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Cleve Gray papers, 1933-2005

Creator:
Gray, Cleve, 1918-2004  Search this
Subject:
Richter, Hans  Search this
Marin, John  Search this
Lipchitz, Jacques  Search this
Pollock, Jackson  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Duchamp, Marcel  Search this
Dillenberger, Jane  Search this
Gabo, Naum  Search this
Ernst, Jimmy  Search this
Davis, Jim  Search this
Calder, Alexander  Search this
Barzun, Jacques  Search this
Weber, Nicholas Fox  Search this
Smith, David  Search this
Villon, Jacques  Search this
Pratt Institute  Search this
Rhode Island School of Design  Search this
Neuberger Museum of Art  Search this
Jacques Seligmann & Co  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Princeton University  Search this
Berry-Hill Galleries  Search this
Type:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9567
(DSI-AAA_SIRISBib)211768
AAA_collcode_grayclev
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211768
Online Media:

Ashley Bryan

Artist:
Philip Grausman, born 16 Jul 1935  Search this
Sitter:
Ashley Bryan, 13 Jul 1923 - 4 Feb 2022  Search this
Medium:
Pewter sculpture
Dimensions:
Without Base: 35.6 × 25.4 × 26.7 cm (14 × 10 × 10 1/2")
Base: 8.3 × 17.1 cm (3 1/4 × 6 3/4")
Type:
Sculpture
Place:
United States\Connecticut\Litchfield\Washington
Date:
1973-74
Topic:
Personal Attribute\Facial Hair  Search this
Sculpture  Search this
Personal Attribute\Hairstyle\Afro  Search this
Ashley Bryan: Male  Search this
Ashley Bryan: Literature\Writer\Poet  Search this
Ashley Bryan: Visual Arts\Artist\Illustrator  Search this
Ashley Bryan: Visual Arts\Artist\Glass artist\Stained glass artist  Search this
Ashley Bryan: Literature\Author  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the artist
Object number:
NPG.2021.42
Restrictions & Rights:
Usage conditions apply
Copyright:
© Philip Grausman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44ac5e11b-b75f-4a40-988c-2a59ff6f3825
EDAN-URL:
edanmdm:npg_NPG.2021.42
Online Media:

V-Mail facsimile letter

Associated Person:
Rev. Floyd S. Leach  Search this
Medium:
photograph (black and white)
Dimensions:
Height x Width: 5 3/16 x 4 1/4 in. (13.18 x 10.8 cm)
Type:
Covers & Associated Letters
Place of Origin:
BELGIUM (constitutional monarchy)
Place of Destination:
Connecticut
Place:
United States of America
Date:
February 24, 1945
Associated Event:
World War II  Search this
Topic:
World War II (1939-1945)  Search this
Floyd S. Leach Collection  Search this
Object number:
0.260305.49.13.2
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8b47c6d5e-faf2-4d67-b7f8-5edafb75effa
EDAN-URL:
edanmdm:npm_0.260305.49.13.2
Online Media:

