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Sam Hunter papers relating to Larry Rivers, 1950-1969

Creator:
Hunter, Sam, 1923-  Search this
Subject:
Rivers, Larry  Search this
Record number:
(DSI-AAA_CollID)7823
(DSI-AAA_SIRISBib)209990
AAA_collcode_huntsam
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209990

Bernard M. (Tony) Rosenthal papers

Creator:
Rosenthal, Tony, 1914-2009  Search this
Names:
Brooks, James, 1906-1992  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hunter, Sam, 1923-  Search this
Indiana, Robert, 1928-  Search this
Picasso, Claude, 1947-  Search this
Picasso, Paloma, 1949-  Search this
Extent:
7 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1954-1980
Scope and Contents:
Correspondence, biographical material, financial and legal papers, photographs, sketches, printed material and files on sculpture projects.
REELS N69-31, N69-38, N69-67 and N69-79: General correspondence, 1954-1969. Correspondents include Richard Adler, Betty Asher, David Bright,James and Charlotte Brooks, Dorothy Brown,Robert M. Doty, Herbert Ferber, James Fitzsimmons, Betty Freeman, Francoise Gilot, Esther and Adolph Gottlieb, Sam Hunter, Mildred and Sam Jaffe, William King, Jane and Sam Kootz,Boris and Lynn Kroll, Jules Langsner, William and Mary Lescaze, Conrad Marca-Relli,Norman McManus, Sidney H. Morris, Richard and Dione Neutra, Louise Nevelson, Ruth Nivola, Claude and Sara Picasso, Paloma Picasso, Mary Gardner Preminger, Vanessa Reis, Julius Shulman, Kurt W. Simon, Irving and Jean Stone, Ala Story, Catherine Viviano, June Wayne, Wou-Ki Zao, Adja Yunkers, and others.
REELS 1789-1791: Letters from James Brooks, Paloma Picasso, Claude Picasso, Adolph Gottlieb, Robert Indiana, Sam Hunter, and Gertrude Kasle; a biographical sketch; financial and legal papers, including contracts, price lists, bills and receipts; files on Knoedler and Company; files on sculpture projects containing correspondence, sketches, photographs of Rosenthal and his art work, and clippings and printed material; and notes.
Biographical / Historical:
Tony Rosenthal (1914-2009) was a sculptor in New York, N.Y. Born 1914 Highland Park, Ill. Known professionally as Tony Rosenthal. His work is in the collections of the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, and the Israel Museum, Jerusalem.
Provenance:
Lent for microfilming by Rosenthal, 1969 and 1980.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.roseberm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roseberm

Naomi Savage Papers on Man Ray

Creator:
Savage, Naomi, 1927-2005  Search this
Names:
Galerie Anderson-Mayer  Search this
La Boetie, Inc.  Search this
Philadelphia Museum of Art  Search this
Prakapas Gallery  Search this
Ronny Van de Velde (Gallery : Antwerp, Belgium)  Search this
Serpentine Gallery  Search this
Vered Gallery  Search this
Zabriskie Gallery  Search this
Duchamp, Alexina, 1906-1995  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Greenbaum, Theodora S.  Search this
Hunter, Sam, 1923-  Search this
Kimmel, Roberta  Search this
Man Ray, Juliet, d. 1991  Search this
Noguchi, Isamu, 1904-1988  Search this
Ray, Man, 1890-1976  Search this
Savage, Naomi, 1927-2005  Search this
Serger, Helen  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1913-2005
Summary:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.
Scope and Content Note:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.

Correspondence primarily consists of incoming letters from art historians, students, publishers, museums, and galleries interested in obtaining biographical information, scheduling exhibitions, or seeking permission to reproduce artwork. Correspondents include Theodora Greenbaum, Sam Hunter, and Roberta Kimmel. Also found is a letter to Man Ray from Isamu Noguchi.

Exhibition files document some of Man Ray's solo and group exhibitions held at museums and galleries in the United States and abroad, including Galerie Anderson Mayer, the Philadelphia Museum of Art, Prakapas Gallery, Helen Serger, La Boetie, Inc., Ronny Van De Velde Gallery, Serpentine Gallery, Vered Gallery, and Zabriskie Gallery.

Writings and notes include typescripts of unpublished pieces on Man Ray and Surrealist photography and on Juliet Man Ray, miscellaneous writings, and Naomi Savage's list of Man Ray published work. Artwork consists of an artist's proof of a print by Paul Levitt.

