Search results for: +Illustrators, page 1 | Collections Search Center, Smithsonian Institution

313,191 documents - page 1 of 500Result pages are truncated to 500.

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Creator:: Smithsonian Institution. Center for Folklife and Cultural Heritage Search this

Names:: Smithsonian Folklife Festival Search this

Extent:: 1 Cubic foot (approximate)

Type:: Collection descriptions; Archival materials; Business records; Correspondence; Memorandums; Sound recordings; Audiocassettes; Contracts; Negatives; Video recordings; Slides (photographs); Plans (drawings); Videotapes; Audiotapes; Digital images; Notes; Photographic prints

Place:: Caribbean Area; Trinidad and Tobago; Puerto Rico

Date:: June 23-July 4, 1988

Summary:: The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:: This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:: Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Folklore Society Centennial

Series 3: Festival Music Stage

Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts

Series 5: Migration to Metropolitan Washington: Making a New Place Home

Series 6: Music from the Peoples of the Soviet Union

Historical note:: The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:: The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.

The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.

The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Shared Stewardship of Collections:: The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:: Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:: Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:: Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:: Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:: World music Search this; Food habits Search this; Folk art Search this; arts and crafts Search this; Folk festivals Search this; Folk music Search this; Folklore Search this

Genre/Form:: Business records; Correspondence; Memorandums; Sound recordings; Audiocassettes; Contracts; Negatives; Video recordings; Slides (photographs); Plans (drawings); Videotapes; Audiotapes; Digital images; Notes; Photographic prints

Citation:: Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:: CFCH.SFF.1988

See more items in:: Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Archival Repository:: Ralph Rinzler Folklife Archives and Collections

GUID:: https://n2t.net/ark:/65665/bk59e9f3773-cd55-493f-94e0-c53650d914c4

EDAN-URL:: ead_collection:sova-cfch-sff-1988

Online Media:

Dale-Patterson Family collection

Creator:: Dale, Dianne Search this; Polk, P. H., 1898-1985 Search this

Names:: Barry, Marion, 1936-2014 Search this; Dale, Almore M., 1911-1984 Search this; Dale, Dianne Search this; Dale, John Henry, Jr., 1888-1973 Search this; Dale, Lucille Emma Patterson, 1889-1973 Search this; Dale, Marie Howard, 1914-2011 Search this; Dale, Norman Edward, 1908-1991 Search this; Garner, Araminta Dale, 1913-1987 Search this; Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this; Patterson, Wilhelmina Bessie, 1888-1962 Search this

Extent:: 6 Linear feet (9 boxes)

Type:: Collection descriptions; Archival materials; Photographs; Programs; Clippings; Correspondence; Ephemera; Postcards

Place:: Anacostia (Washington, D.C.)

Date:: 1866 - 1990.

Summary:: The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:: The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:: The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:: The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:: Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:: The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:: Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:: The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:: African Americans Search this; African American families Search this

Genre/Form:: Photographs; Programs; Clippings; Correspondence; Ephemera; Postcards

Citation:: Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:: ACMA.06-074

See more items in:: Dale-Patterson Family collection

Archival Repository:: Anacostia Community Museum Archives

GUID:: https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:: ead_collection:sova-acma-06-074

Online Media:

James E. Taylor scrapbook of the American West

Creator:: Taylor, James E., 1839-1901 (artist and collector) Search this

Names:: Geological Survey (U.S.) Search this; United States. Army Search this; Buffalo Bill, 1846-1917 Search this; Crook, George, 1829-1890 Search this; Custer, George Armstrong, 1839-1876 Search this; Hickok, Wild Bill, 1837-1876 Search this; Juárez, Benito, 1806-1872 Search this; Kinman, Seth Search this; Miles, Nelson Appleton, 1839-1925 Search this; Powell, John Wesley, 1834-1902 Search this; Red Cloud, 1822-1909 Search this; Richard, Louis Search this; Sheridan, Philip Henry, 1831-1888 Search this; Sitting Bull, 1831-1890 Search this; Spotted Tail, 1823-1881 Search this

Photographer:: Barry, D. F. (David Francis), 1854-1934 Search this; Easterly, Thomas M. (Thomas Martin), 1809-1882 Search this; Eaton, E. L. (Edric L.), b. ca. 1836 Search this; Ebell, Adrian J. (Adrian John), 1840-1877 Search this; Gardner, Alexander, 1821-1882 Search this; Hillers, John K., 1843-1925 Search this; Jackson, William Henry, 1843-1942 Search this; M'Clees, Jas. E. (James E.) Search this; O'Sullivan, Timothy H., 1840-1882 Search this; Pywell, Wm. R. (William Redish), 1843-1886 Search this; Vannerson, Julian, 1827- Search this; Whitney, Joel E. (Joel Emmons), 1822-1886 Search this