Scene at the Signing of the Constitution

Artist:
Howard Chandler Christy, 10 Jan. 1872 - 3 Mar. 1952  Search this
Howard Chandler Christy, 10 Jan. 1872 - 3 Mar. 1952  Search this
Sitter:
Abraham Baldwin, 22 Nov 1754 - 4 Mar 1807  Search this
Richard Bassett, 2 Apr 1745 - 16 Aug 1815  Search this
Gunning Bedford, Jr., 1747 - 1812  Search this
John Blair Jr., 1732 - 1800  Search this
William Blount, 1749 - 1800  Search this
David Brearly, 1745 - 1790  Search this
Jacob Broom, 1752 - 1810  Search this
Pierce Butler, 1744 - 1822  Search this
Daniel Carroll, 1730 - 1796  Search this
George Clymer, 16 Mar 1739 - 25 Jan 1813  Search this
Jonathan Dayton, 1760 - 1824  Search this
John Dickinson, 8 Nov 1732 - 14 Feb 1808  Search this
William Few, 1748 - 1828  Search this
Thomas Fitzsimons, 1741 - 1811  Search this
Benjamin Franklin, 17 Jan 1706 - 17 Apr 1790  Search this
Nicholas Gilman, 1755 - 1814  Search this
Nathaniel Gorham, 1738 - 1796  Search this
Alexander Hamilton, 11 Jan 1757 - 11 Jul 1804  Search this
Jared Ingersoll, 1749 - 1822  Search this
William Jackson, 1759 - 1828  Search this
Daniel of St. Thomas Jenifer, 1723 - 16 Nov 1790  Search this
William Samuel Johnson, 7 Oct 1727 - 14 Nov 1819  Search this
Rufus King, 24 Mar 1755 - 29 Apr 1827  Search this
Howard Chandler Christy, 10 Jan. 1872 - 3 Mar. 1952  Search this
John Langdon, 1741 - 1819  Search this
William Livingston, 1723 - 1790  Search this
James Madison, 16 Mar 1751 - 28 Jun 1836  Search this
James McHenry, 1753 - 1816  Search this
Thomas Mifflin, 1744 - 1800  Search this
Gouverneur Morris, 31 Jan 1752 - 6 Nov 1816  Search this
Robert Morris, 31 Jan 1734 - 8 May 1806  Search this
William Paterson, 1745 - 1806  Search this
Charles Cotesworth Pinckney, 25 Feb 1746 - 25 Aug 1825  Search this
George Read, 18 Sep 1733 - 21 Sep 1798  Search this
John Rutledge, 1739 - 18 Jul 1800  Search this
Roger Sherman, c. 19 Apr 1721 - 23 Jul 1793  Search this
Richard Dobbs Spaight, 1758 - 1802  Search this
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Hugh Williamson, 5 Dec 1735 - 22 May 1819  Search this
James Wilson, 14 Sep 1742 - 21 Aug 1798  Search this
Medium:
Oil on canvas
Dimensions:
600cm x 900cm (236 1/4" x 354 5/16"), Sight
Type:
Painting
Date:
1940
Topic:
William Jackson: Male  Search this
William Jackson: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
William Jackson: Politics and Government\Public official\Secretary  Search this
Thomas Mifflin: Male  Search this
Thomas Mifflin: Business and Finance\Businessperson  Search this
Thomas Mifflin: Politics and Government\Statesman\Signer of Constitution  Search this
Thomas Mifflin: Politics and Government\Governor\Pennsylvania  Search this
Jared Ingersoll: Male  Search this
Jared Ingersoll: Law and Law Enforcement\Lawyer  Search this
Jared Ingersoll: Politics and Government\US Attorney  Search this
Jared Ingersoll: Politics and Government\Statesman\Signer of Constitution  Search this
Jared Ingersoll: Politics and Government\State Attorney General\Pennsylvania  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Charles Cotesworth Pinckney: Male  Search this
Charles Cotesworth Pinckney: Law and Law Enforcement\Lawyer  Search this
Charles Cotesworth Pinckney: Politics and Government\Presidential candidate  Search this
Charles Cotesworth Pinckney: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
Charles Cotesworth Pinckney: Politics and Government\Diplomat  Search this
Charles Cotesworth Pinckney: Military and Intelligence\Army\Officer\General  Search this
Charles Cotesworth Pinckney: Politics and Government\Diplomat\Minister  Search this
Charles Cotesworth Pinckney: Politics and Government\US Congressman\South Carolina  Search this
Charles Cotesworth Pinckney: Politics and Government\Governor\South Carolina  Search this
Charles Cotesworth Pinckney: Politics and Government\Statesman\Signer of Constitution  Search this
Charles Cotesworth Pinckney: Politics and Government\State Senator\South Carolina  Search this
Charles Cotesworth Pinckney: Military and Intelligence\Prisoner of War  Search this
James Madison: Male  Search this
James Madison: Law and Law Enforcement\Lawyer  Search this
James Madison: Politics and Government\State Legislator\Virginia  Search this
James Madison: Politics and Government\Congressman\Continental congressman  Search this
James Madison: Politics and Government\President of US  Search this
James Madison: Politics and Government\Cabinet member\Secretary of State  Search this
James Madison: Literature\Writer\Essayist  Search this
James Madison: Politics and Government\US Congressman\Virginia  Search this
James Madison: Politics and Government\Statesman\Signer of Constitution  Search this
Robert Morris: Male  Search this
Robert Morris: Politics and Government\Congressman\Continental congressman  Search this
Robert Morris: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
Robert Morris: Business and Finance\Financier  Search this
Robert Morris: Business and Finance\Businessperson\Merchant\Shipping  Search this
Robert Morris: Politics and Government\State Legislator\Pennsylvania  Search this
Robert Morris: Politics and Government\Statesman\Signer of Constitution  Search this
William Livingston: Male  Search this
William Livingston: Law and Law Enforcement\Lawyer  Search this
William Livingston: Politics and Government\Governor\New Jersey  Search this
William Livingston: Politics and Government\Statesman\Signer of Constitution  Search this
William Livingston: Natural Resource Occupations\Agriculturist\Farmer\Gentleman  Search this
Rufus King: Male  Search this
Rufus King: Politics and Government\State Legislator\New York  Search this
Rufus King: Politics and Government\US Senator\New York  Search this
Rufus King: Law and Law Enforcement\Lawyer  Search this
Rufus King: Politics and Government\Diplomat\Minister  Search this
Rufus King: Politics and Government\Statesman\Signer of Constitution  Search this
Rufus King: Politics and Government\Vice-Presidential Candidate  Search this
Nicholas Gilman: Male  Search this
Nicholas Gilman: Politics and Government\Congressman\Continental congressman  Search this
Nicholas Gilman: Politics and Government\US Senator\New Hampshire  Search this
Nicholas Gilman: Politics and Government\Statesman\Signer of Constitution  Search this
Nicholas Gilman: Politics and Government\US Congressman\New Hampshire  Search this
Nicholas Gilman: Politics and Government\Public official\Treasurer  Search this
John Langdon: Male  Search this
John Langdon: Politics and Government\Congressman\Continental congressman  Search this
John Langdon: Politics and Government\Governor\New Hampshire  Search this
John Langdon: Politics and Government\US Senator\New Hampshire  Search this
John Langdon: Politics and Government\Statesman\Signer of Constitution  Search this
George Clymer: Male  Search this
George Clymer: Politics and Government\Congressman\Continental congressman  Search this
George Clymer: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
George Clymer: Politics and Government\US Congressman\Pennsylvania  Search this
George Clymer: Business and Finance\Banker  Search this
George Clymer: Business and Finance\Businessperson\Merchant  Search this
George Clymer: Politics and Government\Statesman\Signer of Constitution  Search this
John Rutledge: Male  Search this
John Rutledge: Politics and Government\Statesman\Signer of Constitution  Search this
John Rutledge: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice\Chief Justice of US  Search this
David Brearly: Male  Search this
David Brearly: Politics and Government\Statesman\Signer of Constitution  Search this
Jacob Broom: Male  Search this
Jacob Broom: Business and Finance\Businessperson\Real estate agent  Search this
Jacob Broom: Law and Law Enforcement\Justice of the Peace  Search this
Jacob Broom: Politics and Government\Statesman\Signer of Constitution  Search this
Jacob Broom: Politics and Government\State Legislator\Maryland  Search this
Jacob Broom: Business and Finance\Businessperson\Shipping  Search this
Jacob Broom: Politics and Government\Government official\Postmaster  Search this
Thomas Fitzsimons: Male  Search this
John Blair Jr.: Male  Search this
John Blair Jr.: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice  Search this
John Blair Jr.: Law and Law Enforcement\Jurist  Search this
John Blair Jr.: Politics and Government\Statesman\Signer of Constitution  Search this
William Blount: Male  Search this
William Blount: Politics and Government\US Senator\Tennessee  Search this
William Blount: Natural Resource Occupations\Agriculturist\Planter  Search this
William Blount: Politics and Government\Statesman\Signer of Constitution  Search this
William Blount: Business and Finance\Land speculator  Search this
Abraham Baldwin: Male  Search this
Abraham Baldwin: Politics and Government\US Congressman\Georgia  Search this
Abraham Baldwin: Politics and Government\US Senator\Georgia  Search this
Abraham Baldwin: Politics and Government\Statesman\Signer of Constitution  Search this
Abraham Baldwin: Education and Scholarship\Founder\University  Search this
Richard Bassett: Male  Search this
Richard Bassett: Law and Law Enforcement\Judge  Search this
Richard Bassett: Politics and Government\Governor\Delaware  Search this
Hugh Williamson: Male  Search this
Hugh Williamson: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
Hugh Williamson: Politics and Government\Congressman\Continental congressman  Search this
Hugh Williamson: Medicine and Health\Physician  Search this
Hugh Williamson: Politics and Government\Statesman\Signer of Constitution  Search this
Hugh Williamson: Politics and Government\Patriot  Search this
Hugh Williamson: Medicine and Health\Medical Scientist  Search this
Hugh Williamson: Politics and Government\US Congressman\North Carolina  Search this
Pierce Butler: Male  Search this
Pierce Butler: Natural Resource Occupations\Agriculturist\Planter  Search this
Pierce Butler: Politics and Government\Statesman\Signer of Constitution  Search this
Pierce Butler: Politics and Government\US Senator\South Carolina  Search this
James McHenry: Male  Search this
James McHenry: Politics and Government\Statesman\Signer of Constitution  Search this
James McHenry: Politics and Government\State Senator\Maryland  Search this
James McHenry: Medicine and Health\Physician\Army\Surgeon  Search this
Benjamin Franklin: Male  Search this
Benjamin Franklin: Literature\Writer  Search this
Benjamin Franklin: Politics and Government\Statesman\Colonial statesman  Search this
Benjamin Franklin: Politics and Government\Congressman\Continental congressman  Search this
Benjamin Franklin: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
Benjamin Franklin: Science and Technology\Scientist  Search this
Benjamin Franklin: Politics and Government\Diplomat  Search this
Benjamin Franklin: Society and Social Change\Philanthropist  Search this
Benjamin Franklin: Science and Technology\Inventor  Search this
Benjamin Franklin: Crafts and Trades\Printer  Search this
Benjamin Franklin: Politics and Government\Government official\Postmaster  Search this
William Few: Male  Search this
William Few: Politics and Government\State Legislator\New York  Search this
William Few: Military and Intelligence\Soldier\Revolution  Search this
William Few: Law and Law Enforcement\Judge  Search this
William Few: Society and Social Change\Philanthropist  Search this
William Few: Politics and Government\Statesman\Signer of Constitution  Search this
William Few: Politics and Government\State Senator\Georgia  Search this
William Few: Business and Finance\Businessperson\Business executive\Banking  Search this
Nathaniel Gorham: Male  Search this
Nathaniel Gorham: Business and Finance\Businessperson  Search this
Nathaniel Gorham: Politics and Government\Congressman\Continental congressman  Search this
Nathaniel Gorham: Politics and Government\Statesman\Signer of Constitution  Search this
Nathaniel Gorham: Business and Finance\Land speculator  Search this
Gunning Bedford, Jr.: Male  Search this
Gunning Bedford, Jr.: Politics and Government\Congressman\Continental congressman  Search this
Gunning Bedford, Jr.: Law and Law Enforcement\Judge  Search this
Gunning Bedford, Jr.: Law and Law Enforcement\Jurist  Search this
Gunning Bedford, Jr.: Politics and Government\Statesman\Signer of Constitution  Search this
Gunning Bedford, Jr.: Politics and Government\State Attorney General\Delaware  Search this
Richard Dobbs Spaight: Male  Search this
Richard Dobbs Spaight: Politics and Government\Statesman\Signer of Constitution  Search this
Roger Sherman: Male  Search this
Roger Sherman: Law and Law Enforcement\Lawyer  Search this
Roger Sherman: Politics and Government\Congressman\Continental congressman  Search this
Roger Sherman: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
Roger Sherman: Business and Finance\Businessperson\Merchant  Search this
Roger Sherman: Law and Law Enforcement\Justice of the Peace  Search this
Roger Sherman: Politics and Government\Statesman\Signer of Constitution  Search this
Roger Sherman: Society and Social Change\Reformer\Revolutionary  Search this
Roger Sherman: Crafts and Trades\Cobbler  Search this
Roger Sherman: Politics and Government\Public official\Mayor\New Haven, CT  Search this
John Dickinson: Male  Search this
John Dickinson: Law and Law Enforcement\Lawyer  Search this
John Dickinson: Literature\Writer  Search this
John Dickinson: Politics and Government\Congressman\Continental congressman  Search this
John Dickinson: Politics and Government\State Legislator\Pennsylvania  Search this
John Dickinson: Politics and Government\Statesman\Signer of Constitution  Search this
John Dickinson: Politics and Government\State Legislator\Delaware  Search this
John Dickinson: Politics and Government\US Congressman\Delaware  Search this
Alexander Hamilton: Male  Search this
Alexander Hamilton: Law and Law Enforcement\Lawyer  Search this
Alexander Hamilton: Literature\Writer  Search this
Alexander Hamilton: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
Alexander Hamilton: Politics and Government\Cabinet member\Secretary of Treasury  Search this
Alexander Hamilton: Politics and Government\Congressman\Continental congressman  Search this
Jonathan Dayton: Male  Search this
Jonathan Dayton: Law and Law Enforcement\Lawyer  Search this
Jonathan Dayton: Politics and Government\US Congressman\New Jersey  Search this
Jonathan Dayton: Politics and Government\US Senator\New Jersey  Search this
Jonathan Dayton: Politics and Government\Statesman\Signer of Constitution  Search this
Jonathan Dayton: Business and Finance\Land speculator  Search this
Gouverneur Morris: Male  Search this
Gouverneur Morris: Politics and Government\US Senator\New York  Search this
Gouverneur Morris: Law and Law Enforcement\Lawyer  Search this
Gouverneur Morris: Politics and Government\Congressman\Continental congressman  Search this
Gouverneur Morris: Politics and Government\Diplomat\Minister  Search this
Howard Chandler Christy: Visual Arts\Artist  Search this
Howard Chandler Christy: Male  Search this
Howard Chandler Christy: Visual Arts\Artist\Painter  Search this
Howard Chandler Christy: Visual Arts\Artist\Illustrator  Search this
Howard Chandler Christy: Visual Arts\Artist\Painter\Muralist  Search this
Daniel Carroll: Male  Search this
Daniel Carroll: Politics and Government\Congressman\Continental congressman  Search this
Daniel Carroll: Natural Resource Occupations\Agriculturist\Planter  Search this
Daniel Carroll: Politics and Government\Statesman\Signer of Constitution  Search this
Daniel Carroll: Politics and Government\US Senator\Maryland  Search this
William Samuel Johnson: Male  Search this
William Samuel Johnson: Law and Law Enforcement\Lawyer  Search this
William Samuel Johnson: Politics and Government\Congressman\Continental congressman  Search this
William Samuel Johnson: Law and Law Enforcement\Judge  Search this
William Samuel Johnson: Politics and Government\US Senator\Connecticut  Search this
William Samuel Johnson: Education and Scholarship\Administrator\College administrator\President  Search this
William Samuel Johnson: Politics and Government\Statesman\Signer of Constitution  Search this
James Wilson: Male  Search this
James Wilson: Law and Law Enforcement\Lawyer  Search this
James Wilson: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
James Wilson: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice  Search this
James Wilson: Law and Law Enforcement\Jurist  Search this
James Wilson: Politics and Government\Statesman\Signer of Constitution  Search this
William Paterson: Male  Search this
William Paterson: Law and Law Enforcement\Judge\Justice\US Supreme Court Justice  Search this
William Paterson: Politics and Government\Governor\New Jersey  Search this
William Paterson: Politics and Government\Statesman\Signer of Constitution  Search this
William Paterson: Politics and Government\State Senator\New Jersey  Search this
Daniel of St. Thomas Jenifer: Male  Search this
Daniel of St. Thomas Jenifer: Politics and Government\Congressman\Continental congressman  Search this
Daniel of St. Thomas Jenifer: Politics and Government\US Congressman\Maryland  Search this
Daniel of St. Thomas Jenifer: Politics and Government\Statesman\Signer of Constitution  Search this
Daniel of St. Thomas Jenifer: Society and Social Change\Reformer\Revolutionary  Search this
George Read: Male  Search this
George Read: Law and Law Enforcement\Lawyer  Search this
George Read: Politics and Government\Congressman\Continental congressman  Search this
George Read: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
George Read: Law and Law Enforcement\Judge\Justice\State Supreme Court Justice\Delaware  Search this
George Read: Politics and Government\Statesman\Signer of Constitution  Search this
George Read: Politics and Government\State Senator\Delaware  Search this
Portrait  Search this
Credit Line:
Owner: U.S. Capitol
Object number:
DC230429
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ca7267d3-6e6b-4e3a-ae05-e605afc5e83d
EDAN-URL:
edanmdm:npg_DC230429