Printed material houses news and periodical clippings on Man Ray and Juliet Man Ray, newsletters, reproductions of artwork, and miscellaneous printed material. Clippings provide documentation on Man Ray's early commercial photography for advertisements and fashion magazines as well as his experimental photographic work.

Photographs include portrait photographs of Man Ray and Juliet Man Ray. There are photographs of Man Ray and Juliet with family, friends, and colleagues, including photographs of Marcel Duchamp and Teeny Duchamp.
Arrangement:
The collection is arranged as 6 series:

Series 1: Naomi Savage Correspondence, 1939-1995 (Box 1; 0.1 linear feet)

Series 2: Man Ray Exhibition Files, 1941-1997 (Box 1, OV 4; 0.8 linear feet)

Series 3: Writings and Notes, 1974-1998 (Box 1, OV 4; 0.1 linear feet)

Series 4: Artwork, circa 1963 (Box 1; 1 folder)

Series 5: Printed Material, circa 1913-1998 (Boxes 1, 3; 0.2 linear feet)

Series 6: Photographs, 1913-1991 (Boxes 1-3; 0.4 linear feet)
Biographical Note:
Photographer Naomi Siegler Savage (1927-2007) lived and worked in Princeton, New Jersey. While a teenager, Savage attended a photography class taught by Berenice Abbott and pursued this interest at Bennington College in Vermont. In California, Savage apprenticed with her uncle Man Ray, who was a close friend as well as mentor to his niece.

Influenced by Man Ray's experimental techniques with film, Naomi Savage pioneered the use of the photographic metal plate which produced a three dimensional form with a metallic surface. One of her best-known photographic engravings is a magnesium mural for the Johnson Library and Museum in Austin, Texas, depicting the national elective offices held by President Johnson and the various Presidents under which he served. In later years, Savage continued to experiment with the photographic process by using digital cameras, color photocopiers, and computer imaging.

In 1952, Savage had her first exhibition at the Museum of Modern Art in New York. In addition to the Museum of Modern Art, Savage's work is also in the collections of the Art Institute of Chicago, the Fogg Museum at Harvard University, the International Center of Photography in New York, and the Museum of Fine Arts in Boston, Massachusetts.

Naomi Savage was married to the painter, sculptor, and architect, David Savage. Naomi Savage died in Princeton, New Jersey in 2007.

Man Ray (1890-1976) lived and worked in New York and Paris, France and was best known for his painting and photography.

Man Ray was born Emmanuel Radnitsky in Philadelphia, Pennsylvania in 1890. His family later moved to Brooklyn, New York. During this period, the family changed their name to Ray and Emmanuel shortened his first name to Man, gradually using Man Ray as his combined single name. Man Ray attended Boys High School from 1904-1908 where he developed an interest in painting. After high school, he worked as a commercial artist and technical illustrator in New York City while attending classes at the Art Students League, Ferrer School, and National Academy of Design.

Influenced by European artists, whose Modernist works were being shown at the 1913 Armory Show and Alfred Stieglitz's "292" Gallery, and other such venues, Man Ray began to incorporate elements of Cubism in his paintings and drawings. In 1915, Man Ray met Marcel Duchamp (1887-1968) and they formed a lifelong friendship and professional partnership. That same year, the Dada group, founded by a Tristan Tzara and other artists in Zurich, Switzerland also took root in New York; Man Ray, Marcel Duchamp and Francis Picabia were credited for starting the New York Dada movement.

By 1921, Man Ray moved to Paris and became part of the circle that formed the Dada group. He photographed many of the Dada poets and writers, including Louis Aragon, André Breton, and Paul Eluard. Man Ray's work for André Breton established his reputation as a portrait photographer of artists, writers, and other prominent individuals, including George Antheil, Salvador Dalí, James Joyce, Sinclair Lewis, Gertrude Stein, and Virginia Woolf. In that same period, Man Ray pioneered the photographic process of rayographs (named after him) and he also participated in the first Surrealist exhibition at the Galerie Pierre.

Man Ray moved to Los Angeles, California in 1940. There he met New York City-born Juliet Browner (1910-1991), a trained dancer and professional artists' model. They married in 1946 in a double wedding ceremony with their friends Max Ernst and Dorothea Tanning. In 1951, Man Ray and Juliet Man Ray returned to live in the Montparnasse section of Paris.

In addition to an autobiography, Self-Portrait, published in 1963, Man Ray wrote a number of monographs and articles on photography that included Electricité, a portfolio of ten gravure prints of rayographs commissioned by the Paris electric company, Compagnie Parisenne de Distribution d'Electricité, 1931.

