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George Washington and Horatio Gates

Artist:
Unidentified Artist  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Horatio Gates, 1727 - 1806  Search this
Medium:
Relief cut on paper
Dimensions:
Image: 9 × 7.5 cm (3 9/16 × 2 15/16")
Book closed: 18 × 10.6 cm (7 1/16 × 4 3/16")
Type:
Print
Place:
United States\Massachusetts\Suffolk\Boston
Date:
1777
Topic:
Print  Search this
Illustration  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Horatio Gates: Male  Search this
Horatio Gates: Politics and Government\State Legislator\New York  Search this
Horatio Gates: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
Horatio Gates: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.79.78
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44b86e50f-66df-4271-958a-5cf53cee3bc1
EDAN-URL:
edanmdm:npg_NPG.79.78

John Hancock

Alternate Title:
Bickerstaff's Boston Almanac for the year of our Redemption, 1777
Artist:
Unidentified Artist  Search this
Copy after:
John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this
Sitter:
John Hancock, 12 Jan 1737 - 8 Oct 1793  Search this
Medium:
Relief cut
Dimensions:
Image: 7.5 × 6.2 cm (2 15/16 × 2 7/16")
Book closed (image on cover): 18.5 × 11 cm (7 5/16 × 4 5/16")
Type:
Print
Date:
1776
Topic:
Illustration  Search this
John Hancock: Male  Search this
John Hancock: Politics and Government\Statesman\Colonial statesman  Search this
John Hancock: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
John Hancock: Politics and Government\Governor\Massachusetts  Search this
John Hancock: Business and Finance\Businessperson\Merchant  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.79.82
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4513eea4d-8e33-46c7-902b-1be08db08cfd
EDAN-URL:
edanmdm:npg_NPG.79.82
Online Media:

Isabella Howland papers

Creator:
Howland, Isabella, 1895-1974  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bywaters, Jerry  Search this
Dehn, Adolf, 1895-1968  Search this
Force, Juliana, 1876-1948  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Strater, Henry, 1896-  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Photographs
Date:
1899-1979
Summary:
The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Scope and Contents:
The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.2 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.

Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.

The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.
Arrangement:
Missing Title

Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)

Series 2: Correspondence, 1917-1973 (22 folders; Box 1)

Series 3, Writings, 1935-1964 (8 folders; Box 1)

Series 4: Printed Material, 1928-1976 (5 folders; Box 1)

Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)

Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)
Biographical / Historical:
Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.

Howland was born in Brookline, Massachusetts. From her youth she knew she wanted to be an artist. She had her earliest artistic training at age 16. Her art education included time at the Boston Museum School and the Art Students League in New York City. She completed her secondary education in France and Germany, moved back to the United States afterwards, and in 1920 travelled again to Europe. In 1922 she settled in Greenwich Village and spent summers in Woodstock to paint landscapes and still-lifes. She actively painted in the 1920s, and had three shows in 1927, 1929, and 1931. During the Depression she worked for the Public Works of Art Project and the Works Progress Administration. In 1934 she married Armando Zegri, and they divorced in 1937. While they were married they owned a club in the West Village named The Café Latino. She began teaching at a private school in the early 1940s while dealing with some personal difficulties. She found religion which comforted her as she dealt with her mother's declining health and her sister's waning mental state.

Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.
Provenance:
Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Caricaturists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Sketches
Photographs
Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howlisab
See more items in:
Isabella Howland papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b9408e8-8951-4a76-9505-e11f14ea5721
EDAN-URL:
ead_collection:sova-aaa-howlisab

