Search Results

Creator:

Gray, Cleve, 1918-2004  Search this

Subject:

Richter, Hans  Search this

Marin, John  Search this

Lipchitz, Jacques  Search this

Pollock, Jackson  Search this

Grace, Louise N.  Search this

Gray, Francine du Plessix  Search this

Duchamp, Marcel  Search this

Dillenberger, Jane  Search this

Gabo, Naum  Search this

Ernst, Jimmy  Search this

Davis, Jim  Search this

Calder, Alexander  Search this

Barzun, Jacques  Search this

Weber, Nicholas Fox  Search this

Smith, David  Search this

Villon, Jacques  Search this

Pratt Institute  Search this

Rhode Island School of Design  Search this

Neuberger Museum of Art  Search this

Jacques Seligmann & Co  Search this

Betty Parsons Gallery  Search this

Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this

Princeton University  Search this

Berry-Hill Galleries  Search this

Type:

Poems

Articles

Photographs

Reviews (documents)

Notes

Illustrations

Notebooks

Sketches

Drafts (documents)

Video recordings

Sound recordings

Interviews

Manuscripts

Paintings

Prints

Watercolors

Drawings

Lectures

Citation:

Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century -- United States  Search this

Vietnam War, 1961-1975 -- Protest movements -- United States  Search this

Designers  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9567

(DSI-AAA_SIRISBib)211768

AAA_collcode_grayclev

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211768

Creator:

Petlin, Irving, 1934-2018  Search this

Subject:

Golub, Leon  Search this

Kitaj, R. B.  Search this

Selz, Peter Howard  Search this

Type:

Drawings

Sketchbooks

Citation:

Irving Petlin papers, 1952-2014, bulk 1970-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art and war  Search this

Vietnam War, 1961-1975 -- Protest movements -- United States  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)21701

(DSI-AAA_SIRISBib)398508

AAA_collcode_peltirvi

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_398508

Creator:

National Portrait Gallery  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Tue, 20 Apr 2021 07:00:00 -0000

Topic:

Portraits  Search this

See more posts:

PORTRAITS

Data Source:

National Portrait Gallery

EDAN-URL:

edanmdm:posts_b347997fbfb497b27b3c914e12db67b0

Designer:

Pierre Thomas Le Clerc, French, ca. 1740 - ca. 1796  Search this

Print Maker:

Jean-François Janinet, French, 1752-1814  Search this

Dedicatee:

Jean Baptiste Marie Pierre, French, 1714–1789  Search this

Publisher:

Chez Le Père et Avaulez, Paris, 1772–1777  Search this

Medium:

Crayon-manner with red ink on laid paper

Object Name:

Print

Type:

Print

Made in:

France

Published in:

Paris, France

Date:

1773

Credit Line:

Purchased for the Museum by the Advisory Council

Accession Number:

1921-6-437-1

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq48935921c-f007-43c6-b2c9-5d78c108a27a

EDAN-URL:

edanmdm:chndm_1921-6-437-1

Creator:

Kent, Rockwell, 1882-1971  Search this

Subject:

Wildenstein, Felix  Search this

Phillips, Duncan  Search this

Hays, Lee  Search this

Untermeyer, Louis  Search this

Zigrosser, Carl  Search this

Robeson, Paul  Search this

DuBois, W.E.B. (William Edward Burghardt)  Search this

Roosevelt, Franklin D. (Franklin Delano)  Search this

Ruggles, Carl  Search this

Stefansson, Vilhjalmur  Search this

Nearing, Helen  Search this

Nearing, Scott  Search this

Pach, Walter  Search this

Rasmussen, Knud  Search this

Reeves, Ruth  Search this

Seeger, Pete  Search this

Daniel, Charles  Search this

Cleland, T. M. (Thomas Maitland)  Search this

Davies, Arthur B. (Arthur Bowen)  Search this

Chamberlain, J. E.  Search this

Boyesen, Bayard  Search this

Chase, William Merritt  Search this

Freuchen, Peter  Search this

Gellert, Hugo  Search this

Gottlieb, Harry  Search this

Hartley, Marsden  Search this

FitzGerald, James  Search this

Keller, Charles  Search this

Miller, Kenneth Hayes  Search this

Henri, Robert  Search this

Jones, Dan Burne  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Artists League of America  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

