Search Results

Author:

United States National Archives and Records Administration Still Picture Branch  Search this

Burger, Barbara Lewis  Search this

Subject:

United States National Archives and Records Administration Still Picture Branch  Search this

USA National Archives and Records Administration  Search this

Physical description:

x, 166 pages illustrations 29 cm

Type:

Catalogs

Catalogues

Pictorial works

Government publications

Inventar

Illustrated books

Illustrated works

History

Ouvrages illustrés

Place:

United States

États-Unis

United States, District of Columbia

Date:

1990

Topic:

Audio-visual archives  Search this

Archives audiovisuelles  Search this

Bildmaterial  Search this

Inventar  Search this

History  Search this

Archives and libraries  Search this

Inventories, registers, catalogs  Search this

Audio-visual archives--United States--Catalogs  Search this

United States--History--Pictorial works--Catalogs  Search this

United States--National Archives and Records Administration--Still Picture Branch--Catalogs  Search this

Call number:

CD3027.S75 1990X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_409994

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2013-04-10T18:58:38.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_zoDp7jVe5RY

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2015-11-05T15:41:59.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_ngYK4A-jMBY

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-10-26T23:01:36.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_GJolfbQqCHA

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2021-06-17T23:52:51.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_hzTh6ydYSOI

Creator:

Crediford, Gene J.  Search this

Extent:

2 Booklets (2 booklets with halftone images)

6 Mounted color prints

14 Mounted prints (silver gelatin)

Culture:

Indians of North America -- Great Plains  Search this

Indians of North America -- Southern States  Search this

Pee Dee Indians  Search this

Cherokee  Search this

Catawba Indians  Search this

Dakota (Eastern Sioux)  Search this

Type:

Collection descriptions

Archival materials

Booklets

Mounted color prints

Mounted prints

Date:

1984-1987

Scope and Contents note:

Images of Pee Dee, Edisto, Santee and Catawba people, Native American churches and religious practices, powwows, pottery and pottery making, and the interior of a home at Four Holes Indian Community. The photographs are part of a portfolio that also includes a brochure, entitled "Sara Ayers: the Most Noted Catawba Potter" and an exhibit guide, entitled "Contemporary Native Americans in South Carolina: A Photo Documentation Covering the Years 1983-1985," both illustrated by Gene Crediford photographs.

Biographical/Historical note:

Gene J. Crediford is Professor Emeritus of Anthropology at the University of South Carolina and a professional photographer. He previously taught in the Department of Media Arts at the University of Southern California, and has authored and illustrated books. His photographs have been exhibited in Pennsylvania, South Carolina, North Carolina, and West Virginia.

Local Call Number(s):

NAA Photo Lot 89-31

Location of Other Archival Materials:

The Thomas Cooper Library at the University of South Carolina holds photographs by Crediford.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Photographs are under copyright by the photographer.

Topic:

Christianity  Search this

Religion  Search this

Pottery  Search this

Powwows  Search this

Citation:

Photo lot 89-31, Gene J. Crediford photographs of Native Americans of South Carolina, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.89-31

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3278cdd11-be47-46e3-a9ec-d26bdd959e9f

EDAN-URL:

ead_collection:sova-naa-photolot-89-31

Creator:

Adams, Molly, 1918-2003  Search this

Landscape architect:

Ireys, Alice Recknagel, 1911-2000  Search this

Stege, Friede, 1896-1990  Search this

Weber, Nelva M.  Search this

Extent:

Photographic prints (color, 4 x 6 inches)

Photographic prints (black and white, 3 1/2 x 5 inches)

Photographic prints (black and white, 8 x 10 inches)

Contact sheets (black and white)

35mm slides (photographs) (color, 2 x 2 inches)

Negatives, 35mm negatives (color)

Negatives (black & white, 4 x 5 inches)

Negatives, 120mm negatives (black and white, 2 x 2 inches)

Film transparency (color, 4 x 5 inches)

Transparencies, 120mm transparencies (color, 2 x 2 inches)

Type:

Collection descriptions

Archival materials

Photographic prints

Film transparencies

Color negatives

Black-and-white photographs

Photographs

Color photographs

Negatives

Slides (photographs)

Contact sheets

Black-and-white negatives

Date:

circa 1960-1994

Summary:

The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

Scope and Contents:

The Maida Babson Adams American Gardens Collection includes a total of 7,606 images documenting close to 400 gardens photographed by Molly Adams from the 1950s to the 1990s. Although most images document gardens in New Jersey, the collection also includes gardens in Connecticut, Massachusetts, New York and Pennsylvania. While the vast majority of gardens in the collection are private, there are also some public gardens and venues like the Frelinghuysen Arboretum in New Jersey, the International Flower Show in New York City, and the White House in Washington, D.C. A number of gardens were photographed during organized garden or horticultural tours or annual meetings of the Garden Club of America. A significant number of images document the work of landscape designers Alice Ireys, Nelva Weber, and Friede Stege. Approximately 85 gardens in the collection are unidentified as to their location and/or client. Relatively few images are captioned or dated; Adams often labeled a film envelope or back of a photograph or contact sheet with just a client surname and the designer (if it was Ireys, Weber, or Stege). In some cases, additional information about a garden's location or owner's full name was gleaned from the finding aids for the Alice Recknagel Ireys Papers or the Nelva Weber Papers. Some images were accompanied by clippings from newspapers or magazines that featured one or more related images by Adams; most of these clippings date from the 1950s and 1960s. There is also a file of general clippings of Adams' work; many of these do not identify the garden that is shown.