Elliot Orr papers

Creator:
Orr, Elliot, 1904-1997  Search this
Names:
Federal art project (Mass.)  Search this
Macbeth Gallery  Search this
Vose Galleries of Boston  Search this
Whitney Museum of American Art  Search this
Wildenstein Galleries  Search this
Bridaham, Lester Burbank  Search this
Landgren, Marchal E.  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Extent:
1.4 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1910-1984
Scope and Contents:
Correspondence (1929-1984), a price list, subject files, notes, writings, art works (1929-1935), scrapbooks, printed material (1931-1984), and photographs document the life and career of Elliot Orr.
Reel D23 (frames 905-1246): One hundred twenty-five letters exchanged between Orr, his wife Elizabeth, and Frederic Fairchild Sherman discuss their art work (1934-1940). Other materials consist of a 6-page typescript, ELLIOT ORR: A CONTEMPORARY AMERICAN PAINTER, by Marchal Landgren and an exhibition catalog for Orr (1936). A scrapbook about Frederic Fairchild Sherman contains clippings, photographs of works of art and illustrated poems by Sherman (1938-1940).
Reel 497: Letters were exchanged between Elliot Orr and his colleagues, dealers, galleries, and purchasers. Correspondents include Lester Burbank Bridaham, Marchal Landgren, Macbeth Gallery, Vose Galleries, Whitney Museum of American Art, and Wildenstein Galleries (1935-1955). Other materials consist of a curriculum vitae (1938), a Christmas card (1935), a clipping, and 3 exhibition catalogs (1938-1956).
Unfilmed: Correspondence, primarily between Orr, his family, and his colleagues including Frederic Fairchild Sherman (1929-1984), includes one letter with a sketch of "Andrews Mill and Farm". Subject files contain letters, printed material, and photographs concerning Orr's work for the Federal Art Project of Massachusetts (1938-1974) and the auction of Orr's collection of primitive art (1961-1969). Other materials consist of lists of works of art, a hand-made book, SONNETS, containing poems by Sherman and illustrated by Orr (1940), and a price list of works consigned to the Munson Gallery (1972).
Unfilmed: Art works include 6 studies for Orr's painting MacDOUGAL STREET (1935) and a sketch of Orr by Eugene Thomason (1929). Three scrapbooks contain letters, clippings, and exhibition announcements and catalogs (1928-1942). Printed material includes clippings (1931-1984), exhibition catalogs (1934-1984), and 2 books, ROMANTIC PAINTING IN AMERICA (1943) and AMERICAN WATER COLORS, DRAWINGS, AND PRINTS (1952), which contain reproductions of Orr's works. An album contains photographs of Orr, his family, home, and studio (1910-1957). Other photographs show Frederic Fairchild Sherman (1940) and Orr's works of art.
Biographical / Historical:
Painter; Chatham, Massachusetts. Born Flushing, New York. In 1927, Orr was a student of Charles Hawthorne in Provincetown, Massachusetts, and from 1927 to 1929, he studied at the Grand Central School of Art in New York under George Pierce Ennis, Henry B. Snell, and Wayman Adams. From 1929 to 1930 he studied under George Luks.
Provenance:
Portions of material on D23 (fr. 905-1214) lent for microfilming 1962; portions of material on D23 (fr. 1215-1246), reel 497 and unmicrofilmed donated 1971-1984 all by Elliot Orr.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Painting, American  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.orrellip
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d71c195-7acf-4a97-88e2-5a8a20554eec
EDAN-URL:
ead_collection:sova-aaa-orrellip

M is for Mississippi and Murder

Title:
NAACP pamphlet highlighting the violence in Mississippi
Created by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Subject of:
Rev. George W. Lee, American, 1903 - 1955  Search this
Lamar "Ditney" Smith, American, 1892 - 1955  Search this
Emmett Till, American, 1941 - 1955  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W: 8 1/2 x 5 1/2 in. (21.6 x 14 cm)
Type:
pamphlets
Place depicted:
Mississippi, United States, North and Central America
Place printed:
New York City, New York, United States, North and Central America
Place used:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
November 1955
Topic:
African American  Search this
Civil Rights  Search this
Violence  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2012.46.34.26
Restrictions & Rights:
No known copyright restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Political and Activist Ephemera
Movement:
Civil Rights Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55ca33c18-991f-478e-b8b6-4dd368518eee
EDAN-URL:
edanmdm:nmaahc_2012.46.34.26
Online Media:

Squabble

Designer:
Carin Goldberg, American, 1953 – 2023  Search this
Author:
John Holman, American, b. 1951  Search this
Publisher:
Ticknor and Fields, Boston, Massachusetts, USA  Search this
Medium:
Lithograph on paper
Dimensions:
21.6 × 14.6 cm (8 1/2 × 5 3/4 in.)
Type:
graphic design
Book cover
Object Name:
Book cover
Made in:
New York, NY, USA
Date:
1990
Credit Line:
Gift of Steven Heller
Accession Number:
1996-74-109
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40e32f9de-ed9e-4a13-9d75-f2ccb09a6ca0
EDAN-URL:
edanmdm:chndm_1996-74-109
Online Media:

Gretchen W. Rogers papers, 1901-1986

Creator:
Rogers, Gretchen Woodman, 1881-1967  Search this
Citation:
Gretchen W. Rogers papers, 1901-1986. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6485
(DSI-AAA_SIRISBib)215673
AAA_collcode_rogegret
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215673

"These Illustrations will show you how easily Mellin's Food is prepared for the baby."

Maker:
Mellin's Food Company  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 32.8 cm x 16.3 cm; 12 29/32 in x 6 13/32 in
Object Name:
product insert, infant food
Place made:
United States: Massachusetts, Boston
Subject:
Infant & Children's Products - Pediatrics  Search this
Dietary/ Nutritional Supplements & Reducing Aids  Search this
Credit Line:
Gift of Sara Jean Binder
ID Number:
2017.3025.076
Catalog number:
2017.3025.076
Nonaccession number:
2017.3025
See more items in:
Medicine and Science: Medicine
Health & Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4761233a0-5f47-4e51-9649-735bbf3aa80e
EDAN-URL:
edanmdm:nmah_2021309
Online Media:

Gretchen W. Rogers papers

Creator:
Rogers, Gretchen W., 1881-1967  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1901-1986
Summary:
The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.
Scope and Contents:
The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Gretchen W. Rogers (1881-1967) was a still-life and portrait painter in Boston, Massachusetts. Rogers studied at the School of the Museum of Fine Arts, Boston, with Edmund C. Tarbell and Philip Hale.
Provenance:
Donated 1994, 1995 and 1997 by Anne Winslow, niece of Gretchen Rogers.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Still-life painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Gretchen W. Rogers papers, 1901-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rogegret
See more items in:
Gretchen W. Rogers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94baec5fa-1c0b-4d17-a434-253e30d78532
EDAN-URL:
ead_collection:sova-aaa-rogegret

What Can You Do for the / Soldiers' Home Bazaar [illustrated card]

