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The Crisis Vol. 8 No. 5

Published by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Medium:
ink on paper
Dimensions:
9 7/8 x 6 7/8 x 1/8 in. (25.1 x 17.5 x 0.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
September 1914
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Politics  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
Object number:
2012.84.20
Restrictions & Rights:
Public Domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ceda8b56-ee04-4c55-a522-9b9a3f5555b4
EDAN-URL:
edanmdm:nmaahc_2012.84.20
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  • View <I>The Crisis Vol. 8 No. 5</I> digital asset number 1

Archaic hunters and gatherers in the American Midwest / edited by James L. Phillips, James A. Brown

Author:
Phillips, James L  Search this
Brown, James Allison 1934-  Search this
Midwest Archaeological Conference (1980 : University of Illinois at Chicago)  Search this
Physical description:
xvi, 349 p. : ill., maps ; 24 cm
Type:
Books
Congresses
Place:
Middle West
Date:
1983
Topic:
Antiquities--Congresses  Search this
Hunting--Congresses  Search this
Food--Congresses  Search this
Hunting and gathering societies--Congresses  Search this
Excavations (Archaeology)--Congresses  Search this
Antiquities  Search this
Call number:
E78.M67 A72 1983X
E78.M67A72 1983X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_163005

Jesse Walter Fewkes photograph collection relating to archaeological subjects

Creator:
Fewkes, Jesse Walter, 1850-1930  Search this
Photographer:
Beam, George L. (George Lytle), 1868-1935  Search this
Gill, De Lancey, 1859-1940  Search this
Higley, Elmer Ellsworth  Search this
McKee, Thomas M., 1854-1939  Search this
Poley, H. S. (Horace Swartley)  Search this
Rowland, Wesley R.  Search this
Wittick, Ben, 1845-1903  Search this
Artist:
Gill, Mary W.  Search this
Mullett, G. M.  Search this
Extent:
9 Prints (cromolithograph)
40 Prints (circa, halftone)
77 Prints (circa, albumen)
84 Drawings (circa 84 drawings (some mechanically produced))
1,655 Prints (circa, silver gelatin)
71 Copy negatives
43 Copy prints
363 Negatives (circa, nitrate)
7 Paintings
1 Print (cyanotype)
1 Print (photogravure)
1 Postcard (collotype)
Culture:
Diné (Navajo)  Search this
A:shiwi (Zuni)  Search this
Hopi Pueblo  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Huastec  Search this
Pikuni Blackfeet (Piegan)  Search this
Type:
Collection descriptions
Archival materials
Prints
Drawings
Copy negatives
Copy prints
Negatives
Paintings
Postcards
Photographs
Place:
Tennessee -- Antiquities
Stikine River (B.C. and Alaska)
South Carolina -- Antiquities
New Mexico -- Antiquities
Huasteca Region (Mexico)
Maryland -- Antiquities
Louisiana -- Antiquities
Alabama -- Antiquities
Arizona -- Antiquities
Colorado -- Antiquities
Cahokia Mounds State Historic Park (Ill.)
Florida -- Antiquities
Mexico -- Antiquities
Hovenweep National Monument (Utah and Colo.)
Utah -- Antiquities
Mesa Verde National Park (Colo.)
Navajo National Monument
Casa Grande (Ariz.)
Date:
circa 1890-1928
Scope and Contents note:
Photographs and drawings mostly relating to archeological subjects, collected and arranged by Jesse Walter Fewkes for his reference. Subjects include burial mounds, excavations, drawn maps, as well as urns, implements, idols, pottery, and other artifacts found in excavations, and Hopi, Zuni, and Piegan ceremonies and dances. Many of the photographs and drawings were probably made by Fewkes. Publication information is noted on some. The collection also includes newspaper clippings and correspondence.

