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Thomas Warren Sears photograph collection

Topic:
Landscape architecture
Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Donor:
Tibbetts, Eleanor Sears  Search this
Extent:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Type:
Collection descriptions
Archival materials
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Date:
1899-1964
Summary:
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.
Scope and Contents note:
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and monographs by or about Sears. Several of the glass lantern slides are duplicates of glass plate negatives in the collection. They apparently were chosen by Sears to illustrate some of his best design work, perhaps for lecture or client purposes.

In addition, there are 56 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina. They range in date from 1917 to 1937 and from 1955 to 1964. Sears photographed some of his early plans; they are included in with the photographic images. Sears also photographed a handful of design plans by landscape architect Sibley Coslett Smith who practiced in Providence, Rhode Island; Sears and Smith shared the same business address there.

The Thomas Warren Sears Collection does not fully document the extent of Sears' design work. The use of glass plate negatives—which make up the bulk of the Thomas Warren Sears Collection—as a photography medium waned sometime during the first quarter of the twentieth century. As a result, the images in the Sears Collection capture examples of Sears' early to mid-career design work but they do not include jobs designed by Sears during the latter half of his design career.
Arrangement note:
The glass plate negatives were originally housed in numerous cardboard boxes manufactured for the sale of undeveloped glass plate negatives. Sears annotated the outside of the boxes with project or client names and/or locations, but the contents do not always match these labels. In addition, because very few of the glass plate negatives and lantern slides were labeled or captioned, it is not always evident where one job ended and another began if multiple projects were stored in the same carton. As a result, there are many instances in the Sears Collection where images have been inadvertently mislabeled because their identification is not apparent. Misidentified images are subject to correction as their proper identification is discovered. Each project has been assigned its own unique AAG job number based on its geographic origin. Those groups of images that have not been identified as to their location have been assigned a project number starting with 'SRS.' The collection is arranged into 3 series: 1) Photographic images (including glass plate negatives, film negatives, glass lantern slides, and photograph albums) 2) Plans and Drawings 3) Monographs
Biographical/Historical note:
Thomas Warren Sears was born in 1880 in Brookline, Massachusetts. He received a Bachelor of Arts degree from Harvard University in 1903 and Bachelor of Science degree in landscape architecture from the Lawrence Scientific School of Harvard in 1906. Sears was an amateur photographer who won awards for his photography while at Harvard. In 1915 his images were published in the monograph, Parish Churches of England. After graduation he worked for the firm of Olmsted Brothers Landscape Architects for two years and then briefly practiced in Providence, Rhode Island. In 1913, Sears established a landscape design office in Philadelphia, Pennsylvania where he spent the remainder of his professional career. Sears at one point was in a professional partnership; some of his design plans list the firm name of Sears and Wendell. He was made a Fellow of the American Society of Landscape Architects in 1921.

Sears designed many different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments. His designs were primarily located in Pennsylvania, Maryland, and New York. Just a few of his private landscapes include Marengo in Easton, Maryland; Sunnybrook, the Isaac H. Clothier, Jr. estate in Radnor, Pennsylvania; and Balmuckety in Pikesville, Maryland. In 1915, Sears started work on Reynolda, a country estate in Winston-Salem, North Carolina. He generated design plans for the property intermittently over the next two decades. Reynolda's formal gardens, greenhouses, and acres of fields and woodlands subsequently became part of Wake Forest University.

During World War I, Sears designed Army camps in Battle Creek, Michigan and Spartanburg, South Carolina. He also helped lay out Langley Field, at that time an experimental aviation field in Hampton Roads, Virginia. In the 1940s, Sears designed the amphitheater at Swarthmore College in Swarthmore, Pennsylvania for concerts, outdoor performances, and other special events. During that decade he also worked on Colonial Revival gardens at Pennsbury, William Penn's country estate in Bucks County, Pennsylvania located by the Delaware River. Sears retired in 1964 and died in 1966.
Related Archival Materials note:
The Philadelphia Architects and Buildings Project (PAB), administered by The Athenaeum of Philadelphia, includes references to design projects by Sears.

Harvard University's Loeb Library includes a number of images by Sears, some of them documenting gardens that he designed.

Harvard University's Fine Arts Library, Special Collections includes a collection of photographs and negatives of English parish churches by Sears, c. 1908. Some of the images were published in the monograph, Parish Churches of England.

The Reynolda House Museum of American Art in Winston-Salem, North Carolina includes plans by Sears of Reynolda in its Estate Archives.
Provenance:
Gift of Eleanor Sears Tibbetts, Sears' daughter, to the Horticulture Services Division (later Smithsonian Gardens) in 1992.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Photographers  Search this
Landscape architects  Search this
Gardens -- United States  Search this
Gardens -- Switzerland  Search this
Gardens -- Scotland  Search this
Gardens -- Italy  Search this
Gardens -- Germany  Search this
Gardens -- France  Search this
Gardens -- England  Search this
Genre/Form:
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS
See more items in:
Thomas Warren Sears photograph collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb68e184341-59d2-4612-8886-4cc747c92bfe
EDAN-URL:
ead_collection:sova-aag-srs
Online Media:

Butler's Elementary Geography by Jacques Wardlaw Redway

Physical Description:
paper (bookcover material)
paper (overall material)
ink (overall material)
printed (overall production method/technique)
Measurements:
overall: 10 1/2 in x 8 in x 1/2 in; 26.67 cm x 20.32 cm x 1.27 cm
Object Name:
book
Object Type:
instructional materials
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1888
Subject:
Geography  Search this
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.3049.08
Nonaccession number:
2017.3049
Catalog number:
2017.3049.08
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-7c83-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1867597
Online Media:

Mitchell's Primary Geography by Samuel Augustus Mitchell

Maker:
Mitchell, Samuel Augustus  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 7 1/2 in x 6 in x 1/2 in; 19.05 cm x 15.24 cm x 1.27 cm
Object Name:
book
Object Type:
Books
books
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1859
Subject:
Geography  Search this
Credit Line:
The Dr. Richard Lodish American School Collection
ID Number:
2014.3127.20
Accession number:
2014.3127
Catalog number:
2014.3127.20
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-bebb-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1888799
Online Media:

An Elementary Treatise on Physical Geography by D. M. Warren and revised by A. von Steinwehr

Maker:
Cowperthwait & Co.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 12 1/4 in x 10 in x 1/2 in; 31.115 cm x 25.4 cm x 1.27 cm
Object Name:
book
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1873
Subject:
Geography  Search this
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.3049.82
Nonaccession number:
2017.3049
Catalog number:
2017.3049.82
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-2b7f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1965012
Online Media:

The Story of the Liberty Bell by Wayne Whipple

Maker:
Altemus and Company  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 8 3/4 in x 6 1/2 in x 1/2 in; 22.225 cm x 16.51 cm x 1.27 cm
Object Name:
book
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1910
Subject:
History  Search this
Credit Line:
The Dr. Richard Lodish American School Collection
ID Number:
2014.3127.38
Accession number:
2014.3127
Catalog number:
2014.3127.38
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-2cd0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1967963

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37000 Slides (photographs) (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides (photographs)
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

BLK Vol. 5 No. 1

Published by:
Alan Bell, American  Search this
Edited by:
Alan Bell, American  Search this
Subject of:
Kenneth Errol Reeves, American, born 1951  Search this
Black Gay and Lesbian Leadership Forum, American, 1988 - 2003  Search this
Reggie Williams, American, 1951 - 1999  Search this
National Task Force on AIDS Prevention, American, 1985 - 1998  Search this
Phill Wilson, American, born 1956  Search this
Lambda Legal Defense and Education Fund, American, founded 1973  Search this
Nia Collective, American, founded 1987  Search this
Pat Norman, American, born 1939  Search this
African-American Lesbian and Gay Alliance, American, founded 1986  Search this
Magic Johnson, American, born 1959  Search this
Simon Nkoli, South African, 1957 - 1998  Search this
Gay and Lesbian Organization of Witwatersrand, South African, 1988 - 1997  Search this
David N. Dinkins, American, born 1927  Search this
Tina Turner, American, 1939 - 2023  Search this
Rosa Parks, American, 1913 - 2005  Search this
WRFG, American, founded 1973  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W x D: 10 13/16 × 8 1/4 × 1/8 in. (27.4 × 20.9 × 0.3 cm)
Type:
magazines (periodicals)
Place made:
Los Angeles, Los Angeles County, California, United States, North and Central America
Place depicted:
Cambridge, Middlesex County, Massachusetts, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Philadelphia, Philadelphia County, Pennsylvania, United States, North and Central America
San Francisco, San Francisco county, California, United States, North and Central America
Los Angeles, Los Angeles County, California, United States, North and Central America
Sausalito, Marin County, California, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Malibu, Los Angeles County, California, United States, North and Central America
Kalamazoo, Kalamazoo County, Michigan, United States, North and Central America
Anaheim, Orange County, California, United States, North and Central America
New York City, New York, United States, North and Central America
Date:
January 1994
Topic:
African American  Search this
Activism  Search this
Associations and institutions  Search this
Black Press  Search this
Communities  Search this
Health  Search this
Identity  Search this
LGBTQ  Search this
Mass media  Search this
Politics  Search this
Race relations  Search this
Sexuality  Search this
U.S. History, 1969-2001  Search this
Violence  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Alan Bell
Object number:
2018.108.39ab
Restrictions & Rights:
© BLK Publishing Company, Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
HIV/AIDS Activist Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58786f58e-d621-4f73-a3f3-8e12cb1e81f5
EDAN-URL:
edanmdm:nmaahc_2018.108.39ab

Red Mesa Black-on-White bowl illustrating birds carrying hunting nets

Culture/People:
probably Ancestral Pueblo (Anasazi): Chaco (archaeological) (attributed)  Search this
Expedition:
Hyde Exploring Expedition (1896-1899)  Search this
Expedition leader:
George Hubbard Pepper (GHP), Non-Indian, 1873-1924  Search this
Richard Wetherill, Non-Indian, 1858-1910  Search this
Expedition sponsor:
B. Talbot B. Hyde (Benjamin Talbot Babbitt Hyde/B. T. Babbitt Hyde/B.T.B. Hyde), Non-Indian, 1872-1933  Search this
Frederick E. Hyde, Jr. (Frederick Erastus Hyde Jr.), Non-Indian, 1874-1944  Search this
Previous owner:
B. Talbot B. Hyde (Benjamin Talbot Babbitt Hyde/B. T. Babbitt Hyde/B.T.B. Hyde), Non-Indian, 1872-1933  Search this
Seller:
B. Talbot B. Hyde (Benjamin Talbot Babbitt Hyde/B. T. Babbitt Hyde/B.T.B. Hyde), Non-Indian, 1872-1933  Search this
Presenter/funding source:
Thea Heye (Thea Kowne/Mrs. Dorothea Page/Mrs. George Gustav Heye), Non-Indian, 1888-1935  Search this
Object Name:
Red Mesa Black-on-White bowl illustrating birds carrying hunting nets
Media/Materials:
Pottery, paint
Techniques:
Coiled/hand built, painted
Dimensions:
11 x 23.7 cm
Object Type:
Containers and Vessels
Place:
Chaco Canyon, Chaco Canyon National Historical Park; San Juan County; New Mexico; USA
Date created:
AD 800–1140 (Pueblo I to Pueblo II period)
Catalog Number:
5/3048
Barcode:
053048.000
See related items:
Ancestral Pueblo (Anasazi): Chaco (archaeological)
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws62e5090f5-b210-4a09-b77f-7a7c49576746
EDAN-URL:
edanmdm:NMAI_57352
Online Media:

Art, Fashion, Performance: Seeing through Creative Collaboration

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-03-12T08:35:20.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_svo8UO422oc

Carl Whiting Bishop Collection

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Extent:
20 Linear feet
Type:
Collection descriptions
Archival materials
Negatives
Photographic prints
Manuscript
Place:
China
Date:
1923-1934
Summary:
An associate curator and associate in archaeology at the Freer Gallery of Art from 1922 to 1942, the collection of Carl Whiting Bishop (1881-1942) document his Gallery-sponsored travels to China from 1923 to 1934 and include an unpublished manuscript describing his archaeological research in China; line drawings; rubbings; maps; note cards; and nearly 4,000 glass and film negatives with corresponding original silver prints. These document his expeditions in northern and central China, illustrating archaeological sites in Henan, Shanxi, and Hebei provinces. Specific digs include the large neolithic site at Wanquan, Shanxi, and sixth century C.E. tombs near Fenyin. Additional images show Chinese cityscapes, daily life and customs, topography, temples, pagodas, caves, and sculpture.
Scope and Contents:
The professional papers and official records of Carl Whiting Bishop include his unpublished two-volume manuscript, [not before 1940]; and photographs, nearly 4,000 images, 1915-1934; and undated. These materials document over a twenty-five year period in the course of Bishop's research and archaeological activities. They were retained at the Freer Gallery of Art after Bishop's death in 1942, and were supplemented with an addition received in 1956 from his widow Daisy Furscott Bishop.