Creator:
Meech, James F. (author)  Search this
Names:
Soldiers' Home  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item (Ink on paper., 6" x 3.5".)
Container:
Box 3, Folder 3
Type:
Archival materials
Woodcuts
Place:
Massachusetts
Boston (Mass.)
Gettysburg (Pa.)
Boston (Mass.)
United States -- History -- Civil War, 1861-1865
Date:
1881
Scope and Contents:
Card for the Soldiers' Home Bazaar, Boston, Autumn 1881, possibly a woodcut. Image shows soldier with bayoneted rifle. On verso: "Relics of Gettysburg." List of 42 items.
Local Numbers:
AC0060-0001251a.tif (AC Scan No.: Soldier's Home)

AC0060-0001251b.tif (AC Scan No.: list of relics)
General:
Civil War Selections from the Archives Center
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Rifles  Search this
Bazaar  Search this
Soldiers -- Civil War  Search this
Civil War, 1861-1865  Search this
Bayonets  Search this
Genre/Form:
Woodcuts
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Civil War
Warshaw Collection of Business Americana Subject Categories: Civil War / Government Records, Business Records, and Other / Civil War
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82344c35b-a1dd-46e4-90b8-a36ee24cbb93
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-civilwar-ref529
Online Media:

Lightning at Sea, (painting)

Painter:
O'Keeffe, Georgia 1887-1986  Search this
Medium:
Pastel on peper mounted on board
Type:
Paintings
Owner/Location:
Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 1990.430
Date:
1922
Topic:
Waterscape--Weather--Storm  Search this
Waterscape--Weather--Lightning  Search this
Control number:
IAP 20492760
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_372553

The North Star, Vol. I No. 37

Created by:
The North Star, American, 1847 - 1859  Search this
Edited by:
Frederick Douglass, American, 1818 - 1895  Search this
Martin Robison Delany, American, 1812 - 1885  Search this
Published by:
John Dick, British  Search this
Medium:
ink on newsprint
Dimensions:
H x W (folded): 13 3/16 × 18 1/2 in. (33.5 × 47 cm)
Type:
newspapers
Place printed:
Rochester, Monroe County, New York, United States, North and Central America
Date:
September 8, 1848
Topic:
African American  Search this
Antislavery  Search this
Black Press  Search this
Communities  Search this
Free communities of color  Search this
Freedom  Search this
Fugitive enslaved  Search this
International affairs  Search this
Mass media  Search this
Self-liberation  Search this
Social reform  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.151.3
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Colonization movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55eac1532-e202-4371-9070-7e1b33a478a7
EDAN-URL:
edanmdm:nmaahc_2014.151.3
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The North Star, Vol. I No. 37</I> digital asset number 1
  • View <I>The North Star, Vol. I No. 37</I> digital asset number 2
Online Media:

Hannes Beckmann papers

Creator:
Beckmann, Hannes, 1909-1977  Search this
Names:
Albers, Josef  Search this
Guggenheim, Solomon R. (Solomon Robert), 1861-1949  Search this
Rebay, Hilla, 1890-1967  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
300 Items (on 1 microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1930-1980
Scope and Contents:
Biographical sketches and resumes; a list of lectures; correspondence; illustrated notes, typescripts of lectures and other unpublished writings; 21 photographs of Josef Albers; exhibition catalogs; printed material; a subject file on Hilla Rebay containing memos and notes; papers concerning the Museum of Non-Objective Painting, NYC; a photograph of Frank Lloyd Wright, Rebay, and Solomon R. Guggenheim with a model of the Guggenheim Museum; "Hostess Reports"; catalogs, clippings, and other miscellaneous printed material.
Biographical / Historical:
Painter and lecturer; Boston, Mass. and Hanover, N.H. Born in Germany. Taught at the Bauhaus.
Provenance:
Lent 1981-1982 by Elsa Beckmann, widow of Hannes Beckmann. Typescripts of lectures were subsequently given by Mrs. Beckmann in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Identifier:
AAA.beckhann
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950a0f49e-0223-4569-8721-faeaad8f0572
EDAN-URL:
ead_collection:sova-aaa-beckhann

