Search Results

Artist:

Unidentified Artist  Search this

Sitter:

George Washington, 22 Feb 1732 - 14 Dec 1799  Search this

Horatio Gates, 1727 - 1806  Search this

Medium:

Relief cut on paper

Dimensions:

Image: 9 × 7.5 cm (3 9/16 × 2 15/16")

Book closed: 18 × 10.6 cm (7 1/16 × 4 3/16")

Type:

Print

Place:

United States\Massachusetts\Suffolk\Boston

Date:

1777

Topic:

Print  Search this

Illustration  Search this

George Washington: Male  Search this

George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

George Washington: Politics and Government\Statesman\Colonial statesman  Search this

George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this

George Washington: Military and Intelligence\Army\Officer\General  Search this

George Washington: Politics and Government\President of US  Search this

George Washington: Science and Technology\Surveyor  Search this

George Washington: Congressional Gold Medal  Search this

Horatio Gates: Male  Search this

Horatio Gates: Politics and Government\State Legislator\New York  Search this

Horatio Gates: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

Horatio Gates: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.79.78

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm44b86e50f-66df-4271-958a-5cf53cee3bc1

EDAN-URL:

edanmdm:npg_NPG.79.78

Artist:

Unidentified Artist  Search this

Copy after:

John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this

Sitter:

John Hancock, 12 Jan 1737 - 8 Oct 1793  Search this

Medium:

Relief cut

Dimensions:

Image: 7.5 × 6.2 cm (2 15/16 × 2 7/16")

Book closed (image on cover): 18.5 × 11 cm (7 5/16 × 4 5/16")

Type:

Print

Date:

1776

Topic:

Illustration  Search this

John Hancock: Male  Search this

John Hancock: Politics and Government\Statesman\Colonial statesman  Search this

John Hancock: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this

John Hancock: Politics and Government\Governor\Massachusetts  Search this

John Hancock: Business and Finance\Businessperson\Merchant  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.79.82

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4513eea4d-8e33-46c7-902b-1be08db08cfd

EDAN-URL:

edanmdm:npg_NPG.79.82

Creator:

Howland, Isabella, 1895-1974  Search this

Names:

Bacon, Peggy, 1895-1987  Search this

Bywaters, Jerry  Search this

Dehn, Adolf, 1895-1968  Search this

Force, Juliana, 1876-1948  Search this

Gershoy, Eugenie, 1901?-1983 or 6  Search this

Greenbaum, Dorothea S.  Search this

Halpert, Edith Gregor, 1900-1970  Search this

Strater, Henry, 1896-  Search this

Watson, Forbes, 1880-1960  Search this

Extent:

1.2 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Sketches

Photographs

Date:

1899-1979

Summary:

The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.

Scope and Contents:

The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.2 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.

Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.

The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.

Arrangement:

Missing Title

Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)

Series 2: Correspondence, 1917-1973 (22 folders; Box 1)

Series 3, Writings, 1935-1964 (8 folders; Box 1)

Series 4: Printed Material, 1928-1976 (5 folders; Box 1)

Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)

Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)

Biographical / Historical:

Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.

Howland was born in Brookline, Massachusetts. From her youth she knew she wanted to be an artist. She had her earliest artistic training at age 16. Her art education included time at the Boston Museum School and the Art Students League in New York City. She completed her secondary education in France and Germany, moved back to the United States afterwards, and in 1920 travelled again to Europe. In 1922 she settled in Greenwich Village and spent summers in Woodstock to paint landscapes and still-lifes. She actively painted in the 1920s, and had three shows in 1927, 1929, and 1931. During the Depression she worked for the Public Works of Art Project and the Works Progress Administration. In 1934 she married Armando Zegri, and they divorced in 1937. While they were married they owned a club in the West Village named The Café Latino. She began teaching at a private school in the early 1940s while dealing with some personal difficulties. She found religion which comforted her as she dealt with her mother's declining health and her sister's waning mental state.

Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.

Provenance:

Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Portrait painters -- New York (State) -- New York  Search this

Caricaturists -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Genre/Form:

Sketchbooks

Sketches

Photographs

Citation:

Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.howlisab

See more items in:

Isabella Howland papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97b9408e8-8951-4a76-9505-e11f14ea5721

EDAN-URL:

ead_collection:sova-aaa-howlisab

Creator:

Orr, Elliot, 1904-1997  Search this

Names:

Federal art project (Mass.)  Search this

Macbeth Gallery  Search this

Vose Galleries of Boston  Search this

Whitney Museum of American Art  Search this

Wildenstein Galleries  Search this

Bridaham, Lester Burbank  Search this

Landgren, Marchal E.  Search this

Sherman, Frederic Fairchild, 1874-1940  Search this

Extent:

1.4 Linear feet ((partially microfilmed on 2 reels))

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1910-1984

Scope and Contents:

Correspondence (1929-1984), a price list, subject files, notes, writings, art works (1929-1935), scrapbooks, printed material (1931-1984), and photographs document the life and career of Elliot Orr.

Reel D23 (frames 905-1246): One hundred twenty-five letters exchanged between Orr, his wife Elizabeth, and Frederic Fairchild Sherman discuss their art work (1934-1940). Other materials consist of a 6-page typescript, ELLIOT ORR: A CONTEMPORARY AMERICAN PAINTER, by Marchal Landgren and an exhibition catalog for Orr (1936). A scrapbook about Frederic Fairchild Sherman contains clippings, photographs of works of art and illustrated poems by Sherman (1938-1940).