Man Ray received an honorary Master of Fine Arts degree from Freemont University, Los Angeles, 1948 and the gold medal for photography at the Venice Photo Biennale, 1962. In 1967, Man Ray received an award from the Philadelphia Arts Festival honoring its native son for his accomplishments.

Man Ray died in Paris in 1976. Juliet Man Ray survived her husband and continued to live in Paris until her death in 1991.
Provenance:
The Naomi Savage papers were donated in 2007 by Lourie Savage Bates, Naomi Savage's daughter. Naomi Savage was Man Ray's niece.
Restrictions:
The collection is open for research. Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Naomi Savage papers on Man Ray are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- France -- Paris  Search this
Photography  Search this
Surrealism  Search this
Photographers -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Naomi Savage papers on Man Ray, 1913-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.savanaom
See more items in:
Naomi Savage Papers on Man Ray
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-savanaom

Monumenta/74 and 76 records

Creator:
Monumenta/74 and 76 (1974, 1976 : Newport, R.I.)  Search this
Names:
Christo, 1935-  Search this
Crimmins, William A.  Search this
Hunter, Sam, 1923-  Search this
Extent:
2 Linear feet ((partially filmed on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1971-1974; 1976
Scope and Contents:
Reels 2678-2679: Materials about an outdoor sculpture exhibition, "Monumenta/74," Newport, Rhode Island, including: a catalog of the exhibition; a certificate of recognition from the mayor of Newport; a statement of purpose and planning notes; correspondence of the director, Sam Hunter, the president, William A. Crimmins, and others, with the National Endowment for the Arts, the Preservation Society of Newport, property owners and Christo's engineers concerning his "Ocean Front Project," and correspondence regarding the catalog and the symposium. Also included are: notes on a sculpture exhibition in Boston, 1971; account books, fund raising data, sale records, and other financial material; installation information and insurance forms; lists of guests, lenders, artists and works of art; clippings; and photos of sculpture.
UNMICROFILMED: an exhibition catalog, MONUMENTA '76.
Biographical / Historical:
One of the largest U.S. sculpture exhibitions; Newport, Rhode Island, 1974 and other years.
Provenance:
Donated by William A. Crimmins, the organizer of the exhibition.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Outdoor Sculpture -- Exhibitions  Search this
Identifier:
AAA.monuand
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-monuand

John Little papers

Creator:
Little, John, 1907-  Search this
Guild Hall of East Hampton  Search this
Names:
Signa Gallery  Search this
Hofmann, Hans, 1880-1966  Search this
Hunter, Sam, 1923-  Search this
Kiesler, Frederick  Search this
Namuth, Hans  Search this
Parker, Elizabeth, 1916-  Search this
Parsons, Betty  Search this
Extent:
0.2 Linear feet ((71 items))
Type:
Collection descriptions
Archival materials
Date:
1935-1978
Scope and Contents:
Correspondence, including letters from Sam Hunter, Hans Hofmann, Betty Parsons, Guild Hall, and Frederick Kiesler; clippings; correspondence; photographs of Little and his work; printed brochures, one which includes a large Hans Namuth photograph of Little; an exhibition catalog of Elizabeth Parker; and a clipping about the Signa Gallery.
Biographical / Historical:
Painter, sculptor, textile designer; born in Alabama, moved to New York; Attended Buffalo Fine Arts Academy, the Art Students League, studied with George Grosz, and at the Hans Hofmann School of Fine Arts. Taught at University of California, Berkeley and was treasurer of the Signa Gallery, which is located in East Hampton, New York. Little's preferred media are oils and bronze.
Provenance:
Donated 1980-1981 by John Little.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Sculptors  Search this
Topic:
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Textile design -- New York (State) -- New York  Search this
Sculpture -- New York (State) -- New York  Search this
Decorative arts  Search this
Identifier:
AAA.littjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-littjohn