The manuscript was prepared in a typescript format, over 421 pages of text, with photographic illustrations, and completed by Bishop sometime after 1939. Properly titled Archaeological Research in China 1923-1934, this unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.

The earliest still photographic prints in the Bishop Papers date from his employ at the University of Pennsylvania Museum, where he conducted archaeological reconnaissance from 1915 to 1918 in China, Korea, and Japan. All subsequent images were created or collected by Bishop and his assistant Kuang-zung Tung during the Freer Gallery-sponsored expeditions of 1923-1934. Further descriptions of these materials may be found under Series 2 and Series 3 in this finding aid.

In the transliteration into English of the names of Chinese characters, Bishop followed the Wade-Giles system, with a few exceptions to those rules for certain well known and commonly used place-names, especially those of cities, towns, territorial divisions, and bodies of water. We have retained Bishop's romanization except in certain areas where clarification was needed. The Chinese personal and place-names have been kept as they appeared in his captions.
Arrangement:
Series 1: Manuscript/Writings 1915-1934 and undated

Series 2: Photography Prints

Series 3: Negatives

Series 4: Drawings, Rubbings, and Maps
Biographical / Historical:
Carl Whiting Bishop (1881-1942) was an archaeologist, anthropologist, and specialist in the field of East Asian studies. Born in Tokyo, Japan, on July 12, 1881, he was the son of a Methodist missionary, the Reverend Charles Bishop. Except for a twelve-month residence in the United States during 1889-90, Bishop spent the first sixteen years of his life in Japan, before returning to this country in 1898 for college preparatory work at Northwestern Academy, Evanston, Illinois. He studied at Hampden-Sydney College and in 1912 received an A.B. degree from DePauw University. In 1913 he was awarded the degree of Master of Arts by the Department of Anthropology, Columbia University, where he studied with the noted German anthropologist, Franz Boas (1858-1942). That same year he received his first scientific appointment as a member of the Peabody Museum Expedition to Central America.

From 1914-18 Bishop served as Assistant Curator in Oriental Art at the University of Pennsylvania Museum, where on an expedition for that museum he made his first trip to China. Under the auspices of the university, he conducted archaeological reconnaissance during 1915 and 1916 in China, Korea, and Japan, and again conducted archaeological surveys in 1917 and 1918, although no systematic excavations were carried out at that time. When the United States entered World War I on the side of the Allied Powers, Bishop enlisted in the United States Navy and was made assistant naval attaché, serving in China in the years 1918-20, with the rank of lieutenant, junior grade. He returned to Columbia University in 1921 to assume the position of Assistant in Anthropology, a post he held until the end of the academic season in 1922.

Effective 10 April 1922, Bishop was appointed as Associate Curator of the Freer Gallery of Art by then director John Ellerton Lodge (1878-1942). Asked to undertake important archaeological work, Bishop headed the gallery's first expedition to China, sponsored jointly by the FGA and the Museum of Fine Arts, Boston, lasting from 20 February 1923 to 6 August 1927. From 16 November 1929 to 11 April 1934, he headed another expedition, sent out this time by the Freer Gallery alone. When conditions in China made further efforts impractical, Bishop returned to Washington in 1934, where he remained at the gallery as Associate in Archaeology until the time of his death on 16 June 1942.

Carl Whiting Bishop was a member of a number of learned societies: the American Oriental Society, the American Archaeological Society, the Anthropological Society, the American Society for the Advancement of Science, the American Geographical Society, and he served on the advisory board of the American Council of Learned Societies until his death.

1881, July 12 -- Born in Tokyo, Japan

1898 -- Attends Northwestern Academy in Evanston, Illinois for college preparatory work Attends Hampden-Sydney College

1912 -- Receives A.B. degree from DePauw University

1913 -- Receives Master of Arts from Department of Anthropology from Columbia University, where he studied with Franz Boas

1914 -- Begins serving as Assistant Curator in Oriental Art at the University of Pennsylvania Museum

1915-1918 -- Makes several archaeological survey trips to China, Korea and Japan

1918-1920 -- Enlists in the U.S. Navy, serving as assistant naval attaché in China

1921 -- Serves as Assistant Professor in Anthropology at Columbia University

1922, April 10 -- Becomes Associate Curator of the Freer Gallery of Art

1923-1927 -- Heads the Freer Gallery's first expedition to China, co-sponsored by the Boston Museum of Fine Arts

1929-1934 -- Heads the second Freer-sponsored expedition to China

1934 -- Returns to US and serves as Associate in Archaeology at the Freer Gallery of Art

1942, June 16 -- Dies.
Related Materials:
Additional Bishop material may be found in the following collections also found in the the Archives of the Freer Gallery of Art and the Arthur M. Sackler Gallery:

Li Chi Reports, 1926-1929, regarding Li's reconnaissance work at Shi-yin Ts'un, Shansi Province, and the excavation at Anyang.

Archibald Gibson Wenley Papers, 1924-1926, including field diaries, notes, and photographs documenting his participation in the FGA expedition work in China.

Charles Lang Freer Papers, including 1915 correspondence between Freer and Bishop; newspaper clippings related to Bishop, and documents dated 1912-1913, relating to Freer's support for a proposed American School of Archeology in China.

A number of objects from the FGA expeditions, including bronzes, ceramics, and stone sculpture, have been accessioned into the permanent art collection of the Freer Gallery of Art. Additionally, remnants of antiquities, potteries, and metalwork accumulated during the field work, have been placed in the Freer Gallery Study Collection. Records for these items are retained with the Galleries' Registrar's Office.

Additional Bishop material may be found in the Smithsonian Institutional Archives:

Expedition Records, including correspondence of Carl Whiting Bishop, 1914; 1923-1942, nearly 3,000 letters arranged alphabetically by correspondent name; a manuscript catalogue of expedition acquisitions, Peking, 1923-1925; financial records, 1923-1934, including expedition fund ledgers, account statements, and receipts; and newspaper clippings, 1924-1932, documenting the gallery's field work and general archaeological work being conducted around the world at that time.

Smithsonian Institutional Archives, Central Files, Bishop folders, 1923-1942, including expedition letters, field reports, and photographs sent to John E. Lodge.

Personnel and Special Events Photograph Collection, containing portrait photographs of Bishop.

Additional Bishop matieral may be found in the University of Pennsylvania Museum Archives, Philadelphia:

Documentation of University of Pennsylvania Museum-sponsored field work in East Asia may be found there that includes records of C.W. Bishop, dated 1914-1927 (measuring about .5 linear foot), much of it created during his tenure as the Museum's Assistant Curator of Oriental Art from 1914-1918. Included are Bishop's journals consisting of daily entries for two trips to China for the University of Pennsylvania Museum; letters to and from G.B. Gordon, C.W. Harrison, and Jane McHugh, written during Bishop's travel in China and subsequent to his return; and detailed financial accounts of expenditures during the China travels. Additionally, the repository houses a group of Bishop's negatives taken in China to visually record the expedition work.
Provenance:
Gift of Carl Whiting Bishop.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Archaeology -- China  Search this
Photography -- China  Search this
Genre/Form:
Negatives
Photographic prints
Manuscript
Citation:
The Carl Whiting Bishop Collection. FSA A.02. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.02
See more items in:
Carl Whiting Bishop Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31125ea37-fbdf-4cd0-b413-1b022a34356b
EDAN-URL:
ead_collection:sova-fsa-a-02
Online Media:

Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Subject:
Carpenter, J.S.  Search this
Taverty, J.J.  Search this
Curtis, Atherton  Search this
Tanner, Jessie O.  Search this
Tanner, Jesse O.  Search this
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Type:
Sketches
Photographs
Citation:
Henry Ossawa Tanner papers, 1860s-1978, bulk 1890-1937. Archives of American Art, Smithsonian Institution.
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American artists  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9229
(DSI-AAA_SIRISBib)211424
AAA_collcode_tannhenr
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211424
Online Media:

N W Ayer Advertising Agency Records

Creator:
Ayer (N W) Incorporated.  Search this
Names:
American Telephone and Telegraph Company -- Advertisements  Search this
Cunningham & Walsh.  Search this
Hixson & Jorgenson  Search this
United Air Lines, Inc. -- Advertisements  Search this
Ayer, Francis Wayland  Search this
De Kooning, Willem, 1904-1997  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Extent:
270 Cubic feet (1463 boxes, 33 map-folders, 7 films)
Type:
Collection descriptions
Archival materials
Business records
Interviews
Oral history
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks
Trade literature
Tear sheets
Advertisements
Date:
1817-1851
1869-2006
Summary:
Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.
Scope and Contents:
The collection consists primarily of proof sheets of advertisements created by NW Ayer & Son, Incorporated for their clients. These materials are in series one through thirteen and consist primarily of print advertisements. There are also billboards, radio and television commercials. The advertisements range from consumer to corporate and industrial products. The majority of the advertisements were created for Ayer's New York, Chicago, Los Angeles and international offices. Printed advertisements created by Cunningham & Walsh, Hixson & Jorgensen and Newell-Emmett are also included among these materials. Researchers who are interested in records created by Ayer in the course of operating an advertising agency will find these materials in Series fourteen-nineteen.

Series fourteen consists of advertisements created by NW Ayer & Son to promote their services to potential clients.

Series fifteen are scrapbooks of some of the earliest advertisements created by the company. Series sixteen are publications. Some of the publications were created by Ayer while others were about Ayer or the advertising industry in general. Provides good background materials and puts the company in perspective. Series eighteen are the legal records. Materials relating to employees including photographs, oral histories etc. are found in series nineteen.

Series twenty is one of the smallest amounts of materials and includes information relating to the history of NW Ayer & Son.

The container lists for series one-thirteen are part of a database and are searchable. The list has been printed for the convenience of the researcher and is included in this finding aid. Series fourteen-twenty container lists are also a part of the finding aid but are not in a searchable format.

Series 1, Scrapbooks of Client Advertisements, circa 1870-1920, is arranged into three boxes by chronological date. There are two bound scrapbooks and one box of folders containing loose scrapbook pages. NW Ayer & Son compiled an assortment of their earliest ads and placed them into scrapbooks. Besides the earliest advertisements, the scrapbooks contain requests to run advertisements, reading notices and listings of papers Ayer advertised in. The early advertisements themselves range from medical remedies to jewelry to machines to clothing to education and more. Most of the advertisements in the bound scrapbooks are dated.

Series 2, Proofsheets, circa 1870-1930, NW Ayer was fond of creating scrapbooks containing proofsheets. The series contains proofsheets created between 1892 and 1930, organized into 526 boxes. For convenience of storage, access and arrangement, the scrapbooks were disassembled and the pages placed in original order in flat archival storage boxes. The proofsheets are arranged by book number rather than client name. Usually the boxes contain a listing of the clients and sometimes the dates of the advertisements to be found within the box.

