This collection contains all 20 original folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. The folios were published and sent to subscribers between 1836-1844 and include 120 hand-colored lithographic plates. As Superintendent of Indian Affairs from 1824-1830, McKenney commissioned and collected portraits of Native American leaders, the majority painted by Charles Bird King. These portraits, along with biographical text by James Hall, form the basis of History of the Indian Tribes of North America.
Scope and Contents:
This collection includes all 20 folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs in their original wrappers. Each folio includes six hand-colored lithographic plates along with biographical essays on Native American leaders, both men and women, from the early 19th century.
Native Communities represented in these volumes include—Sauk, Meskwaki (Fox), Shawnee, Osage, Anishinaabe (Chippewa/Ojibwa), Mississippi Choctaw, Mdewakantonwan Dakota (Mdewakanton Sioux), Eastern Band of Cherokee, Ho-Chunk (Winnebago), Oto, Seneca, Chaticks Si Chaticks (Pawnee), Yanktonnai Nakota, Muskogee (Creek), Omaha, Iowa, Sac and Fox (Sauk and Fox), Oklahoma Cherokee, Lenape (Delaware), Numakiki (Mandan), Euchee (Yuchi), Potawatomi, Seminole, Mohawk, Menominee (Menomini), Quatsino Kwakwaka'wakw, Odawa (Ottawa), Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Powhatan, Kaw (Kansa).
The lithographs were cataloged individually with P (print) numbers P27694-P27813, though not physically separated from their volumes.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
Arranged by foilio number.
Biographical / Historical:
Thomas Loraine McKenney was born in 1785 to a family of Quakers in Hopewell, Maryland. Following the abolition of the U.S. Indian Trade program in 1822, McKenney (1785-1859) was appointed to the new position of Superintendent of Indian Affairs, which he held from 1824-1830. During his time as Superintendent of Indian trade in Georgetown, McKenney hired the painter Charles Bird King and began developing a governmental collection of portraits of prominent Native chiefs and elders who visited Washington. Between 1821-1842, King painted over 100 portraits with some assistance from friend and student George Cook.
Following his dismissal from the War Department by President Andrew Jackson in 1830, McKenney moved to Philadelphia to begin the process of getting his collection of portraits reproduced as lithographs with original hand coloring. The publication would document the extensive collection of King paints, many of which were later lost in a fire that destroyed part of the Smithsonian castle in January 1865.
This process was aided by Edward C. Biddle, a Philadelphia printer, who published the first volume (parts 1-6) in 1836 of what would be a three-volume set of 20 folios. James Hall (1793-1868), a judge and known writer, was hired to write text based on McKenney's research. Later parts were published between 1836-1844 by Frederick W. Greenough (parts 7-13), J.T. Bowen (part 14), and by Daniel Rice and James G. Clark (15-20). Several octavo editions were later published.
Provenance:
Provenance is unknown, part of the Museum of the American Indian, Heye Foundation collection when the MAI became the NMAI in 1989.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); McKenney and Hall's History of the Indian Tribes of North America folios and lithographs image #, NMAI.AC.115; National Museum of the American Indian Archives Center, Smithsonian Institution.