Alfred Leslie papers

Topic:
Hasty papers
Creator:
Leslie, Alfred, 1927-  Search this
Names:
Corso, Gregory  Search this
Francis, Sam, 1923-1994  Search this
Ginsberg, Allen, 1926-1997  Search this
Hunter, Sam, 1923-  Search this
Mailer, Norman  Search this
Moore, Marianne, 1887-1972  Search this
Pasternak, Boris Leonidovich, 1890-1960  Search this
Extent:
2 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1959-1962
Scope and Contents:
Mostly correspondence from friends and associates concerning Leslie's painting and his editorship of The Hasty Papers, 1960, including letters from Gregory Corso, Sam Francis, Allen Ginsberg, Sam Hunter, Norman Mailer, Marianne Moore, and Boris Pasternak. Also included are manuscript articles and galley sheets.
Biographical / Historical:
Alfred Leslie (b. 1927) is a painter, editor; New York, N.Y. Leslie painted in a style he called "confrontational art" which involves a direct realism intended to grab the viewer's attention and deliver a message almost didactic and persuasive in its tone. He was the editor of the avant-garde literary review The Hasty Papers.
Provenance:
Lent for microfilming 1966 by Alfred Leslie. Later that year, a fire destroyed Leslie's studio, including his art works as well as much of the papers he lent for microfilming.
Restrictions:
ACCESS RESTRICTED: written permission required.
Occupation:
Painters  Search this
Topic:
Painting, Modern -- 20th century -- History  Search this
Editing  Search this
Identifier:
AAA.leslalfr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leslalfr

Sam Hunter papers relating to Larry Rivers

Creator:
Hunter, Sam, 1923-  Search this
Names:
Rivers, Larry, 1925-2002  Search this
Extent:
1 Linear foot ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1950-1969
Scope and Contents:
Research materials collected for Hunter's monograph LARRY RIVERS (Harry Abrams, Inc., 1969).
Reel 630: Correspondence, 1965-1969, a 59 page biography of Rivers, disposition lists of Rivers' works, a chronolgy and bibliography, a typescript of a tape-recorded interview with Rivers, 1969, writings and a lecture by Rivers, a typescript of LARRY RIVERS, and clippings.
Reel 630: Approximately 50 photographs, 1949-1968, of which 2 are personal photographs and the remainder are of works of art, Rivers painting, and gallery installations of Rivers' work.
Reel 673: 470 photographs of the works of Larry Rivers.
Biographical / Historical:
Art historian and educator; Princeton, New Jersey. Hunter has taught at Princeton since 1969. He has worked in many capacities for Harry N. Abrams, Inc., including editor-in-chief, 1971-72. He has curated and consulted for museum exhibitions at several institutions including the Museum of Modern Art, New York, the Minneapolis Art Institute and the Princeton Art Museum. Larry Rivers is a contemporary painter known for his life-size portraits.
Provenance:
The donor, Sam Hunter, gave this material after it was used by the Chicago Art Institute for a retrospective exhibit on Larry Rivers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Painters  Search this
Identifier:
AAA.huntsam
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-huntsam

Seymour Lipton papers, 1900-1991

Creator:
Lipton, Seymour 1903-1986  Search this
Subject:
Boxer, Nathan  Search this
Elsen, Albert Edward 1927-  Search this
Hunter, Sam 1923-  Search this
Betty Parsons Gallery  Search this
Marlborough-Gerson Gallery  Search this
Physical description:
9.2 linear ft. (partially microfilmed on 6 reels)
Type:
Drawings
Collection descriptions
Interviews
Sound recordings
Video recordings
Place:
New York (State)
New York
Date:
1915
1915-1985
1900-1991
20th century
Topic:
Sculptors  Search this
Sculpture, Modern  Search this
Local number:
AAA D385-D386
AAA N/69-68
AAA N/69-89-N/69-90
AAA 3091
AAA
AAA liptseym
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information
See more items in:
Seymour Lipton papers, 1900-1991
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211344

European painting today : September 13 through October 29, 1961 : a loan exhibition of the Poses Institute of Fine Arts at the Rose Art Museum, Brandeis University, Waltham, Massachusetts

Author:
Hunter, Sam 1923-2014  Search this
Rose Art Museum  Search this
Poses Institute of Fine Arts  Search this
Physical description:
1 folded sheet ([6] p.) : ill. ; 23 cm
Type:
Exhibitions
Exhibition catalogs
Date:
1961
C1961
Topic:
Painting, European  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1031775

Francis Bacon / Lawrence Gowing, Sam Hunter ; with a foreword by James T. Demetrion

Author:
Bacon, Francis 1909-1992  Search this
Gowing, Lawrence  Search this
Hunter, Sam 1923-2014  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Los Angeles County Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Bacon, Francis 1909-1992  Search this
Physical description:
187 pages : illustrations (some color) ; 30 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1989
©1989
Call number:
N40.1.B12 D37 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_378591

Masterpieces of American modernism : the Rambach Collection ; [exhibition] January 11 through April 26 1998 / foreword by Louis A. Zona ; catalogue essay by Sam Hunter