Reel 497: Letters were exchanged between Elliot Orr and his colleagues, dealers, galleries, and purchasers. Correspondents include Lester Burbank Bridaham, Marchal Landgren, Macbeth Gallery, Vose Galleries, Whitney Museum of American Art, and Wildenstein Galleries (1935-1955). Other materials consist of a curriculum vitae (1938), a Christmas card (1935), a clipping, and 3 exhibition catalogs (1938-1956).

Unfilmed: Correspondence, primarily between Orr, his family, and his colleagues including Frederic Fairchild Sherman (1929-1984), includes one letter with a sketch of "Andrews Mill and Farm". Subject files contain letters, printed material, and photographs concerning Orr's work for the Federal Art Project of Massachusetts (1938-1974) and the auction of Orr's collection of primitive art (1961-1969). Other materials consist of lists of works of art, a hand-made book, SONNETS, containing poems by Sherman and illustrated by Orr (1940), and a price list of works consigned to the Munson Gallery (1972).

Unfilmed: Art works include 6 studies for Orr's painting MacDOUGAL STREET (1935) and a sketch of Orr by Eugene Thomason (1929). Three scrapbooks contain letters, clippings, and exhibition announcements and catalogs (1928-1942). Printed material includes clippings (1931-1984), exhibition catalogs (1934-1984), and 2 books, ROMANTIC PAINTING IN AMERICA (1943) and AMERICAN WATER COLORS, DRAWINGS, AND PRINTS (1952), which contain reproductions of Orr's works. An album contains photographs of Orr, his family, home, and studio (1910-1957). Other photographs show Frederic Fairchild Sherman (1940) and Orr's works of art.

Biographical / Historical:

Painter; Chatham, Massachusetts. Born Flushing, New York. In 1927, Orr was a student of Charles Hawthorne in Provincetown, Massachusetts, and from 1927 to 1929, he studied at the Grand Central School of Art in New York under George Pierce Ennis, Henry B. Snell, and Wayman Adams. From 1929 to 1930 he studied under George Luks.

Provenance:

Portions of material on D23 (fr. 905-1214) lent for microfilming 1962; portions of material on D23 (fr. 1215-1246), reel 497 and unmicrofilmed donated 1971-1984 all by Elliot Orr.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Painters  Search this

Topic:

Painting, American  Search this

Genre/Form:

Scrapbooks

Identifier:

AAA.orrellip

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95d71c195-7acf-4a97-88e2-5a8a20554eec

EDAN-URL:

ead_collection:sova-aaa-orrellip

Created by:

National Association for the Advancement of Colored People, American, founded 1909  Search this

Subject of:

Rev. George W. Lee, American, 1903 - 1955  Search this

Lamar "Ditney" Smith, American, 1892 - 1955  Search this

Emmett Till, American, 1941 - 1955  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W: 8 1/2 x 5 1/2 in. (21.6 x 14 cm)

Type:

pamphlets

Place depicted:

Mississippi, United States, North and Central America

Place printed:

New York City, New York, United States, North and Central America

Place used:

Boston, Suffolk County, Massachusetts, United States, North and Central America

Date:

November 1955

Topic:

African American  Search this

Civil Rights  Search this

Violence  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2012.46.34.26

Restrictions & Rights:

No known copyright restrictions

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera-Political and Activist Ephemera

Movement:

Civil Rights Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd55ca33c18-991f-478e-b8b6-4dd368518eee

EDAN-URL:

edanmdm:nmaahc_2012.46.34.26

Designer:

Carin Goldberg, American, 1953 – 2023  Search this

Author:

John Holman, American, b. 1951  Search this

Publisher:

Ticknor and Fields, Boston, Massachusetts, USA  Search this

Medium:

Lithograph on paper

Dimensions:

21.6 × 14.6 cm (8 1/2 × 5 3/4 in.)

Type:

graphic design

Book cover

Object Name:

Book cover

Made in:

New York, NY, USA

Date:

1990

Credit Line:

Gift of Steven Heller

Accession Number:

1996-74-109

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq40e32f9de-ed9e-4a13-9d75-f2ccb09a6ca0

EDAN-URL:

edanmdm:chndm_1996-74-109

Creator:

Rogers, Gretchen Woodman, 1881-1967  Search this

Citation:

Gretchen W. Rogers papers, 1901-1986. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6485

(DSI-AAA_SIRISBib)215673

AAA_collcode_rogegret

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215673

Maker:

Mellin's Food Company  Search this

Physical Description:

paper (overall material)

Measurements:

overall: 32.8 cm x 16.3 cm; 12 29/32 in x 6 13/32 in

Object Name:

product insert, infant food

Place made:

United States: Massachusetts, Boston

Subject:

Infant & Children's Products - Pediatrics  Search this

Dietary/ Nutritional Supplements & Reducing Aids  Search this

Credit Line:

Gift of Sara Jean Binder

ID Number:

2017.3025.076

Catalog number:

2017.3025.076

Nonaccession number:

2017.3025

See more items in:

Medicine and Science: Medicine

Health & Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng4761233a0-5f47-4e51-9649-735bbf3aa80e

EDAN-URL:

edanmdm:nmah_2021309

Creator:

Rogers, Gretchen W., 1881-1967  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1901-1986

Summary:

The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.

Scope and Contents:

The papers of still-life painter Gretchen W. Rogers measure 0.6 linear feet and date from 1901 to 1986. Found are biographical materials, correspondence, hand-drawn paper dolls and an illustrated unpublished children's book, photographs, printed material, and a scrapbook.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Gretchen W. Rogers (1881-1967) was a still-life and portrait painter in Boston, Massachusetts. Rogers studied at the School of the Museum of Fine Arts, Boston, with Edmund C. Tarbell and Philip Hale.

