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Conner, Mary Robinson, diaries

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 64, Folder 1-4
Type:
Archival materials
Date:
1943-1957
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.5: Conner, Mary Robinson
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f819162c-7555-4912-9bb4-e97e9e9d4d2c
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref988
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  • View Conner, Mary Robinson, diaries digital asset number 1

Goose Creek -- Medway Plantation

Architect:
van der Gracht, Ides  Search this
Landscape architect:
Shipman, Ellen, 1869-1950  Search this
Creator:
Little Garden Club of Rye--provenance.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Medway Plantation,(Goose Creek, South Carolina)
United States of America -- South Carolina -- Berkeley County -- Goose Creek
Scope and Contents:
The folder includes worksheets, site plans, plant lists, and photocopies of articles.
General:
Medway Plantation comprises 6700 acres of longleaf and loblolly pine, live oaks, tupelo, swampland and lakes as well as the oldest masonry house in South Carolina. An ornamental garden with irregularly-shaped beds and serpentine paths, known as Miss Lou's garden, was redesigned in the 1930s by Ellen Biddle Shipman. The earlier garden was described as a bird sanctuary and nursery growing anise and Chinese bay trees, azaleas, fringe trees, roses, flowering almond, lilacs, spireas, myrtle, and yellow Jessamine, with wisteria growing up into deciduous trees. The surplus from Miss Lou's garden was planted in long borders alongside three shallow brick terraces, and along paths that led to a schoolhouse on the property. The current drive to the house has double borders of live oak trees hung with Spanish moss that were first planted after the Civil War. In the 1930s architect Ides van der Gracht designed a greenhouse with stepped gables, echoing that feature from the house, and added serpentine brick walls surrounding a garden of flowers and vegetables, on the site of the historic kitchen garden. Prior to the Civil War rice was cultivated at Medway Plantation, followed by cotton and the current crop, timber.
Medway Plantation was first organized as a land grant to Johan (or Jan) van Aerssen in the last quarter of the 17th century. He started the original house which during its long history was burned and rebuilt, nearly abandoned and used only as a hunting lodge, and finally renovated. The house has unusual stepped gables in the Dutch style, reflecting the van Aerssen heritage. After van Aerssen's death circa 1867 and the remarriage of his widow, Sabina de Vignon to Thomas Smith in 1689, the property came into the prominent South Carolina Smith family.
In the early days land parcels routinely were acquired and sold and the dimensions of Medway Plantation changed frequently, finally ending up at 6700 acres under the ownership of Sidney J. and Gertrude S. Legendre in the 20th century, who had purchased and annexed neighboring plantations. Before her death in 2000 Gertrude Legendre put the property in a non-profit foundation with a conservation easement to preserve the pine forests, wetlands, and wildlife. It is recognized as a breeding site for endangered red-cockaded woodpeckers, bald eagles, wood ducks and wintering ring-necked ducks, and provides habitat for deer, turkey and quail.
Persons associated with the garden include Johan van Aerssen (former owner and builder of original house, 1686-circa 1688); Sabina de Vignon, (former owner, 1688-1689); Thomas Smith and members of the Smith family (former owners, 1689-1701); Edward Hyrne (former owner, 1701-1711); Peter Gaillard Stoney and family (former owners, 1833-1930); Sidney J. and Gertrude Sanford Legendre (former owners, 1930-1993; Ides van Waterschoot van der Gracht (architect, 1930s); Ellen Biddle Shipman (landscape architect, 1930s).
Related Materials:
Medway Plantation related holdings consist of 2 folders (2 35mm slides (photographs), 34 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- South Carolina -- Goose Creek  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File SC082
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / South Carolina
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6eef92d46-4ed6-41e2-8ee9-f17ee6b00d50
EDAN-URL:
ead_component:sova-aag-gca-ref12480

Cherokee man, Cunne Shote

Creator:
Parsons, F.  Search this
Names:
Conocotocko  Search this
Ku na gadoga  Search this
The Standing Turkey  Search this
Turkey Is Standing  Search this
Extent:
1 Photograph (8x10 in)
Culture:
Cherokee  Search this
Type:
Archival materials
Photographs
Date:
1762
Biographical / Historical:
The Stalking Turkey (Cunne Shote), the Pouting Pigeon, and Ostenaco (Austenaco, Ustenacah, Judd's Friend, Judge Friend, Mankiller), all Cherokees, the latter a chief who lived in the Overhill town of Tamali (Monroe County, Tennessee) accompanied Henry Timberlake of Hanover County, Virginia to England in 1762. Ostenaco was commonly known as Outacity (Ottassite, Otacite) which was probably a title. [Source: Forman, Carolyn. Indians Abroad. University of Oklahoma Press, 1943. page 65 ff.
Local Numbers:
OPPS NEG.997
Local Note:
Mrs Foreman gives the following in a footnote, pages 70-71: "Among the works of Parsons listed in A Biographical Dictionary of Painters and Engravers is 'Portrait of a group of Indian chiefs who visited England in 1763. Engraved by Mc-Ardell.' In Chaloner Smith's British Mezzotinto Portraits, 584, is a description of the portrait by Parsons: 'H.L. directed and facing slightly to left, looking to front, feathers in scalplock, medals on neck, gorget with G.R. III, band over hunting shirt on right arm, knife in hand, robe over left shoulder, trees in background.'The legend read: 'F. Parsons pinxt. Js McArdell fecit. Cunne Shote, the Indian Chief, a great Warrior of the Cherokee Nation. Sold at the Golden Head, in Queen's Square, Ormond Street, Pr. 2s 6d.'"
A color slide of this painting is also available; see slide files in Room 61-A. JCR 1/1972
A picture of Cunne Shote (actually Ku na gadoga), "Emperor" of the Overhill Cherokees in the present Tennessee, portrait 1762. His name in the language of the Ani Yunwiya ("Cherokee"): Ku na gadoga (Turkey is Standing), loosely translated "The Standing Turkey," and variously Anglicized (by the English, not the Cherokees) as Conocotocko, etc. Another color reproduction: initial issue (Winter 1976) of the Journal of Cherokee Studies. I've seen him called Conocotockoin the South Carolina Gazette, would have to consult my notes for exact date. The spelling Ku na gadoga and translation come from Duane King, Editor, Journal of Cherokee Studies. Information from Wes White, May 5th, 1981.
Black and white copy negative
Topic:
Language and languages -- Documentation  Search this
Genre/Form:
Photographs
See more items in:
Bureau of American Ethnology negatives
Bureau of American Ethnology negatives / Additional Materials / Parsons, F.
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39966cc14-060f-44b8-bf0a-90f3ab2f254a
EDAN-URL:
ead_component:sova-naa-photolot-176-ref6958

Two men hunting a turkey

Collection Creator:
Tichkematse, 1857-1932  Search this
Extent:
1 Drawing (graphite, watercolor, and ink)
Container:
Box 2, Item 4
Type:
Archival materials
Graphic Materials
Drawings
Scope and Contents:
Inscriptions read "(Zini or Curtis Gilmore?)" and "White Man."
Local Numbers:
NAA MS 7500 016

NAA INV 21203323
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
MS 7500 Tichkematse book of drawings, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 7500 Tichkematse book of drawings
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b0435a02-9ad5-4136-99f5-14f3e2fa4b6f
EDAN-URL:
ead_component:sova-naa-ms7500-ref16

Newspaper clippings

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 12, Folder 4
Type:
Archival materials
Text
Date:
1943
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 2: Professional
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2b2be81b7-23af-4a71-98d4-41dbe126ec56
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref118
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  • View Newspaper clippings digital asset number 1

Frederick Douglass Patterson papers

Creator:
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Names:
Phelps-Stokes Fund  Search this
Tuskegee Institute  Search this
United Negro College Fund  Search this
Carver, George Washington, 1864?-1943  Search this
Moton, Robert Russa, 1867-1940  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Extent:
18.66 Linear feet (21 boxes)
Type:
Collection descriptions
Archival materials
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Date:
1882 - 1988
Summary:
President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.
Scope and Content note:
The Frederick Douglass Patterson Collection comprises 18.66 linear feet of correspondence, manuscripts, research material, published writings, photographs, audiovisual material, scrapbooks, diplomas, awards, and other materials chronicling the personal life and professional career of Frederick D. Patterson.

The collection is comprised of glimpses into the life of Dr. Patterson. The little correspondece that survived is located in Series 2: Career, Series 3: Correspondence, and Series 4: Organizations. Some of the correspondence takes the form of congratulatory notes from 1953 during Patterson's transfer from Tuskegee Institute to the Phelps-Stokes Fund, located in Series 2. There is also a personal note sent to Patterson's wife, Catherine Patterson, from George Washington Carver in which he describes peanut oil as a good massage oil.
Arrangement note:
The collection is arranged by series and chronologically therein:

1. Biography: This series provides insight into Patterson's family life through primary documents. It is comprised of family wills, insurance policies, and his autobiography. Sub-series are arranged alphabetically by title.

