Quotes and excerpts must be cited as follows: Oral history interview with Mary Lee Hu, 2009 March 18-19. Archives of American Art, Smithsonian Institution.
A royal treasure the Javanese batik collection of King Chulalongkorn of Siam edited by Dale Carolyn Gluckman, Sarttarat Muddin, Piyanan Petcharaburanin ; with contributions by Judi Achjadi [and three others]
Title:
Javanese batik collection of King Chulalongkorn of Siam
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Metal-workers -- Washington (State) -- Seattle Search this
Educators -- Washington (State) -- Seattle Search this
600 Mounted prints (circa 600 mounted prints, silver gelatin)
4,000 Color slides (circa)
Type:
Collection descriptions
Archival materials
Mounted prints
Color slides
Photographs
Place:
Pakistan -- Description and Travel
Fiji -- Description and Travel
Ethiopia -- Description and Travel
Easter Island -- Description and Travel
Yemen -- Description and Travel
Honduras -- Description and Travel
Peru -- Description and Travel
Guatemala -- Description and Travel
Israel -- Description and Travel
Vietnam -- Description and Travel
Solomon Islands -- Description and Travel
Colombia -- Description and Travel
Thailand -- description and travel
Taiwan -- description and travel
Jordan -- Description and Travel
Uzbekistan -- Description and Travel
Singapore -- Description and Travel
Bhutan -- Description and Travel
Afghanistan -- Description and Travel
Burma -- Description and Travel
Brazil -- Description and Travel
Australia -- Description and Travel
Lebanon -- Description and Travel
Iraq -- Description and Travel
Iran -- Description and Travel
India -- description and travel
New Guinea -- Description and Travel
Syria -- Description and Travel
Nepal -- Description and Travel
Hong Kong -- Description and Travel
Cambodia -- Description and Travel
Sri Lanka -- Description and Travel
Chile -- description and travel
Mexico -- description and travel
Japan -- Description and Travel
Italy -- description and travel
Morocco -- description and travel
Spain -- description and travel
Mongolia -- Description and Travel
New Zealand -- Description and Travel
Russia -- Description and Travel
Kenya -- Description and Travel
Macau (China) -- Description and Travel
Malaysia -- Description and Travel
Yucatan -- Description and Travel
Indonesia -- Description and Travel
Date:
1954-1971
Scope and Contents note:
Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Ethiopia, Fiji, Greece, Guatemala, Hawaii, Honduras, Hong Kong, India, Indonesia, Iran, Iraq, Israel, Italy, Japan, Jordan, Kenya, Lebanon, Macao, Malaysia, Mexico, Mongolia, Morocco, Nepal, New Guinea, New Zealand, Pakistan, Peru, Russia, Siberia, Singapore, Solomon Islands, Spain, Sri Lanka, Syria, Taiwan, Thailand, Uzbekistan, Vietnam, Yemen, and Yucatan. Longcope used many of these photographs in lectures.
Biographical/Historical note:
Janet Longcope (1886-1974) was a bookbinder and world traveler who gave informal lectures about her travels. Ater the death of her husband Dr. Warfield T. Longcope in 1953, she visited countries all over the world, returning to some, such as India, as many as nine times.
Aschwin Lippe was a research fellow and later curator in the Department of Far Eastern Art at the Metropolitan Museum of Art in New York City. The collection includes his early research and writings on East Asian art, particularly Chinese paintings. It has substantial material on his involvement in selecting the paintings and writing the catalog for the 1961 Chinese Art Treasures Exhibition. He later shifted his research focus to medieval Indian sculpture. The collection includes journals kept during several years of field research in India as well as his extensive photo-documentation of Indian temples and religious sculpture.
Scope and Contents:
The collection contains limited biographic material. The material covering his career at the Metropolitan Museum of Art includes some memoranda and general items. During his time at the museum he frequently visited public and private art collections, keeping copious object notes. Material documenting his work on the 1961 Chinese Art Treasures exhibition includes a diary of his 1954 visit to Taipei and his notes on objects viewed at the Palace Museum storage facility in Taichung. Also included are his drafts and correspondence from 1960-1961 about proposed exhibit catalog descriptions for the Chinese paintings.
Lippe's correspondence consists mostly of letters with scholars and colleagues. In general, the correspondence includes a few letters each to a large number of individuals. He kept correspondence about major projects in the file with other materials relating to that project.