Macbeth Gallery  Search this

International Workers Order  Search this

Type:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9557

(DSI-AAA_SIRISBib)211757

AAA_collcode_kentrock

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211757

Creator:

Cash, Marie Romero, 1942-  Search this

Type:

Sketchbooks

Citation:

Marie Romero Cash papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Topic:

Santeros  Search this

Latino and Latin American artists  Search this

Women artists  Search this

Women sculptors  Search this

Theme:

Latino and Latin American  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)17505

(DSI-AAA_SIRISBib)390313

AAA_collcode_cashmari

Theme:

Latino and Latin American

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_390313

Culture/People:

K'apovi (Santa Clara Pueblo)  Search this

Previous owner:

Nellie Robie Kaber (Nellie Robie Kaber/Mrs. G. Frederick Kaber), Non-Indian, 1870-1960  Search this

Donor:

Nellie Robie Kaber (Nellie Robie Kaber/Mrs. G. Frederick Kaber), Non-Indian, 1870-1960  Search this

Object Name:

Jar

Media/Materials:

Pottery

Techniques:

Coiled/hand built

Dimensions:

17 x 15.2 cm

Object Type:

Containers and Vessels

Place:

Santa Clara Pueblo, Santa Clara Reservation; Rio Arriba County; New Mexico; USA

Date created:

1880-1900

Catalog Number:

22/4569

Barcode:

224569.000

See related items:

K'apovi (Santa Clara Pueblo)

Containers and Vessels

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6c96d7fa6-812a-4c71-822a-8a30eda7211e

EDAN-URL:

edanmdm:NMAI_239509

Medium:

Ink, opaque watercolor and gold on paper

Dimensions:

H x W: 24.4 x 14.3 cm (9 5/8 x 5 5/8 in)

Type:

Manuscript

Origin:

Iran

Date:

early 17th century

Period:

Safavid period

Topic:

flower  Search this

Safavid period (1501 - 1722)  Search this

illumination  Search this

Iran  Search this

Arts of the Islamic World  Search this

Henri Vever collection  Search this

sarlawh  Search this

anthology  Search this

Credit Line:

Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler

Accession Number:

S1986.41

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

Google Cultural Institute

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye38db4ddd0-98e2-43cd-9cbf-1bbd295c632f

EDAN-URL:

edanmdm:fsg_S1986.41

Medium:

Paper; ink

Dimensions:

Height x Width: 40 x 30 in

Type:

Archival Material

Date:

1974

Topic:

Postal Administration  Search this

The Cold War (1945-1990)  Search this

Object number:

2023.2004.20

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm868c92781-77cb-416c-884a-3b205545975a

EDAN-URL:

edanmdm:npm_2023.2004.20

Medium:

Paper; ink

Dimensions:

Height x Width: 9 x 9 1/2 in

Type:

Art

Date:

1931

Topic:

Post Office Structures  Search this

The Great Depression (1929-1939)  Search this

Object number:

2023.2004.26

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8eef838d8-1394-4d27-b116-cc41d0a205e0

EDAN-URL:

edanmdm:npm_2023.2004.26

Medium:

Paper; ink

Dimensions:

Height x Width: 11 1/4 x 7 1/4 in

Type:

Archival Material

Date:

1943

Topic:

Postal Administration  Search this

World War II (1939-1945)  Search this

Object number:

2023.2004.3

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm855c5505c-d185-4b06-8656-684f8e78cbe2

EDAN-URL:

edanmdm:npm_2023.2004.3

Medium:

Paper; ink

Dimensions:

Height x Width: 14 x 10 in

Type:

Archival Material

Date:

1942

Topic:

Postal Administration  Search this

World War II (1939-1945)  Search this

Object number:

2023.2004.4

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8d3cc4a03-6e9e-4d6f-b6b3-0491672bd3fa

EDAN-URL:

edanmdm:npm_2023.2004.4

Artist:

Philip Grausman, born 16 Jul 1935  Search this

Sitter:

Ashley Bryan, 13 Jul 1923 - 4 Feb 2022  Search this

Medium:

Pewter sculpture

Dimensions:

Without Base: 35.6 × 25.4 × 26.7 cm (14 × 10 × 10 1/2")