2. Career: This series contains materials from Patterson's long professional career in the field of higher education, including his tenure as present of both the Tuskegee Institute and the Phelps-Stokes Fund. Sub-series are arranged chronologically.

3. Correspondence: This series contains letters sent to Patterson (and his wife) of a personal and professional nature. Several letters relate to Patterson's personal business "Signs and Services," which was a small billboard advertising company. There are also letters from George Washington Carver. The series is arranged chronologically. 4. Organizations: This series contains material from the various foundations Patterson founded and to which he belonged, including the R.R. Moton Fund and the College Endowment Funding Plan. He is especially noted for developing the United Negro College Fund. The series is organized alphabetically by sub-series title.

5. Honors: This series contains the awards, citations, and resolutions Patterson received during his lifetime. Folders are organized chronologically. 6. Subject Files: This series comprises articles, employee vitas, and other documents collected and organized by Patterson. Among the subjects in the files are higher education, Negroes, segregation, civil rights, and employee records. There is no key to this system.

7. Photographs: The Photograph series mostly documents Patterson's tenure at Tuskegee University. The series includes images of Patterson and various other notable figures during formal functions at the university. Noteworthy personalities include George Washington Carver, Eleanor and Franklin D. Roosevelt, and President Kwame Nkrumah of Ghana.

8. Printed Materials: This series contains books, programs, and other documents from Patterson's personal collection. The series is organized alphabetically by author's last name.
Biographical note:
Frederick Douglass Patterson was born on October 10, 1901 to parents William and Mamie Brooks Patterson, in the Buena Vista Heights area of Anacostia in Washington, D.C. The youngest of six children, Patterson's parents died of tuberculosis before he reached the age of two years, his mother when he was eleven months old and his father a year later. Following his parents' death, the Patterson children were split up and sent to live in the homes of family and friends as stipulated in his father's last will and testament until he was seven years old, Patterson lived in the Anacostia area with a family friend he called "Aunt Julia."

When he was seven years old, Patterson's older sister Bess (a recent graduate of the Washington Conservatory of Music) decided to seek employment in Texas and took him with her. Many of their parents' family still lived in the state, which allowed Patterson the opportunity to spend months with various aunts and uncles, while his sister taught music throughout the South. After completing eighth grade, Patterson joined his sister at the Prairie View Normal School, where she taught music and directed the choir. Patterson attended the school for four years, during which time he developed an interest in veterinary medicine.

In 1920, Patterson enrolled at Iowa State College as a veterinary student. He graduated in 1923 and moved to Columbus, Ohio, to join his brother John. While there, he took the Ohio State Board exam for Veterinary Medicine. Although he became certified, a lack of money prevented him from practicing. Four years later he received a teaching offer from Virginia State College (VSC) in Petersburg, Virginia, which afforded him the opportunity to work within his profession. While at VSC Patterson took a leave of absence and returned to Iowa, in 1926, to pursue a Master's degree in veterinary medicine.

After five years at VSC, the Tuskegee Normal and Industrial Institute offered Patterson a position running the veterinarian hospital and teaching veterinary science. He moved to Tuskegee, Alabama in 1928. While at Tuskegee, Patterson decided to pursue a Ph.D. in bacteriology at Cornell University. During his year and a half leave from Tuskegee, Patterson completed his coursework and wrote his dissertation. After he returned to Tuskegee, a serial killer murdered three people, including the head of the Department of Agriculture. Confronted with this tragedy, school officials quickly offered Patterson the vacant position, which he accepted in 1934.

Robert R. Moton, second president of Tuskegee, retired in 1935 and a search was soon commenced to find the next president for the school. Patterson, in the meantime, pursued more personal matters when he met and married Catherine Moton (with whom he would have a son) in June 1935. By then he was already hired to take his now, father-in-law's, position as President of Tuskegee Normal and Industrial Institute.

As president of Tuskegee, Patterson made several changes and many additions to the institution. He increased faculty housing for professors; integrated the Board of Trustees' meeting meals and eventually arranged for both balck and white members to eat at one table; shortened the name to Tuskegee Institute; and established the Department of Commercial Dietetics in 1935, the veterinary medicine program in 1942, and the engineering program in 1948. While many considered Patterson's changes important achievements, it was his development of the Commercial/Military Aviation Program that would bring the school distinction and fame.

Patterson first attempted to develop the aviation program in 1939. The government fostered the development of such programs by subsiding the expenses. All a university had to do was present able-bodied instructors and willing pupils. Tuskegee had both. By 1940 the United States Air Force was interested in integrating its forces. In order to do this they needed trained black pilots. Tuskegee was the perfect place to provide the needed pilots since the school was situated in an all-black environment where students could concentrate on learning to fly without having to worry about racist reactions from their fellow classmates. To accommodate this program, the Tuskegee Army Air Base was created. Tuskegee pilots flew missions throughout World War II and would later be recognized for their bravery.

An important part of Patterson's duties as president was fund-raising. By 1943 he found it increasingly difficult to find ample sources of funds to run the Institute. He came to realize Tuskegee and similar black colleges would benefit if they pooled their funding resources and asked for larger amounts of money from philanthropic individuals and organizations as a collective. Working together would cut fund-raising expenses; this in turn would leave more money for the colleges to use as they wished. Patterson named his new creation the United Negro College Fund (UNCF); it would go on to raise millions of dollars for the nation's historically black colleges. He served as the first president of the organization.

During the fifteen years Patterson served as president of Tuskegee, he hosted many famous personalities, including W.E.B. DuBois, Mary McLeod Bethune, Eleanor Roosevelt, Duke Ellington, Paul Robeson, Pearl Buck, and Andre Segovia. He developed a lasting relationship with George Washington Carver, who had been a professor with Tuskegee since the days of Booker T. Washington.

Patterson served on many organizational boards in addition to his educational work. His involvement with the Phelps-Stokes Fund would ultimately lead Patterson to leave his beloved Tuskegee Institute to apply his educational philosophies on a broader scale. In 1953 the Fund approached Patterson and offered him the presidency of the organization. Patterson, feeling he needed a change, accepted the offer. He resigned from Tuskegee that same year and moved to New York to begin a new life.

Organized in 1911, the Phelps-Stokes Fund supported African, African American, and Native American education and worked on solving housing problems in New York City. Patterson's interest in African education began before he joined Phelps-Stokes. In 1950 the World Bank/International Bank Commission to Nigeria hired him to "evaluate the resources of Nigeria and…to study the educational programs and the organizational structure of advanced education." Through his work with the Fund he continued his efforts to improve the educational opportunities for Africans and help them move beyond colonialism. Patterson traveled extensively throughout the west coast of Africa in support of these goals.

In addition to forming the UNCF, Patterson created two other organizations (the Robert R. Moton Institute and the College Endowment Funding Plan), during the mid 1960s and 1970s. Each was designed to improve funding efforts for historically black colleges. The Robert R. Moton institute began as an off-shoot of the Phelps-Stokes as a site for conferences to address the Fund's primary concerns. Patterson's idea for the Institute came from a desire to put to use a piece of property inherited after Moton's death. Empathy with the frustrations of college presidents regarding the restricted funding for institutional expenses led Patterson to create the College Endowment Funding Plan. The Endowment was designed to alleviate this situation by providing matching funds to eligible colleges. The Endowment made its first payment in 1978. Unfortunately, by the 1980s, the Moton Institute lost most of its government funding due to federal cutbacks. This resulted in reductions to the Institute's programming.

It was not until Patterson was well into his eighties that he began to retire from his life of public service. On June 23, 1987, President Ronald Reagan presented Dr. Patterson with the Presidential Medal of Freedom, the highest possible honor that can be bestowed upon a civilian, for his service in higher education and his role in creating funding sources for the nation's historically black colleges. A year later Frederick Douglass Patterson died at the age of eighty-seven.