Photographs were taken in Alabama, Arizona (including Casa Grande, Elden Pueblo, Navajo National Monument, and Wupatki National Monument), Colorado (including Mesa Verde and Montezuma Valley), Florida (including Weeden Island), Illinois (Cahokia Mound), Louisiana, Maryland, Mexico (including La Huasteca Region), Mississippi Valley, New Mexico (including Chaco Canyon, Hawikuh, and Mimbres Valley), South Carolina, Tennessee, Texas, Utah (including Hill Canyon, McElmo Canyon, and McLean Basin Ruins), Hovenweep National Monument, the West Indies (including Puerto Rico, Santo Domingo, and Cuba), and West Virginia.
Biographical/Historical note:
Jesse Walter Fewkes (1850-1930) was a naturalist, anthropologist, and archeologist, and chief of the Bureau of American Ethnology from 1918 to his death in 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and acted as curator of lower invertebrates at the Museum of Comparative Zoology until 1887. While on a collecting trip in the western United States, he developed an interest in the culture and history of the Pueblo Indians. In 1891, Fewkes became director of the Hemenway Southwestern Archeological Expedition and editor of the Journal of American Archeology and Ethnology, studying and recording Hopi ceremonials. In 1895, he embarked on various archeological explorations for the Bureau of American Ethnology, excavating ruins in the Southwest, the West Indies, and Florida. He was appointed chief of the Bureau in 1918, and played an important role in the creation of Hovenweep National Monument in Colorado and Wupatki National Monument in Arizona.
Local Call Number(s):
NAA Photo Lot 4321
Location of Other Archival Materials:
The National Anthropological Archives also holds the Jesse Walter Fewkes Papers (MS 4408), his photographs of excavations in Mesa Verde (Photo Lot 30), his negatives (Photo Lot 86), and other manuscript collections by and related to Fewkes' ethnological research and archeology and his work with the Bureau of American Ethnology.
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
The anthropology collections of the National Museum of Natural History hold artifacts collected by Fewkes, including USNM ACC 048761 (relating to Casa Grande excavations) and USNM ACC 050765 (relating to Mesa Verde excavations).
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology)  Search this
Burial  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4321, Jesse Walter Fewkes photograph collection relating to archaeological subjects, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4321
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4321

Lake Forest -- Hull Residence, The

Provenance:
Lake Forest Garden Club  Search this
Garden designer:
Brookes, John  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Illinois -- Lake County -- Lake Forest
The Hull Residence (Lake Forest, Illinois)
Scope and Contents:
1 folder and 24 digital images.
General:
The one-acre property had a few trees and no garden in 1970; since then the owner and the late British garden designer John Brookes have created English-inspired formal and woodland gardens. The entrance court/parking area is patterned gravel and brick enclosed by curving brick walls with in-ground crabapple standards that appear to be planted in Versailles boxes set on brick paving. Curved steps lead down to the woodland garden in front of the house where a decorative shed appears as a folly. In spring primrose, hellebore, columbine, daffodil and lily-of-the-valley bloom under dogwood and magnolia. In summer white accents from hydrangea, birch and variegated hosta show through evergreen and woody shrubs. A winding path with deep garden borders leads to formal gardens that surround the back lawn. Clipped boxwood and yew add structure at the intersections of curving beds, a seating area overlooked by a statue of a seated deer, gravel garden and terrace. Towering pines and other trees were planted around the perimeter of the property and act as both privacy screens and backdrop to the borders.

David Austin roses in shades of pink grow in curving beds accented with perennials, tuteurs and an armillary sphere for height. Flowering trees and shrubs add color before the roses take over in summer. At one end there is a formal gravel garden where rope swags between columns support climbing roses with rose bushes, peonies, lady's mantle and clipped balls of yew at ground level. A terrace of mixed hardscapes along the back of the houses is planted with clipped shrubs and pots of annuals and bulbs. Planting beds and a small pond are cut into the hardscape, and opportunistic perennials including mosses are encouraged. The gardens are dotted with antique and inherited statuary and an urn on a second story balcony. Layered details include ivy trained in a crisscrossing pattern on a brick wall and running along flagstone steps.

