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Charles Howard papers, [ca. 1940]

Creator:
Howard, Charles, 1899-1978  Search this
Subject:
Federal Art Project (Calif.)  Search this
Topic:
Art and state  Search this
Federal aid to the public welfare  Search this
United States  Search this
New Deal, 1933-1939  Search this
Painting, American  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)9848
(DSI-AAA_SIRISBib)212343
AAA_collcode_howachar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212343

Dorr Bothwell papers

Creator:
Bothwell, Dorr  Search this
Names:
Pollock-Krasner Foundation  Search this
Adams, Ansel, 1902-1984  Search this
Adams, Virginia Best  Search this
Adnan, Etel  Search this
Chinn, Benjamen, 1921-2009  Search this
Falkenstein, Claire, 1908-1997  Search this
Howard, Charles, 1899-1978  Search this
Jackson, Martha Kellogg  Search this
Packard, Emmy Lou, 1914-1998  Search this
Extent:
10.6 Linear feet
1.72 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Date:
1900-2006
Summary:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.
Scope and Content Note:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Biographical material consists of biographical sketches, resum├ęs, identity cards, award certificates, typescripts of autobiographical interviews, address books, and a file concerning UFOs, spirituality, and philosophy.

Correspondence consists of letters exchanged between Bothwell and her colleagues and friends discussing their art-related activities, travel, and birthday greetings. There are scattered letters from Ansel and Virginia Adams, Etel Adnan, Benjamin Chinn, Claire Falkenstein, and Emmy Lou Packard.

Personal business records include teaching contracts, contracts and royalty statements for the publication of Bothwell's book Notan, insurance records, income tax records, records concerning a grant from the Pollock-Krasner Foundation, estate records, card files, lists of art work, price lists, exhibition entry cards, receipts for the sale of art work, travel receipts, medical receipts, and consignment/sales records.

Notes and writings include three diaries, two travel journals, guest books, miscellaneous lists, schedules of classes for various organizations and art schools including the Ansel Adams Yosemite Workshop, typescripts of lecture notes, and miscellaneous notes. There are also scattered writings by Bothwell and others.

Seventeen sketchbooks, including several completed during Bothwell's travels, and one dated 1942 illustrated with daily drawings of her activities while preparing for World War II, are found within the papers. There are also miscellaneous drawings, collages, a serigraph It's Time for a Change, an etching by Martha Jackson, and a drawing by Charles Howard.

Three scrapbooks contain clippings, exhibition announcements and catalogs, programs, and photographs of art work. Scrapbook 3 contains materials concerning spiritualism and mysticism. Additional printed material consists of clippings, exhibition announcements and catalogs, press releases, brochures for art classes, the sale of art work, travel, and camera equipment, reproductions of art work, picture postcards, programs, books, and miscellaneous commercial business cards.

Photographs are of Bothwell, her mother and brother, her studio/residences, miscellaneous friends and colleagues including her former husband, sculptor Donal Hord, miscellaneous events, and art classes conducted by Bothwell. There are also photographs of art work by Bothwell and others, as well as numerous photographs and slides of travel various forms in nature that Bothwell would incorporate into her art work.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1939-2001 (Box 1, 11, 13, 15; 0.6 linear feet)

Series 2: Correspondence, 1942-2002 (Box 1-3, 13; 2.3 linear feet)

Series 3: Personal Business Records, 1925-2006 (Box 3-4; 0.7 linear feet)

Series 4: Notes and Writings, 1949-1998 (Box 4, 11, 14, 15; 0.8 linear feet.)

Series 5: Art Work, 1920-1994 (Box 4-5, 11, 13, 16, 17; 1.5 linear feet)

Series 6: Scrapbooks, 1926-1979 (Box 5, 11, 12; 0.5 linear feet)

Series 7: Printed Material, 1923-2000 (Box 5-7, 12, 13; 1.8 linear feet)

Series 8: Photographs, 1900-2001 (Box 7-9, 10; 2.4 linear feet, ER01-ER04; 1.72 GB)
Biographical Note:
Dorr Bothwell (1902-2000) worked primarily in California as a painter, printmaker, and art instructor.