Provenance:

Donated 1994, 1995 and 1997 by Anne Winslow, niece of Gretchen Rogers.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Massachusetts -- Boston  Search this

Still-life painters -- Massachusetts -- Boston  Search this

Portrait painters -- Massachusetts -- Boston  Search this

Topic:

Women artists  Search this

Women painters  Search this

Citation:

Gretchen W. Rogers papers, 1901-1986. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.rogegret

See more items in:

Gretchen W. Rogers papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94baec5fa-1c0b-4d17-a434-253e30d78532

EDAN-URL:

ead_collection:sova-aaa-rogegret

Creator:

Meech, James F. (author)  Search this

Names:

Soldiers' Home  Search this

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

1 Item (Ink on paper., 6" x 3.5".)

Container:

Box 3, Folder 3

Type:

Archival materials

Woodcuts

Place:

Massachusetts

Boston (Mass.)

Gettysburg (Pa.)

Boston (Mass.)

United States -- History -- Civil War, 1861-1865

Date:

1881

Scope and Contents:

Card for the Soldiers' Home Bazaar, Boston, Autumn 1881, possibly a woodcut. Image shows soldier with bayoneted rifle. On verso: "Relics of Gettysburg." List of 42 items.

Local Numbers:

AC0060-0001251a.tif (AC Scan No.: Soldier's Home)

AC0060-0001251b.tif (AC Scan No.: list of relics)

General:

Civil War Selections from the Archives Center

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Rifles  Search this

Bazaar  Search this

Soldiers -- Civil War  Search this

Civil War, 1861-1865  Search this

Bayonets  Search this

Genre/Form:

Woodcuts

Series Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Civil War

Warshaw Collection of Business Americana Subject Categories: Civil War / Government Records, Business Records, and Other / Civil War

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82344c35b-a1dd-46e4-90b8-a36ee24cbb93

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-civilwar-ref529

Painter:

O'Keeffe, Georgia 1887-1986  Search this

Medium:

Pastel on peper mounted on board

Type:

Paintings

Owner/Location:

Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 1990.430

Date:

1922

Topic:

Waterscape--Weather--Storm  Search this

Waterscape--Weather--Lightning  Search this

Control number:

IAP 20492760

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_372553

Created by:

The North Star, American, 1847 - 1859  Search this

Edited by:

Frederick Douglass, American, 1818 - 1895  Search this

Martin Robison Delany, American, 1812 - 1885  Search this

Published by:

John Dick, British  Search this

Medium:

ink on newsprint

Dimensions:

H x W (folded): 13 3/16 × 18 1/2 in. (33.5 × 47 cm)

Type:

newspapers

Place printed:

Rochester, Monroe County, New York, United States, North and Central America

Date:

September 8, 1848

Topic:

African American  Search this

Antislavery  Search this

Black Press  Search this

Communities  Search this

Free communities of color  Search this

Freedom  Search this

Fugitive enslaved  Search this

International affairs  Search this

Mass media  Search this

Self-liberation  Search this

Social reform  Search this

U.S. History, 1815-1861  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2014.151.3

Restrictions & Rights:

No Known Copyright Restrictions

See more items in:

National Museum of African American History and Culture Collection

Classification:

Slavery and Freedom Objects

Documents and Published Materials-Published Works

Movement:

Abolitionist movement

Colonization movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd55eac1532-e202-4371-9070-7e1b33a478a7

EDAN-URL:

edanmdm:nmaahc_2014.151.3

Creator:

Beckmann, Hannes, 1909-1977  Search this

Names:

Albers, Josef  Search this

Guggenheim, Solomon R. (Solomon Robert), 1861-1949  Search this

Rebay, Hilla, 1890-1967  Search this

Wright, Frank Lloyd, 1867-1959  Search this

Extent:

300 Items (on 1 microfilm reel)

Type:

Collection descriptions

Archival materials

Date:

1930-1980

Scope and Contents:

Biographical sketches and resumes; a list of lectures; correspondence; illustrated notes, typescripts of lectures and other unpublished writings; 21 photographs of Josef Albers; exhibition catalogs; printed material; a subject file on Hilla Rebay containing memos and notes; papers concerning the Museum of Non-Objective Painting, NYC; a photograph of Frank Lloyd Wright, Rebay, and Solomon R. Guggenheim with a model of the Guggenheim Museum; "Hostess Reports"; catalogs, clippings, and other miscellaneous printed material.

Biographical / Historical:

Painter and lecturer; Boston, Mass. and Hanover, N.H. Born in Germany. Taught at the Bauhaus.

Provenance:

Lent 1981-1982 by Elsa Beckmann, widow of Hannes Beckmann. Typescripts of lectures were subsequently given by Mrs. Beckmann in 1982.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Painters -- Massachusetts -- Boston  Search this

Topic:

Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this

Identifier:

AAA.beckhann

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw950a0f49e-0223-4569-8721-faeaad8f0572

EDAN-URL:

ead_collection:sova-aaa-beckhann

Creator:

Geissbuhler, Arnold, 1897-1993  Search this

Names:

Bourdelle, Emile Antoine, 1861-1929  Search this

Breeskin, Adelyn Dohme, 1896-1986  Search this

Browne, Margaret Fitzhugh, 1884-1972  Search this

Bänninger, Otto Charles, 1897-  Search this

Forbes, Edward Waldo, 1873-1969  Search this

Geissbuhler, Elisabeth Chase  Search this

Giacometti, Alberto, 1901-1966  Search this

Giacometti, Giovanni, 1868-1933  Search this

Goodyear, A. Conger (Anson Conger), 1877-1964  Search this

Grafly, Charles, 1862-1929  Search this

Richier, Germaine, 1904-1959  Search this

Extent:

0.3 Linear feet ((partially microfilmed on 6 reels))

Type:

Collection descriptions

Archival materials

Drawings

Sketchbooks

Date:

1915-1977

Scope and Contents:

Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.