Honorary Degrees

undated -- Xavier University

1941 -- Virginia State College

1941 -- Wilberforce University

1953 -- Morehouse College

1956 -- Tuskegee Institute

1961 -- New York University

1966 -- Edward Waters College

1967 -- Atlanta University

1969 -- Franklin and Marshall College

1970 -- Virginia Union University

1975 -- Bishop College

1977 -- St. Augustine's College

1982 -- Brooklyn College of the City University of New York

1984 -- Stillman College

1985 -- Payne College

Distinctions

undated -- Association for the Study of Negro Life and History Carter

undated -- The Southern Education Foundation, Inc. Distinguished Service Citation

undated -- The United Negro College Fund (UNCF) and Texas Association of Developing Colleges Annual Leadership Awards

1950 -- Christian Education department, African Methodist Episcopal Zion Church, Inc. Citation for Distinguished Service

1953 -- Bethune-Cookman College, the Mary McLeod Bethune Medallion

1953 -- John A. Andrew Clinical Society at Tuskegee Institute, Citation for Distinguished Service in the Cause of Humanity

1953 -- Tuskegee Institute, Certificate of Appreciation for 25 Years of Service

1957 -- Phi Beta Sigma Fraternity, Inc. Beta Lamda Sigma Chapter, Bigger and Better Business Award

1960 -- National Alumni Council of the UNCF, Inc. Award

1963 -- National Business League, Booker T. Washington Award

1965 -- Booker T. Washington Business Association, Certificate of Acknowledgement

1970 -- Moton Conference Center Award

1970 -- Tuskegee National Alumni Association, R.R. Moton Award

1972 -- American College Public Relations Association, 1972 Award for Distinguished Service to Higher Education

1972 -- UNCF F.D. Patterson 71st Birthday Award

1975 -- National Business League, Booker T. Washington Symbol of Service Award

1976 -- Phelps-Stokes Fund, Continuous Creative and Courageous Leadership in the Cause of Higher Education for Blacks

1977 -- Yale Alumni Associates of Afro-America, Distinguished Service Award

1979 -- Alpha Phi Alpha Education Foundation Inc., Distinguished Educator Award

1979 -- Tuskegee Institute Alumni Association Philadelphia Charter Award

1980 -- The Iowa State University Alumni Association, Distinguished Achievement Citation

1980 -- Gary Branch NAACP Life Membership Fight for Freedom Dinner 1980, Roy Wilkins Award

1980 -- State of Alabama Certificate of Appreciation

1982 -- St. Luke's United Methodist Church Achievement Award

1983 -- Tuskegee Airmen, Inc., Distinguished Service Award

1984 -- Booker T. Washington Foundation, Booker T. Washington Distinguished Service Award

1984 -- The Ohio State University Office of Minority Affairs, Distinguished Humanitarian and Service Award

1985 -- Alpha Phi Alpha Fraternity, Inc, Eta Zeta Lamda Chapter Civic Award

1985 -- United States, Private Sector Initiative Commendation

1987 -- Alpha Phi Alpha Fraternity, Inc of New York State, Founders Day Award

1987 -- Presidential Medal of Freedom

1987 -- Brag Business Achievement Award

1987 -- Phelps-Stokes Fund, Aggrey Medal

Public Service

1941-1971 -- Southern Educational Foundation, Inc., Board Member

1943-1988 -- United Negro College Fund, Founder, President, and Member

1960s-1988 -- Robert R. Moton Memorial Institute, Founder

1970s-1988 -- The College Endowment Funding Plan, Founder

undated -- American National Red Cross, Board of Governors Member

undated -- Boys Scouts of America, National Council Member

undated -- Citizens Committee for the Hoover Report on Reorganization of Federal Government, Board Member

undated -- Institute of International Education, Advisory committee Member

undated -- National Association for the Advancement of Colored People, Life Member

undated -- National Business League, President and Board Member

undated -- National Urban League, National Committee Member

undated -- Phelps-Stokes Fund, Board of Trustees Member

undated -- President's Commission on Higher Education for Negroes

undated -- Southern Regional Education, Board of Control Member
Related Materials:
Additional biographical materials in the Dale/Patterson Collection of the Anacostia Community Museum Archives.

This collection contains artifacts catalogued in the ACM Objects Collection.
Provenance:
The Frederick Douglass Patterson papers were donated to the Anacostia Community Museum in 2001 by Frederick Douglass Patterson, Jr.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Frederick Douglass Patterson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Universities and colleges -- Administration  Search this
African Americans -- Education (Higher)  Search this
African American universities and colleges  Search this
Genre/Form:
Diplomas
Notebooks
Articles
Manuscripts
Photographic prints
Ephemera
Scrapbooks
Newsletters
Awards
Photographs
Invitations
Legal documents
Programs
Correspondence
Clippings
Citation:
Frederick Douglass Patterson papers, Anacostia Community Museum Archives, Smithsonian Institution, gift of Frederick Douglass Patterson, Jr.
Identifier:
ACMA.06-010
See more items in:
Frederick Douglass Patterson papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7da84300b-c608-41af-b59a-1f44dce53a26
EDAN-URL:
ead_collection:sova-acma-06-010
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  • View Frederick Douglass Patterson papers digital asset number 1
Online Media:

John Peabody Harrington papers

Creator:
Harrington, John Peabody, 1884-1961  Search this
Names:
Geronimo, 1829-1909  Search this
Extent:
683 Linear feet
Culture:
Indians of Central America  Search this
Indians of North America  Search this
Indians of South America  Search this
Type:
Collection descriptions
Archival materials
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence
Financial records
Personal records
Poetry
Writings
Date:
1907-1959 (some earlier)
Summary:
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
Arrangement:
(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous; (16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,

including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;

(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens

Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,

Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,

Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,

Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,

Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,

A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,

Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.
Restrictions:
The John Peabody Harrington papers are open for research

Access to the John Peabody Harrington papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Linguistics  Search this
Indians of North America -- Languages  Search this
Ethnomusicology  Search this
Ethnobotany  Search this
Toponymy  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence -- 1930-1950
Financial records
Personal records
Poetry
Writings
Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95
See more items in:
John Peabody Harrington papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw31fe9575b-f7aa-4286-9787-0cfc495ab461
EDAN-URL:
ead_collection:sova-naa-1976-95
Online Media:

The World's Work Magazine

Collection Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Container:
Box 2, Folder 16
Type:
Archival materials
Date:
1909
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
See more items in:
Henry Ossawa Tanner papers
Henry Ossawa Tanner papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9752618b7-43a9-4349-9826-b1f7ad156d23
EDAN-URL:
ead_component:sova-aaa-tannhenr-ref72
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Charles Henry Hart autograph collection, 1731-1918

Creator:
Hart, Charles Henry, 1847-1918  Search this
Subject:
West, Benjamin  Search this
Peale, Rembrandt  Search this
Vanderlyn, John  Search this
Vedder, Elihu  Search this
Ward, John Quincy Adams  Search this
Thayer, Abbott Handerson  Search this
Copley, John Singleton  Search this
Cox, Kenyon  Search this
Chase, William Merritt  Search this
Church, Frederic Edwin  Search this
Morse, Samuel Finley Breese  Search this
Peale, Titian Ramsay  Search this
Peale, Charles Willson  Search this
Eakins, Thomas  Search this
McEntee, Jervis  Search this
Smillie, James David  Search this
Peale, Rubens  Search this
Sully, Thomas  Search this
Stuart, Gilbert  Search this
Anshutz, Thomas Pollock  Search this
Audubon, John James  Search this
Whistler, James McNeill  Search this
Peale, Raphaelle  Search this
Citation:
Charles Henry Hart autograph collection, 1731-1918. Archives of American Art, Smithsonian Institution.
Topic:
Autographs -- Collections  Search this
Artists -- United States -- Portraits  Search this
Autographs -- Collectors and collecting  Search this
Artists -- United States -- Autographs  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5905
(DSI-AAA_SIRISBib)208745
AAA_collcode_hartchar
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208745
Online Media:

Shooting wild turkeys in Indian Territory. 6815 Interpositive

Topic:
HUNTING SCENES
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Local Numbers:
RSN 21507
General:
Currently stored in box 3.2.16 [147]
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
hunters  Search this
Turkeys  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 21415-21515
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87251d171-734a-4827-9b1b-7c43af3ee980
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref27784

The Silk Road: Connecting Cultures, Creating Trust

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Silk Road defines an exchange of products, both material and intellectual, across Eurasia from China to the Mediterranean, traditionally from the 2nd century B.C.E. through the first twelve centuries of the Common Era. People who know something of the Silk Road think first of the transport of silk to Rome or the expansion of Buddhism from India to China, although certainly it is much more. But why silk, and why a road to describe this exchange? Silk provides the example of a mysterious luxury product for which people throughout the region were willing to pay high prices and even jeopardize lives. And the "road" refers to the exchange of those material products that traveled by land, although this literal meaning must be extended to include cultural and spiritual exchanges that would be part of a metaphorical Silk Road. Beyond these definitions the idea of the Silk Road is still available for new interpretations. And in the political environment prevailing in 2002, the idea was particularly evocative.

Visitors to the Festival were greeted by five "sentinels of arrival," landmarks along the ancient Silk Road: St. Mark's Square in Venice, Hagia Sophia (Ayasofya) mosque/church/museum in Istanbul, Registan Square in Samarkand, the Xi'an bell tower, and the great gate to Todaiji Temple in Nara. Each housed a stage that reflected a different performance tradition. The performing arts selected for the Festival were grouped into spiritual activities, courtly entertainment, local celebrations and entertainments, nomadic presentations, and new musics that draw from tradition. Spiritual music, for example, provided the program an opportunity to present the stories of the expansion of religion - Buddhism, Islam, and Christianity - along the Silk Road. Buddhist monks from Tibet and Sufi Muslim devotees from Turkey and Bangladesh highlighted the central role that religion played in Silk Road trade.