Series 3, Proofsheets, circa 1920-1975, is organized into 532 oversize boxes, and contain proofsheets and tearsheets created between 1920 and 1972. Within this series, materials are arranged alphabetically by company name (occasionally subdivided by brand or product), and thereunder chronologically by date of production. Many major, national advertisers are represented, including American Telephone & Telegraph, Armour Company, Canada Dry, Cannon Mills, Carrier Corporation, Domino Sugar, Caterpillar tractor company, Ford Motor Company, General Electric, Goodyear, Hills Bros. Coffee, Ladies Home Journal, National Dairy, Plymouth (Chrysler Corporation), Steinway, TV Guide, United Airlines and the United States Army. Also contained in this series are three scrapbooks of client advertisements including Canada Dry, Ford Motor, and Victor Talking Machine.

Series 4, 2001 Addendum, circa 1976-2001, is organized into ninety three oversized boxes,one folder and contains proofsheets for select Ayer clients, created between 1975 and 2001. Within this series, materials are arranged alphabetically by client name and there under chronologically by date of production. Major national advertisers represented include American Telephone & Telegraph, Avon, the United States Army, DeBeers Consolidated Diamond Mines, Dupont, TV Guide, Sealtest, Kraft Foods, Gillette, General Motors, Cannon Mills.

Series 5, Billboards, circa 1952-1956, consists of mounted and un-mounted original art/mock-ups. Twenty-two pieces of original art created as mock-ups for Texaco billboards.

Series 6, Film and Video Commercials, 1967-1970,

Series 7, Radio and Television Materials, 1933-1993, undated, is arranged into eight boxes and includes radio scripts, television scripts, and story boards for commercials.

Subseries 7.1, Scripts and storyboards for Radio and Television Commercials, dates Scripts for radio and television commercials includes title, date, length of commercial, advertising agency, client information

NW Ayer's radio and television materials mainly focus on the American Telegraph and Telephone account. Some of Ayer's materials relate to Bell Telephone Hours.

Storyboards are used in television and film to assist the director in working with crew to tell the story. To show the viewer through the use of figures, visual effects and camera angles. When directors first start thinking about their storyboard they create a story in their mind. They think of all the camera angles, visual effects and how the figures will interact in their mind. They try to create an extraordinary story in their head to attract the viewer (YOU) In order for the storyboard to be entirely effective it can't be a passive document. When done properly, a storyboard serves as a central design, meeting the needs of many team members including graphics artists, video personnel and programmers.

Another function of a storyboard is to help the team communicate during the training development process. This communication is very important in working with a large team as in the movie King, produced in 1996. Figures help the director explain to the crew how they are going to record the film and how to present it to the audience. Sometimes the director wants special effects to be added to the film, but his budget might not be that big so the director will have to change the story to fit their budget.

The Visual Effects are an important part in the storyboards it adds a special touch of creativity to your film. Camera angles are an important expects in your film because the camera angles determine where the viewing audience will look. If you want your audience to look at a certain object you must turn their attention to it by focusing on that object and maybe you might try blocking something out. Then you will have your audience's attention and you may do whatever else you have to, it could be scaring them are just surprising them or whatever you do.

Also included is talent information and log sheets relating to the storage of the commercials.

Bell Telephone Hour Program, 1942-[19??], The Bell Telephone Hour, also known as The Telephone Hour, was a five minute musical program which began April 29, 1940 on National Broadcasting Company Radio and was heard on NBC until June 30, 1958. Sponsored by Bell Telephone showcased the best in classical and Broadway music, reaching eight to nine million listeners each week. It continued on television from 1959 to 1968.

Earlier shows featured James Melton and Francia White as soloists. Producer Wallace Magill restructured the format on April 27, 1942 into the "Great Artists Series" of concert and opera performers, beginning with Jascha Heifetz. Records indicate that the list of talents on the program included Marian Anderson, Helen Traubel, Oscar Levant, Lily Pons, Nelson Eddy, Bing Crosby, Margaret Daum, Benny Goodman, José Iturbi, Gladys Swarthout and .The series returned to radio in 1968-1969 as Bell Telephone Hour Encores, also known as Encores from the Bell Telephone Hour, featuring highlights and interviews from the original series.

National Broadcasting television specials sponsored by the Bell System, 1957-1987includes information relating to Science series, Bell system Theshold Series, Bell telephone hour and commercial and public sponsored programs

Series 8, Chicago Office Print Advertisements, 1954-1989, is arranged alphabetically by the name of the client in ninety boxes and six oversize folders. Clients include Illinois Bell Telephone (1955-1989), Microswitch (1969-1989), Teletype (1975-1984), John Deere (1974-1989) and Caterpillar (1966-1972) are particularly well represented. Other clients of interest include Dr. Scholl's shoes (circa 1968-1972), the Girl Scouts (1976-1980), Sunbeam Personal Products Company (1973-1981), Bell and Howell (1974-1983) and Alberto Culver shampoos (1967-1971), Honeywell, Incorporated, Blue Cross and Blue Shield Associations, Kraft, Incorporated, Sears, Roebuck and Company, and YMCA.

Series 9, Los Angeles Office Materials, 1950s-1987, include printed advertisements created by this office and information relating to the employees.

Subseries 9.1, Print Advertisements, 1977-1987, printed advertisements arranged in one box alphabetically by client. There is a sparse sampling of clients from this particular Ayer branch office. The majority of the advertisements contained within this series are from Pizza Hut (1986-1987). Also included are Computer Automation (1977-1978), State of the Art, Incorporated (1982) and Toshiba (1986).

Subseries 9.2, Personnel Files, 1950s-1970s, includes cards of employees who worked in the Los Angeles office. Information on the cards includes name, address, telephone number, birthday, date hired, departure date and why (retired, terminated, resigned, etc) and position. Not all cards have all information. There is also a photograph of the employees on the cards.

Series 10, Foreign Print Advertisements, 1977-1991, undated, NW Ayer maintained partnerships with international companies such as Sloanas Ayer in Argentina, Connaghan & May Paton Ayer in Australia, Moussault Ayer in Belgium, NW Ayer, LTD. in Canada, GMC Ayer in France, Co-Partner Ayer in Germany, Wong Lam Wang in Hong Kong, MacHarman Ayer in New Zealand, Grupo de Diseno Ayer in Spain, Nedeby Ayer in Sweden, and Ayer Barker in United Kingdom. This group of material is a small sampling of advertisements created from these International offices. It is arranged alphabetically by client. There are quite a few automobile advertisements (i.e. Audi, Fiat, General Motors, Mercedes-Benz, and Volkswagen). In addition there are numerous advertisements for various personal items from MacLean's toothpaste to Quick athletic shoes to Labello lip balm, etc. Most of the advertisements have the creator's name printed on the advertisements.

Series 11, Cunningham & Walsh, Incorporated Materials, 1915-1987, undated contains 98 boxes 11 folders materials from the New York advertising agency acquired by NW Ayer in the 1960s. The company began with Newel-Emmett, an agency of nine men which broke up in 1949. Two of the men Fred Walsh and Jack Cunningham formed this agency in bearing their names in 1950. The agency created "let your fingers for the walking campaign for American Telephone & Telegraph, Mother Nature for Chiffon, and Mrs. Olson for Folgers's coffee and let the good times roll for Kawasaki motorcycle. In 1986, NW Ayer Incorporated purchased Cunningham & Walsh Incorporated.

Subseries 11.1, Print Advertisements, 1915-1987, are contained in ninety eight boxes of primarily print advertisements arranged alphabetically by client name. Clients that are particularly well represented are Graybar (electrical implements, circa1926-1937), Johns-Manulle (circa1915-1971), Smith and Corono typewriters (circa 1934-1960), Sunshine Biscuit Company (circa 1925-1961), Texaco Company (circa 1936-1961), Western Electric (circa 1920- 1971) and Yellow Pages (circa 1936-1971). Cunningham and Walsh also represented several travel and tourism industry clients, including Cook Travel Services (circa 1951-1962), Italian Line (circa 1953-1961), Narragansett and Croft (circa 1956-1960) and Northwest Airlines (circa 1946-1955). There are photographs of Texaco advertisements dating from 1913-1962. There is also a scrapbook of advertisements from the Western Electric Company dating from 1920-1922.

Subseries 11.2, Radio and Television Advertisements, 1963-1967, consist of materials created for Western Electric. Materials are arranged in chronological order.

Subseries 11.3, Company Related Materials, 1962-1986, undated include client lists, information relating to NW Ayer purchase and annual report 1962.

Series 12, Hixson & Jorgensen Materials, 1953-1971, a Los Angeles advertising company, merged with Ayer in 1969. This series is housed in one box. Within the box are four scrapbooks and folders with a hodgepodge of materials relating to advertising. Of most interest are the scrapbooks. Two scrapbooks deal with Hixson and Jorgensen's self promotion ad campaign "the right appeal gets action" (1953-1957). The other two scrapbooks contain news clippings about the company and its activities (1959-1971).

Series 13, Newell-Emmet, 1942-1957, founded in 1919 and governed in the 1940s by a partnership of nine men. The partnership broke up in 1949 when the men went their separate ways. The materials consist of print advertisements for one of client, Permutit Company, a water conditioning company. The materials are arranged in one box in chronological order.

Series 14, House Print Advertisements, 1870-1991, 16 boxes consists of advertisements or self-promotion advertisements to campaign for new clients. The series is arranged chronologically by date into fifteen boxes. Within the series are two scrapbooks containing self promotion ads from 1888-1919 and 1892-1895. Numerous house ads relate to Ayer's "Human Contact" campaign. In addition to the self promotion ads, Ayer ran advertisements expounding about particular concepts or themes for example, one month the concept would "understand" while another month would be "teamwork" and yet another would be on "imagination". Some of the self promotion ads target specific groups like Philadelphia businessmen. Other advertisements incorporate the fine arts.

Series 15, Scrapbooks, 1872-1959, relates to company events, records and news clippings about Ayer's history. The six boxes are arranged by chronological date. Two of the boxes focus solely on the death of founder F.W. Ayer (1923). Another box houses a scrapbook that showcases Ayer's annual Typography Exhibition (1931-1959). One box contains a scrapbook that specifically deals with correspondences relating to Ayer's advertising. Yet another box's contents are folders of loose pages from scrapbooks that have newspaper clippings, order forms, correspondences and other company records. In one box, a bound scrapbook houses a variety of materials relating to Ayer and advertising (i.e. newspaper clippings, competitor's advertisements, NW Ayer's advertisements, correspondences for advertisements, clippings regarding the "theory of advertising."

Series 16, Publications, 1849-2006, are housed in thirty four boxes and are arranged into three main categories.

Subseries 16.1, House Publications, 1876-1994, covers diverse topics; some proscriptive works about the Ayer method in advertising, some commemorating people, anniversaries or events in the life of the agency. Materials consist of scattered issues of the employee newsletter The Next Step 1920-1921. The materials are arranged in chronological order by date of publication. Ayer in the News, The Show Windows of an Advertising Agency, 1915, book form of advertisements published on the cover of Printer's Ink, highlighting Ayer's relations with advertisers. The Story of the States, 1916, Reprint in book form of a series of articles published in Printer's Ink for the purpose of adding some pertinent fact, progressive thought and prophetic vision to the Nationalism of Advertising highlights major businesses, manufacturer, natural resources and other qualities or attractions of each state. The Book of the Golden Celebration, 1919, includes welcome address and closing remarks by founder F. Wayland Ayer, The Next Step, 1920 employee newsletter with photographs, employee profiles, in-house jokes, etc., Advertising Advertising: A Series of Fifty-two Advertisements scheduled one time a week. Twenty-seven, thirty and forty inches, a day of the week optional with publisher, 1924

Subseries 16.2, Publications about NW Ayer, 1949-2006, includes a book first published in 1939. Includes articles, documenting events and is arranged chronologically by date of publication.

