm x 3.175 cm
Object Name:
harmonica
Place made:
Germany
Credit Line:
The Peter Kassan Collection
ID Number:
1988.0783.046
Accession number:
1988.0783
Catalog number:
1988.0783.046
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-d64d-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1306108
Online Media:

Hohner Echo Elite Double Harmonica

Maker:
Hohner  Search this
Physical Description:
wood (overall material)
metal (overall material)
paint (overall material)
paper (overall material)
ink (overall material)
Measurements:
overall: 7/8 in x 7 1/2 in x 2 1/4 in; 2.2225 cm x 19.05 cm x 5.715 cm
harmonica: 1 in x 7 3/4 in x 2 1/4 in; 2.54 cm x 19.685 cm x 5.715 cm
box: 1 1/4 in x 8 in x 2 5/8 in; 3.175 cm x 20.32 cm x 6.6675 cm
Object Name:
harmonica
Place made:
Germany
Credit Line:
The Peter Kassan Collection
ID Number:
1988.0783.394
Accession number:
1988.0783
Catalog number:
1988.0783.394
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-efe3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1306458
Online Media:

Echo Elite Double Harmonica Box

Maker:
Hohner  Search this
Hohner, M.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 1 1/4 in x 7 7/8 in x 2 5/8 in; 3.175 cm x 20.0025 cm x 6.6675 cm
Object Name:
box
Place made:
Germany
Credit Line:
The Peter Kassan Collection
ID Number:
1988.0783.596
Accession number:
1988.0783
Catalog number:
1988.0783.596
See more items in:
Cultural and Community Life: Musical Instruments
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-fd35-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1306662
Online Media:

Alfons Bach Papers

Creator:
Bach, Alfons, 1904-1999  Search this
Names:
Bigelow-Sanford Carpet Company  Search this
Callaway Mills  Search this
Cooper-Hewitt Design Archive  Search this
General Electric Company  Search this
Heywood-Wakefield Company  Search this
Palm Trail Plaza  Search this
Philco Corporation  Search this
Ridgeway Center  Search this
Sach's New York  Search this
Seneca Textile Building  Search this
Extent:
6 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Slides
Clippings
Aerial photographs
Sketches
Photographs
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Date:
1934 - 1992
Scope and Contents:
Biographical files cover the period from 1938-1989 and include resumes, clippings, correspondence, certificates, awards, speeches, brochures for exhibitions, and artwork. Project files cover the period from 1934-1961 and contain clippings, catalogs, brochures, and scrapbooks. This collection documents Bach's work as an industrial designer, architect, and painter from 1934-1992.

The files on the Ridgeway Center mall are particularly extensive. Photographs cover the period from 1937-1961 and document Bach's design projects, particularly the Ridgeway Center, his house in Stamford, and the Miami and New York offices of Callaway Mills. Portraits of Bach and his family are included as well. Glass lantern slides document of seven of Bach's interior and exterior design projects. Also included are several signed and numbered prints of Bach's watercolor scenes of the Riviera.
Arrangement:
Materials are arranged chronologically within four series.

Series 1: Biographical files, 1938-1989

Series 2: Project files, 1934-1961

Series 3: Photogaphs, 1937-1961

Series 4: Glass Slides
Biographical / Historical:
Industrial designer, architect, and painter. Born in Germany, 1904. Bach studied film directing and design in Europe. He turned to industrial design upon immigrating to the United States in 1926. His design work from 1932-53 include a Philco radio, furniture for Heywood-Wakefield, carpets for Bigelow-Sanford, and appliances for General Electric. Bach designed and built his own home in Stamford, Connecticut, in 1938.

In the late 1940s, he developed a plan for one of the first shopping malls in America, the Ridgeway Center of Stamford. He remodeled the interior and exterior of Sach's furniture store, 1948-49, and redesigned the Seneca Textile Building on 34th Street in Manhattan in 1952. Bach moved to Florida in 1959, where he designed the Palm Trail Plaza, a marina apartment complex in Delray Beach, completed in 1961. In addition, Bach was also a noted painter. His watercolors were featured in numerous exhibitions in the United States and Europe.
Related Archival Materials:
431 drawings of designs for furniture, textiles, lamps, pianos, clocks, appliances, and retail, office, and home interiors.,Cooper-Hewitt, National Design Museum, Drawings and Prints Department.
Provenance:
All materials were donated by Alfons Bach in 1993.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Architects -- United States  Search this
Topic:
Design, Industrial -- United States  Search this
Display of merchandise  Search this
Furniture design -- United States  Search this
Radio -- Receivers and reception  Search this
Carpets -- United States  Search this
Interior decoration -- United States  Search this
Architecture -- Designs and plans  Search this
Shopping malls -- United States  Search this
Watercolor painting -- United States  Search this
Apartment houses  Search this
Genre/Form:
Slides
Clippings
Aerial Photographs
Sketches
Photographs -- 20th century
Plans
Proposals
Exhibition catalogs
Writings
Speeches
Awards
Scrapbooks
Certificates
Citation:
Alfons Bach Papers, 1934-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1272
See more items in:
Alfons Bach Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1272