Extent:: 4 Tintypes; 3 Chromolithographs; 3 Lithographs (3 chalk-manner lithographs); 1 Print (photogravure); 118 Pages (Scrapbook); 685 Prints (circa, albumen); 80 Items (circa 80 relief prints (including woodcuts and wood engraving)); 30 Items (circa 30 intaglio prints (including etchings and engravings))

Culture:: Apache Search this; Pueblo Search this; Tsitsistas/Suhtai (Cheyenne) Search this; Cherokee Search this; Niuam (Comanche) Search this; Muskogee (Creek) Search this; Apsáalooke (Crow/Absaroke) Search this; Fox Search this; A'aninin (Gros Ventre) Search this; Kiowa Search this; Modoc Search this; Diné (Navajo) Search this; Oglala Lakota (Oglala Sioux) Search this; Anishinaabe (Chippewa/Ojibwa) Search this; Omaha Search this; Chaticks Si Chaticks (Pawnee) Search this; Potawatomi Search this; Indians of North America -- Plateau Search this; Indians of North America -- Great Basin Search this; Indians of North America -- Southwest, New Search this; Ho-Chunk (Winnebago) Search this; A:shiwi (Zuni) Search this; Sauk Search this; Shoshone Search this; Ute Search this; Indians of North America -- Great Plains Search this; Indians of North America -- Southern States Search this; Indians of North America -- Northeast Search this

Type:: Collection descriptions; Archival materials; Tintypes; Chromolithographs; Lithographs; Prints; Pages; Photographs; Newspapers; Woodcuts

Place:: Mexico; Taos Pueblo (N.M.); California; Oregon; Fort Davis (Tex.); New Mexico; Fort Snelling (Minn.); Arizona; Texas; San Juan Pueblo (N.M.); Zuni (N.M.); Kansas; Colorado

Date:: circa 1863-1900

Summary:: Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.

Scope and Contents:: Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.

Biographical Note:: James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).

Local Call Number(s):: NAA Photo Lot 4605

Related Materials:: The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.

Provenance:: Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.

Restrictions:: The collection is open for research.

Access to the collection requires an appointment.

Rights:: Contact the repository for terms of use.

Topic:: Church buildings Search this; Mines and mineral resources Search this; Dance Search this; White River Massacre, Colo., 1879 Search this; Painting Search this; Washita Campaign, 1868-1869 Search this; Mormon Church -- History Search this

Genre/Form:: Photographs; Newspapers; Woodcuts; Tintypes

Citation:: MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

Identifier:: NAA.MS4605

See more items in:: James E. Taylor scrapbook of the American West

Archival Repository:: National Anthropological Archives

GUID:: https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e

EDAN-URL:: ead_collection:sova-naa-ms4605

Online Media:

No Image Available

New York Illustrated by Camera

Series Donor:: Becker, John M. Search this; Gay Officers Action League. GOAL Search this; Heritage of Pride (HOP) Search this; Rohrbaugh, Richard Search this

Series Creator:: Hirsch, Leonard Search this; Guest, Barbara Search this; Barna, Joseph T. Search this; Guest, Michael E. Search this

Container:: Box 104, Folder 15

Type:: Archival materials

Date:: 1930

Series Restrictions:: The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:: Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:: Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection; Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York / 15.3: Barna, Joseph T.

Archival Repository:: Archives Center, National Museum of American History

GUID:: https://n2t.net/ark:/65665/ep87803761a-a9f7-436b-b09a-dca40d84c680

EDAN-URL:: ead_component:sova-nmah-ac-1146-ref1417

No Image Available

The Hand that Cradles the Rock, Brown, Rita Mae, illustrations Legato, Ginger

Series Donor:: Becker, John M. Search this; Gay Officers Action League. GOAL Search this; Heritage of Pride (HOP) Search this; Rohrbaugh, Richard Search this

Series Creator:: Hirsch, Leonard Search this; Guest, Barbara Search this; Barna, Joseph T. Search this; Guest, Michael E. Search this

Container:: Box 180, Folder 12

Type:: Archival materials

Date:: 1971

Series Restrictions:: The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:: Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:: Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection; Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.5: Publications