Title:
Rambach Collection
Author:
Hunter, Sam 1923-2014  Search this
Butler Institute of American Art  Search this
Subject:
Rambach, Harvey Art collections  Search this
Rambach, Françoise Art collections  Search this
Physical description:
24 unnumbered pages : color illustrations ; 31 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
New Jersey
Date:
1998
©1998
20th century
Topic:
Art, Modern  Search this
Art, American  Search this
Modernism (Art)  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1073960

American abstract expressionist paintings from the collection of the Sarah Campbell Blaffer Foundation : Santa Barbara Museum of Art, February 4-March 3, 1983

Author:
Hunter, Sam 1923-2014-  Search this
Santa Barbara Museum of Art  Search this
Subject:
Sarah Campbell Blaffer Foundation  Search this
Physical description:
[6] p. : ill. ; 22 cm
Type:
Books
Catalogs
Place:
United States
Date:
1983
1983]
Topic:
Abstract expressionism--Exhibitions  Search this
Call number:
ND196.A25 A68 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_827985

American abstract expressionist paintings from the collection of the Sarah Campbell Blaffer Foundation : [exhibition] Santa Barbara Museum of Art, February 4-March 3, 1983

Author:
Hunter, Sam 1923-2014-  Search this
Santa Barbara Museum of Art  Search this
Subject:
Sarah Campbell Blaffer Foundation Collection  Search this
Physical description:
[6] p. : ill. ; 22 cm
Type:
Books
Place:
United States
Date:
1983
1983]
Topic:
Abstract expressionism--Exhibitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_835165

Vincent Desiderio

Author:
Desiderio, Vincent 1955-  Search this
Hunter, Sam 1923-2014  Search this
Metropolitan State College (Denver, Colo.)  Search this
Subject:
Desiderio, Vincent 1955-  Search this
Physical description:
16 p. : col. ill. ; 16 x 22 cm
Type:
Books
Exhibitions
Date:
1991
C1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_724608

Richard Pousette-Dart : the New York school and beyond / edited by Sam Hunter and Joanne Kuebler

Title:
New York school and beyond
Author:
Pousette-Dart, Richard 1916-1992  Search this
Hunter, Sam 1923-2014-  Search this
Kuebler, Joanne  Search this
Subject:
Pousette-Dart, Richard 1916-1992  Search this
Physical description:
254 p. ; col. ill. ; 33 cm
Type:
Books
Date:
2005
C2005
Topic:
New York school of art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_785520

George Segal : nightscapes : April 14-May 27, 2000 / essay by Sam Hunter

Title:
Nightscapes
Author:
Segal, George 1924-2000  Search this
Hunter, Sam 1923-2014  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
37 p. : ill. (chiefly col.) ; 28 cm
Type:
Books
Exhibitions
Date:
2000
C2000
Call number:
N40.1.S455 H9ge 2000
NB237.S44 A4 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_602430

The surrealist vision : Europe and the Americas : exhibition dates, January 17 through April 5, 1998 / curators of the exhibition, Nancy Hall-Duncan, Sam Hunter

Author:
Hall-Duncan, Nancy  Search this
Hunter, Sam 1923-2014  Search this
Bruce Museum  Search this
Physical description:
64 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Europe
United States
Date:
1998
C1998
20th century
Topic:
Surrealism  Search this
Art, European  Search this
Art, American  Search this
Call number:
N6494.S8 H35 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_604490

Picasso : cubism to the present. [Text by Sam Hunter]

Author:
Picasso, Pablo 1881-1973  Search this
Hunter, Sam 1923-2014  Search this
Subject:
Picasso, Pablo 1881-1973  Search this
Physical description:
[36] p. illus. (part mounted col.) 38 cm
Type:
Books
Date:
1957
1957]
Call number:
N40.1.P58 H86 1957
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_606814

The apocalyptic vision : four new imagists : paintings by Nancy Chunn, Peter Dean, Micheal Dvortcsak, Robert Morgan / selected by Sam Hunter

Author:
Hunter, Sam 1923-2014  Search this
Galleri Bellman  Search this
Subject:
Chunn, Nancy 1947-  Search this
Dean, Peter 1938-  Search this
Dvortcsak, Michael 1938-  Search this
Morgan, Robert C. 1943-  Search this
Physical description:
24 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Date:
1983
20th century
Topic:
Painting, American  Search this
Call number:
N6512 .A66 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_609559

Modern art : painting, sculpture, architecture / Sam Hunter, John Jacobus, Daniel Wheeler

Author:
Hunter, Sam 1923-2014  Search this
Jacobus, John M  Search this
Wheeler, Daniel  Search this
Physical description:
448 p. : ill. (some col.) ; 30 cm
Type:
Books
Date:
2000
19th century
20th century
Topic:
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_618401

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