Reels 1267-1268: Many letters (1920-1971), written by Geissbuhler to his wife Elisabeth Chase Geissbuhler, are illustrated. Other correspondents include Adelyn Breeskin, Margaret Browne, Edward W. Forbes, and A. Conger Goodyear. Art works consist of 26 sketchbooks (1915-1962), annotated in French and English, and over 600 figure studies (1922-1970). Printed material includes a Sculptors' Guild brochure, art course announcements (1958), and clippings (1924-1971). Other materials consist of 2 autobiographical accounts, an award from the Cambridge Centennial Exhibition (1946), an address book and calling cards.

Reel 1271: Printed material includes reproductions of Geissbuhler's work, an advertisement for the Academie Julian (1919), an exhibition announcement (1921), and a clipping (1925). Photographs (1919-1922) and a photograph album (1921-1929) contain images of Geissbuhler in his studio, his works, his family, and friends including Otto Banninger, Antoine Bourdelle, Alberto Giacometti, his father Giovanni Giacometti, and Germaine Richier. Sixteen photographs show art classes, primarily Bourdelle's classes (1919-1922), and Charles Graffley's studio (1921). Other materials consist of biographical notes, an award certificate and 4 sketches (1918).

Reel 1331: Correspondence consists of letters received from Antoine and Rhoda Bourdelle (1921-1977) and general correspondence concerning art business matters (1927-1971). A diary in 8 volumes (1921-1922) contains some illustrated entries. Printed material (1934-1971) consists of 40 exhibition catalogs, 8 clippings, and a school brochure. Four loose sketches are undated. Seven subject files concerning Geissbuhler's sculpture projects contain letters, business records, notes, and clippings.

Reel 1813: Photographs of Geissbuhler's work and one of his house, ca. 1924-1933.

Unfilmed: Letters (1937-1941) concern Geissbuhler's work for the WPA, Treasury Department, and the Federal Works Agency, primarily the Medford project and the Foxboro, Massachusetts, post office project. Other material consists of 3 forms, 2 exhibition catalogs, a press release concerning government projects, 2 rolled charcoal drawings and 2 photographs of the sculptural relief "Straw Cutting and Weaving" from the Foxboro, Massachusetts post office project, and notes.

Biographical / Historical:

Sculptor; Dennis, Mass. Born in Delemont, Switzerland. In 1914, Geissbuhler traveled to Zurich to become a sculptor's apprentice in the studio of Otto Munch. He attended the Kunst Gewerbe School and worked as Munch's assistant until 1919. In that year, Geissbuhler went to Paris to study with Antoine Bourdelle at the Academie Julian. He maintained a studio in Paris until 1927, when he travelled to the United States and married Elisabeth Chase, a Boston sculptor whom he met in Bourdelle's class. They moved to New England in 1933, and in 1937 he became an art instructor at Wellesley College.

Provenance:

Material on reels 1267-1268, 1271, 1331 and 1813 lent for microfilming 1977-1978; unmicrofilmed material donated 1984 all by Arnold Geissbuhler.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Sculptors -- Massachusetts  Search this

Sculptors -- Switzerland  Search this

Topic:

Expatriate artists -- Massachusetts  Search this

Federal aid to the arts -- Massachusetts  Search this

Sculpture, Modern -- 20th century  Search this

Genre/Form:

Drawings

Sketchbooks

Identifier:

AAA.geisarno

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9860cccdd-d4ac-4fe8-9325-396c05fadde6

EDAN-URL:

ead_collection:sova-aaa-geisarno

Creator:

Perkins, James Secor  Search this

Gilbreth, Frank Bunker, 1868-1924  Search this

Gilbreth, Lillian Moller, 1878-1972  Search this

Extent:

5 Cubic feet (19 boxes)

5 Cubic feet (19 boxes)

Type:

Collection descriptions

Archival materials

Videotapes

Betacam sp (videotape format)

Motion pictures (visual works)

Date:

1907-2000

bulk 1911-1924

Summary:

The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

Scope and Contents:

The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. As scientific managers, the Gilbreth's introduced new techniques to analyze work, the workplace, and work practices with the goal of eliminating waste to maximize productivity. The collection illustrates these new techniques and their application to a wide variety of studies. The collection is diverse and provides insight into understanding how Gilbreth approached his studies. Also included are slides documenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

Series 1, Background Information, 1892-1997, includes biographical materials about Frank B. Gilbreth; copies of some of Frank Gilbreth's patents, 1892-1916; and printed materials, 1907-1997, that contain articles, newspaper and magazine clippings about Frank and Lillian Gilbreth and time and motion study generally. Black-and-white photo prints of Gilbreth or work Gilbreth documented from collections held at Purdue University and Ohio State University are included.

Series 2, Glass plate stereo slides, 1910-1924, consists of approximately 2,250 glass stereo slides photographed by Frank B. Gilbreth and others and intended for viewing through an optical viewing machine. Some are positive black and white, positive color, and negative black and white. The subject matter of the slides covers the work undertaken by Frank Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Many of the images serve as documentation for the studies the couple performed as they were hired by firms in an attempt to provide solutions to the problems of inefficiency. Also included are the Gilbreth Family, their travels, residences, and friends.