Subseries 16.3, General Publications about Advertising, 1922-1974, are arranged chronologically by date of publication and relate primarily to the history of advertising.

Subseries 16.4, Publications about Other Subjects, 1948-1964, include four books about the tobacco industry primarily the history of the American Tobacco Company and Lorillard Company from the Cunningham and Walsh library.

Series 17, Business Records, circa 1885-1990s

Subseries 17.1, Contracts, 1885-1908, undated, are arranged alphabetically and span from 1885-1908. The majority of the contracts are with newspaper and magazine publishers from around the country.

Subseries 17.2, General client information, 1911-1999, undated, including active and cancelled lists with dates, client gains, historical client list, (should move this to series 20) Ayer Plan User Guide Strategic Planning for Human Contact, undated

Subseries 17.3, Individual Client Account Information, 1950s-1990s, undated, contain information used by Ayer to create advertisements for some of its clients. American Telephone &Telegraph Corporate Case History, American Telephone &Telegraph Corporate advertisement memo, commissioned artists for DeBeers advertisements, DeBeers information relating to the creative process and photography credits, a case history for DeBeers Consolidated Mines, Ltd., The Diamond Engagement Ring, Managing Communication at all levels, DuPont publications, JC Penny Marketing Communication Plan Recommendation, Leaf, Incorporated, Saturn presentation, and USAREC oral presentation.

Subseries 17.4, Potential Clients, 1993, includes grouping has a questionnaire sent to Ayer by a potential client. Questionnaire response for Prudential Securities, 1993 Prudential Securities advertising account review, 1993.

Subseries 17.5, Financial Records, 1929-1938, includes balance sheet, 1929 May 1 Balance sheet and adjustments Consolidated statement of assets and liabilities, Expenses 191936-37 Business review and expenses, 1937 and 1938 Business review and expenses comparative statement, 1937 and 1938.

Series 18, Legal Records, circa 1911-1982, Ayer's legal records are arranged by twelve subject groupings within four boxes. The twelve groupings are advertising service agreements (circa 1918-1982), bylaws, copyright claims, correspondences, international correspondences, dissolution of trusts, stock information, agreements between partners, incorporation materials, reduction of capital, property information and miscellaneous materials. The bulk of the materials are the advertising service agreements. These agreements are between Ayer and their clients and state the services Ayer will offer and at what cost. The bylaws are Ayer's company bylaws from 1969 and 1972. The copyright claims are certificates stating Ayer's ownership over certain published materials (i.e. "Policy", Media Equalizer Model, and Don Newman's Washington Square Experiment). The correspondences relate to either the voting trust and receipts for agreement or the New York Corporation. The international correspondences are from either Ayer's Canadian office or London office. The dissolutions of trusts contains materials about the dividend trust of Wilfred F. Fry, the investment trust of Winfred W. Fry, the voting trust, and the New York corporation. The stock information has stock certificates and capital stock information. The agreements between partners (1911-1916) specify the terms between F.W. Ayer and his partners. The incorporation materials (circa 1929-1977) deal with Ayer advertising agency becoming incorporated in the state of Delaware. The reduction of capital grouping is a notification that shares of stock have been retired. The property information grouping contains property deeds and insurance policy (circa 1921-1939), a property appraisal (1934), and a bill of sale (1948). The miscellaneous grouping contains a house memo regarding a set of board meeting minutes and a registry of foreign companies in Commonwealth of Pennsylvania (1929-1954).

Subseries 18.1, Advertising Service Agreements, 1918-1982

Subseries 18.2, Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4, Correspondence, 1928-1933

Subseries 18.5, International Office Correspondence, 1947-1948

Subseries 18.6, Dissolution of Trusts, 1934-1937

Subseries 18.7, Stock Information, 1934-1974

Subseries 18.8, Agreements between Partners, 1911-1916

Subseries 18.9, Incorporation Materials, 1929-1977

Subseries 18.10, Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11, Property Information, 1921-1948

Subseries 18.12, Miscellaneous Materials, 1929-1977

Series 19, Personnel Records, circa 1889-2001, are arranged into eight groupings within eight boxes. The groupings are employee card files, photographs, Ayer alumni, biographies, speeches, recollections, oral histories, and miscellaneous. Typed manuscript of book A Copy Writer Speaks by George Cecil, NW Ayer, Incorporated copy head 1920s-1950s

Subseries 19.1, Employee card files, circa 1892-1915; 1929-1963, consists of index cards with the name, age, job title, date and wage increases, date of hire/fire, as well as remarks about the employee's service and/or reasons for seeking or leaving the job. Materials are arranged alphabetically by the last name of the employee within three boxes.

Subseries 19.2, Photographs, circa 1924-1984, undated, are housed in two boxes. The photographs grouped together by subjects i.e. personnel, company events, Ayer buildings, and miscellaneous. This grouping primarily consists of personnel photographs. Includes a glass plate negative dated 1924 of NW Ayer.

Subseries 19.3, Ayer Alumni, circa 1989-98, include employees who have left Ayer. There is a listing of Ayer "graduates" and their current job. Emeritus, Ayer's alumni newsletter 1989-1996, makes up the majority of materials in this grouping. The newsletter keeps the alumni up to date with the happenings of Ayer and what has become of former Ayer employees. Emeritus is a quarterly newsletter devoted to the activities, thoughts and feelings of Ayer alumni a body of people who consists of retirees and former employees.

Subseries 19.4, Biographical Information, circa 1889-1994, undated, prominent members of Ayer's operations had biographical sketches completed of them. This was true for the bio sketches of Robert Ervin, Louis T. Hagopian, and George A. Rink. There is a substantial file on Dorothy Dignam ("Mis Dig"), a leading woman in the advertising world from the 1930s to the 1950s. Also of interest is a video ("The Siano Man") compiled by Ayer employees to commemorate Jerry Siano's retirement from Ayer in 1994. The series is arranged alphabetically by last name.

Subseries 19.5, Speeches, circa 1919-1931; 1975, contains speeches made by Wilfred W. Fry and Neal W. O'Connor. Wilfred W. Fry had various speaking engagements connected with Ayer. Contained in this group is a sampling of his speeches from 1919 to 1931. Neal O'Connor's speech "Advertising: Who Says It's a Young People's Business" was given at the Central Region Convention for the American Association of Advertising Agencies in Chicago on November 6, 1975. The speeches are arranged alphabetically by the speaker's last name.

Subseries 19.6, Recollections, 1954-1984, undated, are arranged alphabetically by last name. These are recollections from Ayer employees about the company and its advertisements. Some recollections are specifically about certain types of advertisements, like farm equipment while others reflect on F. W. Ayer and the company.

Subseries 19.7, Oral History Interview Transcripts, 1983-1985; 1989-1991, include interviews with key NW Ayer personnel, conducted by Ayer alumnae Howard Davis, Brad Lynch and Don Sholl (Vice President creative) for the Oral History Program. The materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.8, Oral History Interview Audio Tapes, 1985-1990, include interviews on audiotape the materials are arranged alphabetically by the last name of the interviewee.

Subseries 19.9, Internal Communications, 1993-1999, includes information sent to employees relating to retirements, management changes, awards won by the company, promotions, potential new accounts, free items, grand opening of Ayer Café, donation events, sponsorship programs, holiday schedules, discounts for employees from clients, Ayer joins MacManus Group.

Subseries 19.10, General Materials, 1940; 1970, includes agency directory entry including a list of the employees, 1970s, annual banquet program for the Curfew Club May 22, 1940 a group formed by the Philadelphia employee in 1938. It sponsored numerous sports, social and educational activities. Groups were formed in public speaking, music appreciation and a series of talks on Monday evenings title the modern woman. The front page was a series of talks for general interest. A list of officers, 1991, Twenty five year club membership, 1973 December 1, List of NW Ayer graduates, 1970, List of Officers, 1991 May 31, Obituary for Leo Lionni, 1999 October 17, List of photographers of advertisements, 2001

Series 20, Background and History Information, 1817-1999, undated includes a chronology, 1817-1990, quick reference timeline, 1848-1923, loose pages from a scrapbook containing examples of correspondence, envelopes, advertisements dating from 1875-1878; slogans coined by NW Ayer & Sons, Incorporated, 1899-1990, history of management, 1909-1923, articles and photographs about the building and art galleries, 1926-1976, publications about the Philadelphia building, 1929, pamphlet relating to memories of NW Ayer & Sons, Incorporated, 1930s-1950s, television history, 1940-1948, Article about the history of the company, 1950 January, pocket guide, 1982, AdWeek reports about standings for advertising agencies, information relating to Human Contact which is NW Ayer's Information relating to Human Contact, undated which is their philosophy on advertising.

Series 21, Materials Created by other Advertising Agencies, 1945-1978, undated, consists of print advertisements collected by Ayer from other major advertising companies. The companies include Doyle Dane Bernback, Incorporated, Leo Burnett Company, Grey Advertising Agency, D'Arcy Ad Agency, Scali, McCabe, Sloves, Incorporated and Erwin Wasey Company. The materials are arranged in alphabetical order by client and include products from Ralston Purina and Van Camp (Chicken of the Sea), Kellogg, American Export Lines and No Nonsense Fashions.

Series 22, 2010 Addendum of Print Advertisements, circa 1879s-1999, undated, includes material given to the Archives Center in 2010. It is organized into seventy one oversized boxes and contains proofsheets of print advertisements for select Ayer clients. These are arranged alphabetically by client name and include substantial quantities of materials from American Telephone &Telegraph (1945-1996), Bahamas Ministry of Tourism (1967-1987), Carrier (1971-1981), Citibank (1973-1991), DeBeers (1940s-1960s and1990s), Electric Companies Advertising Program [ECAP] (1942-1970s), General Motors (1989-1998), J.C. Penney (1983-1986), Newsweek (1966-1975), and Proctor and Gamble (1980s-1890s). There are also numerous other clients represented by smaller quantities of materials.

Subseries 22.1, Print Advertisements, 1930-1990, undated

Subseries 22.2, Print Advertisements on Glass Plate Negatives, 1879-1881, undated, include Cannon towels, Cheny Brothers silks, Cornish & Company organs and pianos, Enterprise Manufacturing Company, 1879 sad iron, an ad from Harper's Weekly 1881 for ladies clothing, Ostermoor & Company mattresses, Pear's soap, Porter's cough balsam, Steinway pianos.

Series 23, Microfilm of Print Advertisements, circa 1908-1985, consists of three boxes of printed advertisements for the American Telephone and Telegraph Company. Some of the same advertisements might also be found in series two, three and four.
Arrangement:
The collection is arranged into twenty-three series.