Persons associated with the garden include: John Brookes (garden and landscape designer, late 1980's-2018).
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Lake Forest  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL187
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32890

Kenilworth -- Coolridge Garden

Landscape architect:
Hoerr, Douglas  Search this
Provenance:
Kenilworth Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Coolidge Garden (Kenilworth, Illinois)
United States of America -- Illinois -- Cook County -- Kenilworth
Scope and Contents:
The folder includes worksheets, site plans, historical information about the house and garden, photocopies of articles about the property and garden, reference images, and other information.
General:
A private residence on one acre has a 1929 house of asymmetrical design, with a rectangular sunken lawn behind the house surrounded by low retaining walls that are symmetrically punctuated by four stone stairways. The walls serve as raised beds for perennials and shrubs. Two concrete jardinières at each stairway are planted in topiary boxwood. A large patio behind the house is paved in bluestone set in a random pattern. Beyond the patio a stairway leads to the lower elevation lawn. The garden was designed for entertaining, with seating on the patio and under a pergola.
The house has Art Deco ironwork at the front and back doors, which is complemented by an ironwork scrim that supports the pergola. An antique fountain surrounded by boxwood at one end of the lawn balances the pergola at the other end. A shaded woodland garden features an antique limestone bench. The walkway along one side of the house is bordered by perennial flower beds, ground cover beds, and a rose garden.
The Coolidge Garden has been documented by the Garden Conservancy.
Persons associated with the garden include Douglas Hoerr of Hoerr Schaudt Landscape Architects (landscape architect, 2001 to present).
Related Materials:
Coolridge Garden related holdings consist of 1 folder (15 35 mm. slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Kenilworth  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL122
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6779

New Trier -- Roseann S. and Robert H. Drucker Residence

Landscape architect:
Douglas Hoerr Landscape Architecture, Inc.  Search this
Kettelkamp & Kettelkamp  Search this
Gardener:
Rocco Fiore & Sons, Inc.  Search this
Hardscape contractors:
Masonry by Fernando, Inc.  Search this
Blacksmith:
Pimlico Forge  Search this
Lighting designer:
Lightscape  Search this
Contractor:
Lightscape  Search this
Provenance:
Garden Guild of Winnetka  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Roseann S. and Robert H. Drucker Residence (Wilmette, Illinois)
United States of America -- Illinois -- Cook County -- New Trier -- Wilmette
Scope and Contents:
The folder includes worksheets, site plans for both the old and new gardens, and additional information about the garden. Included in the folder is a copy of the August 2008 cover of "Fine Gardening" which features the Drucker Garden.
General:
The Drucker Garden lies on a one-third acre site and re-creates a typical peaceful English walled garden. It resulted from a total redesign of the property's old garden, including removal of all trees and shrubs except a Copper Beech and a 200-year-old Burr Oak. The new garden design features several "rooms" joined with a bluestone and old brick hardscape, limestone walks, an allée, a sunny border, a woodland shade garden, a formal garden surrounding a lily pond and fountain, a drought garden and a traditional English "yard" for potting and composting. Two additional fountains built into the walls in separate areas of the garden provide different atmospheres for enjoyment. Travels to England by the owners have resulted in the acquisition of appropriate antique and contemporary garden ornaments and other items, including ironwork. Because the garden is small, many dwarf and fastigate trees are used. A front woodland garden incorporates rhododendron, Kalmia latifolia, Pieris japonica and Mahonia aquifolium, along with dogwoods, Sciadopitys verticillata, and Acer palmatum. A collection of dwarf conifers of other species fill antique stone troughs. The garden also includes flower beds and a traditional English border with a large variety of shrubs, perennials, annuals, and a beautiful spring bulb collection. The various walls are covered with an assortment of clematis, roses, and spring-blooming wisteria.
Firms associated with the garden include Douglas Hoerr Landscape Architecture, Inc. (landscape architects, 2002-2003); Kettelkamp & Kettelkamp (landscape architects, 2004 to date); Rocco Fiore & Sons, Inc. (gardeners, 2004 to date); Masonry by Fernando, Inc. (hardscape contractors, 2002-2003); Pimlico Forge (blacksmiths, 2003-2005); and Lightscape (lighting designers and contractors, 2003).
Related Materials:
Roseann S. and Robert H. Drucker Residence related holdings consist of 1 folder (16 35 mm. slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Wilmette  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL118
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6822