Samuel Huntington

Artist:
B. B. Ellis  Search this
Copy after:
Pierre Eugène Du Simitière, c. 1736 - 1784  Search this
Sitter:
Samuel Huntington, 3 Jul 1731 - 5 Jan 1796  Search this
Medium:
Stipple engraving on paper
Dimensions:
Image: 11.1 x 9.2 cm (4 3/8 x 3 5/8")
Sheet: 26 x 20.3 cm (10 1/4 x 8")
Type:
Print
Date:
1783
Topic:
Illustration  Search this
Samuel Huntington: Male  Search this
Samuel Huntington: Law and Law Enforcement\Lawyer  Search this
Samuel Huntington: Politics and Government\Congressman\Continental congressman  Search this
Samuel Huntington: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
Samuel Huntington: Politics and Government\Governor\Connecticut  Search this
Samuel Huntington: Law and Law Enforcement\Jurist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.75.75
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm404bf7b0c-9059-4ecf-8026-fde2b83fe0c9
EDAN-URL:
edanmdm:npg_NPG.75.75
Online Media:

Jacob Kainen papers

Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Names:
Addison Gallery of American Art  Search this
Australian National Gallery  Search this
Baltimore Museum of Art  Search this
British Museum  Search this
Brooklyn Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran School of Art (Washington, D.C.)  Search this
Middendorf Gallery  Search this
National Gallery of Art (U.S.)  Search this
Smithsonian American Art Museum  Search this
Acton, David, 1953-  Search this
Agee, William C.  Search this
Berman, Avis  Search this
Broun, Elizabeth  Search this
Butler, Bryce  Search this
Cole, Phoebe  Search this
Fine, Ruth, 1941-  Search this
Fort Wayne Museum of Art  Search this
Frohlich, Newton, 1936-  Search this
Gilkey, Gordon  Search this
Gorky, Arshile, 1904-1948  Search this
Halasz, Piri  Search this
Harrison, Carol  Search this
Holden, Donald  Search this
Holladay, Wilhelmina Cole, 1922-  Search this
Hopps, Walter  Search this
Jackson, John Baptist, 1701-1780?  Search this
Jordon, Jim  Search this
Kalonyme, Louis  Search this
Lunn, Harry, 1933-1998  Search this
Morse, Peter  Search this
Nordland, Gerald  Search this
O'Connor, Francis V.  Search this
Pollack, Jerome  Search this
Powell, Richard J., 1953-  Search this
Purcell, Ann  Search this
Rand, Harry  Search this
Reynolds, Jock  Search this
Ries, Martin, 1926-  Search this
Solman, Joseph, 1909-2008  Search this
Steinberg, Leo  Search this
Taylor, Joshua Charles, 1917-  Search this
Taylor, Prentiss, 1907-1991  Search this
Tejera, V. ((Victorino))  Search this
Thornton, Valerie  Search this
Weber, Joanne  Search this
Extent:
33.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Date:
1905-2009
bulk 1940-2001
Summary:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.
Scope and Content Note:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen.

Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members.

Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.

The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students.

There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.

Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.
Arrangement:
The Jacob Kainen papers are arranged into 11 series.

Missing Title

Series 1: Biographical Material, 1938-2001 (Boxes 1, 32; 0.8 linear feet)

Series 2: Correspondence/Subject Files, 1936-2003 (Boxes 1-12, 32-33; 11.8 linear feet)

Series 3: Writings, circa 1920s-2002 (Boxes 12-13, 33; 1.6 linear feet)

Series 4: Diaries, circa 1952-2002 (Boxes 13-18, 33-38; 10.0 linear feet)

Series 5: Calendars, 1953-2008 (Boxes 18-20, 38; 1.7 linear feet)

Series 6: Transcripts, circa 1975-1994 (Boxes 20-21, 38; 1.4 linear feet)

Series 7: Inventories, 1927-2001 (Boxes 21-22; 1.0 linear feet)

Series 8: Printed Material, 1938-2003 (Box 22, 38, OV 31; 0.6 linear feet)

Series 9: Photographs, 1905-2000 (Boxes 22-25, 38, OV 31; 3.3 linear feet)

Series 10: Works of Art by Others, 1942-2000 (Boxes 25-26, OV 31; 1.2 linear foot)

Series 11: Scrapbooks, 1936-1998 (Boxes 27-30, 38; 1.3 linear feet)
Biographical Note:
Jacob Kainen (1909-2001) was a painter, printmaker, and curator who worked primarily in Washington, D.C.

Born on December 7, 1909 in Waterbury, Connecticut, Jacob Kainen moved with his family to New York City in 1918. Kainen studied at the Pratt Institute in Brooklyn from 1927 until 1930, and at the Art Student's League. In the early 1930s, Kainen became involved in social causes and formed close friendships with the early abstractionists, including John Graham, Arshile Gorky, and Stuart Davis. He joined the Artists' Union and a contributor to its journal, Art Front, along with Stuart Davis and Harold Rosenberg. Jacob's participation in the Artists' Union was later investigated by the FBI.

From 1935 until 1942, Kainen worked for the Graphic Arts Division of the Works Progress Administration in New York City and began exhibiting with the New York School. It was during this period that he married Bertha Friedman. Jacob and Bertha had two sons together, Dan and Paul, and divorced in 1968.

In 1942, Kainen made a life-changing decision to leave New York City and move to Washington, D.C. to accept what he thought would be a temporary position as a scientific aide in the Division of Graphic Arts at the Smithsonian Institution. Kainen quickly became Assistant Curator and Curator in 1946. He served as Curator for twenty years, completely reshaping the department and building the graphic arts collection. His print exhibitions brought the work of S.W. Hayter, Josef Albers, Adja Yunkers, Louis Lozowick, Karl Schrag, José Guerrero, Louis Schanker, Werner Drewes, and Boris Margo to Washington audiences - graphic work that might not have been shown that early in the area.

1947 marked the opening of the Washington Workshop Center for the Arts, where Kainen served as a teacher and guide to several important artists, helping to make the workshop a magnet for new talent and instrumental in furthering the careers of several artists. Although Kainen taught Gene Davis and Alma Thomas and introduced Morris Louis to Leon Berkowitz, he never considered himself a member of the "Washington Color School."

In 1949, the Corcoran Gallery of Art held a retrospective of Kainen's prints and three years later Kenneth Noland organized Kainen's first painting retrospective at Catholic University. Kainen's paintings from the 1940s illustrated a shift away from social realism toward abstract expressionism. In 1956, Jacob Kainen received a grant from the American Philosophical society to conduct research in Europe for his monograph on the English woodcut artist, John Baptist Jackson. He traveled to Europe again in 1962 to study paintings and prints from the Mannerist Period.

From 1966 until 1970, Kainen worked as the Curator of prints and drawings at the National Collection of Fine Arts (now the Smithsonian American Art Museum). He married Ruth Cole in February of 1969. Kainen retired from the Smithsonian a year later to devote himself full-time to his art, but continued to serve as a special consultant to the Smithsonian American Art Museum for nineteen years. In 1971 and 1972, Kainen taught painting and the history of printmaking at the University of Maryland. A retrospective of Kainen's paintings was held in 1993 at the National Museum of American Art (SAAM).

Throughout his artistic career, Kainen experimented with different mediums and explored different styles, yet he identified himself as a painter. Jacob Kainen participated in at least twenty-five one man shows and several group exhibitions. His works are in collections across the United States and abroad, including the National Gallery of Art, the Metropolitan Museum of Art, the Art Institute of Chicago, and the British Museum. He worked in his studio up until the time of his death on March 19, 2001 at his home in Chevy Chase, Maryland.
Related Material:
Found among the holdings of the Archives of American Art is an oral history interview of Jacob Kainen conducted by Avis Berman in 1982 for the Archives' "Mark Rothko and His Times" oral history project. Also found are microfilm copies of Bertha Kainen's correspondence with Avis Berman regarding Berman's essay about Jacob Kainen.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 565, 2147-2149, and 2200) including correspondence, writings by Kainen, and papers relating to the Smithsonian Institution Loyalty Board's investigation of Jacob Kainen from 1942-1954. Most, but not all, of the loaned materials were included in later gifts. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Jacob and Ruth Kainen first lent the Archives of American Art material for microfilming from 1973-1981, the bulk of which was included in the later gifts. Papers were then donated in multiple accretions between 1981-2007 by Jacob and Ruth Kainen, and in 2009 from the estate of Ruth Kainen via executor Teresa Covacevich Grana. Also in 2003, eight photographs of Jacob and Ruth Kainen were transferred from the National Portrait Gallery to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Curators -- Washington (D.C.)  Search this
Art teachers -- Washington (D.C.)  Search this
Topic:
Painting, Modern -- Washington (D.C.)  Search this
Painting, Abstract -- Washington (D.C.)  Search this
Artists' studios -- Photographs  Search this
Art -- Collectors and collecting -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kainjaco
See more items in:
Jacob Kainen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974ec158d-d417-4d06-931d-44a4af17ab27
EDAN-URL:
ead_collection:sova-aaa-kainjaco
Online Media:

Warshaw Collection of Business Americana Subject Categories: Railroads

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
1832-1977
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Railroad materials comprise the largest subject category in the Warshaw Collection. These materials document a major industry and important transportation system that was instrumental in the western expansion of the United States. Railroads opened the way for the development of many other industries including mining, farming and manufacturing. The earliest materials document railroad lines operating on the east coast of the United States in the 1830s. The United States did not have the technical and manufacturing capabilities of some of the European nations. Cheaper land for railroad right of way and a government policy that guaranteed loans and provided grants to railroad companies based on the amount of track laid, however, encouraged rapid growth. Railroad companies in turn would sell land to settlers. Materials in this collection include the advertisements created to lure settlers west by promising this cheap and abundant land. The railroads were instrumental in transporting goods from the farm belt to the east coast and to Europe thus making the country a major trading post. Railroads also expedited the movement of troops during the Civil War which was the first war to employ the rails. Later in the century the growth of the far west is facilitated by passenger trains linking east and west. As the rail network became more efficient and capable of transporting raw materials, the United States became a world leader in coal and pig iron production. Evidence of the transporting of goods is found among these materials. The affluence of the late nineteenth century is reflected in the amount of materials in the collection that promoted luxury travel by rail. The rise of great railroad fortunes such as those of Vanderbilt, Harriman and Gould soon followed industry growth, as did scandal and corruption which in turn was followed by government regulation in the form of the Interstate Commerce Act and railroad legislation during Theodore Roosevelt's administration.