Series 1: Scrapbooks of Client Print Advertisements, circa 1870-1920

Series 2: Proofsheets, circa 1870-1930

Series 3: Proofsheets, circa 1920-1975

Series 4: 2001 Addendum, circa 1976-2001

Series 5: Billboards, circa 1952-1956

Series 6: Audiovisual Materials

Series 7: Radio and Television Materials, 1933-1993, undated

Series 8: Chicago Office Print Advertisements, 1954-1989

Series 9: Los Angeles Office Materials, 1950s-1987

Subseries 9.1: Printed Advertisements, 1977-1987

Subseries 9.2: Personnel Files, 1950s-1970s

Series 10: Foreign Print Advertisements, 1977-1991, undated

Series 11: Cunningham & Walsh Incorporated Materials, 1915-1987, undated

Subseries 11.1: Printed Advertisements, 1915-1987

Subseries 11.2: Radio and Television Advertisements, 1963-1967

Subseries 11.3: Company Related Materials, 1962-1986, undated

Series 12: Hixson & Jorgensen Materials, 1953-1971, undated

Series 13: Newell-Emmet, 1942-1957

Series 14: House Print Advertisements, 1870-1991

Series 15: Scrapbooks, 1872-1959

Series 16: Publications, 1849-2006

Subseries 16.1: House Publications, 1876-1994

Subseries 16.2: Publications about NW Ayer, 1949-1995

Subseries 16.3: General Publications about Advertising, 1922-2006

Subseries 16.4: Publications about other Subjects, 1948-1964

Series 17, Business Records, circa 1885-1990s

Subseries 17.1: Contracts, 1885-1908, undated

Subseries 17.2: General Client Information, 1911-1999, undated

Subseries 17.3: Individual Client Account Information, 1950s-1990s, undated

Subseries 17.4: Potential Clients, 1993

Subseries 17.5: Financial Records, 1929-1938

Series 18: Legal Records, circa 1911-1984

Subseries 18.1: Advertising Service Agreements, 1918-1982

Subseries 18.2: Bylaw Materials, 1969-1972

Subseries 18.3, Copyright Claims, 1962-1969

Subseries 18.4: Correspondence, 1928-1933

Subseries 18.5: International Office Correspondence, 1947-1948

Subseries 18.6: Dissolution of Trusts, 1934-1937

Subseries 18.7: Stock Information, 1934-1974

Subseries 18.8: Agreements between Partners, 1911-1916

Subseries 18.9: Incorporation Materials, 1929-1977

Subseries 18.10: Certificates of Reduction of Capital, 1937; 1975

Subseries 18.11: Property Information

Subseries 18.12: Miscellaneous Materials, 1929-1977

Series 19: Employee Materials, circa 1889-2001

Subseries 19.1: Employee Card files, circa 1892-1915; 1929-1963

Subseries 19.2: Photographs, circa 1924-1984, undated

Subseries 19.3: Alumni Publications, circa 1989-1998

Subseries 19.4: Biographical Information, circa 1889-1994

Subseries 19.5: Speeches, circa 1919-1931; 1975

Subseries 19.6: Recollections, 1954-1984, undated

Subseries 19.7: Oral History Interview Transcripts, 1983-1985; 1989-1991

Subseries 19.8: Oral History Audiotapes, 1985-1990

Subseries 19.9: Internal Communications, 1993-1999

Subseries 19.1: General Materials, 1940-2001

Series 20: History and Background Information about the Company, 1817-1999, undated

Series 21: Materials Created by other Advertising Agencies, 1945-1978, undated

Series 22: 2010 Addendum of Print Advertisements, circa 1879s-1990s, undated

Subseries 22.1: Print Advertisements, 1930-1990, undated

Subseries 22.2: Print Advertisements on Glass Plate Negatives, 1879-1881, undated

Series 23: Microfilm of Print Advertisements, circa 1908-1985
Biographical / Historical:
Founded in Philadelphia in 1869, NW Ayer & Son is one of the oldest and largest advertising agencies in America. For most of its history, it was the undisputed leader and innovator in the field of advertising. In 1876, NW Ayer & Son pioneered the "open contract", a revolutionary change in the method of billing for advertising which became the industry standard for the next hundred years. NW Ayer pioneered the use of fine art in advertising and established the industry's first art department. It was the first agency to use a full-time copywriter and the first to institute a copy department. The agency relocated to New York City in 1974. During its long history, the agency's clients included many "blue-chip" clients, including American Telephone & Telegraph, DeBeers Consolidated Diamond Mines, Ford Motor Company, Nabisco, R. J. Reynolds and United Airlines. However, in later years, the Ayer's inherent conservatism left the agency vulnerable to the creative revolution of the 1960s and 1970s, the advertising industry restructuring of the 1980s and the economic recession of the early 1990s. The agency was bought out by a Korean investor in 1993. In 1996, NW Ayer merged with another struggling top twenty United States advertising agency, Darcy, Masius, Benton & Bowles, under the umbrella of the McManus Group. Ayer continues to operate as a separate, full-service agency.

Through a series of buyouts and mergers, Ayer traces its lineage to the first advertising agency founded in the United States, a Philadelphia agency begun by Volney Palmer in 1841. Palmer began his career in advertising as a newspaper agent, acting as middleman between newspaper publishers and advertisers across the country. By 1849, Palmer had founded his own newspaper, V. B. Palmer's Register and Spirit of the Press, and had developed a complete system of advertising which included securing advertising space and placing ads in scores of commercial, political, religious, scientific and agricultural journals across the country. Palmer went one step further than the "space jobbers" of the day when he began offering "advertisements carefully drawn for those who have not the time to prepare an original copy." Always an enthusiastic promoter of advertising as an incentive to trade and American economic growth, Palmer promised advertisers that "every dollar paid for advertising in country newspapers will pay back twenty-fold" and encouraged skeptical consumers that "he who wishes to buy cheap should buy of those who advertise." When Palmer died in 1863, the agency was bought by his bookkeeper, John Joy, who joined with another Philadelphia advertising agency to form Joy, Coe & Sharpe. That agency was bought out again in 1868 and renamed Coe, Wetherill & Company. In 1877, Coe, Wetherill and Company was bought out by the newly formed NW Ayer & Son.

Francis Wayland Ayer was an ambitious young schoolteacher with an entrepreneurial streak. Having worked for a year soliciting advertisements on a commission basis for the publisher of the National Baptist weekly, Francis Ayer saw the potential to turn a profit as an advertising agent. In 1869, Ayer persuaded his father, Nathan Wheeler Ayer, to join him in business, and with an initial investment of only $250.00, NW Ayer & Son was born. Notwithstanding a smallpox epidemic in Philadelphia in 1871 and the general economic depression of the early 1870s, the agency flourished. The senior Ayer died in 1873, leaving his interest in the agency to his wife, but Francis W. Ayer bought her out, consolidating his interest in the company's management. In 1877, with Coe, Wetherill & Company (the successor to Palmer's 1841 agency) on the verge of bankruptcy and heavily indebted to Ayer for advertising it had placed in Ayer publications, Ayer assumed ownership of that agency. Thus did NW Ayer lay claim to being the oldest advertising agency in the country.

Both Nathan Wheeler and Francis Wayland Ayer began their careers as schoolteachers, and one of their legacies was a commitment to the cause of education: correspondence schools and institutions of higher learning were historically well-represented among Ayer clients. Just after World War I, the agency was heralded as "co-founder of more schools than any citizen of this country" for its conspicuous efforts to advertise private schools. Well into the 1960s, an "Education Department" at Ayer prepared advertisements for over three hundred private schools, camps and colleges, representing almost half the regional and national advertising done for such institutions. In fact, to its clients Ayer presented advertising itself as being akin to a system of education. In 1886, Ayer began promoting the virtues of the Ayer way advertising with the slogan, "Keeping Everlastingly at It Brings Success."

The agency's goals were simple: "to make advertising pay the advertiser, to spend the advertiser's money as though it were our own, to develop, magnify and dignify advertising as a business." Initially, Ayer's fortunes were tied to newspapers, and the agency began to make a name for itself as compiler and publisher of a widely used American Newspaper Annual. During the first years, Ayer's singular goal was "to get business, place it [in newspapers] and get money for it"; after several years as an independent space broker, however, Francis Ayer resolved "not to be an order taker any longer." This decision led NW Ayer and Son to a change in its mode of conducting business which would revolutionize the advertising industry: in 1876, Ayer pioneered the "open contract" with Diggee & Conard, Philadelphia raised growers and agricultural suppliers. Prior to the open contract, NW Ayer & Sons and most agencies operated as "space-jobbers," independent wholesalers of advertising space, in which the opportunities for graft and corrupt practices were virtually unlimited. In contrast, the open contract, wherein the advertiser paid a fixed commission based on the volume of advertising placed, aligned the advertising agent firmly on the side of the advertiser and gave advertisers access to the actual rates charged by newspapers and religious journals. The open contract with a fixed commission has been hailed by advertising pioneer Albert Lasker as one of the "three great landmarks in advertising history." (The other two were Lasker's own development of "reason-why" advertising copy and J. Walter Thompson's pioneering of sex appeal in an advertisement for Woodbury's soap.) Although the transition to the open contract did not happen overnight, by 1884, nearly three-quarters of Ayer's advertising billings were on an open contract basis. Since Ayer was, by the 1890s, the largest agency in America, the switch to direct payment by advertisers had a significant impact on the advertising industry, as other agencies were forced to respond to Ayer's higher standard. Just as important, the open contract helped to establish N W Ayer's long-standing reputation for "clean ethics and fair dealing" -- a reputation the agency has guarded jealously for over a century. The open contract also helped to establish Ayer as a full service advertising agency and to regularize the production of advertising in-house. From that point forward, Ayer routinely offered advice and service beyond the mere placement of advertisements. Ayer set another milestone for the industry in 1888, when Jarvis Wood was hired as the industry's first full-time copywriter. Wood was joined by a second full time copywriter four years later, and the Copy Department was formally established in 1900. The industry's first Art Department grew out of the Copy Department when Ayer hired its first commercial artist to assist with copy preparation in 1898; twelve years later Ayer became the first agency to offer the services of a full time art director, whose sole responsibility was the design and illustration of ads.

Ayer's leadership in the use of fine art in advertising has roots in this period, but achieved its highest expression under the guidance of legendary art director Charles Coiner. Coiner joined Ayer in 1924, after graduating from the Chicago Academy of Fine Arts. Despite early resistance from some clients, Coiner was adamant that "the use of outstanding palette and original art forms bring a greater return in readership, in impact and prestige for the advertiser." To this end, Coiner marshaled the talents of notable painters, illustrators and photographers, including N.C. Wyeth and Rockwell Kent (Steinway), Georgia O'Keefe (Dole), Leo Lionni (DuPont), Edward Steichen (Steinway, Cannon Mills), Charles Sheeler (Ford), and Irving Penn (DeBeers). Coiner believed that there was a practical side to the use of fine art in advertising, and his success (and Ayer's) lay in the marriage of research and copywriting with fine art, an arrangement Coiner termed "art for business sake." Coiner's efforts won both awards and attention for a series completed in the 1950s for the Container Corporation of America. Titled "Great Ideas of Western Man" the campaign featured abstract and modern paintings and sculpture by leading U.S. and foreign artists, linked with Western philosophical writings in an early example of advertising designed primarily to bolster corporate image. In 1994, Charles Coiner was posthumously named to the American Advertising Federation's Hall of Fame, the first full time art director ever chosen for that honor.

Coiner and fellow art director Paul Darrow also created legendary advertising with the "A Diamond Is Forever" campaign for DeBeers; ads featured the work of Pablo Picasso, Salvador Dali and other modernist painters. The "A Diamond is Forever" tagline was written in 1949 by Frances Gerety, a woman copywriter at Ayer from 1943 to 1970. In 1999, Ad Age magazine cited "A Diamond is Forever" as the most memorable advertising slogan of the twentieth century.

Coiner also earned respect for his volunteer government service during World War II; he designed the armbands for civil defense volunteers and logos for the National Recovery Administration and Community Chest. As a founding member of the Advertising Council in 1945, Ayer has had a long-standing commitment to public service advertising. In the mid-1980s, Ayer became a leading force in the Reagan-era "War on Drugs". Lou Hagopian, Ayer's sixth CEO, brokered the establishment of the Partnership for a Drug-Free America, a media coalition which generated as much as a million dollars a day in donated advertising space and time to prevent the use and abuse of illegal drugs. Famous names appear among NW Ayer's clientele from the very earliest days of the agency. Retailer John Wanamaker, Jay Cooke and Company, and Montgomery Ward's mail-order business were among the first Ayer clients. The agency has represented at least twenty automobile manufacturers, including Cadillac, Chrysler, Ford, General Motors, Plymouth, and Rolls-Royce. Other major, long-term clients through the years have included American Telephone & Telegraph, Canada Dry, Cannon Mills, Hills Bros. Coffee Company, Kellogg's, R. J. Reynolds, Steinway and Sons, United Airlines, and the United States Army. By the time of Ayer's hundredth anniversary in 1969, some of these companies had been Ayer clients for decades if not generations, and the longevity of those relationships was for many years a source of Ayer's strength.