Most of the images are black and white, though there are a number taken in color. Adams' contact sheets and photo envelopes were sometimes marked with cropping marks or photo developing notes respectively.

Biographical / Historical:

Molly (Maida Babson) Adams (1918 - 2003) had a 40+ year career as a nationally recognized free-lance garden and wildlife photographer and conservationist. Her images were published under the name "Molly Adams." Adams was born in Orange, New Jersey and lived over fifty years in Mendham Township, New Jersey. As a teenager she became interested in photography; she later attended the New York Institute of Photography and became a member of the New York Camera Club.

Her photographs were featured in numerous newspapers and magazines including the "New York Times," "New York Herald Tribune," "House Beautiful," "Horticulture," "Home Garden," and "Audubon." During the Kennedy administration, she photographed the White House Rose Garden; these photographs were later published in "Flower Grower."

Adams provided hundreds of photographs for "How to Plan and Plant Your Own Property" (1967) by landscape architect Alice Recknagel Ireys and "How to Plan Your Own Home Landscape" (1976) by landscape designer Nelva M. Weber. Her images were also published in books including "The Reader's Digest Practical Guide to Home Landscaping," and "The Complete Illustrated Book of Garden Magic." Adams also occasionally wrote garden-themed articles. A longtime member in the Somerset Hills (NJ) Garden Club, which is part of the Garden Club of America, Adams once served as the latter's official photographer.

In the 1960's Adams' photographs drew attention to conservation issues related to the Great Swamp National Wildlife Refuge in northwestern New Jersey. These widely publicized photographs rallied public support against the proposed destruction of the Great Swamp for the construction of an airport. Adams was also active as a member of the Mendham Township Environmental Commission and the North Jersey Conservation Foundation. In the 1980's she was awarded the Buckley Medal of Merit for Horticultural Achievement by the Garden Club of America for her photographs used in the postcard campaign "Save Our Vanishing Wild Flowers."

Related Archival Materials Note:

The Alice Recknagel Ireys Papers in the Sophia Smith Collection at Smith College in Northampton, Massachusetts, include photographs by Molly Adams.

The Nelva Weber Papers in the Division of Rare and Manuscript Collections at Cornell University Library in Ithaca, New York, likely include photographs by Molly Adams.

Separated Materials:

The North Jersey History & Genealogy Center at The Morristown & Morris Township Library in New Jersey has a collection of images by Molly Adams showcasing nature scenes and birds.

Provenance:

Adams' family donated her collection of garden images to the Smithsonian's Archives of American Gardens after her death in 2003.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania  Search this

Gardens -- United States  Search this

Gardens -- Connecticut  Search this

Gardens -- Massachusetts  Search this

Gardens -- New Jersey  Search this

Gardens -- New York (State)  Search this

Genre/Form:

Photographic prints

Film transparencies

Color negatives

Black-and-white photographs

Photographs

Color photographs

Negatives

Slides (photographs)

Contact sheets

Black-and-white negatives

Citation:

Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.

Identifier:

AAG.ADM

See more items in:

Maida Babson Adams American garden collection.

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb64551e192-9900-4d6c-9a87-0322776b8d93

EDAN-URL:

ead_collection:sova-aag-adm

Creator:

Hampson, Albert W., 1911-1990 (artist)  Search this

Extent:

6 Cubic feet

Type:

Collection descriptions

Archival materials

Slides (photographs)

Photographs

Sketches

Advertisements

Date:

1926-1968

Summary:

Collection consists of the commercial artwork created by artist Albert W. Hampson dating predominately from during the 1950s and 1960s.

Scope and Contents:

The collection documents the creation of promotional and advertising materials through photographs, original artwork and completed print advertisements and point-of-purchase displays. The research value of the collection lies in the documentation of this process. Researchers will find that these materials demonstrate how ideas are conceived and then expressed by artists for their clients. Evidence of decision making and collaboration between the artist and the client is illustrated by elements such as color choices or model poses. Often this evidence is lost when the only record saved is the completed advertisement or display. A good example of the developmental/creative process, complete with finished product, is the Tung-Sol Radio Tubes project. Materials also demonstrate the variety and occurrence of advertising projects during the mid-twentieth century. The artist created documents and artwork for different markets, both the consumer and the company.

Materials are arranged first by parent company, then by product or brand name. However, there are a very small number of items, with obscure affiliations to a company listed by product name. Corporate ownership of many of these companies and products has changed since the era that Hampson was working in, but their historical application has been maintained in this container list. Researchers must research product or company names within their historical context.

Arrangement:

The collection is arranged in five series.

Series 1, Personal Papers, 1928-1980, undated

Series 2, Early Artwork, 1926-1927, undated

Series 3, Commercial Artwork, 1934-1969, undated

Series 4, Artwork for Covers of Publications, 1937-1950s, undated

Series 5, Portraits, 1951-1977,; undated

Biographical:

Albert W. Hampson was born May 20, 1910, in West Philadelphia, Pennsylvania. He demonstrated artistic ability at an early age, winning all of the available school awards. Observing teachers encouraged him to pursue a career as an artist. His mother's death and father's unemployment forced him to get a job while still attending high school. He balanced work, school, and art all through his adolescence.