The slides are numbered sequentially. For example, a glass plate slide numbered 318949.001 will have a corresponding photoprint 318949.001 in Series 3, Photoprints of glass plate slides. Note: not all glass plate slides have corresponding photoprints. Additionally, there are Office of Photographics Services, Smithsonian Institution negative numbers assigned to many of the photo prints.

Some subject categories include:

Frank B. Gilbreth: working in motion laboratories, on factory inspections, seated in offices, with family and friends, in World War I uniform, watching and monitoring shop operations.

Lillian M. Gilbreth: with family, during university graduation ceremonies, traveling and working with Frank and observing office workers.

Gilbreth Family: family on the road in an automobile, at home seated around the dinner table, in the parlor, in the garden, and with friends and relatives.

Gilbreth ship travel: contains views on steamer voyages to Europe, deck scenes, arrivals, departures, ship officers and crew, and other passengers.

Automobile assembly study: internal and external views of a warehouse/factory, including large piles or rows of metal car frames and other parts.

Benchwork study: images of a male worker standing or sitting in a chair while filing an object secured in a vice at a workbench.

Betterment: images of efforts whcih contributed to industrial betterment (the Gilbreth chair, employee library, and the home reading box).

Bricklaying study: view of men wearing overalls and caps, shoveling, and men laying bicks.

Business and apparatus of motion study: views of lectures, meetings, film showings, demonstrations, charts, drawings, motion models, charts amd some equipment.

Disabled study: views of partially blind World War I veterans, amputees using special tytpewriter, assembling machinery, use of cructhes, and a one armed dentist.

Factory bench work: table-top machines assembly operations, hand tools, orderly arrangement of parts prior to and during assembly and a variety of bench vises.

Factory documentation: various images of the interior and edterior of factories including heavy machinery.

Golfing study: various cyclegraphs of a man swinging a golf club.

Grid boards: back drops used by Gikbreth to isolate and measure worker motions. This includes walls, floors, desktops, and drop cloths divided into grids of various densities and scales.

Handwriting and cyclegraphs: finger lights moving in patterns of script.

Ladders: include step ladders and painters' ladders shown in use near shelving.

Light assembly study: wide variety of images ranging from cyclegraphs of women working, to the factory floor as well as tools and machinery.

Materials handling study: different angles of an empty cart, a cart oiled high with boxes, and a man pushing a cart illustrating different body positions.

Military study: illustrate work on the Army foot meausring machine, gun parts, men holding a rifle.

Motion models: images of simple wire motionmodels.

Needle trade study: views of textile machinery and workers.

Office study: various shots inside of an office with tables, desks, drawers, files, and typewriters. Some of the images are cyclegraphs of femal and male workers performing tasks, such as writing, both tin the context of an office as well as in front of a grdidded background. There are several close-ups of an organizer containing penciles, paperclips, pins and rubberbands.

Packing: methods of placing and arranging goods in boxes, such as soap packing.

Panama-Pacific Exposition 1915: contains views of statuary, fountains, and architecture of the exposition held in San Francisco.

Pure light cyclegraphs: no workers or grids visible only finger lights in motion.

Rubber stamping study: hand movements and access to ink pads and stamps.

Scenic views: views of buildings, landscapes, street scenes, and fountains from around the world documenting Gilbreth's travels.

Shoe making study: laboratory studies of shoe assembly operations with an emphasis on workers access to component pieces.

Shop machinery: various shots of machines and workers working with machines.

Signage: include organizational flow charts, shop floor plans, route maps, office layouts, numbering systems, exhibit display boards illustrating Frank Gilbreth's efficiency studies and techniques.

Stacking: views of the art and science of stacking boxes, clothing, equipment, containers, and vertical storage without shelves.

Stock bins: consists of storage pips, paper, other raw materials, shelves, and corridoe shots.

Storage: images illustrate contrast between old techniques and new.

Surgical and dental studies: thester views of surgeons, assistants, nurses, hand motions in grasping, placing surgical instruments, dental work and self inspection of teeth.

Tool cribs: storage of hand tools in shops with an emphasis on easy access and easy inventorying.

Typing study: various views of femaile s under observation using Remington typewriters.

Series 3, Photoprints of glass plate slides, 1910-1924, consist of black and white photoprints of the glass plate slides depicting the fields of motion study, shop efficiency, and factory organization. Also included are the Gilbreth Family, their travels, residences, and friends.

Series 5, Stereographs,1911-1914,

Series 6, Audio Visual Materials, 1968, 2000, and undated, is divided into three subseries: Subseries 1, Audio visual documentation, 1968 and undated; Subseries 2, Moving Images, 1968 and undated; and Subseries 3, Audio Recordings, 1980, 1990,. 2000 and undated. The series contains several formats: 7" open reel-to-reel audio tape, 1/2" VHS, Beta Cam SP, DVD, audio cassette, one inch audio tape, and 16 mm film.

Subseries 1, Audio visual documentation, 1967-1968 and undated, consists of supplemental documentation for the film, "The Original Films of Gilbreth The Quest for the One Best Way." Specifically, there are brochures and other printed materials detailing what the film is about and how copies may be obtained. This subseries also contains a copy of the book Cheaper by the Dozen, 1948. The book was written by Frank Bunker Gilbreth, Jr. and Ernestine Gilbreth Carey and tells the biographical story of Frank Bunker Gilbreth and Lillian Moller Gilbreth, and their twelve children. The book was adapted to film by Twentieth Century Fox in 1950.

Subseries 2, Moving Images, 1967, consists of one title, "The Original Films of Gilbreth The Quest for the One Best Way." The film materials consist of the film's production elements: 16 mm black and white negative A-roll; 16mm black-and-white negative B-roll; and the optical track negative. Each is 800 feet in length.