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Scope and Contents:
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Arrangement:
The MAI, Heye Foundation records have been arranged into 21 series and 50 subseries:
Series 1: Directors, 1908-1990 (1.1: George Gustav Heye, 1863-1962, 1.2: Edwin K. Burnett, 1943-1960, 1.3: Frederick Dockstader, 1950-1976, 1.4: Alexander F. Draper, 1972-1977, 1.5:Roland W. Force, 1963-1990, 1.6: George Eager, Assistant Director, 1977-1990)
Series 2: Board of Trustees, 1916-1990 (2.1: Board of Trustee Minutes, 1916-1990, 2.2: Individual Board Correspondence, 1943-1990, 2.3: Subject Files, 1917-1990)
Series 3: Administrative, 1916-1989 (3.1: Subject Files, 1904-1991, 3.2: Personnel, 1956-1991, 3.3: Legal, 1900-1989, 3.4: Task Force, 1976-1986, 3.5: George Abrams, 1980-1991)
Series 4: Financial, 1916-1990 (4.1: Ledgers, 1900-1962, 4.2: Correspondence, 1905-1985, 4.3: Subject Files, 1916-1990)
Series 5: Expeditions, 1896-1973Series 6: Collectors, 1872-1981Series 7: Registration, 1856-1993Series 8: Collections Management, 1937-1988Series 9: Curatorial, 1963-1990 (9.1: Curatorial Council, 1973-1990, 9.2: Gary Galante, 1979-1991, 9.3: Mary Jane Lenz, 1974-1994, 9.4: James G. E. Smith, 1963-1990, 9.5: U. Vincent Wilcox, 1968-1984, 9.6: Anna C. Roosevelt, 1973-1988)
Series 10: Exhibits, 1923-1991 (10.1: MAI Exhibits, 1923-1990, 10.2: Non-MAI Exhibits, 1937-1991)
Series 11: Public Programs, 1935-1990Series 12: Publications, 1904-1994 (12.1: Annual Reports, 1917-1989, 12.2: Publications by MAI, 1904-1990, 12.3: Publications by Other Sources, 1881-1990, 12.4: Administration, 1920-1988, 12.5: Archival Set of Official Publications, 1907-1976)
Series 13: Public Affairs, 1938-1991Series 14: Development, 1927-1991 (14.1: Administration, 1979-1990, 14.2: Donors, 1978-1990, 14.3: Fundraising, 1973-1990, 14.4: Grants, 1970-1990, 14.5: Subject Files, 1976-1990)
Series 15: Other Departments, 1914-1990 (15.1: Archives, 1914-1990, 15.2: Conservation, 1972-1989, 15.3: Education, 1921-1990, 15.4: Indian Information Center, 1977-1989, 15.5: Museum Shop, 1947-1989, 15.6: Photography, 1918-1990, 15.7: Physical Anthropology, 1919-1956)
Series 16: Huntington Free Library, 1926-1991Series 17: Museum Relocation, 1969-1992 (17.1: Subject Files, 1979-1990, 17.2: American Museum of Natural History, 1980-1987, 17.3: Dallas, Texas, 1984-1987, 17.4: Smithsonian Institution, 1979-1990, 17.5: U.S. Custom House, 1977-1990, 17.6: Other Locations, 1974-1987)
Series 18: MediaSeries 19: PhotographsSeries 20: Miscellaneous, 1837-1990Series 21: Oversize, 1873-1972 (21.1: Maps, 1873-1975, 21.2: Miscellaneous, 1884-1982)
History of the Museum of the American Indian/Heye Foundation:
The Museum of the American Indian/Heye Foundation was established by wealthy collector George Gustav Heye in 1908. Heye began collecting American Indian artifacts as early as 1897 and his collection rapidly increased over the next several years. Based in New York, Heye bought collections and documentary photographs, sponsored expeditions, and traveled and collected items himself. In addition, once MAI was established he sponsored numerous expeditions across the Western Hemisphere, including North American, Canada, South America and Central America.
From 1908 to 1917 Heye housed his artifacts on temporary loan at the University of Pennsylvania's University Museum, Pennsylvania, in lofts on East 33rd Street in New York City, and at other depositories. In 1917, the collections moved from his apartment to their permanent museum location at Audubon Terrace, at 155th Street and Broadway in New York City. The museum, containing ethnographic and archaeological collections from North, Central and South America, opened to the public in 1922. Less than ten years later, Heye completed a storage facility in the Pelham Bay area of the Bronx, known as the Research Branch. Heye served as Chairman of the Board and Museum Director until his death in 1957. After growing concern about the financial and other management of the collections came to a head, the museum became part of the Smithsonian Institution in 1989 and in 1994 opened exhibit space in the U.S. Customs House at Bowling Green near New York City's Battery Park. The Cultural Resources Center in Suitland, Maryland later opened in 1999 and the main Washington, DC museum opened in 2004.
Please visit the following links for more information about the history of the museum; History of the Collection, Collections Overview, and Significance of the Collection. Moreover, for information about how the museum currently cares for and exhibits the collection, please see the Conservation department and recent entries regarding Exhibitions and Conservation on the NMAI Blog. In addition, see portions of the NMAI Archive Center's collections highlighted in the SIRIS Blog.
