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Robert Indiana lecture : sound recording, 1984 May 3

Creator:
Indiana, Robert, 1928-  Search this
Type:
Sound recordings
Citation:
Robert Indiana lecture : sound recording, 1984 May 3. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10713
(DSI-AAA_SIRISBib)214315
AAA_collcode_indirobe
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214315

Robert Indiana postcard to Multiples Gallery, 1968 Sept. 17

Creator:
Indiana, Robert, 1928-  Search this
Subject:
Multiples Gallery  Search this
Citation:
Robert Indiana postcard to Multiples Gallery, 1968 Sept. 17. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)21807
(DSI-AAA_SIRISBib)306620
AAA_collcode_indirobe2
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_306620

Jan Van der Marck papers

Creator:
Van der Marck, Jan, 1929-2010  Search this
Sculptor:
Arman, 1928-2005  Search this
Artist:
Christo, 1935-  Search this
Indiana, Robert, 1928-  Search this
Names:
Lipchitz, Jacques, 1891-1973  Search this
O'Doherty, Brian  Search this
Pepper, Beverly  Search this
Segal, George, 1924-2000  Search this
Extent:
9 Linear feet
5.36 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Journals (accounts)
Date:
1942-2010
Summary:
The papers or curator and arts administrator Jan Van der Marck measure 9.0 linear feet and 5.36 gigabytes and date from 1944 to 2010. His career is documented through biographical material, files on artists and art historians, museum administration records, and other professional records. Also found are papers concerning Van der Marck's personal interest and research on modern bookbinding.
Scope and Contents:
The papers of curator and arts administrator Jan Van der Marck measure 9.0 linear feet and 5.36 gigabytes and date from 1944 to 2010. His career is documented through biographical material, files on artists and art historians, museum administration records, and other professional records. Also found are papers concerning Van der Marck's personal interest and research on modern bookbinding.

Biographical material includes records of Van der Marck's personal collection of artwork, books, and photographs; early records consisting primarily of school documents, writings, and photographs; and one journal. Additionally there are copies of published interviews, one file of letters from friends, and several photographs of Van der Marck. Files on artists and art historians may include correspondence, photographs, slides, news clippings, exhibition catalogs, lists of artworks, exhibition planning documents, as well as articles or other writings by Van der Marck about the artist. Of note are files on Arman, Robert Indiana, Christo, Jacques Lipchitz, George Segal, Beverly Pepper, and Brian O'Doherty.

Museum Administration records document Van der Marck's activities as director or curator at various museums. Files may include museum exhibition planning records, administrative records, printed material, correspondence, and photographs. Also found are records of Van der Marck's other professional activities, such as his participation as guest curator of exhibitions, committee participant, and exhibition juror, as well as lecture files containing invitations, press materials, and drafts of his lectures. Additionally there are a few research files and copies of his published articles.

Papers concerning bookbinding document Van der Marck's research and personal collection of contemporary bookbinding and book arts. Included are files on bookbinders, slides and photographs of bindings, correspondence with libraries, and records of his purchase or donation of these works.
Biographical / Historical:
Jan Van der Marck (1929-2010) was a curator and museum administrator in Detroit, Mich., Chicago, Ill., and Miami, Fla.

Van der Marck was born in Roermond, the Netherlands, in 1929. His family owned a printing and publishing business. He studied art history at the University of Nijmegen and earned his doctorate in 1956 with a dissertation on 19th-century Belgian book illustration. In 1957 he came to the United States on a grant from the Rockefeller Foundation to research the relationship between museums and their audiences and studied briefly at Columbia University. In 1962 he was assistant director of fine arts exhibitions at the Seattle World's Fair. Van der Marck became curator at the Walker Art Center in 1963 and became the founding director of the Museum of Contemporary Art in Chicago in 1967. While in Chicago he invited Christo and Jeanne-Claude to wrap the museum building in canvas. He later served as project manager for their "Valley Curtain" project in 1971 and 1972.

