The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.
Collection arranged by item number.
Frederick Starr was born in Auburn, New York, on September 2, 1858. He received a Ph.D. in biology in 1884 at Coe College, where he was later appointed professor of biology. Starr did postgraduate work in anthropology at Yale. In 1889 he was appointed head of Ethnology at the American Museum of Natural History, and in 1892 he was chosen by William Harper to organize the Anthropology Department at the new University of Chicago. Starr remained at the University until his retirement in 1923. Besides his field studies with various Indian tribes in the United States, Starr traveled to Mexico, Brazil, Colombia, Guatemala, Ecuador, Guiana, Japan, the Philippines, and Africa. He died in Tokyo, Japan, on August 14, 1933. Starr was the author of several books and scholarly articles.
Starr hired professional photographers Charles B. Lang and Louis Grabic to accompany him on his field trips. One lantern slide of Moses Ladd (Menomini) was taken by William H. Jackson.
Dr. Frederick Starr, Purchased, circa 1929
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
This subseries consist of reference prints, transparencies, and negatives of artwork and is arranged alphabetically by artist or period, then by any existing categories (such as media or color), and then alphabetically by artwork.
Many of the photographs of pre-Columbian artwork use the following abbreviations, although not all are identified:
AM: American Indian
CA: Central America
CB: Central America
CC: Central America
CJ: Costa Rica
F: Folk and Colonial
IS: Isthmus, Panama, Costa Rica
NG: New Guinea
NZ: New Zealand
QT: Peru (Textiles)
SA: South Arabian
ST: Peru Tapestries
SW: Southwest Pre-Historical American Pots
T: Western Mexico
XW: West Coast, Mexico
XZ: Mixtec, Zapotec
Z: Zapotec Mixtec
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Funding for the processing of this collection was provided by the Leon Levy Foundation.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.