Doris Bothwell was born on May 3, 1902 in San Francisco, and later changed her first name to Dorr in order to more easily enter the art business. Bothwell began her art studies in 1916 with her parents' friend Anna Valentien, a student of Rodin. Between 1921 and 1922, she studied at the California School of Fine Art, and continued her studies at the University of Oregon at Eugene. After attending the Rudolph Schaeffer School of Design in 1924, she established her own studio in San Francisco from 1924 to 1927. Also during this time Bothwell, with eight other artists opened the Modern Gallery on Montgomery Street, mounting her first solo exhibition there in 1927.

Between 1928 and 1929, Bothwell traveled to American Samoa, where she created paintings and drawings, and documented tapa (barkcloth) drawings for the Bishop Museum of Honolulu. She then spent a year of study in Europe, returning to San Diego, California in 1931 and marrying sculptor Donal Hord. Four years later, they divorced and she moved to Los Angeles where she worked for the pottery manufacturer Gladding McBean, joined the post-surrealist group around Lorser Feitelson and Helen Lundeberg and opened the Bothwell-Cooke Gallery.

Between 1936 and 1939, Bothwell worked in the mural division of the Federal Arts Project of Los Angeles, and learned the art of serigraph printing. She designed dioramas and mechanized exhibitions for the Los Angeles County Museum. In 1940 she also created murals in the Manning Coffee Restaurant in San Francisco.

After teaching color and design at the California School of Fine Art in San Francisco from 1944 to 1948, Bothwell was awarded the Abraham Rosenberg Traveling Scholarship that financed study in Paris from 1949 to the fall of 1951. In 1952 she taught textile design for mass production at the Parsons School of Design in New York City.

Returning to San Francisco, Bothwell taught again at the California School of Fine Art from 1953 to 1958, and at the San Francisco Art Institute from 1959 to 1960. From 1960 to 1961 she took a sabbatical in England and France, creating paintings for an exhibition. In 1962 she was asked to teach at the new Mendocino Art Center and she taught there until 1983. She was also asked by Ansel Adams to teach design and composition for photographers at his Yosemite Workshop summer sessions, which she did from 1964 to 1977.

From 1966 to 1967, Bothwell documented indigo dying techniques, strip weaving, and pottery in Western Nigeria and Tunisia. In 1968, she published her book, co-authored with Marlys Frey, NOTAN The Principle of Dark-Light Design. The book was reissued in 1991. Bothwell continued her travels from 1970 to 1971, when she studied 12th century enamels in England, France, and Holland, and conducted a symposium, "Notan Design," for the London Educational Authority. In 1974, she traveled to Bali, Java, and Sumatra, making a slide documentary on batik, woodcarving, and folk design.

In 1977 Bothwell moved to Joshua Tree, California, from Mendocino in Northern California, but moved back and forth between the two studio/residences until 1992 when she moved to her last residence on the desert at Apache Junction, Arizona. From 1979 to 1980, she taught composition at the Victor School of Photography in Colorado and a design course at the Women's Art Guild in Kauai, Hawaii. Following a tour of China with a watercolor artists' group in 1982, Bothwell conducted workshops at the Mendocino Art Center. In 1985, she traveled to Japan.

Dorr Bothwell died on September 24, 2000 in Fort Bragg, California.
Provenance:
The Dorr Bothwell papers were donated in 1978 by the artist, and in 2002, 2009, and 2012 by the Dorr Bothwell Trust.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Dorr Bothwell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists -- California  Search this
Art teachers -- California  Search this
Artists' studios -- Photographs  Search this
Painters -- California  Search this
Surrealism  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Citation:
Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bothdorr
See more items in:
Dorr Bothwell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bothdorr

William Christopher papers

Artist:
Christopher, William R, 1924-1973  Search this
Names:
Selma to Montgomery Rights March (1965 : Selma, Ala.)  Search this
Archer, Osceola  Search this
Crapo, Henry H.  Search this
French, Margaret  Search this
Howard, Charles, 1899-1978  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Perlin, Bernard, 1918-  Search this
Tooker, George  Search this
Von Mohrenschildt, Dimitri Sergius, 1902-2002  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Motion pictures (visual works)
Sketches
Sketchbooks
Photographs
Date:
circa 1920s-circa 1973
Summary:
The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five short film reels containing amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.
Scope and Contents:
The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five reels of motion picture films, consisting of amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.

Biographical materials include address books, annotated memorabilia, awards and certificates, curriculum vitae and resume materials, and identification materials. Correspondence is with friends and fellow artists, including actress Osceola Archer and Henry Crapo, galleries, and others. Writings and notes include eleven notebooks, miscellaneous undated notes and papers, annotated drafts and writings by William Christopher, and writings by others. There are five diaries written by William Christopher from the 1940s to the 1960s.