After his graduation from Northeast High School in June of 1927, Hampson pursued his art education at the Pennsylvania Museum School of Industrial Art (the University of the Arts) until June of 1931. While at the university, he was quarterback of the Germantown Boys Club football team and a semi-pro team in Chestnut Hill, and he attended the Cape Cod School of Art under a scholarship provision, for one year in 1930. Also during his education, and after graduation, Hampson earned a living by providing draft and architectural drawings for several Philadelphia architects. He was driving a bread wagon and preparing advertising layouts for a Philadelphia bakery, the Old Bond Bakery, when he got his first big break: one of his oil paintings was featured on the cover of the Saturday Evening Post on November 30, 1934. Between 1935 and 1944, his work appeared on the covers of Post and Look magazines more than a dozen times.

Hampson had been working as a commercial artist for a decade and was well established before marrying Josephine Unger Corson, a jewelry designer and librarian, on February 7, 1945. They had two children, Hillary, born 1945, and Theodore "Ted" born 1956.

In his personal life Hampson was known for his strong political opinions and work ethic, sometimes working eighteen hours a day. He did not believe in short-cuts, and his determination for perfection was evident in his do-it-yourself landscaping, according to his son. He spent time away from home, working five days a week in New York when Ted was young, but Hampson always brought gifts home and was ready for a discussion on politics. He was an active member of the Philadelphia Sketch Club, the oldest continuing artist organization in the nation. He was remembered by long-time colleague and friend, Fred Decker, as a staunch democrat (borderline socialist) who firmly publicized his views. This tenacious attitude provided him with the abilities of a great salesman, and knowing how to sell ideas can make a great commercial artist, as his son noted. He also had personal success as a father figure, according to Ted.

Hampson enjoyed a long and successful career as a freelance artist, staff artist, and art director for several New York and Philadelphia advertising agencies. He illustrated books and dust jackets and was a noted portrait painter. His work also encompassed commercial art, newspapers and magazines, point-of-purchase product displays, and was employed by such noted corporations as Johnson & Johnson™, DuPont©, General Electric©, Hiram Walker & Sons Inc., & Philco Television©. Hampson credited his success to the Saturday Evening Post for giving him the courage to continue as an artist. He saved examples, along with scrapbooks, photographs and business correspondence, as a record of his work. Ted preserved his father's collection after his death on February 19, 1990. His collection was donated to the Smithsonian on September 5, 1996 by Theodore "Ted" Hampson, who worked as a News Editor in Chicago until his death at forty–four years of age in 2000.

Related Materials:

Archives Center, National Museum of American History

Warshaw Collection of Business Americana (AC0060)

Francis M. Mair Papers (AC0548)

Landor Design Collection (AC500)

NW Ayer Advertising Agency Records (AC0059)

Walter H. Voigt Brewing Industry Collection (AC1195)

Provenance:

The collection was donated by Hampson's son, Theodore Hampson, September 1996.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising -- 20th century  Search this

Advertising art -- 20th century  Search this

Advertising agencies -- United States  Search this

Genre/Form:

Slides (photographs)

Photographs -- 20th century

Sketches

Advertisements

Citation:

Albert W. Hampson Commercial Artwork Collection, 1926-1968, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0561

See more items in:

Albert W. Hampson Commercial Artwork Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b552f2fa-8bf0-4e01-8a64-c0a789f66965

EDAN-URL:

ead_collection:sova-nmah-ac-0561

Author:

Kricher, John C.,  Search this

Physical description:

1 online resource (432 pages) color illustrations, maps

Type:

Pictorial works

Ouvrages illustrés

Electronic books

Place:

Latin America

Amérique latine

Neotropis

Date:

2017

Topic:

Ecology  Search this

Natural history  Search this

Sciences naturelles  Search this

NATURE--Ecology  Search this

NATURE--Ecosystems & Habitats--Wilderness  Search this

SCIENCE--Environmental Science  Search this

SCIENCE--Life Sciences--Ecology  Search this

NATURE--Ecosystems & Habitats--General  Search this

Ökosystem  Search this

Call number:

QH106.5 .K75 2017 (Internet)

Restrictions & Rights:

1-user.

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1092989

Author:

Tanavoli, Parviz  Search this

Editor:

Sherrill, Sarah B  Search this

Carey, Moya  Search this

Physical description:

245 pages illustrations (chiefly color) 28 cm

Type:

Pictorial works

Ouvrages illustrés

Illustrated books

Illustrated works

Place:

Iran

Iṣfahān (Iran)

Iṣfahān

Icfahαn (Iran)

Date:

2015

19th century

19e siècle

Topic:

Women in art  Search this

Art, Iranian  Search this

Color prints  Search this

Mural painting and decoration, Iranian  Search this

Decoration and ornament, Architectural--Themes, motives  Search this

Europeans  Search this

Femmes dans l'art  Search this

Art iranien  Search this

Estampe en couleurs  Search this

Décoration et ornement architecturaux--Thèmes, motifs  Search this

Européens  Search this

Buildings  Search this

Buildings, structures, etc  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1159703

Artist:

Robert T. McCall  Search this

Medium:

Painting, Watercolor and Felt Tip Pen on Paper

Dimensions:

2-D - Unframed (H x W): 22.9 × 30.5cm (9 in. × 1 ft.)