Arnold Geissbuhler papers

Creator:
Geissbuhler, Arnold, 1897-1993  Search this
Names:
Bourdelle, Emile Antoine, 1861-1929  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Browne, Margaret Fitzhugh, 1884-1972  Search this
Bänninger, Otto Charles, 1897-  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Geissbuhler, Elisabeth Chase  Search this
Giacometti, Alberto, 1901-1966  Search this
Giacometti, Giovanni, 1868-1933  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Grafly, Charles, 1862-1929  Search this
Richier, Germaine, 1904-1959  Search this
Extent:
0.3 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1915-1977
Scope and Contents:
Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.
Reels 1267-1268: Many letters (1920-1971), written by Geissbuhler to his wife Elisabeth Chase Geissbuhler, are illustrated. Other correspondents include Adelyn Breeskin, Margaret Browne, Edward W. Forbes, and A. Conger Goodyear. Art works consist of 26 sketchbooks (1915-1962), annotated in French and English, and over 600 figure studies (1922-1970). Printed material includes a Sculptors' Guild brochure, art course announcements (1958), and clippings (1924-1971). Other materials consist of 2 autobiographical accounts, an award from the Cambridge Centennial Exhibition (1946), an address book and calling cards.
Reel 1271: Printed material includes reproductions of Geissbuhler's work, an advertisement for the Academie Julian (1919), an exhibition announcement (1921), and a clipping (1925). Photographs (1919-1922) and a photograph album (1921-1929) contain images of Geissbuhler in his studio, his works, his family, and friends including Otto Banninger, Antoine Bourdelle, Alberto Giacometti, his father Giovanni Giacometti, and Germaine Richier. Sixteen photographs show art classes, primarily Bourdelle's classes (1919-1922), and Charles Graffley's studio (1921). Other materials consist of biographical notes, an award certificate and 4 sketches (1918).
Reel 1331: Correspondence consists of letters received from Antoine and Rhoda Bourdelle (1921-1977) and general correspondence concerning art business matters (1927-1971). A diary in 8 volumes (1921-1922) contains some illustrated entries. Printed material (1934-1971) consists of 40 exhibition catalogs, 8 clippings, and a school brochure. Four loose sketches are undated. Seven subject files concerning Geissbuhler's sculpture projects contain letters, business records, notes, and clippings.
Reel 1813: Photographs of Geissbuhler's work and one of his house, ca. 1924-1933.
Unfilmed: Letters (1937-1941) concern Geissbuhler's work for the WPA, Treasury Department, and the Federal Works Agency, primarily the Medford project and the Foxboro, Massachusetts, post office project. Other material consists of 3 forms, 2 exhibition catalogs, a press release concerning government projects, 2 rolled charcoal drawings and 2 photographs of the sculptural relief "Straw Cutting and Weaving" from the Foxboro, Massachusetts post office project, and notes.
Biographical / Historical:
Sculptor; Dennis, Mass. Born in Delemont, Switzerland. In 1914, Geissbuhler traveled to Zurich to become a sculptor's apprentice in the studio of Otto Munch. He attended the Kunst Gewerbe School and worked as Munch's assistant until 1919. In that year, Geissbuhler went to Paris to study with Antoine Bourdelle at the Academie Julian. He maintained a studio in Paris until 1927, when he travelled to the United States and married Elisabeth Chase, a Boston sculptor whom he met in Bourdelle's class. They moved to New England in 1933, and in 1937 he became an art instructor at Wellesley College.
Provenance:
Material on reels 1267-1268, 1271, 1331 and 1813 lent for microfilming 1977-1978; unmicrofilmed material donated 1984 all by Arnold Geissbuhler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- Massachusetts  Search this
Sculptors -- Switzerland  Search this
Topic:
Expatriate artists -- Massachusetts  Search this
Federal aid to the arts -- Massachusetts  Search this
Sculpture, Modern -- 20th century  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.geisarno
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9860cccdd-d4ac-4fe8-9325-396c05fadde6
EDAN-URL:
ead_collection:sova-aaa-geisarno

Frank and Lillian Gilbreth Collection

Creator:
Perkins, James Secor  Search this
Gilbreth, Frank Bunker, 1868-1924  Search this
Gilbreth, Lillian Moller, 1878-1972  Search this
Extent:
5 Cubic feet (19 boxes)
5 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Betacam sp (videotape format)
Motion pictures (visual works)
Date:
1907-2000
bulk 1911-1924
Summary:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.
Scope and Contents:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. As scientific managers, the Gilbreth's introduced new techniques to analyze work, the workplace, and work practices with the goal of eliminating waste to maximize productivity. The collection illustrates these new techniques and their application to a wide variety of studies. The collection is diverse and provides insight into understanding how Gilbreth approached his studies. Also included are slides documenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

Series 1, Background Information, 1892-1997, includes biographical materials about Frank B. Gilbreth; copies of some of Frank Gilbreth's patents, 1892-1916; and printed materials, 1907-1997, that contain articles, newspaper and magazine clippings about Frank and Lillian Gilbreth and time and motion study generally. Black-and-white photo prints of Gilbreth or work Gilbreth documented from collections held at Purdue University and Ohio State University are included.

Series 2, Glass plate stereo slides, 1910-1924, consists of approximately 2,250 glass stereo slides photographed by Frank B. Gilbreth and others and intended for viewing through an optical viewing machine. Some are positive black and white, positive color, and negative black and white. The subject matter of the slides covers the work undertaken by Frank Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Many of the images serve as documentation for the studies the couple performed as they were hired by firms in an attempt to provide solutions to the problems of inefficiency. Also included are the Gilbreth Family, their travels, residences, and friends.

The slides are numbered sequentially. For example, a glass plate slide numbered 318949.001 will have a corresponding photoprint 318949.001 in Series 3, Photoprints of glass plate slides. Note: not all glass plate slides have corresponding photoprints. Additionally, there are Office of Photographics Services, Smithsonian Institution negative numbers assigned to many of the photo prints.

Some subject categories include:

Frank B. Gilbreth: working in motion laboratories, on factory inspections, seated in offices, with family and friends, in World War I uniform, watching and monitoring shop operations.

Lillian M. Gilbreth: with family, during university graduation ceremonies, traveling and working with Frank and observing office workers.

Gilbreth Family: family on the road in an automobile, at home seated around the dinner table, in the parlor, in the garden, and with friends and relatives.

