Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Listing of tower clock serial numbers 18/787 to 24/2361.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Taflinger, Elmer E. (Elmer Edward), 1891-1981 Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Scrapbooks
Date:
[ca. 1908-1981]
Scope and Contents:
Biographical materials; typescript of interview; correspondence, ca. 1911-1981 with David Belasco, Jessica Daube (his long-time girlfriend), and others; writings; sketches and drawings; subject files concerning amateur radio, David Belasco theater productions, the Booth War Memorial, Holliday Park, the Indiana State Library Mural, the St. Paul Building, studio art classes, and Valle Vista.
Also includes two scrapbooks; exhibition catalogues and announcements; magazine illustrations; clippings; Art Students League catalogues; theatre programs; photographs of Taflinger, family members, Jessica Daube, students, friends, studio classes, models, works of art, Holliday Park, the Ima Fountain, student work, David Belasco theatre productions, the Talbot Street Art Fair, and travel.
Biographical / Historical:
Painter; Indianapolis, Ind. Studied at the Art Students League.
Provenance:
Donated 1982 by Robert Black, brother-in-law of Taflinger.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
0.2 Linear feet ((partially filmed on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1932-1933
Scope and Contents:
Papers regarding Richards' supervision of the Indiana exhibit "A Century of Progress," Chicago, 1933, and Thomas Hart Benton's mural commissioned for that event. Included are: correspondence with Benton, Thomas Craven, and Lee Simonson and others; writings; organizational records; installation photographs; a book based on Benton's murals; clippings; and printed miscellany.
Biographical / Historical:
Art administrator; Indianapolis, Ind.
Provenance:
Papers donated by Gwin Richards, a son of an associate of Thomas Hart Benton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Indiana -- Indianapolis Search this
Topic:
Art -- Exhibitions -- Illinois -- Chicago Search this
A biographical sketch; letters to Stark from THE REVUE DU VRAI ET DU BEAU; poems on Stark written at his death; a watercolor, sketches and drawings; photographs of Stark, his paintings, and the Panama-Pacific Exposition; exhibition catalogs; articles on Stark and other Indiana artists; priced inventory of Stark's paintings; a notebook with names of prospective buyers and owners of his works; clippings; reproductions; and miscellany.
Biographical / Historical:
Painter; Indianapolis, Ind.
Provenance:
Donated 1975 by Gretchen Stark and Mary Stark Oakes, daughter and grand niece of Otto Stark, respectively.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Ware, W. Porter (William Porter), 1904- Search this
Extent:
1 Linear foot ((230 items))
Type:
Collection descriptions
Archival materials
Date:
1894-1921
Scope and Contents:
Correspondence, catalogs, photographs, and clippings; includes letters from Percy Ives, William P. Ware, J.H. Gest, Louis J. Millet, Otto Stark, Theodore C. Steele; a manuscript in the hand of William Forsyth [painter and educator from Indiana] on Greek sculpture; and business records of the Art Association of Indianapolis, Ind.
Biographical / Historical:
The Art Association of Indianapolis is formally known as the John Herron Art Insitute. The Lieber family were known for their patronage of the arts in the mid-west, sponsoring artists, such as Theodore C. Steele. For nearly 100 years The family has operated H. Lieber Co., an art supply store and gallery in Indianapolis. During the later 19th century it served as a social and professional center for the Indiana art community, often exhibiting works by the Society of Western Artists. The Liebers were sponsors of such artists as Theodore C. Steele.
Provenance:
The donor, Martha Hofmann Buschman, is a decendant of the Lieber family.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilly Martin Spencer papers, 1828-1966. Archives of American Art, Smithsonian Institution.
Sponsor:
The collection was digitized in 2022 with funding provided by the Lichtenstein Foundation and the Terra Foundation for American Art
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.