Existing examples of ancient silk, pottery, carpets, and glass all tell very specific stories of travel and exchange and remind us of the extent to which people across the region have been connected throughout history. What may be surprising to some, however, is how many such objects are still made today. The curatorial staff chose to feature ceramics, silk and cotton textiles, carpets, paper, and stone and metal products, including glass. Each was in a different compound - the Paper Garden, the Ceramics Courtyard, the Silk Grove, the Family Oasis, and the Jewel Garden - and told a story from a different period along the Silk Road, including, in some cases, a chapter from life in the United States. Paper, for example, was invented in China and remained a secret of the region for centuries; along with written language, writing materials were thought to possess magical qualities. Religious texts as well as commercial bills were written out and transported along a route that, through such communication, could more easily function. Each region added its own distinctive features of paper art including Turkish marbling and Italian watermarks. Similar elaborations have been made in the art of calligraphy, which, particularly in Islamic and Chinese cultures, has become highly refined and stylistically differentiated as to school and usage. Representatives of these schools still train new generations of artists along the Silk Road and in the United States.

The movement of religious traditions around the world has arguably been one of the most important forces throughout world history. Both Islam and Buddhism were introduced to millions of new adherents along the Silk Road, and these conversions continue to alter the face of our world. These religions, along with all of the above exchange goods, have also altered the face of the United States. Many Americans drink tea in fine china, buy "Oriental" carpets, and certainly wear garments of cotton, wool, and silk. They are likely familiar with Asian martial arts and may attend an Islamic mosque. The Silk Road has extended to the United States and, since the tragic events of September 11, 2001, understanding that connection clearly has become more important. The 2002 Festival offered its million visitors the opportunity to learn more about the roots of this vital connection and to celebrate the long-standing relationships that have existed between East and West and North and South. The Festival provided a rare opportunity to connect with other cultures as well as with one's own and in doing so, in a small way, to build trust between and within cultures of the global Silk Road.

Richard Kennedy and Theodore Levin were Co-Curators, assisted by a Curatorial Committee whose members included Milo Beach, Jean During, Henry Glassie, Tom Kessinger, Alma Kunanbay, and Yo-Yo Ma. Cristin Bagnall, Jean Davidson, Catherine Gevers, Richard Kennedy, Richard Kurin, Theodore Levin, Diana Parker, and Esther Won made up the Production Committee. Rajeev Sethi was Festival Scenographer, and James Deutsch, Stephen Kidd, Arlene Reiniger, and Shayna Silverstein were Program Coordinators. Betty Belanus was Family Activities Coordinator; Jane Farmer was Paper Garden Coordinator; Marjorie Hunt was Silk Grove Coordinator; and Diana Baird N'Diaye was Fashion Court Coordinator.
Researchers and local coordinators:
Abduvali Abdurashidov, Mila Ahmedova, Omer Akakça, Bassam AI-Kahouaji, Dinara Amirova, Nahomi Aso, Najmieh Batmanglij, Betty Belanus, Laura Beldiman, Susan Blader, Guanghui Chen, Rta Kapur Chishti, Shafique Rahman Choudhury, Jerome Cler, Ardasher Dekhoti, James Deutsch, Hermine Dreyfuss, Cloe Drieu, Jean During, Jane Farmer, Sasan Fatemi, Walter Feldman, Henry Glassie, Chen Guanghui, Harold Hagopian, Elias Hanna, Rachel Harris, K. David Harrison, Bhagwati Prasad Hatwal, Martha Huang, George Jevremovic, Neslihan Jevremovic, Stephen Jones, Richard Kennedy, Jonathan Mark Kenoyer, Stephen Kidd, Doug Kim, Peg Koetsch, Alma Kunanbay, Gavyn Lavergne, Theodore Levin, Firoz Mahmud, Elshan Mansurov, Peter Marsh, Andranik Michaelian, Nataliya Mussina, Afanassij Myldyk, Olima Nabiva, Eden Naby, Mohammed Nasseripour, Liesbet Nyssen, Susan Pertel-Jain, Aziz Rahman, Marjorie Ransom, Arlene Reiniger, Rajeev Sethi, Pravina Shukla, Razia Sirdibaeva, Atesh Sonneborn, Youssef Summad, Nancy Sweezy, Takashi Takahara, D. Tserenpil, Shu-ni Tsou, Oguzhan Tugral, Mark van Tongeren, Seric Walley, Philippa Watkins, Chris Walter, Toshio Watanabe
Presenters:
Sibel Akad, Omer Akakça, Bassam AI-Kahouaji, Dina Amirova, William Belcher, Susan Blader, Camilla Bryce-Laporte, Sertac Çakim, Charles Camp, Guanghui Chen, Rta Kapur Chishti, Dinara Chochunbaeva, Shafique Rahman Choudhury, Jerome Cler, David d'Heilly, Tenzin Dickyi, Hermine Dreyfuss, Jean During, Jane Farmer, Walter Feldman, Alysia Fischer, Gail Forman, Helen Frederick, Ganbold, Henry Glassie, Harold Hagopian, Rachel Harris, K. David Harrison, Bhagawati Prasad Hatwal, Catherine Hiebert Kerst, Neslihan Jevremovic, Alison Allen Jia, Mark Kenoyer, Dipti Khera, Doug Kim, Benjamin David Koen, Peg Koetsch, Alma Kunanbay, Gavyn Lavergne, Tom Leech, Theodore Levin, Yo-Yo Ma, LaVerne Magarian, Firoz Mahmud, Peter Marsh, Nataliya Mussina, Eden Naby, Joan Nathan, Liesbet Nyssen, Nilgun Peksalli, Susan Pertei-Jain, Steven Prieto, Frank Proschan, Marjorie Ransom, Philip Schuyler, Shubha Sankaran, Pravina Shukla, Robin Ami Silverberg, Madan Gopal Singh, Nancy Sweezy, Takashi Takahara, Geshe Lobsang Tenzin, Oguzhan Tugral, Michael Twitty, Kojiro Umezaki, Mark van Tongeren, Yuriko Yamaguchi, Wang Yousheng, Chris Walter, Philippa Watkins, Jeffrey Werbock
Participants:
PERFORMANCE TRADITIONS

AFGHAN MUSIC

(AFGHANISTAN, UNITED STATES)

Homayoun Sakhi, vocal, -- rubab

Toryalay, tabla

Araa Zalmai, vocal, -- doira

AITYS: -- NOMADIC TOURNAMENT

(IRAN)

Masheallah Akbari (Azeri), vocal, -- balaban

Asheq Hasan (Azeri), vocal, -- saz

Youssef Dibaei (Turkmen), vocal, -- kamanche

Anaberdy Vejdani (Turkmen), vocal, -- dutar

(KAZAKHSTAN)

Almasbek Almatov, vocal

Sayan Aqmolda, vocal, -- qylqobyz

Rysbek Ashimov, vocal

Sholpan Beimbetova, vocal

Yedil Khussainov, jew's harp

Amandik Komekulu, vocal, -- dombra

Serzhan Shakrat, vocal

(KYRGYZSTAN)

Ruslan Jumabaev, -- komuz

Kenjekul Kubatova, -- komuz -- , vocal

(TAJIKISTAN)

Sator Fozilov, -- doira

Oumar Temourov, -- ghijak

(TURKMENISTAN)

Lale Begnazarova, vocal

Maksat Begnazarov, vocal

Osman Gujimov, -- dutar

(QARAQALPAKSTAN, UZBEKISTAN)

Zulfiya Arzumbetova, vocal, -- dutar

Salamatdin Kaipnazarov, -- ghijak

BADAKHSHANI MUSICAL TRADITIONS (TAJIKISTAN)

Nobovar Tchanorov, -- satar -- , -- rubab -- , vocal

Mouborakcho Djoumaev, -- rubab

Zarina Kobilova, dancer

Djoumakhon Madjidov, -- rubab -- , vocal

Ulfatmo Mamadambarova, vocal, -- doira -- , -- chang

Moussavar Minakov, -- satar -- , -- ghijak -- , -- rubab

Gulbek Saodatov, -- satar

BEIJING OPERA FEATURING QI SHU FANG (CHINA)

Ding Mei-Kui

Huang Chen Lin, second fiddle

Huang Shi Rong, big drum

Li Peng

Li Shi-sheng, gong

Liu Chunnuan

Qi Shufang

James Qian, fiddle

Sun Ya Hui

Zhao Zhen Ping, moon mandolin

Zhao Zong Quan

BEZMÂRÂ (TURKEY)

Kemal Caba, -- kamanche

Ayse Serap Çağlayan, -- kanun

Walter Feldman, -- kudum

Aziz Şenol Filiz, -- ney

Fikret Karakaya, -- çeng

Osman Kırklıkçı, -- sehrud

Birol Yayla, -- tanbur -- , -- kopuz -- , guitar

BUKHARAN JEWISH MUSIC AND DANCE (UNITED STATES)

Ilyas Malaev Ensemble -- Ilyas Malaev EnsembleYusuf Abramov, tarMatat Barayev, doiraOchil Ibrahimov, vocal, tar, ghijakTamara Kataev, dancerIlyas Malaev, vocal, tarIzro Malakov, vocalMuhabbat Shamoeva, vocal