Gilbreth ship travel: contains views on steamer voyages to Europe, deck scenes, arrivals, departures, ship officers and crew, and other passengers.

Automobile assembly study: internal and external views of a warehouse/factory, including large piles or rows of metal car frames and other parts.

Benchwork study: images of a male worker standing or sitting in a chair while filing an object secured in a vice at a workbench.

Betterment: images of efforts whcih contributed to industrial betterment (the Gilbreth chair, employee library, and the home reading box).

Bricklaying study: view of men wearing overalls and caps, shoveling, and men laying bicks.

Business and apparatus of motion study: views of lectures, meetings, film showings, demonstrations, charts, drawings, motion models, charts amd some equipment.

Disabled study: views of partially blind World War I veterans, amputees using special tytpewriter, assembling machinery, use of cructhes, and a one armed dentist.

Factory bench work: table-top machines assembly operations, hand tools, orderly arrangement of parts prior to and during assembly and a variety of bench vises.

Factory documentation: various images of the interior and edterior of factories including heavy machinery.

Golfing study: various cyclegraphs of a man swinging a golf club.

Grid boards: back drops used by Gikbreth to isolate and measure worker motions. This includes walls, floors, desktops, and drop cloths divided into grids of various densities and scales.

Handwriting and cyclegraphs: finger lights moving in patterns of script.

Ladders: include step ladders and painters' ladders shown in use near shelving.

Light assembly study: wide variety of images ranging from cyclegraphs of women working, to the factory floor as well as tools and machinery.

Materials handling study: different angles of an empty cart, a cart oiled high with boxes, and a man pushing a cart illustrating different body positions.

Military study: illustrate work on the Army foot meausring machine, gun parts, men holding a rifle.

Motion models: images of simple wire motionmodels.

Needle trade study: views of textile machinery and workers.

Office study: various shots inside of an office with tables, desks, drawers, files, and typewriters. Some of the images are cyclegraphs of femal and male workers performing tasks, such as writing, both tin the context of an office as well as in front of a grdidded background. There are several close-ups of an organizer containing penciles, paperclips, pins and rubberbands.

Packing: methods of placing and arranging goods in boxes, such as soap packing.

Panama-Pacific Exposition 1915: contains views of statuary, fountains, and architecture of the exposition held in San Francisco.

Pure light cyclegraphs: no workers or grids visible only finger lights in motion.

Rubber stamping study: hand movements and access to ink pads and stamps.

Scenic views: views of buildings, landscapes, street scenes, and fountains from around the world documenting Gilbreth's travels.

Shoe making study: laboratory studies of shoe assembly operations with an emphasis on workers access to component pieces.

Shop machinery: various shots of machines and workers working with machines.

Signage: include organizational flow charts, shop floor plans, route maps, office layouts, numbering systems, exhibit display boards illustrating Frank Gilbreth's efficiency studies and techniques.

Stacking: views of the art and science of stacking boxes, clothing, equipment, containers, and vertical storage without shelves.

Stock bins: consists of storage pips, paper, other raw materials, shelves, and corridoe shots.

Storage: images illustrate contrast between old techniques and new.

Surgical and dental studies: thester views of surgeons, assistants, nurses, hand motions in grasping, placing surgical instruments, dental work and self inspection of teeth.

Tool cribs: storage of hand tools in shops with an emphasis on easy access and easy inventorying.

Typing study: various views of femaile s under observation using Remington typewriters.

Series 3, Photoprints of glass plate slides, 1910-1924, consist of black and white photoprints of the glass plate slides depicting the fields of motion study, shop efficiency, and factory organization. Also included are the Gilbreth Family, their travels, residences, and friends.

Series 5, Stereographs,1911-1914,

Series 6, Audio Visual Materials, 1968, 2000, and undated, is divided into three subseries: Subseries 1, Audio visual documentation, 1968 and undated; Subseries 2, Moving Images, 1968 and undated; and Subseries 3, Audio Recordings, 1980, 1990,. 2000 and undated. The series contains several formats: 7" open reel-to-reel audio tape, 1/2" VHS, Beta Cam SP, DVD, audio cassette, one inch audio tape, and 16 mm film.

Subseries 1, Audio visual documentation, 1967-1968 and undated, consists of supplemental documentation for the film, "The Original Films of Gilbreth The Quest for the One Best Way." Specifically, there are brochures and other printed materials detailing what the film is about and how copies may be obtained. This subseries also contains a copy of the book Cheaper by the Dozen, 1948. The book was written by Frank Bunker Gilbreth, Jr. and Ernestine Gilbreth Carey and tells the biographical story of Frank Bunker Gilbreth and Lillian Moller Gilbreth, and their twelve children. The book was adapted to film by Twentieth Century Fox in 1950.

Subseries 2, Moving Images, 1967, consists of one title, "The Original Films of Gilbreth The Quest for the One Best Way." The film materials consist of the film's production elements: 16 mm black and white negative A-roll; 16mm black-and-white negative B-roll; and the optical track negative. Each is 800 feet in length.

