Correspondence, biographical material, financial and legal papers, photographs, sketches, printed material and files on sculpture projects.
REELS N69-31, N69-38, N69-67 and N69-79: General correspondence, 1954-1969. Correspondents include Richard Adler, Betty Asher, David Bright,James and Charlotte Brooks, Dorothy Brown,Robert M. Doty, Herbert Ferber, James Fitzsimmons, Betty Freeman, Francoise Gilot, Esther and Adolph Gottlieb, Sam Hunter, Mildred and Sam Jaffe, William King, Jane and Sam Kootz,Boris and Lynn Kroll, Jules Langsner, William and Mary Lescaze, Conrad Marca-Relli,Norman McManus, Sidney H. Morris, Richard and Dione Neutra, Louise Nevelson, Ruth Nivola, Claude and Sara Picasso, Paloma Picasso, Mary Gardner Preminger, Vanessa Reis, Julius Shulman, Kurt W. Simon, Irving and Jean Stone, Ala Story, Catherine Viviano, June Wayne, Wou-Ki Zao, Adja Yunkers, and others.
REELS 1789-1791: Letters from James Brooks, Paloma Picasso, Claude Picasso, Adolph Gottlieb, Robert Indiana, Sam Hunter, and Gertrude Kasle; a biographical sketch; financial and legal papers, including contracts, price lists, bills and receipts; files on Knoedler and Company; files on sculpture projects containing correspondence, sketches, photographs of Rosenthal and his art work, and clippings and printed material; and notes.
Biographical / Historical:
Tony Rosenthal (1914-2009) was a sculptor in New York, N.Y. Born 1914 Highland Park, Ill. Known professionally as Tony Rosenthal. His work is in the collections of the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, and the Israel Museum, Jerusalem.
Provenance:
Lent for microfilming by Rosenthal, 1969 and 1980.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York Search this
Sculptors -- New York (State) -- New York -- Interviews Search this
2 Linear feet ((partially filmed on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1971-1974; 1976
Scope and Contents:
Reels 2678-2679: Materials about an outdoor sculpture exhibition, "Monumenta/74," Newport, Rhode Island, including: a catalog of the exhibition; a certificate of recognition from the mayor of Newport; a statement of purpose and planning notes; correspondence of the director, Sam Hunter, the president, William A. Crimmins, and others, with the National Endowment for the Arts, the Preservation Society of Newport, property owners and Christo's engineers concerning his "Ocean Front Project," and correspondence regarding the catalog and the symposium. Also included are: notes on a sculpture exhibition in Boston, 1971; account books, fund raising data, sale records, and other financial material; installation information and insurance forms; lists of guests, lenders, artists and works of art; clippings; and photos of sculpture.
UNMICROFILMED: an exhibition catalog, MONUMENTA '76.
Biographical / Historical:
One of the largest U.S. sculpture exhibitions; Newport, Rhode Island, 1974 and other years.
Provenance:
Donated by William A. Crimmins, the organizer of the exhibition.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Correspondence, including letters from Sam Hunter, Hans Hofmann, Betty Parsons, Guild Hall, and Frederick Kiesler; clippings; correspondence; photographs of Little and his work; printed brochures, one which includes a large Hans Namuth photograph of Little; an exhibition catalog of Elizabeth Parker; and a clipping about the Signa Gallery.
Biographical / Historical:
Painter, sculptor, textile designer; born in Alabama, moved to New York; Attended Buffalo Fine Arts Academy, the Art Students League, studied with George Grosz, and at the Hans Hofmann School of Fine Arts. Taught at University of California, Berkeley and was treasurer of the Signa Gallery, which is located in East Hampton, New York. Little's preferred media are oils and bronze.
Provenance:
Donated 1980-1981 by John Little.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Transcending abstraction : Richard Pousette-Dart, paintings 1939-1985 / edited, with an introduction, by Sam Hunter ; essays by Judith Higgins and Paul Kruty
Visions/revisions : contemporary representation : 29 April-28 May 1988 / organized by Sam Hunter ; text by Sam Hunter with the assistance of Susannah Wolfson
A View from the sixties : selections from the Leo Castelli collection and the Michael and Ileana Sonnabend collection, August 10-September 22, 1991 / Sam Hunter, curator