Lucian Bernhard Advertising Art Collection

Creator:
Hollander, Bernard  Search this
Bernhard, Lucian  Search this
Extent:
0.6 Cubic feet (1 box, 3 rolled items)
Type:
Collection descriptions
Archival materials
Posters
Design drawings
Advertisements
Articles
Date:
1920s-2000
Summary:
This collection documents Bernhard's career as an REM advertisement artist in the 1920s as well as his pursuit of canvas painting following his retirement. It contains REM advertisements and materials from posthumous exhibitions of Bernhard's paintings, as well as writings from Bernhard himself and researchers.
Scope and Contents:
The collection consists of archival materials relating to the graphic artist and designer Lucian Bernhard, including a water color design drawing, five subway car cards advertising the cough syrup Rem, five advertising proofs for Rem, a 1956 magazine called PRODUCTIONWISE with an article about Bernhard, a folio of color reproductions advertising the sale of Bernhard's artworks, an exhibit announcement, two oversize posters, and miscellaneous printed material.
Arrangement:
Collection is arranged into four series.

Series 1: Exhibitions, 1999-2000

Series 2: Publications, 1956 November

Series 3: Miscellaneous, 1920-2000

Series 4: REM Cough Syrup Advertising, 1920-2000
Biographical / Historical:
Lucian Bernhard (1883-1972) was a German-American graphic artist, interior designer, industrial designer, and professor. His work in advertising art, especially his designs for Rem Cough Syrup, was highly influential and he designed several popular type fonts. Born in Germany, he moved to New York City in the early 1920s and worked prolifically in both German and American advertising. His artistic style is defined by straightforwardness, color, and simplicity. Bernhard is known as the creator of the Sachplakat poster style, which features a bold lettering style paired with a simple central image and unique, non-primary colors. This style is designed to attract the viewer's eye amidst a barrage of advertising posters. Following his career as a commercial artist, he turned to canvas painting and created works until his death in 1972.

Sources

"Lucian Bernhard." ADC • Global Awards & Club. (http://adcglobal.org/hall-of-fame/lucian-bernhard/) Last accessed on July 05, 2016.

"Plakatstil." (http://www.csun.edu/~pjd77408/DrD/Art461/LecturesAll/Lectures/Lecture06/Plakastil.html Last accessed on July 5, 2016
Provenance:
Collection donated by Bernard Hollander.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Patent medicines  Search this
Commercial art -- 1940-1990  Search this
Graphic design  Search this
Design, Industrial  Search this
advertising  Search this
Genre/Form:
Posters
Design drawings
Advertisements
Articles
Citation:
Lucian Bernhard Advertising Art Collection, 1920s-2000, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1161
See more items in:
Lucian Bernhard Advertising Art Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1161
Online Media:

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958: Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition, Chicago, 1893  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 10 oversize folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988.
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Victor Papanek : the politics of design / editors, Mateo Kries, Amelie Klein, Alison J. Clarke