The film presents a summary of work analysis films which were taken by Frank B. Gilbreth between 1919 and 1924 showing a number of industrial operations from which the motion study was developed. Demonstrates motion and fatigue study, skill study, plant layout and material handling, inventory control, production control, business procedures, safety methods, developing occupations for the handicapped, athletic training and skills, military training, and surgical operations as researched and developed by Gilbreth. Points out that Gilbreth created entirely new techniques on how to improve industrial efficiency, while at the same time significantly improving conditions for the workers. The film was produced by James S. Perkins in collaboration with Dr. Ralph M. Barnes and with commentary by Liilian M. Gilbreth and James S. Perkins. The film was presented on December 3, 1968 at the American Society of Mechanical Engineers Annual Meeting in New York. The formats for this title include: 16 mm, Beta Cam SP, and DVD. Additionally, there is a one inch audio tape recording for the film.

Subseries 3, Audio Recordings, 1980, 1990, 2000 and undated consist of a Smithsonian radio program titled "Inside the Smithsonian, Cheaper by The Dozen," from 1980 and an recording of Ernestine Gilbreth Casey discussing Gilbreth Family photographs from 2000. Hosted by [Ann Carroll?], "Inside the Smithsonian, Cheaper by The Dozen," featured Fred and Bill Gilbreth discussing their parents Frank and Lillian, Gilbreth, and the book Cheaper by the Dozen. The radio program coincided with the 100th Anniversary of the American Society of Mechancial Engineers (founded 1880)of which Lillian Gilbreth was the Society's first female member and showcased a single case exhibition at the Museum of History and Technology (now the National Museum of American History) titled "Frank and Lillian Gilbreth: Motion Engineers." Inside Smithosnian Radio was a weekly program produced by the Office of Telecommunications. The recording of Ernestine Gilbreth Carey was recorded on July 9, 2000 and documents Ms. Carey's identification and discussion of Gilbreth Family photographs. David Ferguson assisted in the discussion. A hard copy index to the photographs Ms. Carey discusses is available.

Arrangement:

The collection is arranged into six series.

Series 1: Background Materials, 1892-1997

Subseries 1.1: Frank B. Gilbreth, undated

Subseries 1.2: Frank B. Gilbreth patents, 1892-1916

Subseries 1.3: Printed Materials, 1907-1997

Series 2: Glass Stereo Slides (Positive), 1910-1924 and undated

Series 3: Photo prints of glass stereo slides, 1910-1924 and undated

Subseries 3.1: Photo Print Books, 1-9, undated

Subseries 3.2: Photo prints (duplicates), undated

Series 4: Stereo Autochromes, undated

Series 5: Stereograph Cards, 1911-1914

Series 6: Audio Visual Materials, 1968, 1990, 2000 and undated

Subseries 6.1, Audio visual documentation, 1968 and undated

Subseries 6.2: Moving images, 1968 and undated

Subseries 6.3: Audio recordings, 1980, 1990, 2000, and undated

Biographical / Historical:

Frank Gilbreth is best known for his work on the efficiency of motion. Working with his wife and professional partner Lillian Moller Gilbreth, he applied modern psychology to his work with management. His innovative motion studies were used on factory workers, typists and the disabled. Gilbreth established the link between psychology and education to be succesful management.

Frank Gilbreth was born in Fairfield, Maine on July 7, 1868. His parents, John and Martha Bunker Gilbreth were New Englanders. John Gilbreth ran a hardware business, but died when Frank was only three. Bearing the responsibilty of raising her children alone, Martha moved the family twice in search of quality education for her children. Ultimately she decided to school the children herself. In 1885, Frank graduated from English High School in Boston. Despite gaining admission into the Massachusetts Institute of Technology, Frank opted to enter the work world immediately as a bricklayer's apprentice with Whidden and Company, building contractors in Boston.

Smart and skilled, Gilbreth worked his way up in the company. He learned the trade quickly and soon was promoted to supervisor, foreman, and finally to the position of superintendent. To further his edcuation, he went to night school to study mechanical drawing.

At the age of 27, Gilbreth embarked upon his first business venture. He started his own contracting firm. His firm developed a fine reputation for quality work at a very rapid pace. He invented tools, scaffolding, and other contraptions to make the job easier. His company goals included the elimination of waste, the conservation of energy, and the reduction of cost. His work included canals, factories, houses, and dams. His clients came from all parts of the United States, and he performed some work in England.

In 1903, Frank Gilbreth met Lillian Moller (1903-1972) and married her on October 19, 1904. Lillian graduated from the University of California, Berkeley with a BA (1900) and MA (1902). She later earned a Ph.D from Brown University (1915), earning a dissertation titled The Psychology of Management. Lillian's academic work, large family and integral role in Frank's consulting business kept her busy. Her contributions to the business led to a greater understanding of an individual's welfare in the work world. This becamme a key idea to increasing productivity through scientific management techniques.

Working together, the couple became leaders in the new field of scientific management. They published books, gave lectures, and raised tweleve children together: Anne, Mary (1906--912), Ernestine, Martha, Frank Jr., William, Lillian, Frederick, Daniel, John, Robert and Jane. Some of Gilbreth's books include Fields System (1908); Concrete System (1908); Bricklaying System (1909; Motion Study (1911); and Primer of Scientific Management (1911). Gilbreth co-authored with Lillian: Time Study (1916); Fatigue Study (1916); Applied Motion Study (1917); and Motion Study for the Handicapped (1919).

It wasn't long before Gilbreth moved away from construction. Together with his wife, they focused on the link between psychology and motion. With her strong psychological background, and his interest in efficiency, the Gilbreth's opened the School of Scientific Management in 1913. The school was in session for four years. Numerous professional attended the school, and soon the Gilbreth's had established a reputation as consultant's to the new field of scientific management.