But the advertising industry began to change in the late 1960s and 1970s, due in part to a "creative revolution." Small advertising agencies won attention with provocative copywriting and art direction that more closely resembled art than advertising. Advances in market research allowed clients to more narrowly tailor their advertising messages to distinct groups of consumers, and this led to a rise in targeted marketing which could more readily be doled out to specialized small agencies than to larger, established firms like NW Ayer & Son. The civil rights and anti-war movements also contributed to increasing public skepticism with the values of corporate America, and by extension, with some national advertising campaigns. Older, more conservative firms like Ayer were hard pressed to meet these new challenges.

About 1970, in an effort to meet these challenges and to establish a foothold on the West Coast, Ayer bought out two smaller agencies--Hixson & Jorgenson (Los Angeles) and Frederick E. Baker (Seattle). The agency relocated from Philadelphia to New York City in 1974 in an attempt both to consolidate operations (Ayer had operated a New York office since the 1920s) and to be closer to the historic center of the advertising industry. Riding the wave of mergers that characterized the advertising industry in the late 1980s and 1990s, Ayer continued to grow through the acquisition of Cunningham & Walsh in 1986 and Rink Wells in 19xx.

During this transitional period, Ayer received widespread acclaim for its work for the United States Army, which included the widely recognized slogan "Be All You Can Be". Ayer first acquired the Army recruitment account in 1967 and with help from its direct marketing arm, the agency was widely credited with helping the Army reach its recruitment goals despite an unpopular war and plummeting enlistments after the elimination of the draft in 1973. Ayer held the account for two decades, from the Vietnam War through the Cold War, but lost the account in 1986 amid government charges that an Ayer employee assigned to the account accepted kickbacks from a New York film production house. Despite Ayer's position as the country's 18th largest agency (with billings of $880 million in 1985), the loss of the agency's second largest account hit hard.

NW Ayer made up for the loss of the $100 million dollar a year Army account and made headlines for being on the winning end of the largest account switch in advertising history to date, when fast food giant Burger King moved its $200 million dollar advertising account from arch-rival J. Walter Thompson in 1987. Burger King must have had drive-thru service in mind, however, and Ayer made headlines again when it lost the account just eighteen months later in another record-breaking account switch. Another devastating blow to the agency was the loss of its lead position on the American Telegraph and Telephone account. Ayer pioneered telecommunications advertising in 1908, when the agency was selected to craft advertising for the Bell System's universal telephone service. Despite valiant efforts to keep an account the agency had held for most of the twentieth century, and for which they had written such memorable corporate slogans as American Telephone &Telegraph "The Voice with a Smile" and "Reach Out and Touch Someone", the agency lost the account in 1996.

After a wave of mergers and acquisitions in the late 1980s, the economic recession of the early 1990s hit Madison Avenue hard, and Ayer was particularly vulnerable. Despite the agency's long history and roster of "blue-chip" clients, Ayer was not known for cutting-edge creative work. Moreover, though the agency had offices overseas, Ayer had never built a strong multinational presence, and many of the smaller international offices were sold during the financial turmoil of the 1980s. This left a real void in the new climate of global marketplace consolidation. By about 1990, earnings were declining (although Ayer was still among the top twenty United States agencies in billings), and the agency was suffering from client defections, high management turnover, expensive real estate commitments and deferred executive compensation deals, all fallout of the high-flying 1980s. This was the atmosphere in 1993, when W.Y. Choi, a Korean investor who had already assembled a media and marketing empire in his homeland, began looking for an American partner to form an international advertising network. Jerry Siano, the former creative director who had recently been named Ayer's seventh CEO, was in no position to refuse Choi's offer of $35 million to buy the now floundering agency. The infusion of cash was no magic bullet, however. Choi took a wait-and-see approach, allowing his partner Richard Humphreys to make key decisions about Ayer's future, including the purging of senior executives and the installation of two new CEOs in as many years.

The agency's downward trend continued with the loss of another longtime client, the DeBeers diamond cartel in 1995. Adweek reported that Ayer's billings fell from $892 million in 1990 to less than $850 million in 1995. Several top executives defected abruptly, and the agency failed to attract major new accounts. Ayer was facing the loss not merely of revenue and personnel, but the loss of much of the respect it once commanded. Ayer remained among the twenty largest U.S. agencies, but an aura of uncertainty hung over the agency like a cloud. A new CEO was appointed, and Mary Lou Quinlan became the agency's first woman CEO in 1995. A year later, Ayer and another struggling top twenty agency, D'arcy, Masius, Benton & Bowles, combined as part of the McManus Group of companies. In 1998, the McManus Group had worldwide billings of more than $6.5 billion.

Under the McManus Group, Ayer was able to expand its international operations and begin to rebuild a stronger global presence. Several important new clients were won in 1997 and 1998, including Avon, General Motors, Kitchenaid, several Procter & Gamble brands and, most notably, Continental Airlines worldwide accounts. Born in the nineteenth century, Ayer may be one of a very few advertising agencies to successfully weather the economic and cultural transitions of both the twentieth and twentieth first centuries. Ayer was eventually acquired by the Publicis Groupe based in Paris, France which closed down the N.W. Ayer offices in 2002.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Hills Bros. Coffee Incorporated Records (AC0395)
Provenance:
The collection was donated by N W Ayer ABH International, April 15, 1975 and by Ayer & Partners, October 30, 1996.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
advertising  Search this
Genre/Form:
Business records -- 1840-2000
Interviews -- 1980-2000
Oral history -- 1980-1990
Print advertising
Proof sheets
Proofs (printed matter)
Scrapbooks -- 1840-1990
Trade literature
Tear sheets
Advertisements
Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0059
See more items in:
N W Ayer Advertising Agency Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8920ed035-d211-4a58-9047-b31fa79464bd
EDAN-URL:
ead_collection:sova-nmah-ac-0059
Online Media:

Motherwell, Robert - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 46
Type:
Archival materials
Date:
1976-1980
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdc3e51b-5ab5-4ca8-9fe4-8d73d56efb0a
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3006
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Motherwell, Robert - Clippings digital asset number 1

Microscope

Maker:
James W. Queen & Co.  Search this
Physical Description:
metal (overall material)
glass (overall material)
brass (overall material)
Measurements:
overall: 36.2 cm x 14.8 cm x 20.8 cm; 14 1/4 in x 5 13/16 in x 8 3/16 in
Object Name:
microscope
Place made:
United States: Pennsylvania, Philadelphia
Date made:
1880-1900
Subject:
Science & Scientific Instruments  Search this
Credit Line:
Division of Insects, National Museum of Natural History, Smithsonian Institution
ID Number:
MG.124271
Catalog number:
M-9780
Accession number:
124271
See more items in:
Medicine and Science: Medicine
Microscopes
Science & Mathematics
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-ab9e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1348582
Online Media:

Leclanché Battery

Measurements:
overall: 24.1 cm x 11.4 cm; 9 1/2 in x 4 1/2 in
Object Name:
Leclanché Battery
battery, Leclanche
batteries, Leclanche
Credit Line:
Gift of University of Pennsylvania
ID Number:
CH.316241.209
Catalog number:
316241.209
Accession number:
217523
See more items in:
Medicine and Science: Chemistry
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a0-e791-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_2029

William Louis Abbott collection

Creator:
Abbott, William Louis, 1860-1936  Search this
Hough, Walter, 1859-1935  Search this
Kloss, Charles Boden  Search this
Mason, Otis Tufton, 1838-1908  Search this
Photographer:
Raven, Henry Cushier, 1889-1944  Search this
Extent:
13 Linear feet
Culture:
Enggano  Search this
Jakun (Malaysian people)  Search this
Borneo  Search this
Indonesians  Search this
Dyak  Search this
Type:
Collection descriptions
Archival materials
Place:
Trang -- Thailand
Anambas Islands (Indonesia)
Mergui Archipelago
Enggano (Malaysia)
Sumatra
Malaysia
Mentawai Islands (Indonesia)
Nias Island (Indonesia)
Date:
1888-1919
Summary:
The papers in the Abbott collection appear to have been brought together in the Smithsonian's Department of Anthropology in order to process ethnological specimens from Malaya and Indonesia and to prepare an exhibit and publications. Included are some of Abbott's original letters, notes, maps, and a considerable number of photographs. Most of these materials concern the Enggano, Jakun, and Dyak. Many other documents in the collection consist of copies of or extracts from Abbott's letters, the originals of which are now in the Smithsonian Institution Archives. There are also letters and other materials of Otis Tufton Mason and Walter Hough accumulated as they worked on the collection, many simple lists of accessions compiled in the Department of Anthropology, and a few manuscripts. In addition, there are printed materials that were apparently used by the department's staff for reference purposes. Some of the photographs made in Borneo in 1914 are by Henry Cushier Raven, a field assistant of Abbott and, later, a collector financed by Abbott.

Additional materials of Abbott and Raven are in the Smithsonian Institution Archives, and their material (often duplicate photographs) are included in several collections in the National Anthropological Archives.
Scope and Contents:
William Louis Abbott, although formally trained in medicine, chose instead to devote his time and inherited wealth to worldwide exploration and the collection of natural history specimens and ethnological artifacts. The Abbott papers in the National Anthropological Archives reflect his collecting activities in the East Indies, and the work on his collections from that region by United States National Museum personnel, especially Otis Tufton Mason, curator of ethnology. The collection includes correspondence, maps, illustrations of artifacts, manuscripts, lists of objects in the Abbott collection in the Smithsonian Department of Anthropology, and photographic prints and negatives. In addition, there is a subject file which contains information on a variety of topics relating to Indonesia and Malaysia. The materials date from the 1890s to the early decades of this century.

This archival collection forms a valuable complement to the collection of artifacts housed in the National Museum of Natural History. (Abbott's collections from Indonesia are described by Dr. Paul M. Taylor, curator of Asian ethnology, in the Museum Anthropology Newsletter, April, 1985.) The subject file and lists of objects provide data on certain specific artifacts and their uses and Abbott's correspondence contains his observations of the daily life of the various peoples from whom the objects were collected. These documents are supplemented by a generous photographic record and sketch maps which outline the routes he followed. The papers focus on the Malay Peninsula and Archipelago, the region closest to Abbott's heart and to which he dedicated over a decade before eye disease forced him to leave the tropics.

In addition to Abbott's own materials, there are notes by museum staff, including descriptions of artifacts, and manuscripts of articles mostly by Mason who was particularly interested in basketry. The bulk of the correspondence is between Abbott, Otis Mason, Walter Hough, and Cecil Boden Kloss who accompanied Abbott on several expeditions. Other correspondents include Cyrus Adler, Jesse Walter Fewkes, William H. Furness, Alfred Cort Haddon, Ales Hrdlicka, Mary Lois Kissell, Elmer D. Merrill, William Palmer, Richard Rathbun, and Charles Clark Willoughby. Most of the letters are brief and discuss proposed work on the Abbott collections, bibliographic sources, and basketry.

Additional material in the National Anthropological Archives relating to William Louis Abbott is contained in the papers of Ales Hrdlička and of Herbert W. Krieger, the Manuscript and Pamphlet File of the United States National Museum Department of Anthropology, and the photographic collection of the United States National Museum Division of Ethnology. Because Abbott donated material to a variety of departments in the Smithsonian, his original written material is located in several other Smithsonian departments as well. There are personal letters to his mother and sister as well as Smithsonian personnel in the Smithsonian Institution Archives. Field notebooks including detailed sketch maps of collecting stations are in the libraries of the departments of Mammals and of Birds.

The spelling of place names used here are those of Abbott who frequently wrote them as they sounded to him.
Arrangement:
Collection arranged into 9 series: (1) Correspondence, 1896-1919; (2) Subject file; (3) Register of accessions, 1890-1906; (4) Lists of objects by accession number and location; (5) Lists of objects by type or geographic location; (6) Drafts of unpublished articles with working materials; (7) Printed material; (8) Photographic prints; (9) Photographic negatives.
Biographical Note:
William L. Abbott studied medicine at the University of Pennsylvania and, after receiving an M.D., continued his training in London. Although a highly successful student, he seems never to have been fully committed to medicine. Instead, around 1880, using his own resources, he turned to a life of exploration and the study of natural history.