Title:
Papanek
Politics of design
Editor:
Kries, Mateo 1974-  Search this
Author of introduction:
Klein, Amelie  Search this
Author:
Clarke, Alison J.  Search this
Scott, Felicity Dale Elliston 1965-  Search this
Twemlow, Alice  Search this
Hunt, Jamer  Search this
Guffey, Elizabeth E.  Search this
Eisele, Petra 1966-  Search this
Halpern, Orit 1972-  Search this
Tonkinwise, Cameron  Search this
Boelen, Jan  Search this
Sacchetti, Vera  Search this
Papanek, Victor J. Do-It-Yourself Murder  Search this
Interviewer:
Tunstall, Dori  Search this
Buchori, Pak Imam  Search this
Abdulla, Danah  Search this
Ansari, Ahmed  Search this
Hertz, Garnet 1973-  Search this
Translator:
Albers, Philipp  Search this
Blum, Rebeccah  Search this
Engelmann, Herwig  Search this
Kotte, Claudia 1968-  Search this
Thietz, Kirsten  Search this
Interviewee:
Papanek, Victor J.  Search this
Designer:
Papanek, Victor J. Works Selections  Search this
Host institution:
Vitra Design Museum  Search this
Museu del Disseny de Barcelona  Search this
Publisher:
Universität für Angewandte Kunst Wien  Search this
Subject:
Papanek, Victor J  Search this
Papanek, Victor J Criticism and interpretation  Search this
Papanek, Victor J Themes, motives  Search this
Papanek, Victor J  Search this
Physical description:
399 pages : illustrations (chiefly color), facsimiles, portraits, photographs ; 25 cm
Type:
Exhibitions
Interviews
Exhibition catalogs
Essays
Illustrated works
Place:
United States
Date:
2018
20th century
Topic:
Sustainable design  Search this
Design--Political aspects  Search this
Design--Human factors  Search this
Design--Social aspects  Search this
Human engineering  Search this
Industrial design  Search this
Designers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098188

Handling the War, Page 134 from Fortune

Designer:
Herbert Bayer, American, b. Austria, active Germany and USA, 1900–1985  Search this
Client:
Fortune, New York, New York, USA  Search this
Medium:
Offset lithograph on paper
Type:
graphic design
Print
Object Name:
Print
Made in:
New York, NY, USA
Published in:
New York, NY, USA
Designed in:
New York, NY, USA
Date:
ca. 1940
Credit Line:
Museum purchase with funding provided by the Buddy Taub Foundation, Dennis A. Roach and Jill Roach Directors
Accession Number:
2016-54-348
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq494bdef07-8c90-4ecf-8780-cef274e53303
EDAN-URL:
edanmdm:chndm_2016-54-348
Online Media:

Preparatory Drawing for Nest Thermostat

Designer:
Eric Daniels, American, b. Germany, b. 1974  Search this
Manufacturer:
Nest Labs, Inc., USA  Search this
Medium:
Pen and blue ink on white lined paper
Type:
industrial design
Drawing
Object Name:
Drawing
Date:
October 28, 2011
Credit Line:
Gift of Nest Labs, Inc.
Accession Number:
2014-9-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42908ab27-083a-4b03-ba8a-6c4a8132702d
EDAN-URL:
edanmdm:chndm_2014-9-1
Online Media:

Preparatory Drawing for Nest Thermostat: Proposed Design for Integration of Back Plate into Head Unit

Designer:
Eric Daniels, American, b. Germany, b. 1974  Search this
Manufacturer:
Nest Labs, Inc., USA  Search this
Medium:
Pen and blue ink on lined paper
Type:
industrial design
Drawing
Object Name:
Drawing
Date:
November 11, 2011
Credit Line:
Gift of Nest Labs, Inc.
Accession Number:
2014-9-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq441a80b4f-2a28-47ad-9b35-0d52843cbe15
EDAN-URL:
edanmdm:chndm_2014-9-2

Mike II Desktop Videophone ViewCom

Manufacturer:
DORNIER  Search this
Designer:
Melzer Industrial Design  Search this
Medium:
Plastic and metal housing
Type:
appliances & tools
Decorative Arts
Video phone
Object Name:
Video phone
Made in:
Germany
Date:
1994
Credit Line:
Gift of Dornier GmbH
Accession Number:
1995-122-1-a,b
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Product Design and Decorative Arts Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4aa65f877-f4ee-4aba-a123-8d9b17443a18
EDAN-URL:
edanmdm:chndm_1995-122-1-a_b
Online Media:

Design for Toaster

Designer:
Alfons Bach, American, b. Germany, 1904–1999  Search this
Client:
General Electric Company, Schenectady, New York, USA  Search this
Medium:
Brush and watercolor, gouache over graphite on heavy black construction paper
Type:
industrial design
Drawing
Object Name:
Drawing
Made in:
New York City, New York, USA
Date:
1939
Credit Line:
Gift of Alfons Bach
Accession Number:
1993-108-382
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4e6a18d63-4a85-440e-9ae6-d472bbc9ef6b
EDAN-URL:
edanmdm:chndm_1993-108-382
Online Media:

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Rudolph Schaeffer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- California -- San Francisco  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scharudo