The twentieth century witnessed great efficiencies in locomotive car and track design and large increases in freight ton mileage as is reflected in the materials. There was, however, failure or downsizing of many railroad lines. Total passenger mileage declined over the years due to competition from other forms of transportation, the rise of the labor movement, increasing government control, a reduction in profits and the

The material consists primarily of correspondence, reports, patent records, pass books, resort guides, timetables, maps, periodicals, articles, printed advertisements, tickets, photographs, postcards and images from railroad companies. There is also a substantial amount of material from manufacturers and dealers of railroad equipment and supplies and from railroad organizations. Reference materials including articles and periodicals are also included among the materials. The materials are divided into six series.

Railroad Companies forms the largest amount of material in this category. This series is divided into two subseries. Subseries one is American railroad companies and subseries two is foreign companies.

American Companies document transportation service throughout the United States by the railroad lines including Albany and Susquehanna Railroad Company, Northern Railroad Corporation, Concord and Claremont, Contoocook River Railroad, Illinois Central Railroad, New York Central Railroad Company, Baltimore and Ohio Railroad, Sullivan, Central Vermont, Philadelphia and Reading Rail Road Company, Providence and Worcester Railroad Company, Pennsylvania Rail Road Company, Southern Pacific, Vermont Central Railroad Corporation and Union Pacific Railroad. There is a substantial amount of material from each company. The materials are arranged in alphabetical order by the name of the company or railroad line (s).

Foreign Companies includes companies servicing countries outside of the United States. Countries include Canada, England, France, India, Ireland, Scotland, Mexico and Switzerland. The materials are arranged in alphabetical order by the name of the company or railroad line (s).

Manufacturers and Distributors of Railroad Cars, Equipment and Supplies includes scattered correspondence on letterhead stationery, printed advertisements, patents, catalogues, bills and receipts. Many of the companies produced cars for the railroad companies but also supplied equipment and parts. The materials are arranged in alphabetical order by the name of the company.

Organizations, Associations and Clubs includes material from groups that represented the interests of railroad companies, employees and tradesmen. Organizations include American Association of General Passenger and Ticket Agents, American Association of Passenger Traffic Officers, American Association for Railroad and Locomotive History, American Electric Railway Association, American Electric Railway Manufacturers Association, American Electric Railway Transportation and Traffic Association, American Iron and Steel Association, American Railway Association, American Railway Bureau, American Railway Master Mechanics Association, American Street and Interurban Railway Accountants Association, Association of American Railroads, Association of General Freight Agents of New England, Association of Railway Executives, Brotherhood of Locomotive Firemen- Brotherhood of Locomotive Engineers, Brotherhood Railroad Signalmen of America, Brotherhood of Railroad Trainmen, Convention of Railroad Commissioners, Eastern Railroad Association, International Brotherhood of Locomotive Engineers, Master Car Builders' Association, National Association of General Passenger and Ticket Agents, National Council of Traveling Salesmen's Association of America, New England Association of Railroad Superintendents, New England Association of Superintendents of Steam Railways, New England General Ticket and Passenger Agents Association, New England Railroad Club, New England Railway Car Accounting Association, New England Summer Resort Association, North-Western, Railroadmen, Railroadians of America, Railway Business Association, Railway Car Accountants' Association, Railway Clearing House Association, Railway Club of Pittsburgh, Railway Educational Association, Railway Officials of America, Railway Storekeeping Association, Railway and Supplymen's Mutual Catalog Company, South-Western Passenger Association, South-Western Railway Association, Street Railway Association, Terminal Railroad Association of Saint Louis, Train Central Corporation of America, Transcontinental Association, United American Mechanics, United States Railroad Administration, Western Association of General Passenger and Ticket Agents, Western Land Association of Minnesota, Western Railroad Association, Western Railways' Committee on Public Relations, Western States Passenger Association and the Yard Master's Mutual Benefit Association.

Images includes unidentified photographs, postcards, lithographs and sketches of locomotive cars, bridges, tunnels, accidents, collisions, depot stations, equipment, freight and shipping alternatives, Hancock Junction, horse-drawn railroads, memorials featuring trains, menus, tracks, employees working with trains, trademarks, cartoons, caricatures, illustrations from children's books, West Point and the second locomotive built in the United States. The materials that can be identified to a railroad company or line are found in series one. Most of the material are undated and is arranged in alphabetical order by subject.

General Files includes audit reports, Windsor Vermont Convention, income and expense accounts, mortgage bonds, bond offerings, export and import documents, financial records and stock lists, Florence and Keyport Company charter, Interstate Commerce Commission, legal records from states such as Connecticut, District of Columbia, Maine, Maryland, Massachusetts, New Hampshire, New Hampshire, New Jersey, New York, Ohio, Pennsylvania, United States and Vermont patent records, Philadelphia Company balance sheets, Railroad Administration, Rand's Rating Agency, taxation documents, Thompson and Bachedler track and switch specifications, pass, time sheets, freight documents, maps, destination literature, tours, ticket sales, passenger rate sheets, checks, receipts and invoices, tickets, guides, maps, timetables, transportation of freight documents, pass books, passenger proportions, freight rates, free pass policy of numerous railroad companies, freight rates, freight transportation documents for Empire Line Great Western, Great Central, Bitner's Despatch Line, Merchant's Despatch line, National Despatch line, and various companies, time sheets, transportation of freight documents, maps and destination literature, maps and destination literature, map of Great Britain, Dinsmore, map of the United States and Canada Railways, fares and schedules, official documents, special trip offers, tariffs for passengers, freight and grain, tariffs for livestock and merchandise, passenger rate sheets, Walker's Railway tables, baggage checks, checks, receipts and invoices, ticket sales, Dover, ticket agents, tickets,

Publications includes articles, reports, clippings, histories, fiction, periodicals for the railroad trade and general periodicals. The series is divided into three subseries: Subseries 1, Articles, Reports, Clippings, Histories, and Fiction; Subseries 2, Periodicals for the Railroad Trade; Subseries 3, General Periodicals.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Railroads is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Railroads
See more items in:
Warshaw Collection of Business Americana Subject Categories: Railroads
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep860f3e0d4-3fed-46ba-9679-02db5f1c18cc
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-railroads
Online Media:

The Connecticut Settlers, (painting)

Painter:
Pyle, Howard 1853-1911  Search this
Medium:
Oil on canvas
Type:
Paintings
Paintings-Illustration
Date:
Ca. 1902
Topic:
Literature--Scribner's Magazine  Search this
Landscape  Search this
Figure group  Search this
Control number:
IAP 8C110026
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_420089