Related Materials:
In 2004, the Huntington Fee Library, once part of the MAI/Heye Foundation, was transferred to the Cornell University Library Rare Book and Manuscript Collection. While this collection mainly contained books, it also contained a significant amount of archival materials. The Huntington Free Library's Native American Collection contains outstanding materials documenting the history, culture, languages, and arts of the native tribes of both North and South America, as well as contemporary politics and human rights issues are also important components of the collection. Further information about the collection and links to finding aids can be found here: rmc.library.cornell.edu/collections/HFL_old.html.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Recorded in: Washington (D.C.), United States, July 7, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Reverend James Owen Dorsey (1848-1895) was a missionary and Bureau of American Ethnology ethnologist who conducted extensive research on Siouan tribes and languages.The papers of James Owen Dorsey comprise mostly ethnographic and linguistic materials on various tribes of the Siouan language family as well as tribes from Siletz Reservation in Oregon. These materials include texts and letters with interlineal translations; grammar notes; dictionaries; drawings; and his manuscripts. In addition, the collection contains Dorsey's correspondence, newspaper clippings, his obituaries, and reprints.
Scope and Contents:
This collection contains James O. Dorsey's research and writings as a BAE ethnologist, as well as his earlier work as a missionary among the Ponca. The vast majority of the collection pertains to his research on Siouan-Catawban languages, including the Dakota and Dhegiha languages, Chiwere, Winnebago, Mandan, Hidatsa, Tutelo, Biloxi, and Catawba. His research on Athapascan, Kusan, Takilman, and Yakonan languages from his field work at Siletz Reservation are also present, as well as some notes on the Caddoan languages. Dorsey's research files include linguistic and ethnological field notes, reading notes, stories and myths, vocabularies, drawings, and unpublished and published manuscripts. The collection also contains Omaha, Ponca, Quapaw, and Biloxi dictionaries that he compiled and materials relating to his work editing Steven Riggs' Dakota-English Dictionary. Additional noteworthy materials in the collection are Teton texts and drawings from George Bushotter and drawings by Stephen Stubbs (Kansa), Pahaule-gagli (Kansa), and George Miller (Omaha). The collection also contains Dorsey's correspondence, newspaper clippings, obituaries, and his collection of reprints.
Arrangement:
The collection is organized into 6 series: 1) Siouan; 2) Siletz Reservation; 3) Caddoan; 4) General Correspondence; 5) Personal Papers; 6) Miscellaneous & Reprints.
Biographical Note:
Reverend James Owen Dorsey (1848-1895) was a missionary and Bureau of American Ethnology ethnologist who conducted extensive research on Siouan tribes and languages.
Dorsey was born on October 31, 1848 in Baltimore, Maryland. He exhibited a talent for languages at an early age. At age 6 he learned the Hebrew alphabet and was able to read the language at age 10. In 1867 Dorsey attended the Theological Seminary of Virginia and was ordained a deacon of the Protestant Episcopal Church in 1871. In May of that year, Dorsey traveled to the Dakota Territory to serve as a missionary among the Ponca. Plagued by ill health, Dorsey was forced to end his missionary work in August 1873. By that time, however, he had learned the Ponca language well enough to converse with members of the tribe without an interpreter.
Dorsey returned to Maryland and engaged in parish work while continuing his studies of Siouan languages. His linguistic talents and knowledge of these languages attracted the attention of Major John Wesley Powell. Powell arranged for Dorsey to work among the Omaha in Nebraska from 1878 to 1880 to collect linguistic and ethnological notes. When the Bureau of American Ethnology (BAE) was established in 1879, Powell recruited Dorsey to join the staff.
As an ethnologist for the BAE, Dorsey continued his research on Siouan tribes. His studies focused on languages but also included Siouan personal names, folklore, social organization, religion, beliefs, and customs. He conducted fieldwork among the Tutelo at Six Nations on Grand River in Upper Canada (1882); the Kansa, Osage, and Quapaw in Indian Territory (1883-1884); the Biloxi at Lecompte, Rapides Parish, Louisiana (1892); and again with the Quapaw at the Quapaw Mission (1894). He also worked with Native Americans that visited DC, including George Bushotter (Teton), Philip Longtail (Winnebago), Samuel Fremont (Omaha), and Little Standing Buffalo (Ponca). He also spent time at Siletz Reservation in 1884 to collect linguistic notes on the Athapascan, Kusan, Takilman, and Yakonan stocks.