Shashmaqam -- ShashmaqamAboshaul Aminov, vocalOsher Barayev, doiraDavid Davidov, tarFiruza Junatan, dancerBoris Kuknariyev, vocal, accordionShumiel Kuyenov, doiraIzro Malakov, vocalShoista Mulldzhanova, vocal

Sazandas -- SazandasTravis F. JarrellFiruza JunatanTamara KataevTofahon Pinkhasova

CALICANTO (ITALY) -- CALICANTO (ITALY)Claudia Ferronato, vocalNicola Marsilio, clarinet, flute, sax, dudukGiancarlo Tombesi, double bassRoberto Tombesi, vocal, mandola, diatonic accordion, bagpipesPaolo Vidaich, percussion

CHINESE STORYTELLING (CHINA)

Chong Yujie, Jingyun -- dagu

Jai Jainguo, Kuaiban

Jiang Yunxian, Suzhou -- tanci

Lian Liru, Beijing -- pingshu

Mu Xiangzheng, -- sanxian -- accompanist

Tang Gengliang, Suzhou -- pinghua

ETHNOS SHINGIGAKU: ASIAN MASK DANCE THEATER (JAPAN)

Mannojo Nomura, producer

Théodore Bah (Guinea), actor

I Made Djimat (Indonesia), actor

Fujita Shuji, staff

Hashimoto Katsutoshi, actor

Hatakeyama Yuko, musician

Ino Makiko, actor

Irino Tomoe, musician

Challissery Antony Joy (India), actor

Kang Cha Wook (Korea), musician

Kawamura Kohei, musician

Kim Do Yoen (Korea), actor

Kim Yong Mok (Korea), actor

Koga Kumiko, staff

Lakshmipathy Narendra Kumar (India), actor

Kuwabara Kayo, staff

Lee Dong Yong (Korea), actor

Lu Hairong (China), actor

Miura Tsuneo, actor

Qian Tenghao (China), musician

I Ketut Rudida (Indonesia), actor

Sugawara Kaori, actor

Latyr Sy (Senegal), musician

Shinsuke Suzuki, staff

Ye Fang (China), actor

HUA FAMILY SHAWM AND PERCUSSION BAND (CHINA)

Hua Jinshan, drum

Hua Lei, small cymbals

Hua Yinshan (leader), shawm

Hua Yun, shawm

Xie Jian, gong

INDIAN MELA PERFORMERS (INDIA)

Aziz Khan, magician

Kishan, son of Laxman Bharti, juggler

Kishan, son of Sharwan Nath, -- behrupia

INDIAN OCEAN (INDIA)

Ashim Chakravarthy, tabla, drums

Amit Kilam, drums

Rahul Narasimha Ram, bass

Susmit Sen, guitar

KATHPUTLI PUPPET THEATRE (INDIA)

Guddi Bhatt

Jagdish Bhatt

Puran Bhatt

MANGANIYAR MUSIC OF RAJASTHAN (INDIA)

Gazi Khan Bar ana, -- dholak -- , -- khartal -- , -- morchang

Anwar Khan, vocal

Kheta Khan, vocal

Chanan Khan Manganiar, -- khamayacha -- , -- vocal

MAQAM (UZBEKISTAN, TAJIKISTAN)

Mastona Ergashova, vocal

Abdurahim Hamidov, -- dutar

Jurabek Nabiev, vocal

Shawkat Nabiev, -- ghijak

Shuhratdjon Nabiev, -- tanbur

MONGOLIAN MUSICAL TRADITIONS

I. Amartüvshin, -- morin huur

G. Khongorzul, -- urtiin duu -- (long song singer)

Ts. Sansarbayar, -- yatga

N. Sengedorj, -- hoomii -- throat-singer, fiddles

B. Tsengelmaa, -- bielgee -- dancer

MUGHAM -- (AZERBAIJAN)

Elnur Ahmadov, -- kamanche

Aydin Aliyev, -- garmon

Niyamettin Babyev, vocal

Elchin Hashimov, -- tar

Adalat Nasibov, -- saz

Leyla Rahimova, vocal

MUQAM OF THE UYGHURS (CHINA)

Rozi Tukhluk (Uzbekistan), vocal, -- rawap -- , -- tanbur

Nur Mähämmät Tursun, -- satar -- , -- tanbur

Sänubär Tursun, vocal, -- dutar

MURAS (KYRGYZSTAN)

Toktobek Asanaliev, komuz, vocal

Gulbara Baigashkaeva, -- komuzl temir komuz

Bakytbek Chatyrbaev, -- qylqiyak

Nurlanbek Nyshanov, -- komuz -- , -- chor -- , -- chopo chor -- , -- temir komuz

PARISA AND DARIUSH TALAI: PERSIAN CLASSICAL MUSIC (IRAN)

Parisa, vocal

Dariush Talai, -- tar

ROKSONAKI (KAZAKHSTAN)

Yermek Diyarov, vocal, guitar

Ruslan Karin, vocal, -- saz-syrnai -- , -- shan-kobyz

Viktor Khomenkov, keyboards

Yedil Khussainov, vocal, -- djetygen -- , -- shan-kobyz -- , -- saz-syrnai -- , -- sybyzgy -- , -- kamys-syrnai

Abay Rakhyshev, vocal, drums

Kazbek Spanov, vocal, guitar

SABJILAR (KHAKASIA, RUSSIA)

Altyn Tann Anna Burnakova, -- khai -- , percussion

Chanar Khyr Khaas, -- khai -- , -- chatkhan

Aycharkh Sayn, -- khai -- , -- chatkhan -- , -- qobyz

SHOGHAKEN ENSEMBLE (ARMENIA)

Tigran Ambaryan, -- kamanche

Gevorg Dabaghyan, -- duduk

Aleksan Harutyunyan, vocal, dancer

Hasmik Harutyunyan, vocal, dancer

Karine Hovhannisyan, -- kanun

Kamo Khachatryan, -- dhol

Grigor Takushyan, -- dham duduk

Levon Tevanyan, -- shvi -- , zurna

THE SILK ROAD ENSEMBLE

Edward Arron, cello

Nicholas Cords, viola

He Cui, -- sheng

Gevorg Dabaghyan, -- duduk

Sandeep Das, tabla

Joel Fan, piano

G. Khongorzul, long song vocal

Jonathan Gandelsman, violin

Joseph Gramley, percussion

Colin Jacobsen, violin

Dong-Won Kim, -- chang-go

Yo-Yo Ma, cello, -- morin huur

Shane Shanahan, percussion

Mark Suter, percussion

Kojiro Umezaki, shakuhachi

Yang Wei, -- pipa

Beixing Xiang, erhu

UZBEK PUPPET THEATER

Venera Yusupova

Gulshat Nazarova

Dinara Yuldasheva

CRAFT TRADITIONS

BEAD MAKERS

Haji Ashoor (Pakistan)

Luigi Cattelan (Italy)

Abdul Momin (Pakistan)

CALLIGRAPHERS

Issa M. Benyamin (United States)

Niyaz Kerim Xarki (China)

Muhittin Serin (Turkey)

Alvin Y. Tsao (United States)

Oğuzhan Tuğrul (Turkey)

John S.C. Wang (United States)

CERAMICISTS

Chen Xinching (China)

İbrahim Erdeyer (Turkey)

Mehmet Gürsoy (Turkey)

Higaki Hachiro (Japan)

Kang Qing (China)

Maekawa Denko (Japan)

Masuda Shigeyuki (Japan)

Haripada Pal (Bangladesh)

Ahmet Hürriyet Şahin (Turkey)

Nurten Şahin (Turkey)

Tatebayashi Hirohisa (Japan)

Xu Xiutang (China)

Yie Dongxi (China)

CLOTHING DESIGNERS

Lola Babayeva (Uzbekistan)

Turdukan Borubaeva (Kyrgyzstan)

Tatiana Vorotnikova (Kyrgyzstan)

Nakagawa Sochi (Japan) -- Nakagawa Sochi (Japan)Azechi RikaKishimoto KanehiroKoiwa JunNakagawa MasahiroNakagawa Tatsuya

Taras Volikov (Uzbekistan)

GLASS BLOWERS (SYRIA)

Hasan al Kazzaz

Mhd. Nazir al Kazzaz

METALWORKERS AND JEWELERS

Richard Furrer (United States)

Sirajul Islam (Bangladesh)

Mohamad al Malli (Syria)

George Oubid (Syria)

B.D. Soni (India)

MUSICAL INSTRUMENT MAKERS

John Bertles (United States)

Marat Damdyn (Tuva, Russia)

PAINTERS

Yeshi Dorjee (United States)

Mohammed Nasseripour (United States)

Gyan Prakash Soni (India)

Aram Vartanov (United States)

PAPER ARTISTS

Tohtu Baqi Turdi (China)

Fukunishi Hatsumi (Japan)

Fukunishi Masayuki (Japan)