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Universal Network Television, American, founded 1950  Search this
Alex Haley, American, 1921 - 1992  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Columbia Records, American, founded 1888  Search this
Brown & Williamson, American, born 1894  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Medical Association, American, founded 1895  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
National Urban League, American, founded 1910  Search this
National Dental Association, American, founded 1913  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Medical Association, American, founded 1895  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
President Jimmy Carter, American, born 1924  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League Guild, American, founded 1946  Search this
Tuskegee Airmen, 1941 - 1946  Search this
Congressional Black Caucus, American, founded 1971  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
National Council of Negro Women, founded 1935  Search this
Muhammad Ali, American, 1942 - 2016  Search this
369th Veterans Association, American  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 5/16 in. (27.5 × 21.4 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1977
Topic:
African American  Search this
Advertising  Search this
Aeronautics  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Sports  Search this
Tennis  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.11
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a191f832-64ab-4d62-81fe-a2bc53493bea
EDAN-URL:
edanmdm:nmaahc_2012.167.11
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Ninth Annual Military-Masquerade Ball [Program]

Sponsor:
Company A, 4th Regiment C.N.G  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item (Ink on paper., 7.7" x 10.7".)
Type:
Archival materials
Programs
Place:
Bethel (Conn.)
Connecticut
United States -- History -- Civil War, 1861-1865
Date:
February 5, 1875
Scope and Contents:
Program for the Ninth Annual Military-Masquerade Ball of A. Co. 4th Regt. C.N.G., Friday, February 5, 1875, Fisher's Hall, Bethel, Conn. Cover has illustration of man in dress uniform, standing at attention. Printed in blue, red, and gold.
Local Numbers:
AC0060-0001243a (AC Scan No.: cover and back)

AC0060-0001243b (AC Scan: inside pages)
General:
In Box 2, Folder 25.
Civil War Selections from the Archives Center
Related Materials:
Civil War series, Warshaw Collection of Business Americana
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Military uniforms  Search this
Masquerades  Search this
Civil War, 1861-1865  Search this
Balls (Parties)  Search this
Genre/Form:
Programs
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Civil War
Warshaw Collection of Business Americana Subject Categories: Civil War / Government Records, Business Records, and Other / Civil War
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e67a0b5f-1cbd-44ba-8ac0-e6facc052416
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-civilwar-ref537
Online Media:

Cleve Gray papers

Creator:
Gray, Cleve  Search this
Names:
Berry-Hill Galleries  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Jacques Seligmann & Co  Search this
Neuberger Museum of Art  Search this
Pratt Institute  Search this
Princeton University  Search this
Rhode Island School of Design  Search this
Barzun, Jacques, 1907-  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Jim, 1901-1974  Search this
Dillenberger, Jane  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Jimmy, 1920-1984  Search this
Gabo, Naum, 1890-1977  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marin, John, 1870-1953  Search this
Pollock, Jackson, 1912-1956  Search this
Richter, Hans, 1888-1976  Search this
Smith, David, 1906-1965  Search this
Villon, Jacques, 1875-1963  Search this
Weber, Nicholas Fox, 1947-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Date:
1933-2005
Summary:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
Scope and Content Note:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Among the biographical material are award and membership certificates, biographical notes, and personal documentation.

The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, Threnody, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his Cosmopolitan article "Women-Leaders of Modern Art."

Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology."

Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript Cleve Gray. A significant amount of material relates to three books edited by Gray: David Smith by David Smith: Sculpture and Writings, Hans Richter, and John Marin. Research material survives for an unpublished volume, Naum Gabo. Also included are notes relating to his translation of A l'Infinitif by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock.

Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon).

Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)."

Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award.

The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him.

Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of Photo Abstraction by Gray, circa 1934. Of particular note are photographs of Threnody, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon.

Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio.

Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in David Smith by David Smith: Sculpture and Writings. Also found are small number of negatives and color transparencies.
Arrangement:
The collection is organized into 8 series:

Missing Title

Series 1: Biographical Material, 1943-circa 2001 (Box 1; 0.1 linear ft.)

Series 2: Alphabetical Files, 1936-2005 (Boxes 1-5, 9; 4.3 linear ft.)

Series 3: Writings, 1935-2000 (Boxes 5-6; 0.85 linear ft.)

Series 4: Artwork, circa 1933-1987 (Boxes 6, 9, OV 12; 0.45 linear ft.)

Series 5: Audio/Visual Records, 1971-1989 (Box 6; 0.25 linear ft.)

Series 6: Artifacts, 1957-1999 (Box 6, RD 11; 0.45 linear ft.)

Series 7: Printed Material, 1933-2005 (Boxes 7-8; 1.25 linear ft.)

Series 8: Photographs, circa 1934-2002 (Boxes 8-10; 1.15 linear ft.)
Biographical Note:
Abstract Expressionist painter, sculptor, and writer Cleve Gray (1918-2004) lived and worked in Connecticut where he was politically active in the Vietnam protest movement and other liberal causes.

Born Cleve Ginsberg in New York City (the family changed its name to Gray in 1936), he attended the Ethical Culture School and at a young age developed a fascination with color and paint. At the urging of friends, Cleve's parents allowed him to accompany a school friend for lessons with George Bellows' student Antonia Nell. She encouraged and inspired the young artist, and a still life he painted in her class was shown at the National Academy of Design's 1932 annual exhibition. Miss Nell also introduced him to Louise N. Grace, an artist who became a good friend and had a lasting influence on him. While a student at Phillips Academy, Cleve studied painting with Bartlett Hayes and aspired to paint in France. Upon his graduation in 1936, he was awarded the Samuel F. B. Morse Prize for most promising art student.

Gray's mother was always supportive of his career choice. His businessman father, who didn't understand his son's desire to be an artist, insisted on a college education. Cleve chose Princeton, where he majored in art and archaeology, and studied painting with James E. Davis. His senior thesis was on Chinese landscape painting; both Eastern philosophy and art were long-term influences on Gray's work and outlook. He graduated summa cum laude in 1940, and then spent several months painting while living at the farm of a family friend in Mendham, New Jersey.

When a doctor suggeted that a dry climate might relieve sinus and asthma problems, Gray moved to Tucson, Arizona. Once settled in the desert, he contacted Louise N. Grace, whom he had met as a young teenager through his art instructor. Miss Grace, an artist and daughter of the founder of W. R. Grace and Co., was a highly cultured and independent woman older than his parents. The summer before Gray entered Phillips Academy, she had hired him to brush ground color onto canvases for murals she was painting for "Eleven Arches," her home in Tuscon then under construction. Miss Grace invited Gray to visit "Eleven Arches" to see the completed murals, and despite the substantial age difference, their friendship deepened; Gray found in her intellectual and spiritual guidance that was lacking in his own family. He remained in Tucson until enlisting in the U. S. Army in 1942, and they corresponded frequently during the the war. When a stroke in 1948 prevented Miss Grace from participating in the extensive tour of Europe she was arranging for a small group of friends, including Gray, she provided sufficient funds and insisted he make the trip on his own. Another stroke, suffered while Gray was traveling, left her in a coma; he was not permitted to see her again. Upon her death in 1954, Gray inherited "Eleven Arches."

Between 1943 and 1946, Gray was stationed in England, France, and Germany, serving in Army Signal Intelligence. Most of his work was performed at night, and he spent his free time drawing. While in London, Gray produced many colored pencil drawings of buildings that had been bombed. In France, a Red Cross volunteered to introduce him to Jacques Villon; although unfamiliar with the artist, Gray knew of Villon's brother, Marcel Duchamp, and accepted the invitation. Jacques and Gaby Villon lived near Gray's billet and he became a frequent visitor. Their friendship was important to his development as an artist. After being discharged from the Army in 1946, Gray remained in France to work with Villon who introduced him to the study of color and the concept of intellectual quality in painting. Gray also studied informally with André Lhote, Villon's former teacher. "American Painters in Paris," an exhibition presented in 1946 at Galerie Durand-Ruel, included work by Cleve Gray.