In addition to his research, Dorsey helped found the American Folklore Society and served as the first vice-president of the association. He also served as vice-president of Section H of the American Association for the Advancement of Science.
At the age of 47, Dorsey died of typhoid fever on February 4, 1895.
Sources Consulted
1st-16th Annual Reports of the Bureau of American Ethnology. 1881-1897.
Hewitt, J.N.B. 1895. "James Owen Dorsey" American Anthropologist A8, 180-183.
McGee, W.J. 1895. "In Memoriam." Journal of American Folklore 8(28): 79-80.
1848 -- Born on October 31 in Baltimore, Maryland.
1871 -- Ordained a deacon of the Protestant Episcopal Church.
1871-1873 -- Served as a missionary among the Ponca in Dakota Territory.
1878-1880 -- Conducted fieldwork among the Omaha in Nebraska.
1879 -- Joined the staff of the Bureau of American Ethnology.
1882 -- Conducted fieldwork among the Tutelo at Six Nations on Grand River in Upper Canada.
1883-1884 -- Conducted fieldwork among the Kansa, Osage, and Quapaw in Indian Territory.
1887 -- Worked with George Bushotter to record information regarding the language and culture of the Dakota.
1884 -- Conducted fieldwork at Siletz Reservation.
1892 -- Conducted fieldwork among the Biloxi at Lecompte, Rapides Parish, Louisiana.
1894 -- Conducted fieldwork among the Quapaw at the Quapaw Mission in Indian Territory.
1895 -- Died of typhoid fever on February 4th at the age of 47.
Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
101 Male and Female Identities in Dance / Robert Shenandoah, Sody Tek, Vuthy Kheav.
102 Dancing Through Generations / Juan Leonardo Alanes, Mike McDonald, Sue Jacobs.
Local Numbers:
FP-1993-CT-0133
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 D.J. Callers and Singers / Kirby Smith, Richard Buchanan, Robert Frye.
102 Sacred and Secular Dance / Juan Leonardo Alanes, Linley Logan, Sadie Buck.
Local Numbers:
FP-1993-CT-0135
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Tradition and Innovation in Iroquois Dance / Helen Shenandoah, Linley Logan, Mike McDonald.
102 Cultural Contact in Dance / Sareth Sokhon, LuAnn Jamieson, Phillip Rithy Sok, Soum Sokhon.
Local Numbers:
FP-1993-CT-0137
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Cultural Contact in Dance / Daniella Soria, Carlos Ballesteros, Marco Castellon, Nancy Ballesteros, Paola Castellon.
102 Strutting Your Stuff / Denise Richards, Mike Smith, Nancy Hayworth.
103 Ceremonial and Social Dance / Mike McDonald, Linley Logan, Sherri L. Waterman-Hopper, Scott Logan.
Local Numbers:
FP-1993-CT-0142
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Ceremonial and Social Dance / Keith Shenandoah, Linley Logan.
101 Dancing Who We Are: Dance and Identity / Daniella Soria, Luis Fuentes, Marco Castellon.
Local Numbers:
FP-1993-CT-0143
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Dancing Through the Generations / Nareine Sokhon, Robert Shenandoah, Sue Jacobs.
102 Dances of Courtship / Angel Quinteros, Juan Leonardo Alanes, Luis Fuentes, Luz Fuentes, Lillian Quinteros.
Local Numbers:
FP-1993-CT-0144
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Cultural Contact in Dance / Angel Quinteros, Juan Leonardo Alanes, Paola Castellon, Lillian Quinteros.
102 Male and Female Identities in Dance / Addie Robinson, Brad Bonaparte, Lawrence Bradford.
103 D.J. Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Sadie Buck.
Local Numbers:
FP-1993-CT-0145
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 D.J.s, Callers and Singers: Inspiring the Dance / Richard Buchanan, Robert Frye, Robert Shenandoah.
102 Dancing Who We Are: Dance and Identity / Carl Farris, Mike McDonald, Phavann Chhuan, Virginia Farris.
103 Bolivian Carnival.
Local Numbers:
FP-1993-CT-0146
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Camodian-American Dances / Cambodian American Heritage Dancers.
102 Iroquois Dances / Iroquois Dancers. Drum.
Local Numbers:
FP-1993-CT-0151
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 5, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, October 8, 1977.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.