The film presents a summary of work analysis films which were taken by Frank B. Gilbreth between 1919 and 1924 showing a number of industrial operations from which the motion study was developed. Demonstrates motion and fatigue study, skill study, plant layout and material handling, inventory control, production control, business procedures, safety methods, developing occupations for the handicapped, athletic training and skills, military training, and surgical operations as researched and developed by Gilbreth. Points out that Gilbreth created entirely new techniques on how to improve industrial efficiency, while at the same time significantly improving conditions for the workers. The film was produced by James S. Perkins in collaboration with Dr. Ralph M. Barnes and with commentary by Liilian M. Gilbreth and James S. Perkins. The film was presented on December 3, 1968 at the American Society of Mechanical Engineers Annual Meeting in New York. The formats for this title include: 16 mm, Beta Cam SP, and DVD. Additionally, there is a one inch audio tape recording for the film.

Subseries 3, Audio Recordings, 1980, 1990, 2000 and undated consist of a Smithsonian radio program titled "Inside the Smithsonian, Cheaper by The Dozen," from 1980 and an recording of Ernestine Gilbreth Casey discussing Gilbreth Family photographs from 2000. Hosted by [Ann Carroll?], "Inside the Smithsonian, Cheaper by The Dozen," featured Fred and Bill Gilbreth discussing their parents Frank and Lillian, Gilbreth, and the book Cheaper by the Dozen. The radio program coincided with the 100th Anniversary of the American Society of Mechancial Engineers (founded 1880)of which Lillian Gilbreth was the Society's first female member and showcased a single case exhibition at the Museum of History and Technology (now the National Museum of American History) titled "Frank and Lillian Gilbreth: Motion Engineers." Inside Smithosnian Radio was a weekly program produced by the Office of Telecommunications. The recording of Ernestine Gilbreth Carey was recorded on July 9, 2000 and documents Ms. Carey's identification and discussion of Gilbreth Family photographs. David Ferguson assisted in the discussion. A hard copy index to the photographs Ms. Carey discusses is available.
Arrangement:
The collection is arranged into six series.

Series 1: Background Materials, 1892-1997

Subseries 1.1: Frank B. Gilbreth, undated

Subseries 1.2: Frank B. Gilbreth patents, 1892-1916

Subseries 1.3: Printed Materials, 1907-1997

Series 2: Glass Stereo Slides (Positive), 1910-1924 and undated

Series 3: Photo prints of glass stereo slides, 1910-1924 and undated

Subseries 3.1: Photo Print Books, 1-9, undated

Subseries 3.2: Photo prints (duplicates), undated

Series 4: Stereo Autochromes, undated

Series 5: Stereograph Cards, 1911-1914

Series 6: Audio Visual Materials, 1968, 1990, 2000 and undated

Subseries 6.1, Audio visual documentation, 1968 and undated

Subseries 6.2: Moving images, 1968 and undated

Subseries 6.3: Audio recordings, 1980, 1990, 2000, and undated
Biographical / Historical:
Frank Gilbreth is best known for his work on the efficiency of motion. Working with his wife and professional partner Lillian Moller Gilbreth, he applied modern psychology to his work with management. His innovative motion studies were used on factory workers, typists and the disabled. Gilbreth established the link between psychology and education to be succesful management.

Frank Gilbreth was born in Fairfield, Maine on July 7, 1868. His parents, John and Martha Bunker Gilbreth were New Englanders. John Gilbreth ran a hardware business, but died when Frank was only three. Bearing the responsibilty of raising her children alone, Martha moved the family twice in search of quality education for her children. Ultimately she decided to school the children herself. In 1885, Frank graduated from English High School in Boston. Despite gaining admission into the Massachusetts Institute of Technology, Frank opted to enter the work world immediately as a bricklayer's apprentice with Whidden and Company, building contractors in Boston.

Smart and skilled, Gilbreth worked his way up in the company. He learned the trade quickly and soon was promoted to supervisor, foreman, and finally to the position of superintendent. To further his edcuation, he went to night school to study mechanical drawing.

At the age of 27, Gilbreth embarked upon his first business venture. He started his own contracting firm. His firm developed a fine reputation for quality work at a very rapid pace. He invented tools, scaffolding, and other contraptions to make the job easier. His company goals included the elimination of waste, the conservation of energy, and the reduction of cost. His work included canals, factories, houses, and dams. His clients came from all parts of the United States, and he performed some work in England.

In 1903, Frank Gilbreth met Lillian Moller (1903-1972) and married her on October 19, 1904. Lillian graduated from the University of California, Berkeley with a BA (1900) and MA (1902). She later earned a Ph.D from Brown University (1915), earning a dissertation titled The Psychology of Management. Lillian's academic work, large family and integral role in Frank's consulting business kept her busy. Her contributions to the business led to a greater understanding of an individual's welfare in the work world. This becamme a key idea to increasing productivity through scientific management techniques.

Working together, the couple became leaders in the new field of scientific management. They published books, gave lectures, and raised tweleve children together: Anne, Mary (1906--912), Ernestine, Martha, Frank Jr., William, Lillian, Frederick, Daniel, John, Robert and Jane. Some of Gilbreth's books include Fields System (1908); Concrete System (1908); Bricklaying System (1909; Motion Study (1911); and Primer of Scientific Management (1911). Gilbreth co-authored with Lillian: Time Study (1916); Fatigue Study (1916); Applied Motion Study (1917); and Motion Study for the Handicapped (1919).

