Front and profile images of Apache, Kiowa, Omaha, Osage, Teton, and Yankton people made for Ales Hrdlicka's use in preparing busts and physical anthropological exhibits for the Panama-California Exposition in 1915. Accompanying the photographs are notes produced under the supervision of Lucile Eleanor St. Hoyme; these include the tribe, age, sex, name(s), photographer, and number of corresponding bust. Photographers represented in the collection are Frank Micka, a sculptor hired by the exposition to make busts, as well as photographers Frank Bennett Fiske, De Lancey W. Gill, and others.
Biographical/Historical note:
Ales Hrdlicka (1869-1943) was born in Czechoslovakia and came to the United States at the age of thirteen. Originally trained in medicine, he developed an interest in physical anthropology while working with the New York State hospitals and researching with the Department of Anthropology in the Pathological Institute of the New York State Hospitals. Hrdlicka joined the Hyde Expeditions to the American Southwest and made his own expeditions to study physical characteristics of Southwest tribes. In 1903, he was appointed head of the United States National Museum's newly-formed Division of Physical Anthropology.
In 1912, Hrdlicka planned and directed seven expeditions, gathering information that helped him prepare physical anthropology exhibits for the Panama-California Exposition at San Diego, California (1915). During this process, he hired sculptor Frank Micka to make busts of people from around the world. While in the field making casts, Micka also took front and profile photographs of subjects. Hrdlicka made his own trip to photograph the people in Urga, Mongolia, making 360 images of Mongolians and some Tibetans for use in the exposition.
Local Call Number(s):
NAA Photo Lot 9, USNM ACC 61302
Location of Other Archival Materials:
The National Anthropological Archives holds original negatives for many of these photographs (Photo Lot 73-26B) and images of resulting busts (Photo Lot 88-25).
The National Anthropological Archives also holds the Ales Hrdlicka Papers ca. 1887-1943.
Material from Hrdlicka, mostly correspondence, is held in the National Anthropological Archives in the papers and records of William Louis Abbott, Henry Bascom Collins, Herbert William Krieger, Frank Spencer, the American Anthropological Association, Bureau of American Ethnology, Department of Anthropology of the United States National Museum (National Museum of Natural History), Science Service, Anthropological Society of Washington, and the United States Army Medical Museum (anatomical section, records relating to specimens transferred to the Smithsonian Institution).
Hrdlicka photographs held in National Anthropological Archives Photo Lot 8, Photo Lot 24, Photo Lot 70, Photo Lot 78, Photo Lot 97, Photo Lot 73-26B, Photo Lot 73-26G, Photo Lot 83-41, and Photo Lot 92-46.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Citation:
Photo lot 9, Aleš Hrdlička collection of photographs of Native Americans for the Panama-California Exposition, National Anthropological Archives, Smithsonian Institution
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Scope and Contents:
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Arrangement:
The MAI, Heye Foundation records have been arranged into 21 series and 50 subseries:
Series 1: Directors, 1908-1990 (1.1: George Gustav Heye, 1863-1962, 1.2: Edwin K. Burnett, 1943-1960, 1.3: Frederick Dockstader, 1950-1976, 1.4: Alexander F. Draper, 1972-1977, 1.5:Roland W. Force, 1963-1990, 1.6: George Eager, Assistant Director, 1977-1990)
Series 2: Board of Trustees, 1916-1990 (2.1: Board of Trustee Minutes, 1916-1990, 2.2: Individual Board Correspondence, 1943-1990, 2.3: Subject Files, 1917-1990)
Series 3: Administrative, 1916-1989 (3.1: Subject Files, 1904-1991, 3.2: Personnel, 1956-1991, 3.3: Legal, 1900-1989, 3.4: Task Force, 1976-1986, 3.5: George Abrams, 1980-1991)
Series 4: Financial, 1916-1990 (4.1: Ledgers, 1900-1962, 4.2: Correspondence, 1905-1985, 4.3: Subject Files, 1916-1990)
Series 5: Expeditions, 1896-1973Series 6: Collectors, 1872-1981Series 7: Registration, 1856-1993Series 8: Collections Management, 1937-1988Series 9: Curatorial, 1963-1990 (9.1: Curatorial Council, 1973-1990, 9.2: Gary Galante, 1979-1991, 9.3: Mary Jane Lenz, 1974-1994, 9.4: James G. E. Smith, 1963-1990, 9.5: U. Vincent Wilcox, 1968-1984, 9.6: Anna C. Roosevelt, 1973-1988)