Type:

ART-Paintings

Country of Origin:

United States of America

Date:

1974

Credit Line:

Transferred from the National Aeronautics and Space Administration

Inventory Number:

A19760693000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv97eaaf5b8-7ab0-47c8-ac79-1f23757852c7

EDAN-URL:

edanmdm:nasm_A19760693000

Author:

Gold, Jeff 1956-  Search this

Physical description:

256 pages illustrations (chiefly color), color map 21 x 24 cm

Type:

Pictorial works

Illustrated books

Illustrated works

History

Interviews

Ouvrages illustrés

Place:

United States

États-Unis

Date:

2020

1941-1950

1951-1960

20th century

1931-1940

20e siècle

Topic:

Jazz--History and criticism  Search this

Nightclubs--History  Search this

Nightclubs  Search this

Jazz musicians--Interviews  Search this

Jazz musicians  Search this

Jazz--Social aspects  Search this

Jazz  Search this

Boîtes de nuit--Histoire  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1159329

Artist:

Rethi, Lili, 1894-1969  Search this

Extent:

8 Cubic feet (21 boxes, 8 map folders)

Type:

Collection descriptions

Archival materials

Bookplates

Books

Christmas cards

Drawings

Newspaper clippings

Photographs

Transcripts

Watercolor drawings

Date:

1918-1969

Summary:

Papers document artist and illustrator Lili Réthi who was best known for her drawings of industrial subjects such as bridges, construction scenes and mines.

Scope and Contents:

Drawings, sketches, watercolors, biographical material, photographs, printed material, correspondence and books relating to the career of artist and illustrator Lili Réthi. The bulk of the collection consists of originals and copies of Réthi's drawings and sketches for various projects in Europe and the United States.

Arrangement:

The collection is arranged into five series.

Series 1: Biographical Materials, 1928-1968

Series 2: Projects, 1918-1969

Series 3: Exhibits, 1940-1943, 1965

Series 4: Portraits, 1919-1965

Series 5: Illustrated Books, 1916-1969

Biographical / Historical:

Lilly (Lili) Maria Réthi (1894-1969) was born in Vienna, Austria to Leopold Réthi (1857-1924), a professor of medicine and Marie née Mauther (1863-1955). Réthi had one sister, Elizabeth "Elsie" (1889-1970). Lili attended the Viennese Kunstschule für Frauen und Mädchen (The Art School for Women and Girls), established in 1897. The school existed until 1945, but it closed to Jewish women artists in 1938, when the school was subordinated to the municipality of Vienna and used to inculcate Nazi ideology. (Ben-Eli, 1999). Réthi learned to sketch the human form at the Vienna Anatomical Institute—training, no doubt, that her physician father encouraged. This training, which sharpened her sense of form and function, helped her later when drawing complicated machinery and illustrating Victor Hecht's book, Leitfaden der Physikalisch-Therapeutischen, (Guide to Physical Therapy, 1916). Réthi became fascinated with construction at a young age. "When I was a little girl in Vienna, I used to take walks and watch men building houses. I was fascinated by the men working as well as the excitement of watching the building grow." (Constructor, December 1967, page 25) Her burgeoning interest would grow, and she became one of the best-known illustrators of engineering, construction, and industrial sites. She was named a Royal Society of Art Fellow in 1961.

During the inter-war years (1918-1939) Réthi interrupted her academic studies to work across Europe, illustrating sites in Austria, Belgium, Czechoslovakia, Denmark, France, Germany, the Netherlands, and Switzerland. The bulk of her work captured coal mines, coal yards, factories, chemical plants, blast furnaces, iron foundries, shipyards, steel production, buildings, aircraft, and bridges.

In 1929, Réthi moved to Berlin where she worked recording engineering projects and was an illustrator for the magazine "Der Bücherkreis" (Book Circle). She illustrated many of the "Dortmunder Union" activities during this period. The Union, a vertically integrated mining group (mining and iron and steel production), was founded in 1872 and was located in the Ruhr area of Germany. This work for the Union resulted in an exhibition in Berlin at the Verein Deutscher Ingenieure (1931) and "Wien- Berlin: Das Gesicht zwei Städte" (Vienna and Berlin: The Face of Two Cities") (1932); at the World Power Conference in Stockholm (1933); and the Technical Museum of Vienna (1934). While in the Ruhr, Rethi documented workers, elevating their significance as subjects in their own right. She recorded the working conditions, many of which depicted harsh and dangerous physical labor. Her published work Germinal (1924) highlighted, through seven lithographs, the terrible conditions in French mines. Her work with the Union provided exposure and elevated her growing artistic status, especially with the Third Reich. With war imminent in Europe, the erosion of her personal rights as a Jewish woman, and a commission invitation by Hermann Göring to create propaganda images for the Nazi Regime, she left for England, never to return to her homeland in Austria.

Her portfolio of work is immense and while she primarily focused on engineering, industrial and construction sites, trade publications, industry magazines and newspapers, she branched into other areas. She illustrated the German version of Upton Sinclair´s Letters to Judd, an American Workingman (Briefe an einen Arbeiter, Leipzig- Wien, 1932) and was widely published in Austrian, Danish and German newspapers such as Aften-Avisen, Bergland Wien, Børsen, Der Welt Spiegel, Beitbilder, and VDI Nachrichten. Later projects included books, primarily for children, commissions to sketch churches, portraits of individuals, illustrated book plates, pamphlets, and Christmas cards. Catholic entities such as St. John the Divine and the Capuchin Friars in New York, also sought her services to sketch church interiors and illustrate brochures. And, in 1950, Réthi sketched the interior renovation (1948-1952) of the White House during the Truman Administration.