Base: 8.3 × 17.1 cm (3 1/4 × 6 3/4")

Type:

Sculpture

Place:

United States\Connecticut\Litchfield\Washington

Date:

1973-74

Topic:

Personal Attribute\Facial Hair  Search this

Sculpture  Search this

Personal Attribute\Hairstyle\Afro  Search this

Ashley Bryan: Male  Search this

Ashley Bryan: Literature\Writer\Poet  Search this

Ashley Bryan: Visual Arts\Artist\Illustrator  Search this

Ashley Bryan: Visual Arts\Artist\Glass artist\Stained glass artist  Search this

Ashley Bryan: Literature\Author  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of the artist

Object number:

NPG.2021.42

Restrictions & Rights:

Usage conditions apply

Copyright:

© Philip Grausman

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm44ac5e11b-b75f-4a40-988c-2a59ff6f3825

EDAN-URL:

edanmdm:npg_NPG.2021.42

Physical Description:

witch hazel (product active ingredients)

Measurements:

overall: 2 1/4 in x 3 1/4 in x 1 5/8 in; 5.715 cm x 8.255 cm x 4.1275 cm

Object Name:

personal hygiene product

Other Terms:

Soap, Homeopathic; Cosmetics; Patent Medicines; Drugs; Non-Liquid

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1908-1918

Subject:

Soap  Search this

ID Number:

MG.M-11465.07

Catalog number:

M-11465.07

Accession number:

260557

See more items in:

Medicine and Science: Medicine

Health & Medicine

Beauty and Hygiene Products: Bathing

Beauty and Health

Beauty and Hygiene Products: Babies

Beauty and Hygiene Products: Skin

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a7-4f74-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_716300

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Memorandums

Sound recordings

Audiocassettes

Contracts

Negatives

Video recordings

Slides (photographs)

Plans (drawings)

Videotapes

Audiotapes

Digital images

Notes

Photographic prints

Place:

Caribbean Area

Trinidad and Tobago

Puerto Rico

Date:

June 23-July 4, 1988

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Folklore Society Centennial

Series 3: Festival Music Stage

Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts

Series 5: Migration to Metropolitan Washington: Making a New Place Home

Series 6: Music from the Peoples of the Soviet Union

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.

The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.

The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

World music  Search this

Food habits  Search this

Folk art  Search this

arts and crafts  Search this

Folk festivals  Search this

Folk music  Search this

Folklore  Search this

Genre/Form:

Business records

Correspondence

Memorandums

Sound recordings

Audiocassettes

Contracts

Negatives

Video recordings

Slides (photographs)

Plans (drawings)

Videotapes

Audiotapes

Digital images

Notes

Photographic prints

Citation:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1988

See more items in:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59e9f3773-cd55-493f-94e0-c53650d914c4

EDAN-URL:

ead_collection:sova-cfch-sff-1988

Creator:

Dale, Dianne  Search this

Polk, P. H., 1898-1985  Search this

Names:

Barry, Marion, 1936-2014  Search this

Dale, Almore M., 1911-1984  Search this

Dale, Dianne  Search this

Dale, John Henry, Jr., 1888-1973  Search this

Dale, Lucille Emma Patterson, 1889-1973  Search this

Dale, Marie Howard, 1914-2011  Search this

Dale, Norman Edward, 1908-1991  Search this

Garner, Araminta Dale, 1913-1987  Search this

Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this

Patterson, Wilhelmina Bessie, 1888-1962  Search this

Extent:

6 Linear feet (9 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Place:

Anacostia (Washington, D.C.)

Date:

1866 - 1990.