After leaving the Museum of Contemporary Art, Van der Marck worked briefly at the University of Washington in Seattle, and then served as director of the Dartmouth College Galleries and Collections from 1974 to 1980. At Dartmouth he continued to support non-traditional artworks and oversaw the installation of the lawn sculpture "X-Delta" by Mark di Suvero, despite negative campus reactions. In 1980 he became the director of the new Center for the Fine Arts in Miami. After a disagreement with trustees he left the Center and became chief curator at the Detroit Institute of Arts in 1986. In 1995 he lost his job at the Detroit Institute when it was ruled that he violated a city residential requirement.

Aside from his work as an arts administrator, Van der Marck wrote and published many catalog essays, articles, and monographs on artists, lectured on contemporary art, and participated in arts organizations. He also maintained an interest in contemporary bookbinding.
Provenance:
The papers were donated in 2011 by Sheila Van der Marck, Jan Van der Marck's widow.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- United States  Search this
Topic:
Bookbinding  Search this
Curators -- United States  Search this
Genre/Form:
Interviews
Photographs
Journals (accounts)
Citation:
Jan Van der Marck papers, 1942-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vandjan
See more items in:
Jan Van der Marck papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw922f16e77-4c7f-4368-85ee-77a9c7732eb4
EDAN-URL:
ead_collection:sova-aaa-vandjan
Online Media:

Interview with Robert Indiana

Creator:
Indiana, Robert, 1928-  Search this
Swift, Mary, 1929-2022  Search this
Type:
Sound Recording
Date:
1981 August 25
Citation:
Robert Indiana and Mary Swift. Interview with Robert Indiana, 1981 August 25. Mary Swift papers, 1973-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)23387
See more items in:
Mary Swift papers, 1973-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_23387

Saul Zalesch collection of artists' letters and documents

Collector:
Zalesch, Saul E.  Search this
Names:
Brooklyn Art Association  Search this
Society of American Artists  Search this
Baldridge, C. LeRoy  Search this
Bearden, Romare, 1911-1988  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Betts, Louis, 1873-1961  Search this
Bishop, Isabel, 1902-1988  Search this
Champney, James Wells, 1843-1903  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Doughty, Thomas, 1793-1856  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Fenollosa, Ernest Francisco, 1853-1908  Search this
Foster, Ben, 1852-1926  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Gropper, William, 1897-1977  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Indiana, Robert, 1928-  Search this
La Farge, John, 1835-1910  Search this
La Farge, John, 1835-1910  Search this
Lage, William Potter  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lippold, Richard, 1915-2002  Search this
Martin, Homer Dodge, 1836-1897  Search this
Merry, C. M.  Search this
Millet, Francis Davis, 1846-1912  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pennell, Joseph, 1857-1926  Search this
Redfield, Edward Willis, 1869-1965  Search this
Rogers, John, 1829-1904  Search this
Sargent, John Singer, 1856-1925  Search this
Stankiewicz, Richard, 1922-1983  Search this
Story, Franklin H.  Search this
Story, William Wetmore, 1819-1895  Search this
Sully, Thomas, 1783-1872  Search this
Teal, William P.  Search this
Vedder, Elihu, 1836-1923  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Gluyas, 1888-  Search this
Extent:
58 Items ((portions microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1834-1973
Scope and Contents:
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
REEL 3097: Twenty-six letters (1845-1973) written by George Bellows, Thomas Hart Benton, Isabel Bishop, Frederick Stuart Church, Thomas Doughty, Ernest Fenollosa, Ben Foster, Isabella Stewart Gardner, Childe Hassam, Robert Henri, John La Farge, Homer Dodge Martin, Joseph Pennell, Edward Willis Redfield, John Rogers, John Singer Sargent, Richard Stankiewicz, Thomas Sully, and Elihu Vedder. Also included are a Harvard University bond for William Wetmore Story's tuition signed by Franklin H. Story (1834) and a biographical questionnaire completed by John La Farge for The Cyclopedia of American Biography (1925).
UNMICROFILMED: Letters written by Roy Lichtenstein, William Gropper, Gluyas Williams, Ordway Partridge, Frederick Burr Opper, James Wells Champney, C. Gray Parker, Ben Foster, Louis Betts, Cyrus Le Roy Baldridge, Richard Lippold, Romare Bearden, Isabel Bishop, Thomas Hart Benton, Richard Stankiewicz, and others; a brochure for a work of art by Robert Indiana; a certificate from The Brooklyn Art Association for one share of capital stock in the name of William Potter Lage; one page of correspondence documenting a decision made for the Society of American Artists containing a note from Francis D. Millet to J. Alden Weir, followed by a note from Weir to Frederic Church, signed "O.K." by Church.
Vol. XXVI, no. 5, Feb. 1924 periodical, Old Hughes, published by the students of Hughes High school in Cincinnati, Ohio containing a published exchange of letters between principal C. M. Merry and Josephine W. Duveneck, daughter-in-law of painter Frank Duveneck about the Hughes High School purchasing a painting by Duveneck, and a reminiscence of Duveneck by William P. Teal, head of the art department at Hughes High School.
Biographical / Historical:
Saul Zalesch, an art historian, began collecting artists' letters around 1981.
Provenance:
This collection of letters was lent for microfilming by Zalesch in 1984 (reel 3097). Zalesch donated an additional three letters in 1993, twenty-five in 1999, one letter in 2008, and a publication in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Topic:
Art, American  Search this
Identifier:
AAA.zalesaul
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw944fc0c8c-cd38-4b95-87d2-9a809479294d
EDAN-URL:
ead_collection:sova-aaa-zalesaul