Subject files document miscellaneous projects in which Christopher was involved and/or interested, and include several about Dr. Martin Luther King, Jr. containing correspondence, printed material, and two diaries written by Christopher during his attendance of the Civil Rights march from Selma to Montgomery.

Scattered personal business papers concern artwork sold and loaned and personal finances. Printed materials include clippings, exhibition catalogs and materials, magazines and programs, and posters. Photographs are of William Christopher, Henry Crapo, Margaret French, Charles Howard, Bernard Perlin, George Tooker, male models and figures, furniture, landscapes, buildings, and artwork.

Christopher's papers include over one hundred sketches and watercolors, eleven sketchbooks, an artwork by Dimitri Von Mohrenshildt, and one sketch by George Tooker. Also found among the papers are five film reels made by Christopher for an unfinished project, containing footage of New York City cityscapes and street scenes.
Arrangement:
This collection is arranged as 10 series:

Series 1: Biographical Material, circa 1940s-circa 1973 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1947-circa 1973 (1.9 linear feet; Boxes 1-3)

Series 3: Writings and Notes, circa 1947-1970 (0.4 linear feet; Box 3)

Series 4: Diaries, circa 1940s-circa 1960s (0.2 linear feet; Boxes 3-4)

Series 5: Subject Files, 1943-1972 (0.7 linear feet; Boxes 4, 9)

Series 6: Personal Business Records, circa 1950-circa 1972 (0.3 linear feet; Box 4)

Series 7: Printed Material, circa 1950s-circa 1972 (1.4 linear feet; Boxes 4-5, 9, OV12)

Series 8: Photographs, circa 1920s-circa 1970s (0.7 linear feet; Boxes 6, 8, MGP 4)

Series 9: Artwork and Sketchbooks, circa 1940s-circa 1970s (1.6 linear feet; Boxes 6-8, OV10-11, 13-18)

Series 10: Unidentified Project, Motion Picture Films, 1961 (0.5 linear feet; FC 19-23)
Biographical / Historical:
William Christopher was a painter, art instructor, and Civil Rights activist living and working in New York, New Hampshire, and Vermont. He was born in Columbus, Georgia on March 4, 1924, and served in the U. S. Navy from 1941 to 1943.

Aided by grants and scholarships, Christopher studied in France at the Sorbonne, Academie Julian, and the Ecoles d'Art Americaines between 1946-1948. While there, he also studied with Ossip Zadkine. He returned to New York and studied with Amedee Ozenfant and Hans Hofmann between 1948 and 1950.

Christopher's paintings was greatly influenced by his time spent in Paris and New York, and his later involvement with the Civil Rights movement, Dr. Martin Luther King, Jr., and the march in Selma in 1965. His first U. S. solo exhibition was in 1952 at the Roko Gallery in New York, and he exhibited widely in New York, Boston, Washington, D.C. at the Nexus Gallery, the Boston Arts Festival, the Corcoran Gallery of Art, Joan Peterson Gallery, Galeria Juana Mordo, and the Whitney Museum of American Art, among others. In 1964, Christopher was invited to present his paintings to Dr. Martin Luther King, Jr. during the presentation of Dr. King's papers to Boston University. This is where Christopher met King.

Christopher moved to Hartland, Vermont in 1960, with his partner painter George Tooker. He remained there for the rest of his life. Christopher died in 1973.
Provenance:
William Christopher donated his papers to the Archives of American Art in 1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Glass plate negatives are housed separately and closed to researchers.
Rights:
The William Christopher papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters  Search this
Civil rights demonstrations -- Alabama -- Selma  Search this
Civil rights -- United States  Search this
African Americans -- Civil rights  Search this
Genre/Form:
Drawings
Diaries
Motion pictures (visual works)
Sketches
Sketchbooks
Photographs
Citation:
William Christopher papers, circa 1920s-circa 1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chriwill
See more items in:
William Christopher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chriwill
Online Media:

William Christopher in his studio

Photographer:
Howard, Charles, 1899-1978  Search this
Subject:
Christopher, William R. (William Rodolphus)  Search this
Type:
Photographs
Date:
1949
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)10313
See more items in:
William Christopher papers, circa 1920s-circa 1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10313
Online Media:

