Biographical material, correspondence, journals, notebooks, address books, business records, writings, sketchbooks, exhibition announcements and catalogs, clippings, photographs, and subject files relating to the artistic careers of Wood Gaylor and Adelaide Lawson, to Gaylor's work as a fashion pattern desiger, and, more broadly, to the New York art scene from the 1913 Armory Show through the 1930s.
Included are reminiscences and biographical documents; letters and postcards, some illustrated, from family, friends, artists, galleries, museums, and art organizations; letters of condolence to Adelaide upon Gaylor's death and letters to her concerning his work; original holiday and greeting cards to the Gaylors; a page from Wood's 1952 journal recording names of people attending Kenneth Hayes Miller's funeral and journals kept by Adelaide recording books read, plays attended, travels, and other activities, 1906, 1910 and 1915; a notebook kept by Gaylor regarding his work organizing the 1924 Women's Club exhibition in Jacksonville, Florida, listing artists (among them Pop Hart, Marsden Hartley, Picasso, and Kuniyoshi), titles, and prices of works shipped; business records, including receipts for Gaylor's work consigned or sold to the Downtown Gallery, 1929-1934, tax returns, and other business records, 1922-1979; writings by Wood, including speeches, lectures, and articles on American art and commercial patterns, scripts for New York radio station programs, 1932 and 1949, including a discussion with Salons of America members Alexander Brook, Robert Laurent, Yasuo Kuniyoshi, David H. Morrison, and Peggy Bacon, 1932; writings by others, including 19 poems by Lillian Byrnes, the introduction to the Hamiliton Easter Field Memorial Exhibition catalog by Elsa Rogo, and an organizational memo for the Modern Artists of America with annotations by Wood; four sketchbooks by Wood, 1916, 1923, and undated, and four by Adelaide, 1920-1922 and undated, done while traveling through Europe; and loose sketches by Wood and Adelaide.
Also included are exhibition catalogs and announcements of Wood and Adelaide's group and one-person shows, among them the Wanamaker Gallery of Modern Decorative Art, Friends of the Young Artists, 1915, Thumb Box Gallery, 1916, the MacDowell Club, 1918, the Dialis at the Civic Club Gallery, 1922, the Colony Club, 1922, Gallery 134 W. 4th, 1925, Downtown Gallery, 1930 and 1932, First Municipal Art Exhibition, Rockefeller Center, 1934, Kew Gardens Art Center, 1951, and the initial exhibition of the Museum of Art of Ogunquit, 1953; catalogs and announcements for other New York artists at Mrs. H. P. Whitney's Studio, 1917, Hamilton Easter Field Memorial Show at the American Art Galleries, 1922, Rockwell Kent at the M. Knoedler & Co., 1919, Walt Kuhn at the Grand Central Art Galleries, 1927, The Wanamaker Regional Art Exhibition, 1934, Yasuo Kuniyoshi at the Municipal Art Galleries, 1939, Kenneth Hayes Miller Commemoration Exhibit at the Art Students League 1949, a hand lettered announcement for the sale of George Overbury "Pop" Hart's watercolors by the Junior Art Patrons of America, undated, and catalogs from exhibitions held at the Gaylor's Barn; newspaper and magazine clippings, mostly photocopies, 1910-1979; a book, "The Technique of Oil Paintings and other Essays" by Hamilton Easter Field, 1913, and issues of the Pagan, 1918 and the Quill, 1918, containing drawings by Wood; photographs, circa 1887-1977, of Wood, Adelaide, family, homes, friends, travel, exhibitions, works of art and works of art by others, including a photograph of Wood by Emil Ganso, of Adelaide in an art class, possibly at the Art Students League, of Adelaide's art classes at the Gaylor Barn, of Jules Pascin, Hermine L. David-Pascin, Gustaw Gwozdecki, Yasuo Kuniyoshi, Katherine Schmidt-Shubert, Robert Laurent, Frank and Alice Osborn and David H. Morrison, the Armory Show, the Carnegie Institute International in Pittsburgh, and the construction and installation of the Hamilton Easter Field Art Foundation Collection at the Museum of Art, Ogunquit, Maine; subject files containing, correspondence, business records, writings, printed material, and photographs, on: Samuel Hawk, 1877; Penguin Club, 1917-1919; Wood's trusteeship of the Jules Pascin Estate, 1930-1956; Salons of America, 1923-1953 (including a group photo of Fiorella La Guardia, Holger Cahill, Robert Laurent, David H. Morrison, and Wood from the 1935 exhibition opening at Rockefeller Center); Hamilton Easter Field Art Foundation, 1930-1966; New York City Municipal Art Committee, 1934-1937; Armory Show 50th Anniversary Exhibition, 1962-1963; and the New York Society of Women Artists, 1928-1976. The collection also contains biographical documents and correspondence of and relating to the Gaylor's daughter, Isabel Dale Gaylor.