Series 10: Exhibits, 1923-1991 (10.1: MAI Exhibits, 1923-1990, 10.2: Non-MAI Exhibits, 1937-1991)
Series 11: Public Programs, 1935-1990Series 12: Publications, 1904-1994 (12.1: Annual Reports, 1917-1989, 12.2: Publications by MAI, 1904-1990, 12.3: Publications by Other Sources, 1881-1990, 12.4: Administration, 1920-1988, 12.5: Archival Set of Official Publications, 1907-1976)
Series 13: Public Affairs, 1938-1991Series 14: Development, 1927-1991 (14.1: Administration, 1979-1990, 14.2: Donors, 1978-1990, 14.3: Fundraising, 1973-1990, 14.4: Grants, 1970-1990, 14.5: Subject Files, 1976-1990)
Series 15: Other Departments, 1914-1990 (15.1: Archives, 1914-1990, 15.2: Conservation, 1972-1989, 15.3: Education, 1921-1990, 15.4: Indian Information Center, 1977-1989, 15.5: Museum Shop, 1947-1989, 15.6: Photography, 1918-1990, 15.7: Physical Anthropology, 1919-1956)
Series 16: Huntington Free Library, 1926-1991Series 17: Museum Relocation, 1969-1992 (17.1: Subject Files, 1979-1990, 17.2: American Museum of Natural History, 1980-1987, 17.3: Dallas, Texas, 1984-1987, 17.4: Smithsonian Institution, 1979-1990, 17.5: U.S. Custom House, 1977-1990, 17.6: Other Locations, 1974-1987)
Series 18: MediaSeries 19: PhotographsSeries 20: Miscellaneous, 1837-1990Series 21: Oversize, 1873-1972 (21.1: Maps, 1873-1975, 21.2: Miscellaneous, 1884-1982)
History of the Museum of the American Indian/Heye Foundation:
The Museum of the American Indian/Heye Foundation was established by wealthy collector George Gustav Heye in 1908. Heye began collecting American Indian artifacts as early as 1897 and his collection rapidly increased over the next several years. Based in New York, Heye bought collections and documentary photographs, sponsored expeditions, and traveled and collected items himself. In addition, once MAI was established he sponsored numerous expeditions across the Western Hemisphere, including North American, Canada, South America and Central America.
From 1908 to 1917 Heye housed his artifacts on temporary loan at the University of Pennsylvania's University Museum, Pennsylvania, in lofts on East 33rd Street in New York City, and at other depositories. In 1917, the collections moved from his apartment to their permanent museum location at Audubon Terrace, at 155th Street and Broadway in New York City. The museum, containing ethnographic and archaeological collections from North, Central and South America, opened to the public in 1922. Less than ten years later, Heye completed a storage facility in the Pelham Bay area of the Bronx, known as the Research Branch. Heye served as Chairman of the Board and Museum Director until his death in 1957. After growing concern about the financial and other management of the collections came to a head, the museum became part of the Smithsonian Institution in 1989 and in 1994 opened exhibit space in the U.S. Customs House at Bowling Green near New York City's Battery Park. The Cultural Resources Center in Suitland, Maryland later opened in 1999 and the main Washington, DC museum opened in 2004.
Please visit the following links for more information about the history of the museum; History of the Collection, Collections Overview, and Significance of the Collection. Moreover, for information about how the museum currently cares for and exhibits the collection, please see the Conservation department and recent entries regarding Exhibitions and Conservation on the NMAI Blog. In addition, see portions of the NMAI Archive Center's collections highlighted in the SIRIS Blog.
Related Materials:
In 2004, the Huntington Fee Library, once part of the MAI/Heye Foundation, was transferred to the Cornell University Library Rare Book and Manuscript Collection. While this collection mainly contained books, it also contained a significant amount of archival materials. The Huntington Free Library's Native American Collection contains outstanding materials documenting the history, culture, languages, and arts of the native tribes of both North and South America, as well as contemporary politics and human rights issues are also important components of the collection. Further information about the collection and links to finding aids can be found here: rmc.library.cornell.edu/collections/HFL_old.html.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs documenting Iroquois people made circa 1897-circa 1937 on and near the Six Nations Reserve by J.N.B. Hewitt, linguist with the Smithsonian Institution's Bureau of American Ethnology.