Guerrino Lovato, mask maker (Italy)

Asif Mian, kite maker (India)

Feridun Ozgoren (Turkey, United States)

Roberto Rapanotti (Italy)

Zhang Fengxue (China)

STONE CARVERS

Iftikar Ahmed (Pakistan)

Ghulam Mustafa (Pakistan)

Lorisa Norbu (Tuva, Russia)

Alexei Salchak (Tuva, Russia)

TEXTILE ARTISTS

BLOCK PRINTER (INDIA)

Shaikh Mohammad Hussain

BROCADE WEAVERS (SYRIA)

Ahmad Chakkaki

Louai Jarkas

IKAT WEAVERS (UZBEKISTAN)

Bobir Ismailov

Dilbar Khalimova

Davlat Umaralyev

IKAT PATOLA WEAVERS (INDIA)

Salvi Bharatkumar Kantilal

Salvi Rohitkumar Kantilal

Salvi Vinayak Kantilal

JAMDANI WEAVERS (BANGLADESH)

Shawkat Ali

Md. Enamul Haque

NAVAJO CARPET WEAVER (UNITED STATES)

D.Y. Begay

RABARI WEAVER (INDIA)

Ramiben Ratna Rabari

TIBETAN CARPET WEAVERS (NEPAL)

Tsering Bhuti

Dawa Tsamchoe

TURKISH CARPET WEAVERS (TURKEY)

Ahmet Balcı

Mukaddes Kavak

Ummu Gülsum Yılmaz

TURKMEN CARPET WEAVERS (PAKISTAN)

Abdul Baqi

Sadaf Baqi

TUSSAH SILK WEAVER (INDIA)

Gunia Devi

TRUCK PAINTERS (PAKISTAN)

Haider Ali

Jamil Uddin

NOMADIC TRADITIONS (KAZAKHSTAN)

Almasbek Almatov, yurt builder

Sayan Aqmolda, yurt builder

Rysbek Ashimov, yurt builder

Baltabay Ibrayev, yurt builder

Amangul Ikhanova, felt maker

Zhangir Umbetov, leatherworker, yurt builder

FOODWAYS TRADITIONS

Najmieh Batmanglij (Persian)

Mukadder (Katie) Buyukunsal (Turkish)

Jinghua Chi (Chinese)

Roberto Donna (Italian)

Enzo Fargione (Italian)

Shajan Fazelyar (Uzbek)

Huilan Hu (Chinese)

Nahid Javadi (Azerbaijani)

Jila Naim (Afghan)

Marco Nocco (Italian)

Shukrieh Raad (Afghan)

Shobha Shah (Indian)

Fay Shahidi (Persian)

Nikta Shahidi (Persian)

Behjat Shahverdiani (Persian)

Sakina A. Shehadi (Syrian)

Leda Zenian (Armenian)

SACRED TRADITIONS

ALEVI SEMAH OF HUBYAR (TURKEY)

Aysel Adigüzel

Rıza Adigüzel

Allı Aydın

Hasan Aydın

Bahar Bayrı

Tutca Cücü

Hüseyin Denizhan, -- ashik

Rüştü Durna

Süleyman Duran

Ahmet Güngör, -- ashik

Dürdane Karagöz

Cemal Özcan

THE KUSHTIA BAULS (BANGLADESH) -- THE KUSHTIA BAULS (BANGLADESH)Anjali Ghosh Durga, vocalShunil Kormakar, vocalMd. Naimul Karim Melal, vocalSanchita Paul, vocalMd. Belal Siddique, vocal

Madan Gopal Singh (India)

TIBETAN MONKS FROM THE DREPUNG MONASTERY (INDIA, UNITED STATES)

Geshe Lobsang Chogyal

Lobsang Chophel

Lobsang Dhargye

Wangchen Dorjee

Thupten Kungkhen

Dhakpa Norbu

Tsering Phuntsok

Dondup Tenzin

URHOY CHOIR (SYRIA)

Sandy Amsih

Adnan Aziz

Edwar Danho

Ilona Danho

Fadi Karat

Izla Karat

Jean Karat

George Kentar

Maya Stifo

Samira Steifo

SPORTS AND MARTIAL ARTS TRADITIONS

ASIAN MARTIAL ARTS (UNITED STATES)

Steve Brown

Sifu Tony Chen

Christopher Cheung

Patrick Chew

Laura Copenhaver

Janet Gee

Bernard Beno Hwang

Kaela Kang

Jia Tao Zhang

BUKH: LEGENDARY WRESTLING TRADITION (MONGOLIA)

THANG-TA (INDIA)

Khilton Nongmaithem

POTOMAC POLO CLUB

Greg Ford

Mara Hagan

Charlie Muldoon

Joe Muldoon, Jr.

Joe Muldoon III

Martine Maldanado

Dave Polan

ZURKHANE (IRAN)

Morshed Mehregan, -- morshed
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2002, Series 2
See more items in:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk528fba63b-902a-4300-9a02-98c68d4f167d
EDAN-URL:
ead_component:sova-cfch-sff-2002-ref18

Festival Recordings: Camp Narrative: Willing to Take a Risk; Hunting Calls; Camp Cooking

Creator:
Smithsonian Institution. Festival of American Folklife. Mississippi Delta Program 1997 Washington, D.C.  Search this
Sultan, Brad (recorder)  Search this
Schlachter, Kori (recorder)  Search this
Performer:
Warren, Hugh  Search this
Keaney, Jack  Search this
Fisher, Robroy  Search this
Thompkins, Bob  Search this
Richenbach, Butch  Search this
Vaughn, Sydney  Search this
Shockley, Clement  Search this
Morris, Tom  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Mississippi
Louisiana
Greenville (Miss.)
Monroe (La.)
Arkansas
Stuttgart (Ark.)
Yazoo City (Miss.)
Date:
1997 July 2
Track Information:
101 Willing to Take a Risk / Hugh Warren, Jack Keaney, Robroy Fisher.

102 Hunting Calls / Bob Thompkins, Butch Richenbach, Sydney Vaughn.

103 Camp Cooking / Clement Shockley, Tom Morris.
Local Numbers:
FP-1997-CT-0111-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Cotton  Search this
Catfishes  Search this
Pesticides  Search this
Agriculture  Search this
Birdsongs  Search this
Ducks  Search this
Turkeys  Search this
Hunting  Search this
Meat  Search this
Camps  Search this
Food habits  Search this
Venison  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0111
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 3: The Mississippi Delta / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55efd4c35-a684-4731-9c1c-716e567f0ded
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref996

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife
Smithsonian Folklife Festival records: 1986 Festival of American Folklife / Series 6: Tennessee / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e3529477-6f2f-4c65-b6c0-c3cc310a6a93
EDAN-URL:
ead_component:sova-cfch-sff-1986-ref1310
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  • View Audio Log Sheets digital asset number 2
  • View Audio Log Sheets digital asset number 3
  • View Audio Log Sheets digital asset number 4
  • View Audio Log Sheets digital asset number 5

Dog Trot House; Shellhorse, Pire, Brogdon; Wine Making; G. and P. Tanner, M. Anger

Creator:
Smithsonian Institution. Festival of American Folklife. Folk Housing and Energy Efficiency Program 1980 Washington, D.C.  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1980 October 11
Local Numbers:
FP-1980-7RR-0300
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, October 11, 1980.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Wine  Search this
Wine making  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Item FP-1980-7RR-0300
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Smithsonian Folklife Festival records: 1980 Festival of American Folklife / Series 4: Community Activities and Food Preservation / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5452c0078-9be9-4455-a3ac-a29f95e0d083
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref320
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William Faulkner; Bill Hines; Pearl Williams Jones

Creator:
Smithsonian Institution. Festival of American Folklife. African Diaspora Program 1975 Washington, D.C.  Search this
Faulkner, William J.  Search this
Hines, William, 1934-1994  Search this
Jones, Pearl Williams  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1975 July 5
Contents:
Faulkner--Short tails and long tails--Its a sin to hunt on Sunday--Turkey buzzard and chicken hawk--Story about a young preacher; Hines---When I rose Lord, I did not have no doubt--I wonder, do you know the Lord like I do--Stories about escaping death--Give me a heart like thine--I know that prayer changes things--Will the Lord be with me when I go through the valley
General note:
DPA number 75.259.02
Local Numbers:
FP-1975-7RR-0103
General:
75.259.02
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1975.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Storytelling  Search this
Gospel music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1975 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1975, Item FP-1975-7RR-0103
See more items in:
Smithsonian Folklife Festival records: 1975 Festival of American Folklife
Smithsonian Folklife Festival records: 1975 Festival of American Folklife / Series 2: African Diaspora / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk549a2b6bd-9d5f-4546-92c2-42eba842b831
EDAN-URL:
ead_component:sova-cfch-sff-1975-ref2449

Notes on the Omaha and Ponca, with some Dhegiha texts

Collection Creator:
Dorsey, James Owen, 1848-1895  Search this
Container:
Box 15, Item 163
Type:
Archival materials
Date:
1878-1879
Scope and Contents:
Contents

2 -- Moccasins

3-5 -- "Origin of tribe, travels, etc." Joseph La Flesche, Fontanelle, Yellow Smoke, among those mentioned.