Materials on Lippe's research and publications include some items from his initial scholarly interest in Far Eastern art, particularly Chinese painting. This includes drafts and correspondence documenting his participation in the catalog for the Exhibition of Chinese Calligraphy and Paintings in the John M. Crawford Jr. collection. Most of the research collection concerns India and two major publications: "South Indian Architecture and Sculpture" in The Arts of India and his book Indian Medieval Sculpture. Of particular interest are his India field journals (1958-1977) that record visits to sites, travel notes, descriptions and photography. Lippe's wife Simone traveled with him and contributed to the field journals. Photography of temples and especially their sculpture was the focus of his field research. He made 8-by-10-inch black and white enlargements of sites and sculpture that he organized into study albums as needed for a particular article or project. The collection also includes a large number of 35 mm. color slides taken by Simone Lippe that record general views of sites, scenery, daily life and festivals.
The collection includes slides and photographs taken during trips elsewhere in Asia and not directly related to Lippe's own research. These are mostly scenic views and general "tourist" pictures. The architecture of Hindu-Buddhist temples and sculpture in countries such as Indonesia and Cambodia may have been of scholarly interest as reflections of ancient Indian cultural influence.
Arrangement:
The Collection is organized into 5 series with subseries. A 6th series inventories items from other series but housed in an Outsize Box.
Series 1: Personal and Professional Life
Subseries 1.1: Biographic Material and Metropolitan Museum of Art Career
Subseries 1.2: Notes on Collections
Subseries 1.3: Chinese Art Treasures Exhibition, 1961-1962
Series 2: Correspondence
Series 3: East Asia Research and Publications
Subseries 3.1: Background Material and Manuscripts
Subseries 3.2: Crawford Collection Catalog
Series 4: India Research and Publications
Subseries 4.1: India Background Materials
Subseries 4.2: India Manuscripts and Publications
Subseries 4.3: India Fieldwork 1958-1977: Field Journals, Travel Notes and Itineraries
Series 5: Photography
Subseries 5.1: Albums, Lists, and Contact Prints
Subseries 5.2: India Photographs
Subseries 5.3: Non-India Photographs
Subseries: 5.4 India 35 mm. Color slides
Subseries 5.5: Non-India 35 mm. Color slides
Series 6: Miscellaneous, Outsize Box
Biographical / Historical:
Aschwin Lippe [Ernst Aschwin Prinz zur Lippe-Biesterfeld] was born June 13, 1914 in Jena, Germany and died March 14, 1988 in The Hague, The Netherlands. In 1951 he married Simone Arnoux, born May 9, 1915 in Paris and died November 21, 2001 in The Hague.
As a student in Germany, Lippe studied Chinese, East Asian art and archaeology, and the history of art. He received his Diploma of Chinese in 1933 from the Seminary for Oriental Languages in Berlin and his PhD in Sinology and Far Eastern Art and Archaeology in 1942 from Berlin University.
Lippe began his museum career in the Department of East Asian Art of the State Museum in Berlin. In 1949 he joined the staff of the Metropolitan Museum of Art in New York City as a Senior Research Fellow in Far Eastern Art. He became an Associate Curator in 1950, Research Curator in 1964, and Curator Emeritus in 1973.
Lippe was a member of the Selection and Catalog Committee for the Chinese Art Treasures Exhibition in 1961, the first major American exhibition of works from the National Palace Museum in Taipei. An expert on Chinese Painting, he visited Taipei in 1954 and was able to travel to Taichung to view paintings and other art objects still in storage.
In the 1960s his interests turned increasingly toward Indian medieval temple art and architecture, especially sculpture. Joined by his wife Simone, he made several research trips to India from 1958 to 1970 during which he took detailed photographs of Indian temples, documenting their sculpture. This research was the foundation for Lippe's "South Indian Architecture and Sculpture" section in The Arts of India (1981), and his major work Indian Medieval Sculpture (1978).
Related Materials:
Collections
James Cahill Papers
John A. Pope Papers
Provenance:
Gift of Thilo von Watzdorf
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
The papers, 1899-1962, of editor, lexicographer, author, and lecturer Everett Edward Thompson (1876-1962) primarily document his 1905 trip to Indonesia and subsequent lectures delivered from 1913-1919 and 1956. Portions of the papers are photocopies. Included are obituaries; a portrait photograph dated 1899; portions of a travel journal; announcements, notes, and 132 glass stereopticons assembled in preparation for lectures on Indonesia; a letter; printed material and clippings related to language and the Webster-Merriam dictionaries; and a handwritten copy of Irene Kuhn's 1961 news article on the early history of U.S. field teaching in the Philippines.