Bernard M. (Tony) Rosenthal papers

Creator:
Rosenthal, Tony, 1914-2009  Search this
Names:
Brooks, James, 1906-1992  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hunter, Sam, 1923-  Search this
Indiana, Robert, 1928-  Search this
Picasso, Claude, 1947-  Search this
Picasso, Paloma, 1949-  Search this
Extent:
7 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1954-1980
Scope and Contents:
Correspondence, biographical material, financial and legal papers, photographs, sketches, printed material and files on sculpture projects.
REELS N69-31, N69-38, N69-67 and N69-79: General correspondence, 1954-1969. Correspondents include Richard Adler, Betty Asher, David Bright,James and Charlotte Brooks, Dorothy Brown,Robert M. Doty, Herbert Ferber, James Fitzsimmons, Betty Freeman, Francoise Gilot, Esther and Adolph Gottlieb, Sam Hunter, Mildred and Sam Jaffe, William King, Jane and Sam Kootz,Boris and Lynn Kroll, Jules Langsner, William and Mary Lescaze, Conrad Marca-Relli,Norman McManus, Sidney H. Morris, Richard and Dione Neutra, Louise Nevelson, Ruth Nivola, Claude and Sara Picasso, Paloma Picasso, Mary Gardner Preminger, Vanessa Reis, Julius Shulman, Kurt W. Simon, Irving and Jean Stone, Ala Story, Catherine Viviano, June Wayne, Wou-Ki Zao, Adja Yunkers, and others.
REELS 1789-1791: Letters from James Brooks, Paloma Picasso, Claude Picasso, Adolph Gottlieb, Robert Indiana, Sam Hunter, and Gertrude Kasle; a biographical sketch; financial and legal papers, including contracts, price lists, bills and receipts; files on Knoedler and Company; files on sculpture projects containing correspondence, sketches, photographs of Rosenthal and his art work, and clippings and printed material; and notes.
Biographical / Historical:
Tony Rosenthal (1914-2009) was a sculptor in New York, N.Y. Born 1914 Highland Park, Ill. Known professionally as Tony Rosenthal. His work is in the collections of the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, and the Israel Museum, Jerusalem.
Provenance:
Lent for microfilming by Rosenthal, 1969 and 1980.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.roseberm
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927800a7e-6714-4fb3-be3f-5b92cb8578e6
EDAN-URL:
ead_collection:sova-aaa-roseberm