30 -- "Marks (Tattooing)."

51-52 -- "Pipe Dance"

53 -- Small conch dance

54 -- "Ga-k'e'ge dance of the Ponkas"

61-62 -- "Festivals"

75-77 -- "Hunting Customs"

89 -- "Superstitions, etc."

99 -- "Games"

107 -- "Behavior- Etiquette"

108 -- Two Crow cuts off ear of Baptiste Barnaby

109 -- Drawing and description of the back of an Omaha looking glass

110 -- Marriage

121-123 -- Text, "The raccoons and the crabs," told by Frank La Flesche.

124-126 -- Text, "A Yankton higan told in Omaha by Jno. Springer."

127-129 -- Text, "Oto higan told by Mary La Flesche"

129-130 -- Text, "How the Rabbit caught the sun in a trap"

130-134 -- Text, "Of the mikasi and the four buffaloes"

134-135 -- Text, "Si-kan hega's higan"

135-136, 157-159 -- Text, "Wa-jinska's higan" [Frank La Flesche]

137-138 -- Text, "The Monkey, the buzzard and the women" as "told by Mancu nanba, Sept. 26/78"

138-141 -- "Omaha story (told by Jos. La Flesche) Aug./78." In English.

141-142 -- Text, "How turkeys' eyes became red"

143 -- Notes in English on "The Snake and the Ring," "revised with Mary and Joe, Apl/79 and printed on T-W."

143-144 -- Notes in English on "The four brothers and their sister," "revised by Joes, May/79."

144 -- List of 10 stories

145-147 -- Text, "Wolf, Monkey and Colt"

147-150 -- Notes in English on the "Story of the gods with 7 heads and Hahuka."

157 -- Text, "How a rabbit killed a giant," Frank La Flesche, November 25

159-162 -- Text, "How the rabbit killed the winter"

162-168 -- Text, "Wahatisige and the God with 7 heads."

168-169 -- Text, Ponka ghost story told by Frank La Flesche, Jr.

168 -- List of fables, Numbers 11-17

9 unnumbered pages in back of notebook -- Lists of Omaha, Ponca, Oto, Iowa, etc. fables collected and manuscripts completed.
Collection Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4800 James O. Dorsey papers
MS 4800 James O. Dorsey papers / Series 1: Siouan-Catawban / 1.3: Dhegiha
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3677a6d56-57b1-4edb-b120-b9fa76c22969
EDAN-URL:
ead_component:sova-naa-ms4800-ref246

Chamberlain-Comden

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 63, Folder 25
Type:
Archival materials
Date:
1860-1975
Scope and Contents:
Chamberlain, Samuel

Chapin, Cornelia

Chapman, Carlton

Chapman, Charles

Cheffetz, Asa

Chen, Chi

Choate, Nathaniel

Church, Frederic Edwin

Church Frederick Stuart

Ciampaglia, Carlo

Clark, Eliot

Clark, Walter

Clarke, Thomas Shields

Clarkson, Ralph

Clemens, Paul

Clinedinst, B. W.

Comden, Harry Poole
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 18: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9171c537c-57fd-4aaf-859b-ed23cea2a5f3
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1114
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An Anthology of North American Indian and Eskimo Music

Producer:
Asch, Michael  Search this
Performer:
La Farge, Peter, 1931-1965  Search this
Low Horn, Jack  Search this
Low Horn, Jim  Search this
Wings, Emil, Mrs.  Search this
Peaychew, William, 1900-1960  Search this
Anquoe, Jack V., 1933-2006  Search this
Anquoe, Kenneth, 1920-1989  Search this
Webster, Nick  Search this
Evarts, Mark  Search this
Burn Stick, William  Search this
Nicotine, George  Search this
Roanhorse, Ambrose, 1904-1982  Search this
Pichette, Baptiste, 1903-1986  Search this
Conko, Eneas  Search this
John, Burton, 1905-1996  Search this
James, Roy  Search this
Poolaw, Irene Chalepah, 1920-2000  Search this
Assu, Billy  Search this
Martin, Mungo, 1879-1962  Search this
McKenzie, Sebastian  Search this
Ahkivigak, Otis  Search this
Lewis, Thomas  Search this
Miller, Huron  Search this
Yellow Thunder, Albert, 1878-1951  Search this
Snake, Blow  Search this
White Eagle, Winslow, b. 1896  Search this
Kenosha, David, Oshawenimiki, 1893-1963  Search this
Lacasse, Fred  Search this
Shalifoe, Thomas, 1903-1986  Search this
Stewart, Billy, Gatcayehola  Search this
Stewart, Billie  Search this
Tiger, Susie, 1871-1970  Search this
Fort Wingate (N.M.) Indian School  Search this
Kemukserar  Search this
Pangatkar  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Indians of North America  Search this
Canadians  Search this
Teton Indians  Search this
Dakota Indians  Search this
Assiniboine Indians  Search this
Kainah Indians  Search this
Cree Indians  Search this
Kiowa Indians  Search this
Arapaho Indians  Search this
Pawnee Indians  Search this
Navajo Indians  Search this
Apache Indians  Search this
Salish Indians  Search this
Hualapai (Walapai)  Search this
Tohono O'Odham Indians  Search this
Washo Indians  Search this
Taos Indians  Search this
San Ildefonso Pueblo (N.M.)  Search this
Hopi  Search this
Zuni  Search this
Kiowa Apache Indians  Search this
Nootka Indians  Search this
Denetha  Search this
Slaves  Search this
Naskapi Indians  Search this
Inuit  Search this
Onondaga Indians  Search this
Tuscarora Indians  Search this
Winnebago Indians  Search this
Ottawa Indians  Search this
Ojibwa Indians  Search this
Seminole Indians  Search this
Type:
Archival materials
Phonograph records
Place:
New York
United States
New York (N.Y.)
Saskatchewan
Canada
Fort Qu'appelle (Sask.)
New Mexico
Fort Wingate (N.M.)
Montana
Québec (Province)
Schefferville (Qub̌ec)
Alaska
Barrow, Point (Alaska)
Chesterfield (Alaska)
Onondaga Indian Reservation (N.Y.)
Wisconsin
Michigan
Florida
Oklahoma
Nebraska
Alberta
Edmonton (Alb.)
Taos Pueblo (N.M.)
San Ildefonso (N.M.)
Arizona
Hopi (Ariz.)
Zuni (N.M.)
Cape Mudge (B.C.)
British Columbia
Fort Rupert (B.C.)
Ontario
Six Nations Indian Reserve No. 40 (Ont.)
Cross Village (Mich.)
Lac du Flambeau (Wis.)
Baraga (Mich.)
Cow Creek (Fla.)
Date:
1973
Contents:
Sun dance (1:32) -- Love song (0:57) -- Crazy Dog song (1:41) -- Buffalo dance song (1:03) -- Man's love song (0:54) -- Hand game song (1:42) -- Prisoner's song (2:20) -- World War II song (1:36) -- Warrior death song for Sitting Bull (2:00) -- Canvas dance song (1:40) -- Funeral song (1:37) -- Suguaro song (1:58) -- Peyote song : first song cycle (1:26) -- Moonlight song (2:09) -- Eagle dance (2:59) -- Butterfly dance (1:41) -- Lullaby (0:58) -- Rain dance (1:47) -- Night chant (1:43) -- Song of happiness (1:09) -- Silversmith's song (1:09) -- Corn grinding song (0:59) -- Children's songs (1:47) -- Church song (1:03) -- Devil dance, crown dance (2:57). Wolf song (2:05) -- Potlatch song (1:38) -- Hamatsa song (1:12) -- War song for marriage (1:50) -- Rabbit dance song (2:03) -- Cree dance song (2:24) -- Fiddle dance song (1:00) -- Bear hunting song (1:44) -- Inviting-in dance song (0:47) -- His first hunt (2:06) -- Hunting for musk ox (3:33) -- Corn dance (2:08) -- Stomp dance (1:57) -- Song of welcome (1:19) -- Buffalo feast song (1:06) -- Morning song (1:12) -- Song of the unfaithful woman (0:59) -- Hoot owl song (1:09) -- Oh Mary (1:01) -- Catholic hymn (0:42) -- Calusa corn dance song (1:32) -- Song of removal (1:41) -- Fortynine dance (2:00) -- Unidentified track (1:03) -- As long as the grass shall grow (6:03).
Track Information:
101 Sun Dance / Drum,Whistle.