Abbott's early expeditions were in the United States, but, in time, he went abroad, at ever increasing distances, to the Greater Antilles, East Africa, Kashmir, and Turkestan. In 1896, he began work in Malaya and Indonesia that would largely occupy him until 1915. Using Singapore as a base, he sailed his ship, the Terrapin, to points on both coasts of the Malayan Peninsula, Trang in Thailand, the Anambas Islands, the Mergui Archipelago, the Nicobars and Andamans, both costs of Sumatra and the nearby islands (notably Nias, the Mentawai Islands, and Enggano), the Rhio Archipelago, and Borneo. On many of thes voyages, he collected both biologcial and ethnological specimens and photographs. At times, however, he was accompanied by an Englishman, Cecil Boden Kloss, who handled the ethnological work. Kloss retain his own notes and many of his photographs.

Abbott's later work, between 1916 and 1923, was carried out in Haiti and the Dominican Republic. After this, he retired to a farm on the Elk River in Maryland.

Abbott has been described as one of the great field naturalists of all time simply for the quantity of material he collected. Virtually the only body of work he left, in fact, is his large collection of specimens and notes, letters, and photographs that relate to them. Although he contributed to the collections of several museums, the chief benefactor of his work was the United States National Museum. Its staff and associated produced around forty publications based on his material. Abbott himself published very little.

CHRONOLOGY OF THE LIFE OF WILLIAM LOUIS ABBOTT

1860 February 23 -- Born in Philadelphia, Pennsylvania

1880 -- Collected birds in Iowa and North Dakota

1881 -- Bachelor of Arts, University of Pennsylvania

1883 -- Collected birds in Cuba and Santo Domingo

1884 -- Doctor of Medicine, University of Pennsylvania

1884-1886 -- Postgraduate work in England Licentiate of Royal College of Surgeons and Royal College of Physicians

1886 -- Received inheritance and discontinued formal practice of medicine

1887-1889 -- Exploration of Taveta region near Mt. Kilimanjaro with William Astor Chandler. Collection donated to United States NationalMuseum

1890 -- Exploration and collection in Zanzibar, Seychelles Islands, and Madagascar

1891 -- Ethnological collections in the U.S. National Museum from Kilima-Njaro, East Africa,Annual Report of the U.S. National Museum for 1891, pages 381-398Exploration and collection in India, including Baltistan, Karachi, Kashmir, and Srinagar

1892 -- Exploration and collection in Vale of Kashmir, Baltistan, Aden, Seychelles Islands, and Aldabra Island

1893 -- Exploration and collection in Seychelles Islands; India, including Kashmir and Srinagar; Leh Ladakh; Sinkiang, China; and Eastern Turkistan

1894 -- Continued exploration and collection in region of Eastern Turkistan, Pakistan, India, and Ceylon

1895 -- Exploration and collection in Madagascar and Kashmir

1896 -- Exploration and collection in Malay Peninsula, including:Jan-Feb – PerakFeb-Mar – CantonApr-Nov – Trang Province, Siam, including Pramon, Tyching, and Penang

1897 -- Exploration and collection:Jan -- TrangApr-May -- PenangMay-Dec -- India

1898 -- Volunteered in Spanish-American War with William A. Chambers as Irregular Horse in Florida, and served in CubaTravel in Singapore and China

1899 -- Construction of schooner TerrapinExploration and collection accompanied by Cecil Boden Kloss:Jan-Mar -- TrangMarch -- SingaporeMar-Apr -- JavaJul-Sept -- Lingga and Anamba islandsOct-Nov - Singapore, PenangDec - Junkseylon

1900 -- Exploration and collection accompanied by Kloss:Jan-Mar -- Burma, Mergui ArchipelagoJun-Aug -- Natuna ArchipelagoNov-Dec -- Penang, Burma, Mergui Archipelago

1901 -- Exploration and collection accompanied by Kloss:Jan -- Andaman IslandsJan-Mar -- Nicobar IslandsApr-Nov -- Northern Sumatra, Rhio-Lingga Archipelago, Johore, PenangNov-Jan 02- Simalur

1902 -- Exploration and collection accompanied by Kloss:Jan-Feb -- Banjak Islands, Lasia, BabiFeb-Mar -- Western SumatraMar -- NiasApr-May -- Pahang, Malaya; Singapore and Straits IslandsAug-Sep -- Bintang, Rhio ArchipelagoOct-Nov -- SimalurNov-Jan 03 -- Pagi Islands

1903 -- Exploration and collection:Jan -- Western SumatraFeb -- Pulo TelloApr -- Penang, SingaporeMay-June -- Karimun IslandsJuly-Aug -- Rhio-Lingga ArchipelagoAug-Sep -- Eastern SumatraOct -- PenangNov-Mar 04 -- Burmese coast, including Victoria Point, Mergui Archipelago, and Tenasserim

1904 -- Exploration and collection:Apr -- Penang and Straits of MalaccaMay-Jun -- Banka IslandJul-Aug -- Billiton IslandAug-Sep -- Karimata IslandOct -- Benkulen, SumatraNov-Dec -- Engano

1905 -- Exploration and collection:Dec 04-Feb- Western SumatraFeb-Mar -- NiasJun-Sep -- Western Borneo, including Pontianak and Kapuas riversNov-Jan 06 -- Eastern Sumatra Designated Honorary Associate in Zoology by the U.S. National Museum

1906 -- Visited Hong Kong and Japan (April-May)Exploration and collection accompanied by Kloss:Oct-Feb 07 -- Easter Sumatra, including Bengkalis and Rupat islands and Siak River

1907 -- Exploration and collectionMar -- Rhio ArchipelagoMay -- Islands of South China Sea, including Direction Island, Datu, Temayer, Lamukutan, Panebangan, and PelapisMay-Sep -- Western Borneo, including Kapuas and Simpang riversNov-Dec -- Java Sea, including Bawean Island

1908 -- Exploration and collection:Dec 07-Mar- Southeastern Borneo, including Pulo Laut and Pulo SebukuJun -- Southwestern BorenoNov -- Java Sea

1909 -- Exploration and collection:Dec 08-Apr -- Pulo Laut and eastern Borneo, including Pasir RiverOnset of partial blindness caused by spirochetosis, and treatment in Aachen, Germany. Illness forced Abbott to suspend collecting activities in tropics.

1910-1915 -- Exploration and collection in Kashmir

1912-1915 -- Donated funds to United States National Museum for expedition to Borneo by Henry Cushier Raven

1914 -- Brief visit and collection in Molucca Islands and Celebes, accompanied by his sister

1915-1916 -- Donated funds for expedition by Raven to Dutch East Indies, especially Celebes

1916 -- Exploration and collection in Dominican Republic

1917-1918 -- Exploration and collection in Haiti

1918 -- Interruption of field work by Abbott because of servere illness (dysentary) and by Raven because of the war

1919-1923 -- Exploration and collection in Hispaniola

1920 -- Donated funds to United States National Museum for botanical collection in Haiti by Emery C. Leonard, aid in Division of Plants

1920-1922 -- Donated funds to United States National Museum for expedition to Australia by naturalist Charles M. Hoy

1923-1924 -- Donated funds to United States National Museum for expedition to China by Charles M. Hoy until Hoy's death in the field; workconcluded by Reverend David Crockett Graham

1925-1927 -- Donated funds to United States National Museum for expeditions to Hispaniola

1928 -- Donated funds to United States National Museum for expedition to China

1928 -- Donated funds to United States National Museum for expedition to Hispaniola by Arthur J. Poole, Division of Mammals

1928-1931 -- Donated funds to United States National Museum for archeological expedition to Hispaniola by Herbert William Krieger, curator, Division of Ethnology

1932 -- Donated funds to United States National Museum for archeological expedition to Cuba

1934 -- Purchase and donation of birds of the Himalayas for the United States National Museum

April 2, 1936 -- Death of William Louis Abbott at his farm near North East, Maryland of heart disease after a long illnessBequest to Smithsonian Institution any of books and papers desired (278 volumes accepted) and approximately $100,000 (1/5 of estate) to promote zoological researchers
Provenance:
William Louis Abbott was a self-trained and self-sustaining collector who donated large numbers of ethnological artifacts, zoological specimens, and funds to the United States National Museum of the Smithsonian Institution around the turn of the twentieth century. The Abbott Papers in the National Anthropological Archives were apparently compiled by the staff of the Department of Anthropology, especially Otis Tufton Mason, curator of ethnology, in order to process incoming collections. The correspondence and printed materials relate primarily to Abbott's collecting activities and to Mason's research on Abbott's collections.
Restrictions:
The William Louis Abbott collection is open for research. Access to the William Louis Abbott collection requires an appointment.
Rights:
Contact repository for terms of use.
Citation:
William Louis Abbott collection, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.XXXX.0228
See more items in:
William Louis Abbott collection
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw328cd842b-b0dd-464d-aae1-0b81d6251200
EDAN-URL:
ead_collection:sova-naa-xxxx-0228

Thomas Dale Stewart Papers

Creator:
Stewart, T. D. (Thomas Dale), 1901-1997  Search this
Names:
American Association of Physical Anthropologists  Search this
National Academy of Sciences (U.S.)  Search this
National Geographic Society (U.S.)  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Angel, J. Lawrence (John Lawrence)  Search this
Collins, Henry B. (Henry Bascom), 1899-1987  Search this
Hrdlička, Aleš, 1869-1943  Search this
McKern, T. W.  Search this
Extent:
65 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Alaska
Shanidar Cave (Iraq)
Virginia
Maryland
Delaware
Mexico
Peru
Guatemala
Chaco Canyon (N.M.) -- Archeology
Date:
1875-1991, bulk 1931-1991
bulk 1927-1991
Summary:
Thomas Dale Stewart was a physical and forensic anthropologist and worked at the Smithsonian National Museum of Natural History from 1931 until his death in 1997. He worked under Ales Hrdlicka until 1943, became the head curator in 1960, director of the museum in 1962, and retired in 1971. Stewart's research interests included physical and forensic anthropology and archaeology, mostly in North and South America. He also worked with the F.B.I. frequently to aid in homicide investigations, and worked extensively with the U.S. Army to identify skeletal remains from the Korean War in Operation Glory. The Thomas Dale Stewart Papers primarily deal with his life and career at the Smithsonian, particularly his research projects and publications between 1931 and 1991. Materials consist mainly of correspondence, photographic material, dossiers based on writings and research projects, and administrative files.
Scope and Contents:
The Thomas Dale Stewart Papers document his research and professional activities from 1931 to 1991 and primarily deal with his anthropological and archaeological research in North and South America. There is also significant material related to ancient human skeletal remains found in Egypt and the Middle East, Stewart's work identifying skeletal remains for the U.S. Army (Operation Glory), and the history of physical and forensic anthropology. Material documenting Stewart's work with Ales Hrdlicka and other colleagues are also represented in this collection. The collection consists of correspondence, writings and research files, project data, skeletal data punch cards, photographic and illustration materials, and administrative and financial papers.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 9 series: Series 1. Biographical and Background, 1937-1983; Series 2. Correspondence, 1931-1990; Series 3. Writings and Research, 1875, 1902-1990; Series 4. Operation Glory, 1954-1957; Series 5. Professional Organizations, 1930-1990; Series 6. Trip Files, 1945-1985; Series 7. Teaching and Lectures, 1950-1970; Series 8. Exhibit Material, 1961-1969; Series 9. Photographs, 1928-1979.
Biographical note:
Thomas Dale Stewart was a curator of physical anthropology at the Smithsonian specializing in anthropometry, early man, and forensic anthropology. He worked in the Department of Anthropology for over seventy years. Born in Delta, Pennsylvania in 1901, Stewart moved to Washington, D.C. to pursue a degree at George Washington University. While attending school, he also began working at the Smithsonian in 1924 as a temporary substitute for John Baer, a family friend from Delta. After Baer died during conducting research in Panama, Stewart was invited to stay on as assistant to Ales Hrdlicka, curator of physical anthropology. Hrdlicka was impressed by Stewart's abilities and quickly took him on as a student. Promised that he would succeed Hrdlicka one day if he obtained an M.D., Stewart enrolled at The Johns Hopkins University and graduated in 1931. After graduating, Stewart was rehired by the Smithsonian as an assistant curator.