John Jones interviews with artists

Creator:
Jones, John  Search this
Names:
Arnheim, Rudolf  Search this
Cohen, George, 1913-1980  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gottlieb, Adolph, 1903-1974  Search this
Indiana, Robert, 1928-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lindner, Richard, 1901-1978  Search this
Machlin, Sheldon M., 1918-1975  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Ray, Man, 1890-1976  Search this
Rosenquist, James, 1933-  Search this
Segal, George, 1924-2000  Search this
Stamos, Theodoros, 1922-1997  Search this
Steinberg, Saul  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
0.4 Linear feet ((284 p.))
Type:
Collection descriptions
Archival materials
Date:
1965 Oct. 5-1965 Nov. 12
Scope and Contents:
Transcripts of interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. Interviews are with American artists Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman. Jones questions most of the artists about the relationship of their painting to European tradition.
Provenance:
Interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. He lent the tapes to the Archives for transcribing.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Artists -- United States -- Interviews  Search this
Identifier:
AAA.jonejohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdf62c6d-6985-4fca-961c-d7b13b2d9d91
EDAN-URL:
ead_collection:sova-aaa-jonejohn

Oral history interview with Robert Indiana, 1963 Sept. 12-Nov. 7

Interviewee:
Indiana, Robert, 1928-  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Indiana, 1963 Sept. 12-Nov. 7. Archives of American Art, Smithsonian Institution.
Topic:
Pop art  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)12936
(DSI-AAA_SIRISBib)212730
AAA_collcode_indian63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212730
Online Media:

Oral history interview with Robert Indiana

Interviewee:
Indiana, Robert, 1928-  Search this
Interviewer:
Baker, Richard Brown  Search this
Extent:
2 Sound tape reels (Sound recording, 7 in.)
212 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1963 Sept. 12-Nov. 7
Scope and Contents:
An interview of Robert Indiana conducted 1963 Sept.12-1963 Nov. 7, by Richard Brown Baker, for the Archives of American Art.
Biographical / Historical:
Robert Indiana (1928-) is a painter from Vinalhaven, Me.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Maine -- Interviews  Search this
Topic:
Pop art  Search this
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.indian63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3a0bf15-2c5c-411d-8b2e-00db970fef0d
EDAN-URL:
ead_collection:sova-aaa-indian63
Online Media:

Oral history interview with Larry Aldrich

Interviewee:
Aldrich, Larry  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Virginia Museum of Fine Arts  Search this
Antonakos, Stephen, 1926-2013  Search this
Baker, Richard Brown  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Castelli, Leo  Search this
Hartigan, Grace  Search this
Hopkins, Budd, 1931-2011  Search this
Indiana, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Lieberman, William Slattery, 1924-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Myers, John Bernard  Search this
Rauschenberg, Robert, 1925-2008  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Extent:
9 Sound tape reels (Sound recording, 5 in.)
385 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1972 April 25-June 10
Scope and Contents:
Interview of Larry Aldrich conducted 1972 April 25-June 10, by Paul Cummings, for the Archives of American Art. Aldrich speaks of his acquisitions and his program for selling art at Christmas and praises William S. Lieberman as "the curator of collectors". He discusses funds given to museums by the Larry Aldrich Foundation; visits to artists' studios; exhibiting a portion of his collection for the first time at the Virginia Museum of Fine Arts in Richmond, Virginia, exhibitions at the Aldrich Museum of Contemporary Art; Robert Indiana's "Love Series"; and modern movements including "Lyrical Abstraction" and "Cool Art." He recalls Stephen Antonakos, Richard Brown Baker, Alfred H. Barr, Jr., Leo Castelli, Grace Hartigan, Budd Hopkins, Jasper Johns, John Myers, Dorothy Miller, Robert Rauschenberg, Frank Stella, Robert Smithson, and others.
Biographical / Historical:
Larry Aldrich (1906-2001) was an art collector from New York, New York.
General:
Originally recorded on 9 sound tape reels. Reformatted in 2010 as 18 digital wav files. Duration is 17 hrs., 11 minutes.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.aldric72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec7e519e-a013-41aa-9add-fe37fd60dcc7
EDAN-URL:
ead_collection:sova-aaa-aldric72
Online Media:

Eva Lee Gallery records

Creator:
Eva Lee Gallery  Search this
Names:
Korvettes  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Benn, Ben, 1884-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Calder, Alexander, 1898-1976  Search this
Christo, 1935-  Search this
Corinth, Lovis, 1858-1925  Search this
Cornell, Joseph  Search this
Dalí, Salvador, 1904-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Grosz, George, 1893-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Hopkins, John  Search this
Indiana, Robert, 1928-  Search this
Lee, Eva  Search this
Lieberman, Harry, 1880-1983  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loewe, Frederick  Search this
Magritte, René, 1898-1967  Search this
Marin, John, 1870-1953  Search this
Mommer, Paul  Search this
Nesbitt, Lowell, 1933-1993  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Odets, Clifford, 1906-1963  Search this
Ritchie, Andrew Carnduff  Search this
Shahn, Ben, 1898-1969  Search this
Simpson, Merton D. (Merton Daniel), 1928-  Search this
Valentin, Curt, 1902-1954  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Watercolor drawings
Photographs
Date:
1921-1973
Summary:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
Scope and Content Note:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neumann's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York.

The records are comprised of artists' files arranged into four categories established by the gallery: general artists' files; notebooks of artists' files; financial artists' files; and consignment and sales artists' files. General artists' files contain background and reference information on numerous contemporary artists, performers, and art-related organizations. More information exists for Alexander Calder and Harry Lieberman than the other names represented in the general files. Lee also arranged provenance notes and photographs of artwork into notebooks, presumably including many of the artists represented by the gallery. There is a significant amount of material in the notebooks on Alexander Calder, Robert Indiana, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.

Financial artists' files contain correspondence with artists and patrons concerning the sale of artwork by both the Eva Lee Gallery and J. B. Neumann of the New Art Circle Gallery, scattered artwork, printed material, photographs of artists, and checks signed by Neumann and endorsed by miscellaneous artists. Eva Lee worked on the estate of J. B. Neumann and collected and interspersed his files with her own. These files include letters from Josef Albers, Thomas Hart Benton, Alexander Calder, Christo, Joseph Cornell, Robert Indiana, and a postcard of Calder's studio from Ben Shahn. There are also watercolor sketches by Clifford Odets, an exhibition catalog autographed by Ben Shahn, and photographs of Marsden Hartley, Jacques Lipchitz, composer Frederick Loewe, Paul Mommer, Mert Simpson, and Curt Valentin with Andrew Ritchie.

Eva Lee Gallery artists' consignment and sales files primarily contain photographs of artwork and notes concerning sales of specific artwork by the Eva Lee Gallery. Also found in these sales files are scattered letters, receipts, and printed material. There is a significant amount of material for Ben Benn, Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Marsden Hartley, John Hopkins, Rene Magritte, and John Marin. It is assumed that Eva Lee separated the two latter sets of artists' files containing sales records.

Also found in the collection is a photocopy of the Korvettes Art Galleries auction catalog, which lists artwork sold at a 1970 auction liquidating the holdings of the Douglaston, New York gallery.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: General Artist Files, 1923-1972 (Boxes 1-2; 1.3 linear feet)

Series 2: Notebooks of Artist Files, 1929-1973 (Boxes 2-3; 1.4 linear feet)

Series 3: Financial Artist Files, 1921-1970 (Boxes 3-4; 0.6 linear feet)

Series 4: Eva Lee Gallery Consignment and Sales Artist Files, 1960-1972 (Box 4; 0.7 linear feet)

Series 5: Photocopy of Korvettes Art Galleries Auction Catalog, 1970 (Box 4; 1 folder)
Historical Note:
Eva Lee was born circa 1924. She fled from Nazi Germany to the United States, becoming an art dealer and the owner of the Eva Lee Gallery, Inc. Located in Great Neck, New York, the Eva Lee Gallery specialized in modern art and handled the work of many prominent artists including Alexander Calder, Lyonel Feininger, George Grosz, Marsden Hartley, Jacob Lawrence, Ben Shahn, and Max Weber. The gallery was in operation through the first half of 1973.

Eva Lee died suddenly on November 4, 1973 in Terre Haute, Indiana, while undergoing unspecified medical treatment.
Provenance:
The Eva Lee Gallery records were donated in 1973 by Eva Lee through Eloise Spaeth, and in 1978 by Neal Richmond of the Paul Klapper Library, Queens College, Flushing, New York, who had been asked to disperse Lee's gallery records following her sudden death in 1973. A photocopy of the Korvettes Art Galleries Auction Catalog was donated by Eva Lee in 1970.