102 Love Song.

103 Crazy Dog Song / Jack Low Horn, Jim Low Horn, Emil, Mrs. Wings. Drum,Rattle (Musical instrument).

106 Hand Game Song / William Peaychew. Sticks (Musical instrument).

104 Buffalo Dance Song / Jack V. Anquoe, Kenneth Anquoe, Nick Webster. Drum.

105 Man's Love Song / Mark Evarts.

107 Prisoner's Song / William Burn Stick. Drum.

108 World War II Song / George Nicotine. Drum. English language.

109 Warrior Death Song for Sitting Bull / Bass drum,Bells.

207 Song of Happiness / Fort Wingate (N.M.) Indian School. Drum,Harmonica. Navajo language.

208 Silversmith's Song / Ambrose Roanhorse. Anvils. Navajo language.

209 Corn Grinding Song / Basket drum. Navajo language.

110 Canvas Dance Song / Baptiste Pichette, Eneas Conko. Drum.

111 Funeral Song.

112 Suguaro Song.

113 Peyote Song: First Song Cycle / Burton John, Roy James. Drum,Rattle (Musical instrument).

201 Moonlight Song.

202 Eagle Dance / Drum.

203 Butterfly Dance / Drum.

204 Lullaby.

205 Rain Dance.

206 Night Chant / Rattle (Musical instrument). Navajo language.

210 Children's Song: Wolf Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Turtle Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Turkey Song / Irene Chalepah Poolaw. Kiowa Apache.

210 Children's Song: Puppy Song / Irene Chalepah Poolaw. Kiowa Apache.

211 Church Song / Kiowa Apache.

212 Devil Dance, Crown Dance.

301 Wolf Song / Billy Assu.

302 Potlatch Song / Billy Assu.

303 Hamatsa Song / Billy Assu.

303 Hamatsa Song, Cedar Bark Dance / Mungo Martin.

304 War Song for Marriage / Billy Assu.

305 Rabbit Dance Song.

306 Cree Dance Song.

307 Fiddle Dance Song / Fiddle.

308 Bear Hunting Song / Sebastian McKenzie.

309 Inviting in Dance Song / Otis Ahkivigak.

310 His First Hunt / Kemukserar, Pangatkar.

311 Hunting for Musk Ox / Kemukserar, Pangatkar. Drum.

401 Corn Dance / Thomas Lewis.

402 Stomp Dance / Huron Miller.

403 Song of Welcome / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.

404 Buffalo Feast Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle.

405 Morning Song / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Rattle (Musical instrument).

406 Song of the Unfaithful Woman / Albert Yellow Thunder, Blow Snake, Winslow White Eagle. Flute.

407 Hoot Owl Song / David, Oshawenimiki Kenosha.

408 Oh Mary / Fred Lacasse.

409 Catholic Hymn / Thomas Shalifoe.

410 Calusa Corn Dance Song / Billy, Gatcayehola Stewart.

411 Song of Removal / Billie Stewart, Susie Tiger.

412 Fortynine Dance / Fred Lacasse. English language.

413 The Seneca: As Long As the Grass Shall Grow / Peter La Farge.
Local Numbers:
FW-COMM-LP-04541

Folkways.4541
Publication, Distribution, Etc. (Imprint):
New York Folkways 1973
Date/Time and Place of an Event Note:
Recorded in: Florida, Michigan, Wisconsin, Onondaga Indian Reservation (N.Y.), Chesterfield (Alaska), Barrow, Point (Alaska), Alaska, Schefferville (Québec), Québec (Province), Montana, Fort Wingate (N.M.), New Mexico, Fort Qu'appelle (Sask.), Canada, Saskatchewan, New York (N.Y.), United States, New York.
General:
Commercial

Songs and dance music from many tribes including Sioux, Cree, Hopi, Zuni, Navajo, Apache, Kwakiutl-Nootka, Slavey, Iroquoian, Winnebago, Ojibwa, Seminole, and others. Compiled and edited by Michael I. Asch. Originally compiled principally from material previously released on several Folkways and Asch recordings. Program notes in English by Michael I. Asch and others, and Native American vocal texts with English translations and English vocal texts (10 p.)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
American Indian  Search this
Jigs  Search this
Drum  Search this
Whistle  Search this
Rattle (Musical instrument)  Search this
Sticks (Musical instrument)  Search this
Bass drum  Search this
Bells  Search this
Harmonica  Search this
Anvils  Search this
Basket drum  Search this
Violin  Search this
Flute  Search this
Religion  Search this
Native American Church of North America  Search this
Children  Search this
puberty  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-LP-04541
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f3ff2b57-5a6a-4a21-8ca1-3b570b93e60b
EDAN-URL:
ead_component:sova-cfch-asch-ref16044

Any Old Time String Band

Creator:
Any Old Time String Band  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Type:
Archival materials
Phonograph records
Place:
California
United States
Date:
1978
Contents:
Let me fall -- Dear companion -- Turkey buzzard ; Chinquapin hunting -- I wish I'd stayed in the wagonyard -- Ma cher bébé creole -- Dixieland one step -- Home in Pasadena -- Long lost lover blues -- Valse de Orphelin -- C-u-b-a -- Free little bird -- I've got what it takes -- I bid you goodnight.
Local Numbers:
FW-ARH-LP-4009

Arhoolie.4009
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1978
Date/Time and Place of an Event Note:
Recorded at 1750 Arch Street, Berkeley, Calif.
General:
Country music, principally vocals, with fiddles, guitar, mandolin, banjo, bass, etc.

Commercial
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
String band music  Search this
Old-time music  Search this
Folksong revival  Search this
String band  Search this
Identifier:
CFCH.ARHO, Item FW-ARH-LP-4009
See more items in:
Arhoolie Records Business Records and Audio Recordings
Arhoolie Records Business Records and Audio Recordings / Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51cf54b4c-2e52-41ba-8e9a-7fe1722696ed
EDAN-URL:
ead_component:sova-cfch-arho-ref523

I Bid You Goodnight

Performer:
Any Old Time String Band  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound discs
Place:
United States
California
Date:
1996
Track Information:
101 Turkey Buzzard/Chinquapin Hunting / Banjo,Fiddle,Guitar,Bass. English language.

102 Dear Companion / Fiddle,Guitar,Bass. English language.

103 Let Me Fall / Banjo,Fiddle,Guitar,Bass. English language.

104 I Wish I'd Stayed in the Wagonyard / Banjo,Fiddle,Guitar,Bass. English language.

105 Ma Cher Bebe Creole / Banjo,Fiddle,Guitar,Bass. Cajun French dialect.

106 Dixieland One-Step / Banjo,Fiddle,Guitar,Bass,Mandolin. English language.

107 Home in Pasadena / Guitar,Bass. English language.

108 Long Lost Lover Blues / Fiddle,Guitar,Bass,Mandolin,Kazoo. English language.

109 Valse de Orphelin / Fiddle,Guitar,Bass,Triangle (Musical instrument). Cajun French dialect.

110 I'll See You in C-U-B-A / Fiddle,Guitar,Bass. English language.

111 Free Little Bird / Banjo,Fiddle,Guitar,Bass. English language.

112 I've Got What It Takes / Fiddle,Guitar,Bass,Kazoo. English language.

113 Hello Stranger / Banjo,Guitar,Bass,Dobro,Harmonica. English language.

114 La Valse de Bayou Teche / Fiddle,Guitar,Bass,Triangle (Musical instrument),Harmonica. English language.

115 Shady Grove / Banjo,Fiddle,Guitar,Bass. English language.

116 California Blues / Banjo,Fiddle,Guitar,Bass. English language.

117 Cowboy Girl / Banjo,Guitar,Bass. English language.

118 I Made a Big Mistake / Fiddle,Guitar,Bass,Drum,Hawaiian guitar. English language.

119 Lock and Key / Fiddle,Guitar,Bass,Piano. English language.

121 La Porte Dans Arriere / Fiddle,Guitar,Bass,Triangle (Musical instrument). Cajun French dialect.

120 Falls of Richmond/Camp Chase / Banjo,Fiddle,Guitar,Bass. English language.

122 Oklahoma Blues / Fiddle,Bass,Harmonica. English language.

123 Keep My Skillet Good and Greasy / Banjo,Fiddle,Guitar,Bass,Harmonica. English language.

124 Farewell Blues / Fiddle,Guitar,Bass,Piano,Clarinet. English language.

125 I Bid You Goodnight / English language.
Local Numbers:
FP-ARH-CD-0051-7

Arhoolie.433
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1996
Date/Time and Place of an Event Note:
Recorded in: California, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
String band  Search this
Folksong revival  Search this
Banjo  Search this
Violin  Search this
Guitar  Search this
Bass  Search this
Mandolin  Search this
Kazoo  Search this
Triangle (Musical instrument)  Search this
Dobro  Search this
Harmonica  Search this
Drum  Search this
Hawaiian guitar  Search this
Piano  Search this
Clarinet  Search this
Identifier:
CFCH.ARHO, Item FP-ARH-CD-0051-7
See more items in:
Arhoolie Records Business Records and Audio Recordings
Arhoolie Records Business Records and Audio Recordings / Audio Recordings / CD
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ffeb6289-d149-45b6-b800-03e9d7231296
EDAN-URL:
ead_component:sova-cfch-arho-ref645

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