Scope and Contents:
The papers, 1899-1962, of editor, lexicographer, author, and lecturer Everett Edward Thompson (1876-1962) primarily document his 1905 trip to Indonesia and subsequent lectures delivered from 1913-1919 and 1956. Portions of the papers are photocopies. Included are obituaries; a portrait photograph dated 1899; portions of a travel journal; announcements, notes, and 132 glass stereopticons assembled in preparation for lectures on Indonesia; a letter; printed material and clippings related to language and the Webster-Merriam dictionaries; and a handwritten copy of Irene Kuhn's 1961 news article on the early history of U.S. field teaching in the Philippines. Total: 151 items
Arrangement note:
Series 1: -- Biographical Data
Series 2: -- Portrait Photograph
Series 3: -- Travel Journal
Series 4: -- Lecture notes and announcements
Series 5: -- Letter
Series 6: -- Printed Matter
Series 7: -- Lantern Slides
Biographical Information:
Editor, lexicographer, author, and lecturer Everett Edward Thompson was born in Springfield, Massachusetts in1876. He received an A.B. degree from Amherst College in 1899. From 1901-1905 Thompson fufilled an appointment to a government teaching position in the Philippines. In 1905 he traveled from Manila to Singapore, and then to Burma, India, Ceylon, Java, the Straits Settlements, and Japan. From 1905 to 1909 he was part of the editorial staff of the G&C Merriam Company, publisher of the Webster-Merriam dictionaries, Springfield, Massachusetts. In 1907 he married Emily Lecretia Bettes and two years later in 1909 received an M.A. from Amherst College where he wrote a thesis on, "The Spanish Element in the English Language." From 1910-1920 Thomspon served as editor of foreign language textbooks, American Book Company, New York City. In 1920 he received honorary doctor of letters (Litt. D) from Syracuse University. That same year Thompson rejoined the Webster dictionary editorial staff of G&C Merriam Company, Springfield, Massachusetts where he remained until 1949. Everett Edward Thompson died 1962 March 24 in Springfield, Massachusetts.
1876 June 20 -- Born in Springfield, Massachusetts
1899 -- Received A.B. degree from Amherst College
1901-1905 -- Appointed government teaching position in the Philippines
1905 -- Traveled from Manila to Singapore, and then to Burma, India, Ceylon, Java, the Straits Settlements, and Japan
1905-1909 -- Joined editorial staff of the G&C Merriam Company, publisher of the Webster-Merriam dictionaries, Springfield, Massachusetts
1907 -- Married Emily Lecretia Bettes
1909 -- Received M.A. from Amherst College. Thesis on, "The Spanish Element in the English Language."
1910-1920 -- Editor of foreign language textbooks, American Book Company, New York City
1913 -- Birth of son Ronald
1920 -- Received honorary doctor of letters (Litt. D) from Syracuse University
1920-1949 -- Re-joined the Webster dictionary editorial staff of G&C Merriam Company, Springfield, Massachusetts
1962 March 24 -- Died in Springfield, Massachusetts
Provenance:
The collection was donated to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives by Everett Edward Thompson's son, Ronald Thompson, in 1991.
Everett Edward Thompson Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ronald Thompson, 1991.
Goudzoekers : het romantische verhaal van de goudvelden in Nieuw-Guinea / door Ion L. Idriess ; geautorisseerde vertaling van E. J. Koppeschaar geïlustreerd
Science in the Netherlands East Indies, by L.F. de Beaufort, L. de Blieck [and others] ... ed. by L.M.R. Rutten, Secretary of the "I.C.O." Committee ..
Reis in oost en zuid-Borneo van Koetei naar banjermassin, ondernomen op last der Indische regeering in 1879 en 1880 / door Carl Bock ; Met aanteekeningen en bijlagen van P.J.B.C. Robidé van de Aa, eene historische inleiding over Koetei en de betrekkingen van dit leenrijk tot de regeering van Nederlandsch-Indië door S.W. Tromp, en een atlas van 30 ethnografische platen in kleurendruk en schetskaart
Reistochten naar de Geelvinkbaai op Nieuw-Guinea in de jaren 1869 en 1870 / door C. B. H. von Rosenberg ; uitg. door het Koninklijk Instituut voor de Taal-, Land- en Volkenkunde van Nederlandsch-Indië
Author:
Rosenberg, Carl Benjamin Hermann baron von 1817-1888 Search this
Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Netherlands) Search this
Physical description:
xxiv, 153 p. , 20 leaves of plates : ill., map (fold. in pocket) ; 28 cm