Scope and Contents note:
Hewitt's photos primarily depict Mohawk, Cayuga, Seneca, Onondaga, Tuscarora, Oneida, and Tutelo peoples. There are also a few images of Iroquois houses and other structures, Hewitt's mask collection, and Onondaga Chief John Buck and family, Seneca Chief John Arthur Gibson and family, Cayuga Chief James Jamieson and family, and Cayuga-Seneca Chief Simeon Gibson. Most of the photographs were taken during several trips between 1897 and 1937, on and near the Six Nations Reserve in Ontario (Oshweken, Deseronto, and Brantsford), and New York (Niagara Falls, Nedrow, and Syracuse).
Arrangement note:
For Photo Lot 155 Hewitt's original arrangement and numbering has been maintained. The order of the photographs does not follow the chronology that they were taken; for instance there are often several photographs of an individual that were clearly made in different years. The original negatives also represent a variety of film and camera types.
The arrangement and numbering for MS 4596, established at an unknown time, was maintained.
Biographical note:
J.N.B. (John Napoleon Brinton) Hewitt (December 6, 1859-October 14, 1937) was a linguist and ethnographer who specialized in Iroquoian and other Native American languages. Born on the Tuscarora Reservation near Lewiston, New York, his mother was of Tuscarora, French, Oneida, and Scottish descent. His father's heritage was English and Scottish, but he was raised in a Tuscarora family. Hewitt spoke English growing up, but when he left the reservation to attend schools in Wilson and Lockport, he learned to speak the Tuscarora language from other students. Hewitt grew up planning to become a physician, like his father. However, the course of Hewitt's interests changed when, in 1880, he was hired by Erminnie A. Smith of the Smithsonian Institution's Bureau of Ethnology (now the Bureau of American Ethnology) as an assistant ethnologist tasked with collecting myths among the Iroquoian tribes of New York. He continued this work from 1880-1884, and then was briefly employed by the Jersey City Railways Co. (1884-1885) and Adams Express Co. (1885-1886). Upon Smith's death in 1886, Hewitt returned to the BAE to continue her work, remaining employed there until his death.
Over the course of his career, Hewitt became the leading authority on the organization of the Iroquois League and the ceremonials, customs, and usages of the tribes composing it. He acquired an intimate knowledge of the languages of the League, including a speaking knowledge of Mohawk and Onondaga, and also became acquainted with several Algonquian dialects. On February 28, 1914, in recognition of his services in preserving for posterity a knowledge of the history and ethnology of the Iroquoian people of New York state, he was awarded the Cornplanter medal for Iroquois Research.
Additionally, he was a founder of the American Anthropological Association and an active member of the Anthropological Society of Washington and the American Museum of Natural History, serving as both treasurer (1912-1926) and president (1932-1934) of the latter. Hewitt also contributed over one hundred articles for the Handbook of American Indians (Bulletin 30) and published the two volume Iroquoian Cosmology (1903 and 1928).
Photo Lot 155, J.N.B. Hewitt photographs of Iroquois people on the Six Nations Reservation, National Anthropological Archives, Smithsonian Institution.
Fine African, Oceanic, and Pre-Columbian art : the property of various owners including the collection of the late Dr. Emanuel Klein, New York; Mrs. Morris J. Pinto, property from the Pinto Collection; the collection of the late Dr. Hans L. Blume, New York
Antiquities, tribal art and art from the Americas : including American Indian art, pre-Columbian, African, Oceanic, Egyptian, Greek, Roman, Islamic and Eskimo works of art ..
Sotheby's arcade auctions : tribal furniture, utilitarian and decorative objects, Oceanic, African, American Indian and pre-Columbian works of art : property of various owners
Title:
Tribal furniture, utilitarian and decorative objects
Pre-Columbian art Primitive art sale : public auction, Saturday, May 19th, 1973 at 10:15 a.m. [and] Wednesday, May 23rd, 1973 at 10:15 a.m. Sotheby Parke Bernet Incorporated
Pre-Columbian and American Indian art : auction, pre-Columbian art, Wednesday, May 17, 2000, 2 pm ; American Indian art, Thursday, May 18, 2000 at 10:15 am and 2 pm
Ethnographical art : African, Oceanic, American Indian : various owners, including Mr. and Mrs. Leo Fortess, Dr. and Mrs. Robert M. Browne : public auction, November 7 [1970] Parke-Bernet Galleries, New York
African, Oceanic, pre-Columbian and American Indian art the property of various owners ... public auction, Friday, October 14, 1977 ... Saturday, October 15, 1977 .
Quotes and excerpts must be cited as follows: Oral history interview with Kay WalkingStick, 2011 December 14-15. Archives of American Art, Smithsonian Institution.
Topic:
Cherokee artists -- New York (State) -- New York -- Interviews Search this