Archival Repository:: Archives Center, National Museum of American History

GUID:: https://n2t.net/ark:/65665/ep8b0ade9bc-ea3d-438a-9151-aee39f8a17a0

EDAN-URL:: ead_component:sova-nmah-ac-1146-ref2992

Marie Romero Cash papers

Creator:: Cash, Marie Romero Search this

Extent:: 0.7 Linear feet

Type:: Collection descriptions; Archival materials; Sketchbooks

Date:: 1981-2021

Summary:: The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Scope and Contents:: The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Arrangement:: The collection is arranged into one series

Series 1: Marie Romero Cash papers, 1981-2021 (0.7 linear feet; Box 1, OV 2-3, Artifact 4)

Biographical / Historical:: Marie Romero Cash (1942- ) is an artist and Santera (saint artist) living in Santa Fe, New Mexico. Cash has completed commissions for St. Francis Cathedral in Santa Fe, New Mexico, the Cathedral Church of St. John in Albuquerque, and for various other churches in New Mexico.

Provenance:: Donated 2017 and 2022 by Marie Romero Cash.

Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Rights:: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:: Sculptors -- New Mexico -- Santa Fe Search this

Topic:: Santeros Search this; Latino and Latin American artists Search this; Women artists Search this; Women sculptors Search this

Genre/Form:: Sketchbooks

Citation:: Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Identifier:: AAA.cashmari

See more items in:: Marie Romero Cash papers

Archival Repository:: Archives of American Art

GUID:: https://n2t.net/ark:/65665/mw932a73bb7-31b8-4b14-90df-87ce718f9f3c

EDAN-URL:: ead_collection:sova-aaa-cashmari

No Image Available

Illustrations for Book Projects

Collection Creator:: Cash, Marie Romero Search this

Container:: Box 1, Folder 11-12

Type:: Archival materials

Date:: undated

Collection Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Rights:: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:: Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

See more items in:: Marie Romero Cash papers; Marie Romero Cash papers / Series 1: Marie Romero Cash papers

Archival Repository:: Archives of American Art

GUID:: https://n2t.net/ark:/65665/mw9470ff30d-4a72-4622-8881-e1cdf6f46d57

EDAN-URL:: ead_component:sova-aaa-cashmari-ref22

No Image Available

Artwork, "Book of Tobit"

Collection Creator:: Cash, Marie Romero Search this

Container:: Item 4

Type:: Archival materials; Ephemera [31027000894820]

Date:: 2018

Scope and Contents:: A wood carved, retablo-like illustrated book of images from the Book of Tobit. The book is in a tin case designed by Marshall Romero, Cash's nephew.

Collection Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Rights:: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:: Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

See more items in:: Marie Romero Cash papers; Marie Romero Cash papers / Series 1: Marie Romero Cash papers

Archival Repository:: Archives of American Art

GUID:: https://n2t.net/ark:/65665/mw9771bbc15-c3f3-4df4-9547-1c956a010cbc

EDAN-URL:: ead_component:sova-aaa-cashmari-ref23

No Image Available

Marie Romero Cash papers

Collection Creator:: Cash, Marie Romero Search this

Extent:: 0.7 Linear feet (Box 1, OV 2-3, Artifact 4)

Type:: Archival materials

Date:: 1981-2021

Scope and Contents:: The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting some of Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Collection Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Rights:: The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:: Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Identifier:: AAA.cashmari, Series 1

See more items in:: Marie Romero Cash papers

Archival Repository:: Archives of American Art

GUID:: https://n2t.net/ark:/65665/mw9f957f82a-28b9-4399-ab67-c96b7b032c74

EDAN-URL:: ead_component:sova-aaa-cashmari-ref6

No Image Available

Biographical Materials

Collection Creator:: Abad, Pacita Search this; Garrity, Jack Search this

Extent:: 19.39 Gigabytes (ER01-ER08)

Type:: Archival materials; Gigabytes

Date:: 1994-2005

Scope and Contents:: The Biographical Materials series consists of videos of Pacita Abad's life in the Washington, D.C. region, and of memorials and services in the Philippines and Singapore after her passing in 2004. Materials in the series are arranged chronologically.

This series includes a 1994 recording of Abad's U.S. citizenship naturalization ceremony. One recording illustrates the construction and blessing of Fundacion Pacita, Abad's studio and home in Batanes, Philippines, where she is buried. In January 2005, the National Museum of the Philippines hosted a parangal [eulogy] in her memory.