Stewart rose through the ranks of the Department of Anthropology quickly, being promoted to associate curator in 1939 and curator in 1943 after the death of his mentor Hrdlicka. Stewart was appointed head curator of the department in 1960 and director of the Natural History Museum in 1962. He continued to work at the Smithsonian well after he retired in 1971, conducting research and producing a stream of publications well into his 90s. He died in 1997 at the age of 96. Many of Stewart's early research interests matched those of his mentor: a focus on dental caries, separate neural arch and spondylolisthesis, ossuary excavation, cranial deformations, and other examinations of archaeological remains throughout North America. While Hrdlicka was alive, Stewart provided support for many of his research projects and publications. After Hrdlicka died, Stewart expanded his interests to include forensic topics and analysis of other archaeological remains.

Anthropometry was prominent in a great deal of his work. He was the first to describe Tepexpan Man from Mexico and Midland Man from Texas. He also studied the remains of Neanderthal specimens that Ralph S. Solecki, of the Bureau of American Ethnology, had uncovered at Shanidar Cave in Iraq. In forensic work, as Hrdlicka's heir, Stewart assumed work for the Federal Bureau of Investigation and other law enforcement officials. Moreover, Stewart devised new methods and published books and articles concerning forensic analysis, including his Essentials of Forensic Anthropology. In closely related work during 1954-1955, the United States Army engaged Stewart to go to Japan to examine skeletal remains repatriated after the Korean War in a project called "Operation Glory."

In terms of his areal specialization, Stewart was essentially an Americanist. In North America, he worked in Alaska with Henry B. Collins in 1927, and in subsequent years he excavated several ossuaries and other sites in the Washington, D.C., vicinity. These included a site on Potomac Creek in Virginia, Piscataway sites in Maryland, and the Townsend site in Delaware. He also carried out laboratory studies and prepared reports on skeletal remains uncovered by Smithsonian colleagues. In the 1940s and 1950s, Stewart conducted field work at archaeological sites in Mexico, Guatemala, and Peru.

He was awarded the Viking Medal in Physical Anthropology in 1953, the Joseph Henry Medal of the Smithsonian Institution in 1967, and an award from the physical anthropology section of the American Academy of Forensic Sciences in 1981.

Sources: Ubelaker, Douglas H. "Thomas Dale Stewart, A Biographer Memoir," National Academy of Sciences, 2006.

Pace, Eric. "T. Dale Stewart Dies at 96; Anthropologist at Smithsonian," The New York Times, 1997.

Chronology

1901 -- Born in Delta, Pennsylvania.

1922-1927 -- Moved to Washington, D.C. and attended George Washington University.

1924 -- Began working at the Smithsonian Institution.

1927 -- Sent by Ales Hrdlicka to Alaska to collect skeletal remains with Henry Collins.

1931 -- Graduated from The Johns Hopkins University with an M.D.

1931 -- Appointed assistant curator at the Smithsonian under Hrdlicka.

1939 -- Promoted to associate curator.

1939 -- Field work in Mexico.

1941 -- Field work in Peru.

1943 -- Taught at the Washington University School of Medicine in St. Louis.

1943 -- Promoted to curator after Hrdlicka dies.

1943 -- Began working on forensic cases for the F.B.I.

1945 -- Field work in Mexico.

1949 -- Field work in Peru.

1947, 1949 -- Field work in Guatemala.

1954-1955 -- Traveled to Japan to assist in the identification of skeletal remains from the Korean War (Operation Glory).

1957-1967 -- Taught at the George Washington University School of Medicine.

1960-1962 -- Served as head curator of the Department of Anthropology.

1962-1965 -- Served as the director of the National Museum of Natural History.

1964 -- Assisted in the production of Smithsonian exhibits on physical anthropology.

1966 -- Retired from administrative duties and appointed senior scientist.

1971 -- Retired from the Smithsonian.

1997 -- Died in Bethesda, Maryland.
Related Materials:
The following manuscripts related to Stewart and his work can be found at the NAA:

NAA MS 1615- Excavations in Mancos Canyon, Colorado September 1943.

NAA MS 4669- The Townsend Site Near Lewes, Delaware 1962 by Henri Omwake.

NAA MS 4843- Report by T. Dale Stewart on Human Skeletal Material Excavated by W.M. Walker at Cedar Grove Cave, Arkansas and Natchitoches, Louisiana.

NAA MS 7025- A Tentative Closing Report on the Willin Site, Eldorado, Maryland September 1, 1952.

NAA MS 7121- "Memories from Half a Century at the Smithsonian January 11, 1978" recording.

NAA MS 7223- The Townsend Site January 1950.

NAA MS 7264- Documents Concerning Preserved Paleolithic Human Remains Found in the Vicinity of Cueva, Spain 1969-1972.

NAA MS 7357- Material Relating to Dermatoglyphics of Mayan Groups ca. 1947-1949.

NAA MS 7358- Personal Identification in Mass Disasters December 9-11 1968.

NAA MS 7359- T. Dale Stewart on the Identification of Human Remains April 6, 1970.

NAA MS 7474- Sketches of Burials at Ossuary 2, Juhle Site ca. 1971-1972.

Additional material T. Dale Stewart created while assisting Ales Hrdlicka is located at the National Anthropological Archives, The Papers of Ales Hrdlicka, ca. 1887-1943.

Many objects and artifact materials collected by T. Dale Stewart throughout his career are also held by the Smithsonian Department of Anthropology. These include skeletal remains and other materials from the Shanidar Cave in Iraq, forensic anthropological material including bone casts from Operation Glory, archaelogical materials from excavations in Maryland and Virginia including the Nanjemoy and Potomac Creek sites, and skeletal remains and other related materials from Stewart's 1927 expedition to Alaska with Henry Collins. Contact Anthropological Collections for more information.
Provenance:
Materials were transferred from T. Dale Stewart to the National Anthropological Archives in multiple accretions between 1975 and 2000 under accessions 1981-52, 1981-59, 1986-04, 1988-15, 1988-33, 1995-04, 1998-61, and 2000-46.The bulk of materials in this collection were transferred to the NAA from the Department of Anthropology in 1994 (1995-04).
Restrictions:
The Thomas Dale Stewart papers are open for research.
Rights:
Contact the repository for terms of use.
Topic:
Physical anthropology  Search this
Operation Glory  Search this
anthropometry  Search this
Physical anthropology -- Eskimo  Search this
Physical anthropology -- American Indian  Search this
Americans  Search this
Aging  Search this
Anthropology -- Exhibits  Search this
Fossil hominids  Search this
Early man -- Neanderthal  Search this
George Washington University  Search this
Forensic anthropology  Search this
Anthropology -- History  Search this
Archaeology  Search this
Physical anthropology -- Early man  Search this
Primates  Search this
Genre/Form:
Photographs
Citation:
Thomas Dale Stewart Papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.1988-33
See more items in:
Thomas Dale Stewart Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39eaa4784-50aa-40db-84d5-481a455cd42c
EDAN-URL:
ead_collection:sova-naa-1988-33

Microfilm of Sheldon Jackson photograph collection

Creator:
Jackson, Sheldon, 1834-1909  Search this
Extent:
1 Microfilm reel
Culture:
Eskimos  Search this
Arctic peoples  Search this
Alaskan Eskimo  Search this
Type:
Collection descriptions
Archival materials
Microfilm reels
Photographs
Place:
Alaska
Date:
circa 1877-1907
Scope and Contents note:
Circa 500 photographs documenting Sheldon Jackson's work in the Presbyterian Church and among Alaskan natives, including images of towns, buildings, scenery, and Alaskan natives. The collection includes commercial prints and photographs probably made by Jackson.
Biographical/Historical note:
Sheldon Jackson (1834-1909) was a Presbyterian minister and missionary and a United States government official. He graduated from Union College in New York (1855) and completed a program in theological studies at Princeton (1858). After graduation, he worked at a school for Choctaw boys in what is now Spencer, Oklahoma. He then moved to Minnesota to work as a pastor (1859-1869), stopping briefly to serve as a chaplain in the Civil War. In 1869, he became superintendent for the Board of Home Missions for Iowa, Nebraska, the Dakotas, Wyoming, Montana, and Utah. In 1870 his superintendency included almost all of the American West.

Jackson first visited Alaska in 1877, and in 1884 the federal government appointed him the territory's first superintendent of public instruction. In 1885 he joined the Bureau of Education as a general agent for education in Alaska. In this position, he worked to increase access to education and establish schools. He also introduced domesticated reindeer to Alaska in 1892 in order to alleviate undernourishment in the Alaska native population. In 1897, Jackson was elected moderator of the General Assembly of the Presbyterian Church, the highest honor of that denomination.
Local Call Number(s):
NAA Photo Lot R81-13
Location of Other Archival Materials:
The Presbyterian Historical Society holds the Sheldon Jackson papers.
Photographs relating to Jackson's project to import reindeer for Alaskans held in National Anthropological Archives Photo Lot 130.
The Department of Anthropology collections holds artifacts collected by Sheldon Jackson in Alaska and elsewhere.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
The microfilm was obtained for reference purposes only. Copies of the images should be obtained from the Presbyterian Historical Society in Philadelphia.
Topic:
Presbyterian Church  Search this
Genre/Form:
Photographs
Citation:
Photo lot R81-13, Microfilm of Sheldon Jackson photograph collection, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R81-13
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw333248fe1-95ba-4819-9d9b-e3a97914cb95
EDAN-URL:
ead_collection:sova-naa-photolot-r81-13

Heinz Warneke papers

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Names:
Corcoran School of Art (Washington, D.C.) -- Faculty  Search this
United States. Work Projects Administration  Search this
Archer, Edmund, 1904-  Search this
Diederich, William Hunt, 1884-1953  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Hopper, Inslee  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
6.25 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1928-1987
Scope and Contents:
Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.
Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."
Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.
Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."
Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.
Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.
Biographical / Historical:
Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.
Related Materials:
Heinz Warneke papers also at Syracuse University.
Provenance:
Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Connecticut -- East Haddam  Search this
Sculptors -- Connecticut -- East Haddam  Search this
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.warnhein
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90536c46a-164a-4b1b-9986-1477624f9337
EDAN-URL:
ead_collection:sova-aaa-warnhein

Inventory of Charles Lang Freer's library

Creator:
Freer, Charles Lang, 1856-1919  Search this
Names:
Freer Gallery of Art  Search this
Freer, Charles Lang, 1856-1919  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
1 Item (typed, with handwritten edits)
Type:
Archival materials
Inventories
Date:
undated
Scope and Contents:
Comprehensive index of Charles Lang Freer's library, mostly relating to art and Asian culture. Headings include authors, countries, and topical subjects. Sections include locations in Freer's original Detroit home; an index of all books transferred to the Smithsonian; a list of collections and collectors catalogues of American and Near and Far Eastern art; sales catalogues, and books in Chinese language.
Arrangement:
Organized in the original manner by the creator.
Local Numbers:
FSA A.01 05.22
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Book collecting  Search this
Function:
Libraries
Genre/Form:
Inventories
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 05.22
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 5: Art Inventories / 5.22: Printed Books [Library]
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc302cb29b7-d6a1-46ad-9b1d-afc360459013
EDAN-URL:
ead_component:sova-fsa-a-01-ref3332
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