Winnetka -- Moffat Mall in Chestnut Court

Provenance:
Winnetka Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Moffat Mall in Chestnut Court (Winnetka, Illinois)
United States of America -- Illinois -- Cook County -- Winnetka
Scope and Contents:
The folder includes a work sheet, site map, narrative history, design description and copies of articles.
General:
In 1960, the Winnetka Garden Club chose the location as its 1961 civic project. Curved benches framed an antique Italian fountain. Low evergreen shrubs and euonymus made up the bulk of the planting, while local merchants occasionally contributed spring bulbs. The Mall was formally dedicated on June 13, 1962. The garden was renovated in 1979. In 2002, the planning for a complete new renovation with an English design began. The centerpiece of the plan is a brick promenade between Village Hall and the post office that opens into a central plaza with curved benches framing a new fountain. Several criteria have been used in the selection of plant material: year round interest, long-lasting color, ease of long-term care, and incorporating many senses. In keeping with the name of "Chestnut Court," Yellow Buckeyes have been selected to create a shade canopy over the promenade.
Persons associated with the garden include: Village of Winnetka (owner, 1960-present); Mrs. William Moffat (designer, 1960-1962); Mrs. Edward Harkness (designer, 1960-1962); Mark Marcus (landscape designer, 2002-2005); Jane Muellner (landscape designer, 2002-2005); Ray Sanchez (contractor, 2002-2005); and Linda Walsh (renovation manager, 2002-2005).
Related Materials:
Moffat Mall in Chestnut Court related holdings consist of 1 folder (7 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Winnetka  Search this
Public parks  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL114
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6843

Winnetka -- Nantucket Garden

Architect:
Clark, Edwin  Search this
Provenance:
Garden Guild of Winnetka  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Nantucket Garden (Winnetka, Illinois)
United States of America -- Illinois -- Cook County -- Winnetka
Scope and Contents:
The folder includes an information sheet, a features plan, a slide view plan, a slide list, a plant list and a 2005 "Open Days Directory" Garden Conservancy brochure.
General:
Nantucket Garden is located on a property in Winnetka, Illinois, next to a cedar-shingled Nantucket-style house built in 1916 by Edwin Clark. The half moon rose garden adjacent to the screened porch at the rear of the house is planted with pink hybrid tea roses and floribunda roses surrounded by white begonias and white alyssum. Features include a terraced garden, a ravine garden and a boxwood knot garden. Garden furniture on the property includes a pair of Karl Schinkel neo-classical designed cast-iron brenches (ca. 1860) and two antique urns.
Related Materials:
Nantucket Garden related holdings consist of 1 folder (6 35 mm. slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Winnetka  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL116
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6845

Winnetka -- House in the Garden

Architect:
Beeby, Thomas H.  Search this
Landscape designer:
Nevins, Debrorah  Search this
Arborist:
Bartlett Tree Experts  Search this
Landscape architect:
Mariani Landscape  Search this
Provenance:
Lake Geneva Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
House in the Garden (Winnetka, Illinois)
United States of America -- Illinois -- Cook -- Winnetka
Scope and Contents:
The folder includes worksheets, site plans, and additional information.
General:
The three acre property was cleared of all but two trees and graded so that the house, nine garden rooms, and even the walk into the woodland garden would be accessible to people with differing physical abilities. The house is styled after a 16th century French manor house without stairs that might impede anyone from entering. Garden rooms are enclosed by tall clipped yew hedges in the neoclassical style. The formal motor court in front of the house has a double row of pleached linden at the perimeter and a central medallion of clipped boxwood, English ivy, lawn and four sphere shaped yews. The terrace behind the house is edged with petunias in summer leading to a lawn and a woodland garden planted with evergreens and wildflowers. Along one side of the central lawn there is an allée of honey locust with large containers filled with tulips in spring and hydrangeas in summer backed by a perennial and shrub garden with a white garden at one end that includes roses, cosmos and tree peonies. Parterres planted with roses and varieties of herbs that would have been found in monastery gardens, topiaries shaped like swans, and a pergola covered by wisteria were inspired by a 16th century French engraving. West of the house in one of the few pitched areas there is a paved patio with boxwood clipped to resemble billowing clouds, known as the amphitheater. A wetlands known as the dells was constructed to retain run-off from heavy rainfall.
Throughout the property the walkways are wide and flat so that a person in a wheel chair could have another person walking beside them. Fragrance also was an important quality when choosing plants. An antique maple shades a provincial fountain, redbuds, violas, and ferns, and the other historic tree on the property is an elm. The property attracts wildlife, including more than 120 bird species that feed on the berries, breeding mallards, and a fox family. Various evergreen and deciduous trees around the perimeter are enclosed by woven willow branch wattle fencing.
Persons associated with the garden include Thomas H. Beeby (architect, 1990); Deborah Nevins (landscape designer, 1992); Bartlett Tree Experts (arborist, 2016- ); Mariani Landscape (landscape architects, 2016- ).
Related Materials:
House in the Garden related holdings consist of 1 folder (23 digital images)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Winnetka  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL183
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6850