The Illustrated London News hired Réthi in 1937 to sketch the coronation of King George. While in England, she also created sketches for a booklet issued by the London, North Eastern Railway (L.N.E.R.) posters for the London, Midland and Scottish Railway (L.M.S.) and the General Post Office (GPO): Post Office Motor Transport Depot (1937); the Post Office Underground Mail Train (1935); and LMS Crewe Works, Building Coronation Class Engine (1937). The Illustrated London News sent her to the 1939 New York World's Fair where her introduction and love of New York City was launched. Réthi arrived in the United States on March 23, 1939, and became a citizen in 1944.

In the United States, Réthi continued illustrating engineering and construction activities, many of which were major post war projects. Réthi was attracted to the great industrial scene of 1940s America, and New York City provided a fertile location for most of her projects. The first public showing of her work in the United States was at the Architectural League of New York (1940) and her "American Industry at War" exhibit was held at the Metropolitan Museum of Art (1943). She documented some of the most significant projects in North America such as the New York City Pavilion at the World's Fair (1964), the United Nations Building (1949), the Pan Am Building (1962), Pennsylvania Station (1965), and the World Trade Center (1967-1968).

She had commissions from Surveyer, Nenniger & Chênevert (an engineering and construction firm that used her images on company Christmas cards), Sperry Gyroscope Company, U.S. Tobacco Company, Turner Construction, Walsh Construction, Atlas Steel Plant, Bliss Manufacturing, George A. Fuller Company, Standard Chemicals, and the United States Pipe and Foundry Company, to name a few.

Réthi also worked with several book publishers, especially, McGraw-Hill and Harcourt Brace. She illustrated over 40 books, many for children. Her work also appeared on the covers of many trade publications and magazines such as Pencil Points, Service, Factory, Product Engineering, and the Journal of the American Society of Automotive Engineers. Réthi was one of a few, if not the only female artist who devoted her career to portraying engineering works.

Related Materials:

Materials at the Smithsonian Institution

Archives Center, National Museum of American History

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Contains negatives and prints of drawings for the Verranzo-Narrows Bridge, New York, New York

Smithsonian Instituton Archives

Records, circa 1948-1988

Contains documentation about a Lili Réthi exhibit, 1964-1965, curated by the then Museum of the History of Technology.

Archives of American Art

Associated American Artists Records, circa 1934-1983

Includes three file folders in the Series: Artists Files about Lili Réthi.

Materials at Other Organizations

Hagley Museum and Library

Sperry Gyroscope Company Division photographs and films (1986-273)

Contains Lili Réthi graphic arts, 1943, consisting of 24 reproductions.

Provenance:

The collection was bequeathed by Lili Réthi to the United States National Museum (now known as the National Museum of American History) through Herbert G. Fenison in 1971.

Restrictions:

Collection is open for research. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Artists  Search this

Book illustrators  Search this

Illustrators  Search this

Topic:

Bridges  Search this

Buildings  Search this

Construction  Search this

Construction and civil engineering  Search this

Engineering -- 20th century  Search this

Illustrated books, Children's  Search this

Women artists -- United States  Search this

Genre/Form:

Bookplates

Books -- 20th century

Christmas cards

Drawings -- 20th century

Newspaper clippings

Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century

Transcripts -- 20th century

Watercolor drawings

Citation:

Lili Réthi Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0749

See more items in:

Lili Réthi Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep876ee6154-c5e2-4c2f-a217-9c4044b6a002

EDAN-URL:

ead_collection:sova-nmah-ac-0749

Creator:

Wilson, John, 1922-2015  Search this

Interviewer:

Trachtenberg, Alan  Search this

Extent:

5 Microfilm reels

1 Cassette (Sound recording, analog)

Type:

Collection descriptions

Archival materials

Microfilm reels

Cassettes

Drawings

Interviews

Scrapbooks

Sound recordings

Date:

circa 1939-1993

Scope and Contents:

This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board of Education, 1959-1965, regarding his teaching; and project files, including Wilson's submission for the competition for a Frederick Douglass statue, Eternal Presence, Father and Child Reading, and Wilson's monuments and bust of Martin Luther King, Jr. Correspondents represented include the Albany Institute of History and Art, Atlanta University, Carnegie Institute, Ebony, David Porter of the G Place Gallery, the Institute of Modern Art, Alain Locke, Gloria May, the Museum of Modern Art, Frederick G. Rice, and Hale Woodruff.

Also included in the collection are files on exhibitions; notebooks, 1958-1960; lesson plans, 1959, 1963; notes, writings, and lectures, circa 1945-1993; transcripts of interviews of Wilson and related correspondence, 1978-1987; legal material, 1978; financial records 1944-1991, including a notebook of sales and expenses 1945-1950; photographs, 1940-1990, of Wilson, his work, sculpture, and exhibition installations; a scrapbook, 1939-1967; artwork, including sketchbooks, 1970-1992, life studies completed as a student, 1939-1947, and miscellaneous art work, 1939-1992; and printed material, 1939-1993, including exhibition catalogs, illustrated books and book jackets, and ephemera. The collection also includes a copy of a sound recording of an interview of Wilson conducted by Alan Trachtenberg, circa 1979 (untranscribed).

Biographical / Historical:

John Woodrow Wilson (1922-2015) was an African American painter, sculptor, illustrator, printmaker, and educator in Boston, Massachusetts. Wilson studied at the School of the Museum of Fine Arts, Boston under Ture Bengtz and Karl Zerbe, graduating in 1945. He lived in Paris through the MFA fellowship and studied with modern artist Fernand Leger. He then attended Tufts University, graduating in 1947. Wilson received a John Hay Whitney fellowship and lived in Mexico for five years with his wife, Julie Kowtich. After his return from Mexico in 1956, Wilson made artwork for Chicago labor unions and taught in New York City before returning to teach at Boston University in 1964. During his career, Wilson won competitions to execute statues of Martin Luther King, Jr. for the city of Buffalo, New York and for the Capitol Rotunda in Washington, D.C.