In 1912, Frank won a contract with the New England Butt Company in Providence, Rhode Island. There he installed his system of scientific management in a factory setting for the first time. Contracts with the Hermann-Aukam handkerchief manufacturing company in New Jersey and the Auergessellschaft Company in Germany followed. Using motion study, Gilbreth studied and reoganized the factories, attempting to find "the one best way" to do work.

Gilbreth traveled to Germany to continue his work was a scientific manager. He visited factories and hospitals, working to improve procedures and eliminate waste. Using micro-motion study and the chronocyclegraph procedure, he analyzed and dissected motion, discovering therblings, the seventeen fundamental units of any motion. World War I slowed Gilbreth's progress abroad, so he focused his consulting business on firms n the United States.

After World War I, Gilbreth's business thrived. in 1920, the American Society of Mechanical Engineers instituted its Management Division, something Gilbreth had been demanding for years. He was now a famous American engineer, gaining financial rewards as as professional honors.

Frank Gilbreth died suddenly of a heart attack on June 14, 1924, still in the middle of three contracts. He was honored after his death in 1944 by the American Society of Engineers and the American Management Association with the Gant Gold Medal. After Frank's death, Lillian moved the family to California where she continued to work on efficiency and health in industry issues. She was a respected buiness woman and was hired by several companies to train employees, study working conditions, and reduce fatigue. She lectured at several universities (Newark College of Engineering and the University of Wisconsin), and joined the faculty at Purdue University in 1935 as the first woman professor in the engineering school.

Frank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by Frank Jr. and Ernestine Gilbreth Carey.

Related Materials:

Material in Other Institutions

Purdue University, Archives and Special Collections

Frank and Lillian Gilbreth papers, 1869-2000

The Gilbreth Papers documents the professional and personal lives of Frank Gilbreth and Lillian Gilbreth. The collection consists of personal papers, letters, correspondence, photographs, and other memorabilia that Lillian Gilbreth collected during her life regarding her youth, marriage, family, and career.

Collection of materials related to Lillian Gilbreth, 1964-2006

One folder of items relating to the life of Lillian Gilbreth, and her family, collected by her granddaughter, Lillian (Jill) Barley and Nancy Weston. Materials include clippings relating to the Lillian Gilbreth postage stamp (1984); obituaries and memorial programs for Peter Barney, Ernestine Carey, Lillian Gilbreth, Anne Gilbreth Barney, Charles Carey, and Frank Gilbreth Jr.; programs and photographs relating to Lillian Gilbreth's visit to Athens in 1964; and biographical information on Lillian Gilbreth.

Cornell University, Kheel Center for Labor-Management Documentation and Archives

Frank Gilbreth Papers on Microfilm, Collection Number: 5424 mf

Selected papers pertaining to industrial engineering. Original materials are held by Purdue University. Microfilm copied purchased from Purdue University in April 1968.

Provenance:

The collection materials were donated by several individuals: New Jersey Institute of Technology (1975); Frank B. Gilbreth, Jr., (1980); Ernestine Gilbreth Carey (1995); Daniel B. Gilbreth (1998); and James Secor Perkins in 2001.

Restrictions:

Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Series 2: Glass Stereo Slides are restricted. Boxes 3-9 were digitized in 2021. Researchers must use digital copies. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Motion study  Search this

Machinery industry  Search this

Machine shops  Search this

Industrial management  Search this

Industrial films  Search this

Industrial engineering  Search this

Genre/Form:

Videotapes

BetaCam SP (videotape format)

Motion pictures (visual works) -- 1930-1950

Citation:

Frank and Lillian Gilbreth Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0803

See more items in:

Frank and Lillian Gilbreth Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a48e652d-6387-4a23-98c0-299772c454d5

EDAN-URL:

ead_collection:sova-nmah-ac-0803

Maker:

Cornell, Silas  Search this

Erastus Darrow & Brother  Search this

Physical Description:

paper (overall material)

aluminum (overall material)

Measurements:

average spatial: 24.2 cm; 9 17/32 in

overall: 16 1/8 in x 11 1/2 in; 40.9575 cm x 29.21 cm

Object Name:

globe

Place made:

United States: Massachusetts, Boston

United States: New York, Rochester

Associated place:

United States: Illinois, Chicago

Date made:

mid 19th century

Subject:

Geography  Search this

ID Number:

1986.0820.01

Catalog number:

1986.0820.01

Accession number:

1986.0820

See more items in:

Medicine and Science: Physical Sciences

Globes

Measuring & Mapping

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a8-fc8d-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1064464

Collection Creator:

Junkin, Hattie Meyers, 1896-1985  Search this

Container:

Box 7, Folder 8

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

See more items in:

Hattie Meyers Junkin Papers

Hattie Meyers Junkin Papers / Series 5: George "Buck" Weaver materials

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2a5d88809-3942-422c-8b3e-e94806d33b80

EDAN-URL:

ead_component:sova-nasm-xxxx-0171-ref175

Collection Creator:

Ya-Ching, Lee  Search this

Container:

Box 12, Folder 2

Type:

Archival materials

Text

Date:

1941

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.