[Coolridge Garden]: an antique fountain is bordered by boxwood.

Photographer:
Murray, Louellen  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35 mm.)
Type:
Archival materials
Slides (photographs)
Place:
Coolidge Garden (Kenilworth, Illinois)
United States of America -- Illinois -- Cook County -- New Trier -- Wilmette
Date:
2008 Nov.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Kenilworth  Search this
Fountains  Search this
Lawns  Search this
Evergreens  Search this
Retaining walls  Search this
Box  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item IL122004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois / IL122: Kenilworth -- Coolridge Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref7090

Cyrus Thomas photograph collection relating to Mayan and Aztec carvings

Creator:
Thomas, Cyrus, 1825-1910  Search this
Photographer:
Alvarez y Medina  Search this
Kildare y Cia  Search this
Names:
Museo Nacional de Antropología (Mexico)  Search this
Artist:
Waldeck, Frédéric de, 1766-1875  Search this
Extent:
35 Mounted prints (albumen and silver gelatin)
Culture:
Mayas  Search this
Mexica (Aztec) (archaeological culture)  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Place:
Mexico -- Antiquities
Date:
circa 1880-1910
Scope and Contents note:
The bulk of the photographs document Mayan reliefs and hieroglyphics at ancient sites, including Chichen Itza, Palenque, and Yaxchilan. Additional photographs depict items in the Museo Nacional de Antropologia in Mexico, including a necklace, the Stone of Tizoc, and a stone altar disk to Tlaltecuhtli. The collection includes photographs made by Alvarez y Medina, Kildare y Cia, and a photograph of a drawing by Frederic de Waldeck.
Biographical/Historical note:
Cyrus Thomas (1825-1910) was an archeologist for the Bureau of American Ethnology best known for his work on American Indian burial mounds in the American Midwest. Born in Kingsport, Tennessee, Thomas was educated in law and served as Deputy County Clerk under his brother-in-law, the County Clerk of Jackson County, Illinois (1850-1853). In 1858, Thomas helped found the Illinois Natural History Society, through which he met John Wesley Powell. Thomas served for a brief period as an Evangelical Lutheran minister (1864-1866) before becoming an entomologist for the U.S. Geological and Geographical Survey of the Territories (1869-1873), Illinois State Entomologist (1874-1876), and a member of the US Entomological Commission (1876-1882). In 1876, he also worked as a professor of natural history at Southern Illinois Normal College and founded the school's Museum of Natural History (now the University Museum). During this time, Thomas also became interested in Mesoamerican ethnology, publishing articles about Mesoamerican codices and writing systems. In 1881 Thomas joined the Bureau of American Ethnology at the Smithsonian and served as the Director of the Division of Mound Exploration, a position he maintained until his death in 1910.
Local Call Number(s):
NAA Photo Lot 169
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional Cyrus Thomas materials relating to Mesoamerica held in the National Anthropological Archives are in MS 103, MS 1328, MS 3705, MS 3956, MS 3530, MS 3941, MS 3260, MS 2337, and MS 3920-b.
Correspondence from Thomas is held in the National Anthropological Archives in MS 4821, the J. C. Pilling papers, and records of the Bureau of American Ethnology.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of Mexico -- Languages -- writing  Search this
Citation:
Photo Lot 169, Cyrus Thomas photograph collection relating to Mayan and Aztec carvings, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.169
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-169