Provenance:

Lent for microfilming 1993 by John W. Wilson, except for the 1979 sound recording which he lent for copying.

Restrictions:

Microfilm portion must be consulted on microfilm. Use of untranscribed interview requires an appointment.

Occupation:

Painters -- Massachusetts -- Boston  Search this

Sculptors -- Massachusetts -- Boston  Search this

Educators -- Massachusetts -- Boston  Search this

Topic:

Painting, Modern -- 20th century -- United States  Search this

Sculpture, Modern -- 20th century -- United States  Search this

African American artists  Search this

African American educators  Search this

African American painters  Search this

African American sculptors  Search this

Genre/Form:

Drawings

Interviews

Scrapbooks

Sound recordings

Identifier:

AAA.wilsjohn

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ea018d94-6ec4-4d8f-9d56-9428d4c92e78

EDAN-URL:

ead_collection:sova-aaa-wilsjohn

Editor:

Rettig, Simon  Search this

Mirza, Sana  Search this

Issuing body:

Smithsonian Institution Scholarly Press  Search this

Physical description:

ix, 218 pages color illustrations 28 cm

Type:

Books

History

Date:

2022

Topic:

Islamic illumination of books and manuscripts--History  Search this

Islam--Manuscripts--History  Search this

Manuscripts, Arabic--History  Search this

Illustration of books  Search this

Islam--Manuscripts  Search this

Islamic illumination of books and manuscripts  Search this

Manuscripts  Search this

Manuscripts, Arabic  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160150

Creator:

Ivins, William Mills, 1881-1961  Search this

Subject:

Lay, Charles Downing  Search this

Ivins, William Mills  Search this

Sachs, Paul J. (Paul Joseph)  Search this

Ruzicka, Rudolph  Search this

Rogers, Bruce  Search this

Webster, Herman A. (Herman Armour)  Search this

Sizer, Theodore  Search this

Simonson, Lee  Search this

Sarton, George  Search this

Winter, Carl  Search this

Wind, Edgar  Search this

Käsebier, Gertrude  Search this

Ames, Winslow  Search this

Arensberg, Walter  Search this

Arms, John Taylor  Search this

Berenson, Bernard  Search this

Ivins, Emma Yard  Search this

Ivins, Barbara  Search this

Ivins, Katherine  Search this

Ivins, Florence Wyman  Search this

Greene, Belle da Costa  Search this

Friedländer, Max J.  Search this

Holmes, Margaret Ivins  Search this

Constable, W. G. (William George)  Search this

Cockerell, Sydney Carlyle, Sir  Search this

Frankfurter, Felix  Search this

Dodgson, Campbell  Search this

Burroughs, Bryson  Search this

Boas, George  Search this

Carrington, Fitz Roy  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Pierpont Morgan Library  Search this

Century Association (New York, N.Y.)  Search this

Grolier Club  Search this

Citation:

William Mills Ivins papers, 1878-1964. Archives of American Art, Smithsonian Institution.

Topic:

Aesthetics  Search this

Art museums  Search this

Book collectors and collecting  Search this

Museum directors  Search this

Perspective  Search this

Designers  Search this

Museums -- Acquisitions  Search this

Prints -- History  Search this

Etching -- History  Search this

Engraving -- History  Search this

Medicine and art -- History  Search this

Illustrated books -- History  Search this

Museum curators  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)8805

(DSI-AAA_SIRISBib)210990

AAA_collcode_ivinwill

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210990

Creator:

Knight, Charles Robert, 1874-1953  Search this

Extent:

0.2 Linear feet (Gift)

Loan portion (on partial microfilm reel)

Type:

Collection descriptions

Archival materials

Date:

[ca. 1948-1961]

Scope and Contents:

Books and periodicals illustrated by Knight and miscellaneous writings.

(Reel 73): Draft of unpublished, unfinished autobiography; reminiscences of granddaughter; career outline and articles.

Gift: Books and periodicals, 1935-1961, written and/or illustrated by Knight, including: ANIMAL DRAWING, 1947; BEFORE THE DAWN OF HISTORY, 1935; LIFE THROUGH THE AGES, 1949; PREHISTORIC MAN, 1949. Periodicals include MD, JUNIOR NATURAL HISTORY, PHILADELPHIA INQUIRER, and SCHOLASTIC TEACHER.

Biographical / Historical:

Illustrator.

Provenance:

The donor and lender, Lucy Knight Steel, is Charles Knight's daughter.

Restrictions:

Loan portion: Patrons must use microfilm copy.

Unfilmed portion: Use requires an appointment.