See more items in:

Lee Ya-Ching Papers

Lee Ya-Ching Papers / Series 2: Professional

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2813ffa67-fd67-4bd9-980e-40d4f721e1f9

EDAN-URL:

ead_component:sova-nasm-2008-0009-ref116

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

United Negro College Fund, American, founded 1944  Search this

Billy Dee Williams, American, born 1937  Search this

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

National Urban Affairs Council, American, founded 1971  Search this

National Association of Market Developers, American, founded 1953  Search this

Prince Hall Freemasonry, founded 1784  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Harold Washington, American, 1922 - 1987  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National Medical Association, American, founded 1895  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Morehouse College, American, founded 1867  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Carats, Inc., American, founded 1959  Search this

National Bar Association, American, founded 1925  Search this

National Urban League, American, founded 1910  Search this

African Methodist Episcopal Church, American, founded 1816  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Shriners International, American, founded 1870  Search this

Delta Sigma Theta Sorority, American, founded 1913  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

National Pharmaceutical Association, American, founded 1947  Search this

National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

Arthur Ashe Jr., American, 1943 - 1993  Search this

Association for the Study of African American Life and History, American, founded 1915  Search this

People United to Save Humanity, American, founded 1971  Search this

369th Veterans Association, American  Search this

Eubie Blake, American, 1887 - 1983  Search this

Dance Theatre of Harlem, American, founded 1969  Search this

National Coalition of 100 Black Women, American, founded 1981  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Bahamas, Caribbean, North and Central America

Houston, Harris County, Texas, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Date:

1983

Topic:

African American  Search this

Advertising  Search this

African Methodist Episcopal  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Methodist  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

The Black Church  Search this

Travel  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.17

Restrictions & Rights:

Public domain

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd516419a20-d7d3-4570-a5c9-78bd4c89cfee

EDAN-URL:

edanmdm:nmaahc_2012.167.17

Published by:

Alan Bell, American  Search this

Edited by:

Alan Bell, American  Search this

Subject of:

Nedra Johnson  Search this

Dionne Freeney  Search this

AIDS Coalition To Unleash Power, American, founded 1987  Search this

National LGBTQ Task Force, American, founded 1974  Search this

National Association of Black and White Men Together, American, founded 1980  Search this

Grupo Gay da Bahía, Brazilian, founded 1980  Search this

Lavender Light, American, founded 1985  Search this

Unity Fellowship Church, American, founded 1982  Search this

Rev. Carl Bean, American, 1944 - 2021  Search this

Jewel Thais-Williams, American  Search this

Jewel's Catch One, American, founded 1973  Search this

Keith St. John, American, born 1957  Search this

Sgt. Perry Watkins, American, 1948 - 1996  Search this

David N. Dinkins, American, born 1927  Search this

Simon Nkoli, South African, 1957 - 1998  Search this

Gay and Lesbian Organization of Witwatersrand, South African, 1988 - 1997  Search this

Minority AIDS Project, American, founded 1985  Search this

Gilberto Gerald, Panamanian American, born 1950  Search this

Reggie Williams, American, 1951 - 1999  Search this

National Task Force on AIDS Prevention, American, 1985 - 1998  Search this

Audre Lorde, American, 1934 - 1992  Search this

Pat Norman, American, born 1939  Search this

Nelson Mandela, South African, 1918 - 2013  Search this

Whoopi Goldberg, American, born 1955  Search this

Larry Saxxon, American  Search this

Cleo Manago, American, born 1963  Search this

Congressional Black Caucus, American, founded 1971  Search this

Marlon Riggs, American, 1957 - 1994  Search this

Eldridge Cleaver, American, 1935 - 1998  Search this

James Baldwin, American, 1924 - 1987  Search this

Professor Griff, American, born 1960  Search this

Public Enemy, American, founded 1982  Search this

Heavy D & the Boyz, American, founded 1987  Search this

Malcolm X, American, 1925 - 1965  Search this

2 Live Crew, American, 1985 - 2014  Search this

Audio Two, American, 1987 - 1992  Search this

Rep. Maxine Waters, American, born 1938  Search this

Little Richard, American, 1932 - 2020  Search this

Sabrina Sojourner, American, born 1952  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W x D: 10 13/16 × 8 1/4 × 1/8 in. (27.4 × 20.9 × 0.3 cm)

Type:

magazines (periodicals)

Place made:

Los Angeles, Los Angeles County, California, United States, North and Central America

Place depicted:

Washington, District of Columbia, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Boston, Suffolk County, Massachusetts, United States, North and Central America

New York City, New York, United States, North and Central America

Philadelphia, Philadelphia County, Pennsylvania, United States, North and Central America

Portsmouth, Rockingham County, New Hampshire, United States, North and Central America

Galesburg, Knox County, Illinois, United States, North and Central America

Indianapolis, Marion County, Indiana, United States, North and Central America

San Francisco, San Francisco county, California, United States, North and Central America

Los Angeles, Los Angeles County, California, United States, North and Central America

Oakland, Alameda County, California, United States, North and Central America

Boise, Ada County, Idaho, United States, North and Central America

Johannesburg, Gauteng, South Africa, Africa

Date:

July 1990

Topic:

African American  Search this

Activism  Search this

Black Press  Search this

Christianity  Search this

Communities  Search this

Families  Search this

Gender  Search this

Health  Search this

Holidays and festivals  Search this

Identity  Search this

International affairs  Search this

Labor  Search this

LGBTQ  Search this

Literature  Search this

Mass media  Search this

Men  Search this

Race discrimination  Search this

Race relations  Search this

Resistance  Search this

Sexuality  Search this

U.S. History, 1969-2001  Search this

Violence  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Alan Bell

Object number:

2018.108.20

Restrictions & Rights:

© BLK Publishing Company, Inc.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Movement:

African American - Latinx Solidarity

HIV/AIDS Activist Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd590ceca58-ca06-434a-9370-641efedc3296

EDAN-URL:

edanmdm:nmaahc_2018.108.20