It wasn't long before Gilbreth moved away from construction. Together with his wife, they focused on the link between psychology and motion. With her strong psychological background, and his interest in efficiency, the Gilbreth's opened the School of Scientific Management in 1913. The school was in session for four years. Numerous professional attended the school, and soon the Gilbreth's had established a reputation as consultant's to the new field of scientific management.

In 1912, Frank won a contract with the New England Butt Company in Providence, Rhode Island. There he installed his system of scientific management in a factory setting for the first time. Contracts with the Hermann-Aukam handkerchief manufacturing company in New Jersey and the Auergessellschaft Company in Germany followed. Using motion study, Gilbreth studied and reoganized the factories, attempting to find "the one best way" to do work.

Gilbreth traveled to Germany to continue his work was a scientific manager. He visited factories and hospitals, working to improve procedures and eliminate waste. Using micro-motion study and the chronocyclegraph procedure, he analyzed and dissected motion, discovering therblings, the seventeen fundamental units of any motion. World War I slowed Gilbreth's progress abroad, so he focused his consulting business on firms n the United States.

After World War I, Gilbreth's business thrived. in 1920, the American Society of Mechanical Engineers instituted its Management Division, something Gilbreth had been demanding for years. He was now a famous American engineer, gaining financial rewards as as professional honors.

Frank Gilbreth died suddenly of a heart attack on June 14, 1924, still in the middle of three contracts. He was honored after his death in 1944 by the American Society of Engineers and the American Management Association with the Gant Gold Medal. After Frank's death, Lillian moved the family to California where she continued to work on efficiency and health in industry issues. She was a respected buiness woman and was hired by several companies to train employees, study working conditions, and reduce fatigue. She lectured at several universities (Newark College of Engineering and the University of Wisconsin), and joined the faculty at Purdue University in 1935 as the first woman professor in the engineering school.

Frank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by Frank Jr. and Ernestine Gilbreth Carey.
Related Materials:
Material in Other Institutions

Purdue University, Archives and Special Collections

Frank and Lillian Gilbreth papers, 1869-2000

The Gilbreth Papers documents the professional and personal lives of Frank Gilbreth and Lillian Gilbreth. The collection consists of personal papers, letters, correspondence, photographs, and other memorabilia that Lillian Gilbreth collected during her life regarding her youth, marriage, family, and career.

Collection of materials related to Lillian Gilbreth, 1964-2006

One folder of items relating to the life of Lillian Gilbreth, and her family, collected by her granddaughter, Lillian (Jill) Barley and Nancy Weston. Materials include clippings relating to the Lillian Gilbreth postage stamp (1984); obituaries and memorial programs for Peter Barney, Ernestine Carey, Lillian Gilbreth, Anne Gilbreth Barney, Charles Carey, and Frank Gilbreth Jr.; programs and photographs relating to Lillian Gilbreth's visit to Athens in 1964; and biographical information on Lillian Gilbreth.

Cornell University, Kheel Center for Labor-Management Documentation and Archives

Frank Gilbreth Papers on Microfilm, Collection Number: 5424 mf

Selected papers pertaining to industrial engineering. Original materials are held by Purdue University. Microfilm copied purchased from Purdue University in April 1968.
Provenance:
The collection materials were donated by several individuals: New Jersey Institute of Technology (1975); Frank B. Gilbreth, Jr., (1980); Ernestine Gilbreth Carey (1995); Daniel B. Gilbreth (1998); and James Secor Perkins in 2001.
Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Series 2: Glass Stereo Slides are restricted. Boxes 3-9 were digitized in 2021. Researchers must use digital copies. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Motion study  Search this
Machinery industry  Search this
Machine shops  Search this
Industrial management  Search this
Industrial films  Search this
Industrial engineering  Search this
Genre/Form:
Videotapes
BetaCam SP (videotape format)
Motion pictures (visual works) -- 1930-1950
Citation:
Frank and Lillian Gilbreth Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0803
See more items in:
Frank and Lillian Gilbreth Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a48e652d-6387-4a23-98c0-299772c454d5
EDAN-URL:
ead_collection:sova-nmah-ac-0803
Online Media:

Terrestrial Globe

Maker:
Cornell, Silas  Search this
Erastus Darrow & Brother  Search this
Physical Description:
paper (overall material)
aluminum (overall material)
Measurements:
average spatial: 24.2 cm; 9 17/32 in
overall: 16 1/8 in x 11 1/2 in; 40.9575 cm x 29.21 cm
Object Name:
globe
Place made:
United States: Massachusetts, Boston
United States: New York, Rochester
Associated place:
United States: Illinois, Chicago
Date made:
mid 19th century
Subject:
Geography  Search this
ID Number:
1986.0820.01
Catalog number:
1986.0820.01
Accession number:
1986.0820
See more items in:
Medicine and Science: Physical Sciences
Globes
Measuring & Mapping
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-fc8d-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1064464

Periodical articles

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 7, Folder 8
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 5: George "Buck" Weaver materials
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2a5d88809-3942-422c-8b3e-e94806d33b80
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref175
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Newspaper clippings