Collection Restrictions:: Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:: The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:: Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.

Identifier:: AAA.abadpaci, Series 1

See more items in:: Audiovisual material relating to Pacita Abad

Archival Repository:: Archives of American Art

GUID:: https://n2t.net/ark:/65665/mw98cf75888-a687-46da-a1cf-0b32ce43c6e2

EDAN-URL:: ead_component:sova-aaa-abadpaci-ref3

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:: Kent, Rockwell, 1882-1971 Search this

Subject:: Wildenstein, Felix Search this; Phillips, Duncan Search this; Hays, Lee Search this; Untermeyer, Louis Search this; Zigrosser, Carl Search this; Robeson, Paul Search this; DuBois, W.E.B. (William Edward Burghardt) Search this; Roosevelt, Franklin D. (Franklin Delano) Search this; Ruggles, Carl Search this; Stefansson, Vilhjalmur Search this; Nearing, Helen Search this; Nearing, Scott Search this; Pach, Walter Search this; Rasmussen, Knud Search this; Reeves, Ruth Search this; Seeger, Pete Search this; Daniel, Charles Search this; Cleland, T. M. (Thomas Maitland) Search this; Davies, Arthur B. (Arthur Bowen) Search this; Chamberlain, J. E. Search this; Boyesen, Bayard Search this; Chase, William Merritt Search this; Freuchen, Peter Search this; Gellert, Hugo Search this; Gottlieb, Harry Search this; Hartley, Marsden Search this; Fitzgerald, James Search this; Keller, Charles Search this; Miller, Kenneth Hayes Search this; Henri, Robert Search this; Jones, Dan Burne Search this; United American Artists Search this; United Office and Professional Workers of America Search this; United Scenic Artists Search this; National Farmers' Union (U.S.) Search this; National Maritime Union of America Search this; American Artists' Congress Search this; Artists' Union (New York, N.Y.) Search this; Artists League of America Search this; Citizens' Committee for Government Arts Projects Search this; Farmers Union of the New York Milk Shed Search this; Federal Art Project Search this; Federal Writers' Project Search this; Macbeth Gallery Search this; International Workers Order Search this

Type:: Poems; Sketches; Business records; Photographs; Drawings

Citation:: Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Topic:: Designers -- New York (State) Search this; Mural painting and decoration Search this; Politics and culture Search this; Authors -- New York Search this; Art, Modern -- 20th century -- United States -- Political aspects Search this; Dairy farms Search this; Federal aid to the arts Search this; Illustrators -- New York (State) Search this; Illustration of books Search this; Works of art Search this; Art and war Search this; Commercial art Search this; World War, 1939-1945 -- Art and the war Search this

Theme:: Lives of artists Search this

Record number:: (DSI-AAA_CollID)9557; (DSI-AAA_SIRISBib)211757; AAA_collcode_kentrock

Theme:: Lives of artists

Data Source:: Archives of American Art

EDAN-URL:: edanmdm:AAADCD_coll_211757

Online Media:

Cleve Gray papers, 1933-2005

Creator:: Gray, Cleve, 1918-2004 Search this

Subject:: Richter, Hans Search this; Marin, John Search this; Lipchitz, Jacques Search this; Pollock, Jackson Search this; Grace, Louise N. Search this; Gray, Francine du Plessix Search this; Duchamp, Marcel Search this; Dillenberger, Jane Search this; Gabo, Naum Search this; Ernst, Jimmy Search this; Davis, Jim Search this; Calder, Alexander Search this; Barzun, Jacques Search this; Weber, Nicholas Fox Search this; Smith, David Search this; Villon, Jacques Search this; Pratt Institute Search this; Rhode Island School of Design Search this; Neuberger Museum of Art Search this; Jacques Seligmann & Co Search this; Betty Parsons Gallery Search this; Connecticut. Commission on Arts, Tourism, Culture, History and Film Search this; Princeton University Search this; Berry-Hill Galleries Search this

Type:: Poems; Articles; Photographs; Reviews (documents); Notes; Illustrations; Notebooks; Sketches; Drafts (documents); Video recordings; Sound recordings; Interviews; Manuscripts; Paintings; Prints; Watercolors; Drawings; Lectures

Citation:: Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.

Topic:: Art, Modern -- 20th century -- United States Search this; Vietnam War, 1961-1975 -- Protest Movements -- United States Search this; Designers Search this; Women artists Search this; Women painters Search this; Women sculptors Search this