Lee's records also contained financial files belonging to art dealer J. B. Neumann and his New Art Circle Gallery, whose estate she had worked on in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.evalee
See more items in:
Eva Lee Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fc1585b-1c6a-4e39-9484-b34a914e88a2
EDAN-URL:
ead_collection:sova-aaa-evalee
Online Media:

[Lippincott, Inc. photographs]

Creator:
Lippincott, Inc.  Search this
Everett, Roxanne  Search this
Names:
Breer, Robert  Search this
Doty, Robert M.  Search this
Dubuffet, Jean, 1901-1985  Search this
Indiana, Robert, 1928-  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
McKee, David  Search this
Meadmore, Clement  Search this
Morris, Robert, 1931-2018  Search this
Murray, Robert, 1936-  Search this
Myers, Forrest Warden, 1941-  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Oldenburg, Claes, 1929-  Search this
Rosati, James, 1912-1988  Search this
Samaras, Lucas, 1936-  Search this
Sugarman, George, 1912-1999  Search this
Yamasaki, Minoru, 1912-  Search this
Extent:
1.2 Linear feet ((ca. 700 items partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Date:
1968-1977 and [undated]
Scope and Contents:
Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.
REEL 1400: 23 photographs including: Robert Breer, Ellsworth Kelly, Donald Lippincott, Clement Meadmore, Robert Morris, Louise Nevelson, Barnett Newman, Claes Oldenburg, Lucas Samaras, George Sugarman, and Minoru Yamasaki.
REEL 1875: 79 photographs including: Robert McIntyre Doty, Jean Dubuffet, Robert Indiana, Roy Lichtenstein, David McKee, Clement L. Meadmore, Robert Murray, Forest Warden Myers, Claes Oldenburg, James Rosati, Lucas Samaras, George Sugarman, and others.
UNMICROFILMED: 593 photographs, among them ca. 300 of Claus Oldenburg, and many of Robert Murray, George Sugarman, Louise Nevelson, Roy Lichtenstein, James Rosati, Ellsworth Kelly, and others.
Biographical / Historical:
North Haven, Ct. Founded in 1966 by Donald B. Lippincott as a place for artists to create large sculptures and receive help in transportation and installation of their work.
Provenance:
Photographs on reel 1400 donated 1974 by Roxanne Everett and Donald B. Lippincott; those on reel 1875 donated 1978 by Everett. Unmicrofilmed photographs donated by Roxanne Everett, October 4, 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce requires written permission from Jonathan Lippincott. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers  Search this
Sculptors  Search this
Topic:
Photography of sculpture  Search this
Sculpture, Modern -- 20th century  Search this
Identifier:
AAA.ippinc
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91617a1ce-12a2-4294-b492-1fdeeea250fe
EDAN-URL:
ead_collection:sova-aaa-ippinc

Joan Kron papers

Creator:
Kron, Joan  Search this
Names:
Beautiful Bag Co. (Philadelphia,Pa.)  Search this
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Christo, 1935-  Search this
Dine, Jim, 1935-  Search this
Hendricks, Geoffrey, 1931-2018  Search this
Indiana, Robert, 1928-  Search this
Johnson, Ray, 1927-  Search this
Kaprow, Allan  Search this
Klüver, Billy, 1927-2004  Search this
Lichtenstein, Roy, 1923-1997  Search this
Maitin, Sam  Search this
Oldenburg, Claes, 1929- -- Photographs  Search this
Paik, Nam June, 1932-  Search this
Rosenberg, Karl  Search this
Sabol, Audrey, 1922-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000 -- Photographs  Search this
Tinguely, Jean, 1925-  Search this
Turner, Evan H.  Search this
Venturi, Robert  Search this
Watts, Robert M., 1923-1988  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Drawings
Sound recordings
Date:
1959-1971
Summary:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
Scope and Content Note:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.