Gute Form : an exhibition of German industrial design, Council of Industrial Design, London, 8.-30. 12. 1965 / arranged by the Rat für Formgebung

Author:
Rat für Formgebung (Germany)  Search this
Physical description:
[72] p. : ill. ; 21 cm
Type:
Exhibitions
Place:
Germany
Date:
1965
[1965?]
Topic:
Industrial design  Search this
Call number:
T702 1965 .D61
T702 1965.D61
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_303781

The world as design / Otl Aicher ; with an introduction by Wolfgang Jean Stock

Author:
Aicher, Otl http://id.loc.gov/authorities/names/n82248195 http://viaf.org/viaf/51697623/  Search this
Writer of supplementary textual content:
Stock, Wolfgang Jean 1948- http://id.loc.gov/authorities/names/n81042409 http://viaf.org/viaf/9869092/  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
History
Date:
2015
20th century
Topic:
Design--History  Search this
Industrial design--History  Search this
ART--Folk & Outsider Art  Search this
CRAFTS & HOBBIES--Folkcrafts  Search this
Design  Search this
Industrial design  Search this
Call number:
NK1390 .A3613 2015 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1135878

Tommi Parzinger collection

Creator:
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Parzinger, Tommi, 1903-1981.  Search this
Names:
American Designers' Institute  Search this
Charak of Boston  Search this
Cooper-Hewitt Design Archive  Search this
Katzenbach & Warren  Search this
Norddeutscher Lloyd  Search this
Palumbo Gallery  Search this
Parzinger Originals (Firm)  Search this
Textile Workers Union of America  Search this
Cameron, Donald  Search this
Parzinger, Tommi, 1903-1981.  Search this
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Rosenthal, Rena.  Search this
Tritt, Olga.  Search this
Widdicomb, William.  Search this
Extent:
5 Cubic feet
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Date:
1935-1981
Summary:
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Arrangement note:
Materials are arranged into ten record groups: I. Furniture Designs for Willow & Reed, Salterini, Parzinger Originals and others; II. Silver Design; III. Ceramic/China Design; IV. Designs for Objects made of non-precious metals; V. Objects of Miscellaneous or Obscure Materials; VI. Designs for Enamel Work; VII. Designs for Textiles and/or Wallcoverings; IX. Lighting Fixture Design (electric); and X. Miscellaneous Items. There are also seven 3-ring binders containing photographs of Parzinger's furniture, silver, ceramics, and metalwork from the 1930s--the 1970s. There are notes on the backs of many of the photographs. There are also sketches of his designs for clients. Binder 7 contains photographs of 63 furniture designs by T.H. Robsjohn-Gibbings.
Biographical/Historical note:
Tommi (Anton) Parzinger (1903-1981) was born in Munich and received professional design training there at the Kunstgewebeschule (School of Arts and Crafts).He began his career as a freelance designer in Germany and Austria, working in ceramics, wallpapers, lighting, textiles, and furniture. In 1932 he came to the United States as a prize for winning a poster contest for North German Lloyd, the steamship company. In 1935 he settled in New York and became associated with Rena Rosenthal ("smart furniture and accessories shop") as a designer of china, glassware and furniture. Furniture became is primary focus in 1938 he became a designer for Charak of Boston. In 1939 he formed his own business, Parzinger, Inc., 54 East 57th Street, designing silver as well as furniture. Renamed Parzinger Originals in 1946, the firm also had addresses at 32 East 57th Street; 601 Fifth Avenue and 441 Madison Avenue. Donald Cameron became his partner. In addition to his own firm, he designed furniture, fabrics, lighting and a range of accessories for other firms, including Salterini (wrought iron), Hofstatter (furniture), Dorlyn (brass), and Willow & Reed (rattan). He also produced custom designs for interior decorators and many private clients. In 1996 and 1998 his work was shown by Palumbo Gallery, 972 Lexington Avenue, New York City.
Separated Materials note:
The Cooper-Hewitt departments of Drawings and Prints, Applied Arts, and Textiles and Wallcoverings has additional materials on Parzinger in their collections.
Provenance:
All materials were donated to the museum by Donald Cameron in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Industrial designers -- Germany  Search this
Industrial designers -- United States  Search this
Furniture designers -- Germany  Search this
Furniture designers -- United States  Search this
Interior designers -- Germany  Search this
Topic:
Design -- History -- 20th century -- Sources  Search this
Genre/Form:
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Identifier:
SIL-CH.1998-19-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1998-19-1

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