Occupation:

Etchers  Search this

Illustrators  Search this

Lithographers  Search this

Topic:

Illustrated books, Children's  Search this

Identifier:

AAA.knigchar

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b06c073f-bfb4-46fd-8ef1-6405a7ac5123

EDAN-URL:

ead_collection:sova-aaa-knigchar

Creator:

Ivins, William Mills, 1881-1961  Search this

Names:

Century Association (New York, N.Y.)  Search this

Grolier Club  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Pierpont Morgan Library  Search this

Ames, Winslow  Search this

Arensberg, Walter, 1878-1954  Search this

Arms, John Taylor, 1887-1953  Search this

Berenson, Bernard, 1865-1959  Search this

Boas, George, 1891-  Search this

Burroughs, Bryson, 1869-1934  Search this

Carrington, Fitz Roy, 1869-1954  Search this

Cockerell, Sydney Carlyle, Sir, 1867-1962  Search this

Constable, W. G. (William George), 1887-1976  Search this

Dodgson, Campbell, 1867-1948  Search this

Frankfurter, Felix, 1882-1965  Search this

Friedländer, Max J., 1867-1958  Search this

Greene, Belle da Costa, 1883-1950  Search this

Holmes, Margaret Ivins, 1882-1954  Search this

Ivins, Barbara  Search this

Ivins, Emma Yard, 1857-1940  Search this

Ivins, Florence Wyman, 1881-1948  Search this

Ivins, Katherine  Search this

Ivins, William Mills, 1851-1915  Search this

Lay, Charles Downing, 1877-1956  Search this

Rogers, Bruce, 1870-1957  Search this

Ruzicka, Rudolph, 1883-  Search this

Sachs, Paul J. (Paul Joseph), 1878-1965  Search this

Sarton, George, 1884-1956  Search this

Simonson, Lee, 1888-  Search this

Sizer, Theodore, 1892-1967  Search this

Webster, Herman A. (Herman Armour), 1878-1970  Search this

Wind, Edgar, 1900-  Search this

Winter, Carl, 1906 Jan. 10-  Search this

Photographer:

Käsebier, Gertrude, 1852-1934  Search this

Extent:

20.5 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1878-1964

Summary:

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Also found are Ivins' published and unpublished writings and lectures, and notes. The collection contains some Ivins' family papers including family correspondence, genealogies, and photographs.

Scope and Content Note:

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of personal and professional correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Correspondence files appear to be complete, and correspondence is of substantive content. Also found are Ivins' published and unpublished writings and lectures, and notes. Of particular interest are the letters from Bernard Berenson, Paul J. Sachs, and Theodore Sizer, each of whom corresponded with Ivins freqently over extended periods about both personal and professional and matters.

Ivins' family papers include family correspondence, genealogies, and photographs. The papers of Ivin's wife, illustrator Florence Wyman Ivins (1881-1948), and the correspondence of several other relatives, can be found here augmented by family photographs.

Arrangement:

The collection has been arranged into 7 series. The contents and organization are noted in the individual series descriptions.

Missing Title

Series 1: Professional and Personal Papers, circa 1908-1961 (Boxes 1-8; 6.5 linear ft.)

Series 2: Writings, circa 1910-1960 (Boxes 8-12; 4.9 linear ft.)

Series 3: Publications, 1896-1958 (Boxes 13-14; 2.0 linear ft.)

Series 4: Miscellaneous, 1915, undated (Box 15; 1.0 linear ft.)

Series 5: Ivins Family Papers, 1878-1964, undated (Boxes 16-20; 4.5 linear ft.)

Series 6: Photographs, circa 1890-1940 (Boxes 20-21; 1.5 linear ft.)

Series 7: Oversized Material, 1897-1950 (1 OV folder)

Biographical Note:

William Mills Ivins, Jr. (1881-1961), a lawyer, first became interested in collecting prints and illustrated books while an undergraduate at Harvard. He studied the history of printmaking through self-directed reading, by looking at prints in the major European libraries and museums, and tried his hand at many of the printmaking processes. While practicing law, he wrote articles and organized some small exhibitions of prints as early as 1908. In 1916, the Metropolitan Museum of Art appointed its first Curator of Prints to organize a Department of Prints and Drawings and to develop its small existing collection. Upon the recommendation of Paul J. Sachs who was unable to accept the position, Ivins was selected. He held the post until his retirement some thirty years later.

During his tenure as Curator of Prints, Ivins became one of the most highly-respected individuals in the profession. Under Ivins the collection grew in scope, size, and quality; he acquired materials by cultivating potential donors, and through systematic purchase of pieces not likely to come into the collection by bequest. The department's active exhibition schedule included some especially noteworthy shows, such as The Arts of the Book in 1924.

Ivins was knowledgeable and shared information by writing several books on prints and the history of printmaking, and by writing large numbers of articles for the educated layman. His articles often highlighted items in the permanent collection, and frequently appeared in the museum's Bulletin. He was interested in perspective, psychology of perception, aesthetics, mathematics and modern philosophy, and wrote on these topics, as well.

He was an accomplished speaker and was in much demand as a lecturer. Of particular note were his series on Illustrated Books of the Renaissance at the Morgan Library in 1936, and the 1950 Lowell Lectures (subsequently published under the title Prints and Visual Communication).

In addition to his curatorial duties, Ivins served as Assistant Director of the Metropolitan Museum of Art between 1933 and 1938, and was its Acting Director from 1938 until 1940. Francis Henry Taylor was appointed Director in 1940, and Ivins was named to the newly created post of Counselor; failure to attain the directorship was a bitter disappointment, which many attributed to his lack of tact and generally difficult disposition.

Ivins retired in 1946, and continued to write and publish until the mid-1950's. During this period he was awarded an honorary doctorate by Yale University (1946), made an honorary fellow of the Metropolitan Museum of Art (1946), named a fellow of the American Academy of Arts and Sciences (1950), and invited to deliver the annual lectures at the Lowell Institute (1950). He died at the age of eighty in 1961, after several years of declining health.