Papers relating to Kron's volunteer chairmanship of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia include general files concerning the administration and operation of the organization, as well as exhibition files for Art 1963/ A New Vocabulary (1962) and Museum of Merchandise 1967.) Files generally consist of correspondence, clippings and other printed materials, notes and writings, photographs, and financial documents. The exhibition files for Art 1963/ A New Vocabulary include a typescript "Dictionary Suggestions" by Billy Klüver which contains slang terms with creative definitions, and photographs of Claes Oldenburg, Billy Klüver, Joan Kron, Sam Maitin, Niki de Saint-Phalle, Audrey Sabol, George Segal, Jean Tinguely, and Robert Watts. The files for Museum of Merchandise contain a painting on paper by Geoffrey Hendricks, a drawing by Ray Johnson, a photograph of fabric designer Karl Rosenberg, a photograph of a wedding dress design by Christo, and a 1/2" open reel videotape made by Nam Jun Paik of Kron's appearance on The Tonight Show.

The records of the Beautiful Bag and Box Co., an art entrepreneurial business created by Kron and her colleague Audrey Sabol, include correspondence, a ledger of sales and deposits, income tax records, miscellaneous invoices, notes and writings, clippings, miscellaneous printed material, and photographs. Also found are project/product files for Art Museum Store, Temporary Tattoos, Durable Dishes designed by Roy Lichtenstein, Eat Pin likely designed by Robert Indiana, Art on Billboards, and Stunning Stationery. The file for project Art on Billboards contains postcards from Allan Kaprow and Jim Dine expressing interest in the project, and a photograph of Edwin and Audrey Sabol on a motorcycle posing in front of a billboard designed by Roy Lichtenstein. There is also a 7" audio reel tape recording of a radio program Hey, Look at That containing comments about billboards from Kron, Roy Lichtenstein, architect Robert Venturi, and Evan H. Turner, Director of the Philadelphia Museum of Art.
Arrangement:
The collection is arranged as 2 series:

Missing Title

Series 1: Arts Council of the YM/YWHA of Philadelphia, 1959-1971 (Box 1-2, OV 3; 0.6 linear feet)

Series 2: Beautiful Bag and Box Co., 1963-1969 (Box 1-2; 0.8 linear feet)
Biographical Note:
Joan Kron (circa 1928-) is a fashion and style journalist in New York City, but began her career in Philadelphia as an advocate of avante-garde artists and co-founder of The Beautiful Bag Co. which worked with artists to produce commercial household and fashion art products. Kron worked on projects with Andy Warhol, Roy Lichtenstein, and Robert Indiana, among others.

Joan Kron was born circa 1928 in New York. She studied at the Yale University School of Drama from 1946-1948, graduating with a degree in costume design. She married surgeon Dr. Samuel Kron and lived in Philadelphia during the 1960s. For almost a decade, Kron volunteered as chairman of the Arts Council of the Young Men's/Young Women's Hebrew Association of Philadelphia (YM/YWHA.) The YM/YMA Arts Council focused on promoting and hosting new and avant-garde programs in dance, theatre, poetry, crafts, and the visual arts. Under Kron's leadership, the YM/YWHA Arts Council curated Arts1963/A New Vocabulary (1962) and Museum of Merchandise (1967.)

Kron's work with the Arts Council allowed her to build business partnerships with several artists. She partnered with Andy Warhol to produce a line of perfume, "You're In," packaged in silver Coca-Cola bottles, with Robert Indiana for a Love Ring, and other products and projects associated with the exhibitions of the Arts Council. Then, around 1964, she partnered with colleague Audrey Sabol to form The Beautiful Bag and Box Co. and continued to explore commercial products created or designed by artists, including a line of dinnerware "Durable Dishes" designed by Roy Lichtenstein, a series of billboards displaying art work and the Eat Pin, most likely designed by Robert Indiana.

Kron began her career in journalism in the late 1960s by contributing an article about a cannabis harvest in an upscale neighborhood to the Philadelphia magazine in 1969. She continued to write for the magazine until after her divorce. She moved to New York City in 1971 and was hired by New York magazine. She researched and wrote a special issue about the blossoming SoHo art district. Kron then focused the remainder of her career primarily on writing, and worked for a number of magazines and newspapers, and published several books. As of 2010, she was living in New York City and working as contributing editor at large for Condé Nast's Allure magazine, primarily covering the subject of cosmetic surgery.
Related Materials:
Additional copies of microfilm reels 4224-4225 are available at the Free Library of Philadelphia.