Correspondents include Josephine Baker, Robert J. Coady, Evelyn Cutler, Margaret Di Silver, John and Betty Dos Passos, Hugo Gellert of the Artists Coordination Committee, Edith Halpert, Isabella Howland, Stefan Hirsch, Yasuo Kuniyoshi, Robert Laurent, John Howard Lawson, Jonas Lie, Gus Mager, Alice Newton, William Schack, Henry Strater, and Dr. Martin G. Vorhaus among others.
One postcard July 1916, sent from Charleston, South Carolina, from Jules Pascin To Samuel Wood Gaylor.
A circa 100 page typescript of a record of reminiscences on Gaylor's early art career. This is one of 4 parts dictated by Gaylor in 1953. This recording was used as the basis for Jean Lipman's article "Wood Gaylor: Diary of the Carefree Years," published in Art In America, December 1963.
Biographical / Historical:
Painter and lithographer Samuel Wood Gaylor (1883-1957) was born in Stamford, Connecticut and studied at the National Academy of Design, New York, under Walt Kuhn. He exhibited at the Armory Show, the Penguin Club, and the Downtown Gallery and participated in many art organizations including the Kit-Kat Club, the Penguin Club, Modern Artists of America, American Society of Painters, Sculptors and Engravers. He served on the board for the Salons of America, the Hamilton Easter Field Art Foundation, the New York City Municipal Art Committee, and the Museum of Art, Ogunquit, Maine.
Provenance:
Material on reel D9 was donated in 1958 by T. J. McCormick. Material on reel D160 was donated in 1964 by Adelaide Lawson Gaylor. The remainder was donated in 1986 by the Gaylors' sons, Wynn L. and Randall Gaylor. 16 items, mostly cards and letters to Gaylor were donated in 2008 by Christine Oaklander in honor of Dr. William Innes Homer, Art Historian and Professor Emeritus at the University of Delaware. Oaklander purchased the letters from Wyn Gaylor. An additional 21 documents, mostly cards and letters to Gaylor, were donated in 2015 by Wynn Gaylor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Scope and Contents:
The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.2 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.
Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.
The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.
Arrangement:
Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)
Series 2: Correspondence, 1917-1973 (22 folders; Box 1)
Series 3, Writings, 1935-1964 (8 folders; Box 1)
Series 4: Printed Material, 1928-1976 (5 folders; Box 1)
Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)
Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)
Biographical / Historical:
Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.
Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.
Provenance:
Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Caricaturists -- New York (State) -- New York Search this
Topic:
Portrait painters -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Correspondence makes up about one third of the collection. Howland corresponded with friends and colleagues over many decades. There are letters or postcards from various people, including Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn, Yasuo Kuniyoshi, and Dorothea Greenbaum. Also present are a few letters regarding her work in the Treasury Department's Public Works of Art Project and the Works Progress Administration. Many letters are from museums, galleries, or organizations inviting her to participate in exhibits or thanking her for taking part. Other letters document sales of artworks.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Printed material includes a set of 33 Christmas cards Howland designed. Exhibition pamphlets involve Howland and other artists. Many clippings from newspapers including photos of artists, politicians, and Howland sculptures.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Photographs depict Howland and her works. Also included are photos by Eugenie Gershoy of works by Howland. Portraits of the artist and member of the Lost Generation Henry Strater are present.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Artwork makes up a significant portion of the collection. Many sketchbooks from Howland's childhood, sketches from a trip to Jamaica (probably), and other loose sketches. Also found are figure studies, ink drawings, landscapes, two watercolors with tropical iconography (probably Jamaica), and two sketches from 1914 with war theme.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