Ivins' private collection of prints and illustrated books, which he had continued to amass through the 1930's, was partially dispersed during his lifetime through gifts to the Metropolitan Museum and to a number of university and special libraries. The portion remaining in his estate was sold at auction by Parke Bernet between 1962 and 1964.

Missing Title

1881 -- born to William Mills Ivins and Emma Yard Ivins, Flatbush, N.Y.

1890-1893 -- attended King's School, Stamford, Conn.

1896 -- trip to South America with father

1897 -- graduation from St. Paul's School, Concord, N.H.

1901 -- graduation from Harvard (A.B.)

1901-1902 -- travelled in Europe with Paul Haviland, and studied economics at University of Munich

1902-1904 -- employed by The World's Work, writing articles on economic and artistic subjects

1907 -- graduation from Columbia School of Law

1907-1916 -- practiced law in New York City: Ivins, Wolff and Houget for New York Public Service Commission, 1907-1908; Strong and Cadwallader, 1908-1909; Cravath, Henderson, and der Gersdorff, 1909-1916

1908 -- arranged first exhibition of prints, Keppel & Co,

1910 -- marriage to Florence Wyman, an illustrator

1916 -- appointed first Curator of Prints, Metropolitan Museum of Art

c. 1927-1935 -- served on editorial board of Metropolitan Museum Studies

1933-1938 -- Assistant Director, Metropolitan Museum of Art

1937 -- Morgan Library Lectures

1938 -- Honorary Curator of Prints and Drawings, Morgan Library

1938-1940 -- Acting Director, Metropolitan Museum of Art (Note: Mr. Ivins continued to act as Curator of Prints during periods when he was assigned other major administrative responsibilities at the museum)

1940 -- Counselor, Metropolitan Museum of Art

1946 -- Honorary Fellow, Metropolitan Museum of Art; retirement from Metropolitan Museum of Art; Honorary Doctorate, Yale University

1950 -- Fellow, American Academy of Arts and Sciences; Lowell Lectures (published in 1953 under the title Prints and Visual Communication)

1961 -- death

1962-1964 -- Ivins Collection of Prints and Illustrated Books sold at auction by Parke Bernet

1977-1983 -- William M. Ivins, Jr. Papers donated to the Archives of American Art by his daughter, Barbara Ivins

Provenance:

The William Mills Ivins, Jr., papers were donated to the Archives of American Art by his daughter, Barbara Ivins, in several installments between 1977 and 1983.

Restrictions:

Use of unmicrofilmed material in the holdings of the Archives of American Art requires an appointment and is limited to the Washington, D.C., facility.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Illustrators  Search this

Art historians  Search this

Topic:

Aesthetics  Search this

Art museums  Search this

Book collectors and collecting  Search this

Museum directors  Search this

Perspective  Search this

Designers  Search this

Museums -- Acquisitions  Search this

Prints -- History  Search this

Etching -- History  Search this

Engraving -- History  Search this

Medicine and art -- History  Search this

Illustrated books -- History  Search this

Museum curators  Search this

Citation:

William Mills Ivins papers, 1878-1964. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.ivinwill

See more items in:

William Mills Ivins papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw948e0d1d0-c1e5-4575-b422-cf91cb813195

EDAN-URL:

ead_collection:sova-aaa-ivinwill

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

1.08 Cubic feet (consisting of 2 boxes, 6 folders, 3 oversize folders.)

Type:

Collection descriptions

Archival materials

Business ephemera

Ephemera

Date:

circa 1841-1940

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Cartoons forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

This material consists of examples of cartooning ranging from illustrated books of humor to examples of comic strip art. No actual comic strips are included in the collection but numerous s examples of collateral use of the characters are present. Among these are postcards featuring Fred Opper 's strips; "Alphonse and Gaston," "Happy Hooligan," and "Maude" as well as material s from "Radio Orphan Annie's Secret Society. "There are many examples of trade cards featuring cartoons. A group of bookmarks is also included.

In Box One cartoonists and comic artists are arranged alphabetically, followed by a group of publication s and articles. Publishing information is given where available. The collections of Miscellaneous and Political cartoons complete Box One. Box Two contains a collection of cartoon cards and groups of caricatures based on occupations and personality types, as Valentines, and a group of WW II Leaders.

The researcher may also wish to consult the Warshaw subject "Humor. Also "politics"

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Cartoons is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Cartoonists  Search this

Genre/Form:

Business ephemera

Ephemera

Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Cartoons

See more items in:

Warshaw Collection of Business Americana Subject Categories: Cartoons

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8831f5072-34cf-49d3-83e6-99c3c22085e7

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-cartoons

Writer of introduction:

Nelson, Andrea (Andrea Jeannette)  Search this

Writer of preface:

Fineman, Mia  Search this

Writer of foreword:

Feldman, Kaywin  Search this

Writer of supplementary textual content:

Cronin, Elizabeth 1978-  Search this

Otto, Elizabeth 1970-  Search this

Ganeva, Mila  Search this

Gresh, Kristen  Search this

Sichel, Kim  Search this

Felt, Kara  Search this

Host institution:

National Gallery of Art (U.S.),.)  Search this

Metropolitan Museum of Art (New York, N.Y.),.)  Search this

Physical description:

288 pages illustrations (some color), portraits 31 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

History

Catalogues d'exposition

Date:

2020

Topic:

Women photographers--History  Search this

Photography, Artistic--History  Search this

Photography, Artistic  Search this

Femmes photographes--Histoire  Search this

Photographie artistique  Search this

Photographie artistique--Histoire  Search this

Women photographers  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1154139