General: Auction of Sabato Screen from Japanese Embassy

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 3, Folder 18
Type:
Archival materials
Text
Date:
1953
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 1: General Correspondence / 1.3: Business correspondence
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref95
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Frog pipe bowl

Culture/People:
probably Hopewell (archaeological culture) (attributed)  Search this
Collector:
C. L. Obst, Non-Indian  Search this
Previous owner:
C. L. Obst, Non-Indian  Search this
Robert Day, Non-Indian, 1836-1914  Search this
Auction venue:
Gurr, Johns & Co. Ltd.  Search this
Seller:
William Ockleford Oldman (W.O. Oldman/William Ockelford Oldman), Non-Indian, 1879-1949  Search this
Object Name:
Frog pipe bowl
Media/Materials:
Steatite/soapstone
Techniques:
Carved, drilled
Dimensions:
10 x 2.5 x 5.5 cm
Object Type:
Pipes and Smoking
Place:
Bee Creek, Illinois River; Pike County; Illinois; USA
Date created:
200 BC–AD 500 (Middle Woodland period)
Catalog Number:
4/4851
Barcode:
044851.000
See related items:
Hopewell (archaeological culture)
Pipes and Smoking
On View:
NMAI, New York, NY: Infinity of Nations, Woodlands
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61ba93365-ca18-4ba2-af89-7372e97d5f89
EDAN-URL:
edanmdm:NMAI_48017
Online Media:

Elizabeth Gordon Papers

Creator:
Gordon, Elizabeth, 1906-2000  Search this
Names:
Claiborne, Craig  Search this
Gordon, Elizabeth, 1906-2000  Search this
Leach, Bernard, 1887-1979  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Periodicals
Photographs
Correspondence
Personal papers
Place:
Japan
Date:
1958-1987
Summary:
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Scope and Contents:
The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Arrangement note:
This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.
Biographical Information:
Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.
Provenance:
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Interior decoration -- Periodicals  Search this
Landscape gardening  Search this
Art, Japanese  Search this
Aesthetics, Japanese  Search this
House funishings  Search this
Interior decoration  Search this
Museum exhibits  Search this
Interior decorators  Search this
Gardens -- Japan  Search this
Genre/Form:
Periodicals -- 1940-1970
Photographs
Correspondence
Personal papers -- 1950-2000
Citation:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Identifier:
FSA.A1988.03
See more items in:
Elizabeth Gordon Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1988-03
Online Media:

Historic Gardens Postcard collection

Names:
Smithsonian Institution  Search this
United States Capitol (Washington, D.C.)  Search this
Extent:
200 Postcards (black and white, color ;)
Type:
Collection descriptions
Archival materials
Postcards
Place:
White House (Washington, D.C.)
Date:
circa 1887-1947
Summary:
The Historic Gardens Postcard Collection includes 200 postcards of historic views of various public gardens, parks, monuments, and buildings throughout the United States and some foreign countries, including Canada, France and Cuba. Some private gardens and estates and many Washington, D.C. attractions are also represented. Roughly half of the postcards were mailed; the remaining postcards were not written on or posted. Areas represented include Arizona, California, Colorado, Delaware, Florida, Illinois, Indiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nebraska, New Jersey, New York, Ohio, Oregon, Pennsylvania, Texas and Virginia. Foreign views show gardens in Havana, Paris, and Canada. About a dozen cards feature various views of Smithsonian Institution museums along the National Mall in Washington, D.C.
Arrangement note:
This collection is unprocessed.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Cuba  Search this
Gardens -- Canada  Search this
Gardens -- United States  Search this
Gardens -- France  Search this
Historic sites  Search this
Washington Monument (Washington, D.C.) -- 1900-1910  Search this
Parks  Search this
Monuments  Search this
Buildings  Search this
Genre/Form:
Postcards
Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Identifier:
AAG.PTC
See more items in:
Historic Gardens Postcard collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-ptc

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Edgar L. Hewett photograph collection relating to Mitla