He returned to New York City in 1946. In the tight post-war rental market Gray managed to find a small room upstairs from a grocery store on East 106th Street for use as a studio. He commenced painting the London Ruins series based on drawings he had made during the war, and began thinking about exhibiting in New York. Gray secured introductions to Pierre Matisse, Curt Valentin, and Dorothy Miller. They encouraged him, but no opportunities came his way until Germain Seligmann, whose gallery was expanding its scope to include contemporary art, followed the advice of Curt Valentin and looked at Gray's work. Gary's first solo exhibition, held at Jacques Seligmann and Co., included selections from the London Ruins series, paintings done in Maine and Arizona, and a few portraits. The New York Times called it "an auspicious first," and one of the London Ruins series was selected by Edward Alden Jewell for the "Critic's Exhibition" at Grand Central Gallery.

Gray found New York City too frenetic. In 1949 he bought a large, old house in Warren, Connecticut, and lived and worked at "Graystones" for the remainder of his life. Half of a 6-car garage was converted to a studio; many years later, his studio moved to a barn, its renovation and design planned by sculptor and architect Tony Smith.

He married Francine du Plessix in 1957. Always interested in literature and philosophy, in the 1960s Francine du Plessix Gray began contributing articles to The New Yorker and is still affiliated with the magazine. Her reviews and articles appeared in prominent publications, and she wrote several award-winning novels and biographies. Their sons, Thaddeus and Luke (now a painter), were born in 1959 and 1961. Francine's mother, Tatiana du Plessix (the hat designer Tatiana of Saks), and step-father, the sculptor Alexander Liberman (also former art director of Vogue and later editorial director of Condé Nast publications) became Cleve Gray's closest friends.

The paintings and drawings of Cleve Gray - first consisting of figures and portraits, and then abstract compositions - were often produced in series. The earliest series, London Ruins, grew from the colored pencil drawings made while stationed in London during World War II. Travels to France, Italy, Greece, Morocco, Hawaii, Spain, Egypt, Japan, and Czechoslovakia, inspired many series, among them: Etruscan, Augury, Ceres, Demeter Landscape, Hera, Morocco, Hawaii, Ramses, Perne, Hatshepsut, Roman Walls, Zen, and Prague. His hometown, the Holocaust, and musicians inspired other series: Warren, Sleepers Awake!, Bela Bartok, and Four Heads of Anton Bruckner. Some series were works on paper, others were collage canvases, and a few series later spawned prints. Gray began using acrylics in the 1940s. Although the medium offered many benefits, he did not always like its appearance and frequently returned to oils. Around 1966 Gray was painting almost exclusively with acrylic, and eventually developed a technique of thinning the paint and applying successive layers of color (sometimes by pouring or with a sponge) on cotton duck rather than traditional canvas.

Gray was attracted to sculpture, too, working in that medium at different points in his career. His first sculpture, in plaster, was completed in 1959. In the early 1960s he visited a commercial sand-casting foundry and became excited about learning to cast in bronze. He made about a dozen sculptures to cast in sand, but due to too much undercutting, their casting became too difficult a problem. Lava flows seen while in Hawaii during 1970 and 1971 inspired a return to sculpture. This time, he used wood, papier maché, and metal. Gray then decided these pieces should be cast in bronze, and he was determined to do it himself. Friends taught him the lost wax process and he began working at the Tallix Foundry in Peekskill, New York where, over the next year, he cast about forty bronzes.

Gray's best known work is Threnody, a lament for the dead of both sides in Vietnam. In 1972, Gray received a commission to fill a very large gallery of the soon-to-open Neuberger Museum of Art (State University of New York, College at Purchase) designed by Philip Johnson. Friends of the Neuberger Museum paid his expenses and Gray, who was enormously excited about the project he considered a once-in-a-lifetime opportunity, donated his time. Developing plans for the execution of Threnody consumed most of his time during 1972 and 1973. Composed of a series of fourteen panels, each approximately twenty feet square, the piece presented a number of technical challenges. It was constructed and painted in situ during the summer and early fall of 1973. Since then, Threnody has been reinstalled at the Neuberger Museum of Art on several occasions.

Gray was commissioned to design liturgical vestments for two Episcopal churches in Connecticut in the 1970s. A chasuble, stoles, and a mitre were commissioned by the Episcopal Diocese of Connecticut in 1984.

He won the "Outdoor Art at the Station Competition," for Union Station, Hartford, Connecticut. His very large porcelain enamel tile mural, Movement in Space, was installed on the façade of the transportation center in 1988.

Gray began writing occasional articles and exhibition reviews in the late 1940s. His concern with rational structure in art led him to question Abstract Expressionism and write "Narcissus in Chaos." This article, published in 1959 by The American Scholar, drew considerable attention. In 1960, Cosmopolitan published "Women - Leaders of Modern Art" that featured Nell Blaine, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, Ethel Magafan, Louise Nevelson, and Georgia O'Keeffe. Between 1960 and 1970, Gray was a contributing editor of Art In America, producing numerous articles (a few co-authored with Francine) and reviews for the periodical. He edited three books, David Smith by David Smith: Scupture and Writings, Hans Richter, and John Marin, all published by Holt, Rinehart, and Winston, and translated Marcel Duchamp's A l'Infinitif.

During the early 1960s, Gray became intensely focused on the situation in Vietnam. His first artistic response came in 1963 with Reverend Quan Duc, painted to commemorate a Buddhist monk who had immolated himself. Francine, too, felt strongly about the issue and over time the couple became increasingly active in the anti-war movement. They joined a number of organizations and helped to found a local chapter of Clergy and Laymen Concerned about Vietnam. The years 1968 and 1969 were an especially intense and active period for the Grays. They protested, wrote and spoke out against the war, raised funds to support anti-war political candidates, and on a few occasions were arrested and jailed. Writing for Art in America, editing the book series, and anti-war activities left little time for his art. In 1970 Gray refocused his attention on painting.

Beginning in 1947, Gray was always represented by a New York Gallery: Jacques Seligmann and Co. (1947-1959), Staempfli Gallery (1960-1965), Saidenberg Gallery (1965-1968), Betty Parsons Gallery (1968-1983), Armstrong Gallery (1984-1987), and Berry-Hill Galleries (1988-2003). He was represented by galleries in other cities, as well, but not as consistently or for such long periods.

He exhibited extensively in group and solo exhibitions throughout the United States and internationally. In addition to numerous solo exhibitions presented by the dealers who represented Gray, there were retrospective exhibitions at: Albright-Knox Art Gallery, Brooklyn Museum, Columbus Museum of Art, Krannert Art Museum (University of Illinois, Champaign), Princeton University Art Museum, Rhode Island School of Design, and Wadsworth Atheneum.

Many museums' permanent collections include the work of Cleve Gray, among them: Albright-Knox Art Gallery, Butler Institute of American Art, Columbus Museum of Art, Neuberger Museum of Art (SUNY, College at Purchase), the Museum of Modern Art (New York), Newark Museum, Oklahoma City Museum of Art, Phillips Collection, Sheldon Memorial Art Gallery (University of Nebraska, Lincoln), Smithsonian Institution, Solomon R. Guggenheim Museum, Whitney Museum of American Art, and Yale University Art Gallery.

Cleve Gray served as artist-in-residence at the Oklahoma City Museum of Art in 1963 and at the Honolulu Academy of Arts in 1970, both sponsored by Ford Foundation programs. In 1980, he was appointed an artist-in-residence at the American Academy in Rome, where Francine concurrently served as a writer-in-residence; they returned for shorter periods during each of the subsequent seven years. Cleve Gray was presented the Connecticut Arts Award in 1987, and the Neuberger Museum of Art Lifetime Achievement Award in 1999. He was awarded an honorary degree by the University of Hartford in 1992, and was elected a member of The American Academy of Arts and Letters in 1998. In addition, he was a trustee of the Neuberger Museum of Art, New York Studio School, Rhode Island School of Design, and Wadsworth Atheneum.