Also found in the Archives are selected papers of the Young Men's/Women's Hebrew Association Arts Council that were loaned by Judith Golden for microfilming, and are now available only on microfilm reels 3898. Another small collection of printed material from the YM/WHA records was donated by Acey Wolgin and microfilmed on reel 4340, and transferred to the Smithsonian American Art Museum Library's vertical files.
Provenance:
Joan Kron donated her papers in 1987.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators  Search this
Topic:
Curators -- Pennsylvania -- Philadelphia  Search this
Pop art  Search this
Wearable art United States  Search this
Industrial design  Search this
Genre/Form:
Video recordings
Drawings
Sound recordings
Citation:
Joan Kron papers, 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kronjoan
See more items in:
Joan Kron papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da6dc59e-86a1-4877-879f-28aa750c582f
EDAN-URL:
ead_collection:sova-aaa-kronjoan
Online Media:

Robert Indiana: artist file, [photographs]

Artist:
Indiana, Robert 1928-2018  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001506
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140015

Biographical notes on Robert Indiana

Creator:
Indiana, Robert, 1928-  Search this
Type:
Writings
Date:
1962
Citation:
Robert Indiana. Biographical notes on Robert Indiana, 1962. Stable Gallery records, 1916-1999. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)12950
See more items in:
Stable Gallery records, 1916-1999, bulk 1953-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12950
Online Media:

Robert Indiana artists' statement

Creator:
Indiana, Robert, 1928-  Search this
Type:
Writings
Date:
between 1962 and 1968
Citation:
Robert Indiana. Robert Indiana artists' statement, between 1962 and 1968. Stable Gallery records, 1916-1999. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)12951
See more items in:
Stable Gallery records, 1916-1999, bulk 1953-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12951
Online Media:

Postcard from Robert Indiana to Eleanor Ward and Alan Groh at the Stable Gallery

Creator:
Indiana, Robert, 1928-  Search this
Stable Gallery  Search this
Subject:
Groh, Alan  Search this
Kennedy, John F. (John Fitzgerald)  Search this
Ward, Eleanor  Search this
Type:
Correspondence
Date:
1962 Apr.
Citation:
Robert Indiana. Postcard from Robert Indiana to Eleanor Ward and Alan Groh at the Stable Gallery, 1962 Apr.. Stable Gallery records, 1916-1999. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)12952
See more items in:
Stable Gallery records, 1916-1999, bulk 1953-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12952
Online Media:

Robert Indiana postcard to Multiples Gallery

Creator:
Indiana, Robert, 1928-  Search this
Multiples Gallery  Search this
Type:
Correspondence
Place:
Indianapolis, Ind.
Date:
1968 September 17
Citation:
Robert Indiana. Robert Indiana postcard to Multiples Gallery, 1968 September 17. Robert Indiana postcard to Multiples Gallery, 1968 Sept. 17. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)13973
See more items in:
Robert Indiana postcard to Multiples Gallery, 1968 Sept. 17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13973
Online Media:

Robert Indiana greeting card to Dorothy C. Miller

Creator:
Indiana, Robert, 1928-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Type:
Correspondence
Date:
1964
Citation:
Robert Indiana. Robert Indiana greeting card to Dorothy C. Miller, 1964. Dorothy C. Miller papers, 1853-2013. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)7665
See more items in:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7665
Online Media:

Unidentified radio interview with Lee Krasner, Robert Indiana, and Paul Jenkins

Creator:
Krasner, Lee, 1908-  Search this
Indiana, Robert, 1928-  Search this
Subject:
Jenkins, Paul  Search this
Type:
Sound Recording
Date:
1976
Citation:
Lee Krasner and Robert Indiana. Unidentified radio interview with Lee Krasner, Robert Indiana, and Paul Jenkins, 1976. Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)15628
See more items in:
Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15628

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