Summary:

The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:

The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:

The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:

The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:

Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:

The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African Americans  Search this

African American families  Search this

Genre/Form:

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Citation:

Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:

ACMA.06-074

See more items in:

Dale-Patterson Family collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:

ead_collection:sova-acma-06-074

Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Names:

Geological Survey (U.S.)  Search this

United States. Army  Search this

Buffalo Bill, 1846-1917  Search this

Crook, George, 1829-1890  Search this

Custer, George Armstrong, 1839-1876  Search this

Hickok, Wild Bill, 1837-1876  Search this

Juárez, Benito, 1806-1872  Search this

Kinman, Seth  Search this

Miles, Nelson Appleton, 1839-1925  Search this

Powell, John Wesley, 1834-1902  Search this

Red Cloud, 1822-1909  Search this

Richard, Louis  Search this

Sheridan, Philip Henry, 1831-1888  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Photographer:

Barry, D. F. (David Francis), 1854-1934  Search this

Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Gardner, Alexander, 1821-1882  Search this

Hillers, John K., 1843-1925  Search this

Jackson, William Henry, 1843-1942  Search this

M'Clees, Jas. E. (James E.)  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Pywell, Wm. R. (William Redish), 1843-1886  Search this

Vannerson, Julian, 1827-  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Extent:

4 Tintypes

3 Chromolithographs

3 Lithographs (3 chalk-manner lithographs)

1 Print (photogravure)

118 Pages (Scrapbook)

685 Prints (circa, albumen)

80 Items (circa 80 relief prints (including woodcuts and wood engraving))

30 Items (circa 30 intaglio prints (including etchings and engravings))

Culture:

Apache  Search this

Pueblo  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Cherokee  Search this

Niuam (Comanche)  Search this

Muskogee (Creek)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Fox  Search this

A'aninin (Gros Ventre)  Search this

Kiowa  Search this

Modoc  Search this

Diné (Navajo)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Omaha  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Potawatomi  Search this

Indians of North America -- Plateau  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Southwest, New  Search this

Ho-Chunk (Winnebago)  Search this

A:shiwi (Zuni)  Search this

Sauk  Search this

Shoshone  Search this

Ute  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Northeast  Search this

Type:

Collection descriptions

Archival materials

Tintypes

Chromolithographs

Lithographs

Prints

Pages

Photographs

Newspapers

Woodcuts

Place:

Mexico

Taos Pueblo (N.M.)

California

Oregon

Fort Davis (Tex.)

New Mexico

Fort Snelling (Minn.)

Arizona

Texas

San Juan Pueblo (N.M.)

Zuni (N.M.)

Kansas

Colorado

Date:

circa 1863-1900

Summary:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.

Scope and Contents:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.

Biographical Note:

James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).

Local Call Number(s):

NAA Photo Lot 4605

Related Materials:

The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.

Provenance:

Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Church buildings  Search this

Mines and mineral resources  Search this

Dance  Search this

White River Massacre, Colo., 1879  Search this

Painting  Search this

Washita Campaign, 1868-1869  Search this

Mormon Church -- History  Search this

Genre/Form:

Photographs

Newspapers

Woodcuts

Tintypes

Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4605

See more items in:

James E. Taylor scrapbook of the American West

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e

EDAN-URL:

ead_collection:sova-naa-ms4605

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Container:

Box 104, Folder 15

Type:

Archival materials

Date:

1930

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York / 15.3: Barna, Joseph T.

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87803761a-a9f7-436b-b09a-dca40d84c680

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref1417

Series Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Series Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Container:

Box 180, Folder 12

Type:

Archival materials

Date:

1971

Series Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.5: Publications

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b0ade9bc-ea3d-438a-9151-aee39f8a17a0

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref2992

Creator:

Cash, Marie Romero  Search this

Extent:

0.7 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Date:

1981-2021

Summary:

The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Scope and Contents:

The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Arrangement:

The collection is arranged into one series

Series 1: Marie Romero Cash papers, 1981-2021 (0.7 linear feet; Box 1, OV 2-3, Artifact 4)

Biographical / Historical:

Marie Romero Cash (1942- ) is an artist and Santera (saint artist) living in Santa Fe, New Mexico. Cash has completed commissions for St. Francis Cathedral in Santa Fe, New Mexico, the Cathedral Church of St. John in Albuquerque, and for various other churches in New Mexico.

Provenance:

Donated 2017 and 2022 by Marie Romero Cash.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New Mexico -- Santa Fe  Search this

Topic:

Santeros  Search this

Latino and Latin American artists  Search this

Women artists  Search this

Women sculptors  Search this

Genre/Form:

Sketchbooks

Citation:

Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.cashmari

See more items in:

Marie Romero Cash papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw932a73bb7-31b8-4b14-90df-87ce718f9f3c

EDAN-URL:

ead_collection:sova-aaa-cashmari