Cleve Gray hit his head and suffered a massive subdural hematoma after falling on ice outside of his home. He died the following day, December 8, 2004.
Separated Material:
Exhibition catalogs and announcements and two scrapbooks donated to the Archives in 1967 and 1968 were microfilmed on reels D314-D315. Items on reel D315, transferred to the Smithsonian American Art Museum Library in 1975, are not described in this finding aid.
Provenance:
The Cleve Gray papers were donated to the Archives of American Art by Mr. Gray in 1967 and 1968. The bulk of the collection was given by his widow, Francine du Plessix Gray, in 2007 and 2008.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Connecticut  Search this
Painters -- Connecticut  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grayclev
See more items in:
Cleve Gray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d3d47d0-baa3-4085-80f2-9b5d1730c052
EDAN-URL:
ead_collection:sova-aaa-grayclev
Online Media:

1950-A No. 2

Artist:
Clyfford Still, American, b. Grandin, North Dakota, 1904–1980  Search this
Medium:
Oil on canvas
Dimensions:
108 3/4 × 92 in. (276.2 × 233.7 cm)
Type:
Painting
Date:
1950
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.282
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py25304cf35-6320-4d58-8866-12619a1f86da
EDAN-URL:
edanmdm:hmsg_72.282

The North Star, Vol. I No. 37

Created by:
The North Star, American, 1847 - 1859  Search this
Edited by:
Frederick Douglass, American, 1818 - 1895  Search this
Martin Robison Delany, American, 1812 - 1885  Search this
Published by:
John Dick, British  Search this
Medium:
ink on newsprint
Dimensions:
H x W (folded): 13 3/16 × 18 1/2 in. (33.5 × 47 cm)
Type:
newspapers
Place printed:
Rochester, Monroe County, New York, United States, North and Central America
Date:
September 8, 1848
Topic:
African American  Search this
Antislavery  Search this
Black Press  Search this
Communities  Search this
Free communities of color  Search this
Freedom  Search this
Fugitive enslaved  Search this
International affairs  Search this
Mass media  Search this
Self-liberation  Search this
Social reform  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.151.3
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Colonization movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55eac1532-e202-4371-9070-7e1b33a478a7
EDAN-URL:
edanmdm:nmaahc_2014.151.3
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The North Star, Vol. I No. 37</I> digital asset number 1
  • View <I>The North Star, Vol. I No. 37</I> digital asset number 2
Online Media:

Ethel Paxson papers, 1903-1985

Creator:
Paxson, Ethel Easton, 1885-1982  Search this
Subject:
Yale, Lilla  Search this
Type:
Scrapbooks
Citation:
Ethel Paxson papers, 1903-1985. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women illustrators  Search this
Women authors  Search this
Women educators  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7143
(DSI-AAA_SIRISBib)209277
AAA_collcode_paxsethe
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209277

Ethel Paxson papers

Creator:
Paxson, Ethel, 1885-1982  Search this
Names:
Yale, Lilla, 1885-1929  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1903-1985
Summary:
The papers of painter and writer Ethel Paxson measure 0.6 linear feet and date from 1903 to 1985. Found are biographical materials; correspondence between Paxson, her father, and Lilla Yale; an album and scattered photos of Paxson, Paxson's friends, and Paxson with her artwork in Weston, Vermont; printed material and a scrapbook of printed materials; and writings by Paxson.
Scope and Contents:
The papers of painter and writer Ethel Paxson measure 0.6 linear feet and date from 1903 to 1985. Found are biographical materials; correspondence between Paxson, her father, and Lilla Yale; an album and scattered photos of Paxson, Paxson's friends, and Paxson with her artwork in Weston, Vermont; printed material and a scrapbook of printed materials; and writings by Paxson.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Ethel Paxson (1885-1982) was a painter, illustrator, author, and educator active primarily in Connecticut. She began her art instruction with Charlotte Yale and at the Academy of Fine Arts in Philadelphia. After spending four years in Brazil, she returned to the United States where she exhibited her work and became a educator at the National Academy of Design.
Provenance:
Chester DuClos, Paxson's widower, donated the papers to the Archives of American Art in 1984.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Connecticut  Search this
Illustrators -- Connecticut  Search this
Educators -- Connecticut  Search this
Authors -- Connecticut  Search this
Topic:
Women artists  Search this
Women illustrators  Search this
Women authors  Search this
Women educators  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Citation:
Ethel Paxson papers, 1903-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.paxsethe
See more items in:
Ethel Paxson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4572479-fc5b-4c24-8cc7-abb9336ce6bb
EDAN-URL:
ead_collection:sova-aaa-paxsethe

Sikorsky XR-5

Manufacturer:
Sikorsky Aircraft Company  Search this
Dimensions:
Rotor diameter 48 feet, height 13 feet, length 57 feet 1 inch.
Type:
CRAFT-Rotary Wing
Country of Origin:
United States of America
Credit Line:
Transferred from the U.S. Air Force
Inventory Number:
A19600308000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9e0ea0250-ec7f-4262-bc93-c79ffe1d363f
EDAN-URL:
edanmdm:nasm_A19600308000
Online Media:

Heinz Warneke papers

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Names:
Corcoran School of Art (Washington, D.C.) -- Faculty  Search this
United States. Work Projects Administration  Search this
Archer, Edmund, 1904-  Search this
Diederich, William Hunt, 1884-1953  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Hopper, Inslee  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
6.25 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1928-1987
Scope and Contents:
Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.
Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."
Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.
Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."
Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.
Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.
Biographical / Historical:
Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.
Related Materials:
Heinz Warneke papers also at Syracuse University.
Provenance:
Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Connecticut -- East Haddam  Search this
Sculptors -- Connecticut -- East Haddam  Search this
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.warnhein
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90536c46a-164a-4b1b-9986-1477624f9337
EDAN-URL:
ead_collection:sova-aaa-warnhein

New Canaan -- Bolte Garden

Former owner:
Bolte, Brown  Search this
Bolte, Brown, Mrs.  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Bolte Garden (New Canaan, Connecticut)
United States of America -- Connecticut -- Fairfield County -- New Canaan
Scope and Contents:
The folder includes worksheets, a copy of the Popular Gardening article, and other information.
General:
This was the garden of Mr. and Mrs. Brown Bolte. A well-known advertising executive, he was president of Sullivan, Stauffer, Colwell & Bayles. The six negatives in this series were apparently shot to illustrate an article that appeared in Popular Gardening in March 1958, hence the dating of the images to the summer of the previous year. They show what are probably the Bolte family and guests enjoying the outdoor living spaces adjacent to their home, including a swimming pool and shuffleboard court. Stone walls underlain with garden borders, extensive lawns, and mature trees are the primary landscaping features.
Persons associated with the garden include Mr. and Mrs. Brown Bolte (former owners, ca. 1957).
Related Materials:
Bolte Garden related holdings consist of 1 folder (6 safety film negatives)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File CT305
See more items in:
Maida Babson Adams American garden collection.
Maida Babson Adams American garden collection. / Series 1: Garden Images / Connecticut
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb64ca01b4f-804c-49a6-b731-d8fad7498437
EDAN-URL:
ead_component:sova-aag-adm-ref574

Journals: Leaves of Wesley Heights

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 5, Folder 3
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 3: General materials of Hattie Meyers Junkin
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg286c383c8-f28a-4af6-b59e-5e952f5fae8b
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref139
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Journals: Leaves of Wesley Heights digital asset number 1

Newspaper clippings

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 12, Folder 5
Type:
Archival materials
Text
Date:
1944 - 1945
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2ee107847-9d0d-435e-939c-f47e00d295aa
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref119
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Newspaper clippings digital asset number 1

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