Creator:
Hewett, Edgar L. (Edgar Lee), 1865-1946  Search this
Photographer:
Gill, De Lancey, 1859-1940  Search this
Extent:
16 Prints (silver gelatin)
Culture:
Zapotec Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Mexico -- Antiquities
Mitla Site (Mexico)
Date:
circa 1910
Scope and Contents note:
Photographs and copies of drawings documenting the structures at Mitla archeological site, including the Columns Group and palace building and associated sculptures. There is also a photograph of the Beau Relief at Palenque, published in the Field Columbian Museum's journal "Anthropology." Some of the copy photographs were probably made by De Lancey Gill.
Biographical/Historical note:
Edgar Lee Hewett (1865-1946) was an archeologist and anthropologist known for his work in the American Southwest and his role in the passage of the Antiquities Act. Born in Illinois, Hewett taught at several country schools before becoming Superintendent of Schools in Missouri and Colorado (1889-1898) It was during his superintendency in Colorado that he conducted his first archeological field work on the Pajarito Plateau and at Pecos. He continued in education administration and served as president (1898-1903) of the Normal University at Las Vegas, New Mexico, where he organized archeology courses and led field expeditions. In 1906, Hewett left education to work as Director of American Research for the Archaeological Institute of America, a position he held until his death. Over three seasons (1910-1912), Hewett excavated the Maya site of Quiringua and explored Maya sites in Guatemala. His Maya studies were exhibited at the San Diego Museum, which he founded and directed (1917-1929), and published in his second major book, Ancient Life in Mexico and Central America (1935).
Local Call Number(s):
NAA Photo Lot 172
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional Hewett photographs are held in National Anthropological Archives Photo Lot 78 and Photo Lot 14.
Correspondence from Hewett is held in the National Anthropological Archives in the Ales Hrdlicka papers, John Peabody Harrington papers, Neil Merton Judd papers, records of the Bureau of American Ethnology, MS 4558, and MS 4372(8).
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 172, Edgar L. Hewett photograph collection relating to Mitla, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.172
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-172

The Liberator, Vol. XXVI, No. 26

Created by:
The Liberator, American, 1831 - 1865  Search this
Edited by:
William Lloyd Garrison, American, 1805 - 1879  Search this
Published by:
Isaac Knapp, American, 1808 - 1858  Search this
Printed by:
J.B. Yerrington & Son, American  Search this
Medium:
ink on paper
Dimensions:
H x W (closed): 25 × 18 1/16 in. (63.5 × 45.9 cm)
Type:
newspapers
Place printed:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
June 27, 1856
Topic:
African American  Search this
Activism  Search this
Antislavery  Search this
Journalism  Search this
Mass media  Search this
Resistance  Search this
Slavery  Search this
Social reform  Search this
Societies  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2016.166.41.10
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Colonization movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52a0f4c62-f099-4949-ab32-e15082e2beb0
EDAN-URL:
edanmdm:nmaahc_2016.166.41.10
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The Liberator, Vol. XXVII, No. 22

Created by:
The Liberator, American, 1831 - 1865  Search this
Edited by:
William Lloyd Garrison, American, 1805 - 1879  Search this
Published by:
Isaac Knapp, American, 1808 - 1858  Search this
Printed by:
J.B. Yerrington & Son, American  Search this
Medium:
ink on paper
Dimensions:
H x W (closed): 24 3/4 × 18 in. (62.9 × 45.7 cm)
Type:
newspapers
Place printed:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
May 29, 1857
Topic:
African American  Search this
Activism  Search this
Antislavery  Search this
Journalism  Search this
Mass media  Search this
Resistance  Search this
Slavery  Search this
Social reform  Search this
Societies  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2016.166.41.12
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd554c31021-cfa8-4d19-8eae-dd1230233e93
EDAN-URL:
edanmdm:nmaahc_2016.166.41.12
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Untimely ruins : an archaeology of American urban modernity, 1819-1919 / Nick Yablon

Author:
Yablon, Nick  Search this
Physical description:
xiii, 380 p. : ill., maps ; 23 cm
Type:
Books
In literature
Place:
United States
New York (N.Y.)
Cairo (Ill.)
San Francisco (Calif.)
Date:
2009
19th century
20th century
Topic:
Cities and towns--History  Search this
American literature--History and criticism  Search this
Ruins in literature  Search this
Ruins in art  Search this
History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_942487

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