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 12, Folder 2
Type:
Archival materials
Text
Date:
1941
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2813ffa67-fd67-4bd9-980e-40d4f721e1f9
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref116
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
United Negro College Fund, American, founded 1944  Search this
Billy Dee Williams, American, born 1937  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
National Urban Affairs Council, American, founded 1971  Search this
National Association of Market Developers, American, founded 1953  Search this
Prince Hall Freemasonry, founded 1784  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Harold Washington, American, 1922 - 1987  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Morehouse College, American, founded 1867  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Carats, Inc., American, founded 1959  Search this
National Bar Association, American, founded 1925  Search this
National Urban League, American, founded 1910  Search this
African Methodist Episcopal Church, American, founded 1816  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Shriners International, American, founded 1870  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
National Pharmaceutical Association, American, founded 1947  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
People United to Save Humanity, American, founded 1971  Search this
369th Veterans Association, American  Search this
Eubie Blake, American, 1887 - 1983  Search this
Dance Theatre of Harlem, American, founded 1969  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Bahamas, Caribbean, North and Central America
Houston, Harris County, Texas, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
1983
Topic:
African American  Search this
Advertising  Search this
African Methodist Episcopal  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Methodist  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
The Black Church  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.17
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd516419a20-d7d3-4570-a5c9-78bd4c89cfee
EDAN-URL:
edanmdm:nmaahc_2012.167.17
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BLK Vol. 2 No. 7

Published by:
Alan Bell, American  Search this
Edited by:
Alan Bell, American  Search this
Subject of:
Nedra Johnson  Search this
Dionne Freeney  Search this
AIDS Coalition To Unleash Power, American, founded 1987  Search this
National LGBTQ Task Force, American, founded 1974  Search this
National Association of Black and White Men Together, American, founded 1980  Search this
Grupo Gay da Bahía, Brazilian, founded 1980  Search this
Lavender Light, American, founded 1985  Search this
Unity Fellowship Church, American, founded 1982  Search this
Rev. Carl Bean, American, 1944 - 2021  Search this
Jewel Thais-Williams, American  Search this
Jewel's Catch One, American, founded 1973  Search this
Keith St. John, American, born 1957  Search this
Sgt. Perry Watkins, American, 1948 - 1996  Search this
David N. Dinkins, American, born 1927  Search this
Simon Nkoli, South African, 1957 - 1998  Search this
Gay and Lesbian Organization of Witwatersrand, South African, 1988 - 1997  Search this
Minority AIDS Project, American, founded 1985  Search this
Gilberto Gerald, Panamanian American, born 1950  Search this
Reggie Williams, American, 1951 - 1999  Search this
National Task Force on AIDS Prevention, American, 1985 - 1998  Search this
Audre Lorde, American, 1934 - 1992  Search this
Pat Norman, American, born 1939  Search this
Nelson Mandela, South African, 1918 - 2013  Search this
Whoopi Goldberg, American, born 1955  Search this
Larry Saxxon, American  Search this
Cleo Manago, American, born 1963  Search this
Congressional Black Caucus, American, founded 1971  Search this
Marlon Riggs, American, 1957 - 1994  Search this
Eldridge Cleaver, American, 1935 - 1998  Search this
James Baldwin, American, 1924 - 1987  Search this
Professor Griff, American, born 1960  Search this
Public Enemy, American, founded 1982  Search this
Heavy D & the Boyz, American, founded 1987  Search this
Malcolm X, American, 1925 - 1965  Search this
2 Live Crew, American, 1985 - 2014  Search this
Audio Two, American, 1987 - 1992  Search this
Rep. Maxine Waters, American, born 1938  Search this
Little Richard, American, 1932 - 2020  Search this
Sabrina Sojourner, American, born 1952  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W x D: 10 13/16 × 8 1/4 × 1/8 in. (27.4 × 20.9 × 0.3 cm)
Type:
magazines (periodicals)
Place made:
Los Angeles, Los Angeles County, California, United States, North and Central America
Place depicted:
Washington, District of Columbia, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Boston, Suffolk County, Massachusetts, United States, North and Central America
New York City, New York, United States, North and Central America
Philadelphia, Philadelphia County, Pennsylvania, United States, North and Central America
Portsmouth, Rockingham County, New Hampshire, United States, North and Central America
Galesburg, Knox County, Illinois, United States, North and Central America
Indianapolis, Marion County, Indiana, United States, North and Central America
San Francisco, San Francisco county, California, United States, North and Central America
Los Angeles, Los Angeles County, California, United States, North and Central America
Oakland, Alameda County, California, United States, North and Central America
Boise, Ada County, Idaho, United States, North and Central America
Johannesburg, Gauteng, South Africa, Africa
Date:
July 1990
Topic:
African American  Search this
Activism  Search this
Black Press  Search this
Christianity  Search this
Communities  Search this
Families  Search this
Gender  Search this
Health  Search this
Holidays and festivals  Search this
Identity  Search this
International affairs  Search this
Labor  Search this
LGBTQ  Search this
Literature  Search this
Mass media  Search this
Men  Search this
Race discrimination  Search this
Race relations  Search this
Resistance  Search this
Sexuality  Search this
U.S. History, 1969-2001  Search this
Violence  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Alan Bell
Object number:
2018.108.20
Restrictions & Rights:
© BLK Publishing Company, Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
African American - Latinx Solidarity
HIV/AIDS Activist Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd590ceca58-ca06-434a-9370-641efedc3296
EDAN-URL:
edanmdm:nmaahc_2018.108.20

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