William Christopher in his studio

Photographer:
Howard, Charles, 1899-1978  Search this
Subject:
Christopher, William R. (William Rodolphus)  Search this
Type:
Photographs
Date:
1949
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)10314
See more items in:
William Christopher papers, circa 1920s-circa 1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10314
Online Media:

The Medusa, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
University of Oklahoma Fred Jones Jr. Museum of Art 410 West Boyd Street Norman Oklahoma 73019
Date:
1945
Topic:
Abstract  Search this
Mythology--Classical--Medusa  Search this
Control number:
IAP 43280005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_406150

Charles Howard : a margin of chaos / [editor] Apsara DiQuinzio ; with contributions by Robert Gober and Lauren Kroiz

Title:
Margin of chaos
Editor:
DiQuinzio, Apsara  Search this
Author:
Container of (work): Howard, Charles 1899-1978 Works Selections  Search this
Contributor:
Gober, Robert 1954-  Search this
Kroiz, Lauren 1980-  Search this
Organizer:
Berkeley Art Museum and Pacific Film Archive  Search this
Subject:
Howard, Charles 1899-1978  Search this
Physical description:
127 pages : color illustrations ; 29 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2017
Topic:
Art, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081697

California, from the United States Series, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Gouache on paperboard
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1984.124.121
Date:
1946
Topic:
Abstract  Search this
Allegory--Place--California  Search this
Control number:
IAP 08585171
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_467564

Pursuit of the marvelous : Stanley William Hayter, Charles Howard, Gordon Onslow Ford / by Susan M. Anderson

Author:
Anderson, Susan M (Susan Mary)  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Howard, Charles 1899-1978 Exhibitions  Search this
Onslow-Ford, Gordon Exhibitions  Search this
Physical description:
64 p. : ill. (some col.) ; 31 cm
Type:
Exhibitions
Place:
California
Date:
1990
20th century
Topic:
Surrealism--Exhibitions  Search this
Art, American  Search this
Call number:
N40.1.H425 A54 1990
N40.1.H425A54 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_409091

Charles Howard, 1899-1978 : drama of the mind / introduction by Douglas Dreishpoon

Author:
Howard, Charles 1899-1978  Search this
Dreishpoon, Douglas  Search this
Hirschl & Adler Galleries  Search this
Subject:
Howard, Charles 1899-1978 Exhibitions  Search this
Physical description:
43 p. : ill. (some col.) ; 27 cm
Type:
Books
Date:
1993
C1993
Call number:
N40.1.H8431 H6 1993
N40.1.H8431H6 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_441828

32 works : American art, 2006

Title:
Thirty-two works
Author:
Steve Turner Gallery  Search this
Subject:
Brown, Grafton Tyler 1841-1918  Search this
Henning, William E. 1911-  Search this
Howard, Charles 1899-1978  Search this
Jackson, Everett Gee 1900-1995  Search this
Johnson, Malvin Gray 1896-1934  Search this
Johnson, William H. 1901-1970  Search this
Merrild, Knud 1894-1954  Search this
Shore, Henrietta 1880-1963  Search this
Physical description:
1 v. (unpaged) : ill. ; 23 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2006
C2006
20th century
19th century
Topic:
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1019420

First War Winter, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
San Francisco Museum of Modern Art 151 Third Street San Francisco California 94103 Accession Number: 40.5313
Date:
1939-1940
Topic:
Abstract  Search this
Control number:
IAP 04280050
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_405598

Abstraction in Flight, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
San Francisco Museum of Modern Art 151 Third Street San Francisco California 94103 Accession Number: 40.5313
Date:
1942
Topic:
Abstract  Search this
Architecture--Vehicle--Airplane  Search this
Control number:
IAP 04280051
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_405599

Untitled, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
San Francisco Museum of Modern Art 151 Third Street San Francisco California 94103 Accession Number: 36.6068
Date:
1936
Topic:
Abstract  Search this
Landscape  Search this
Control number:
IAP 04280052
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_405600

Morning Picture, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Seattle Art Museum 100 University Street Seattle Washington 98101
Date:
1955
Topic:
Landscape--Time--Morning  Search this
Control number:
IAP 56490097
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_424591

Painting 1958 (II), (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Seattle Art Museum 100 University Street Seattle Washington 98101
Date:
1958
Topic:
Abstract  Search this
Control number:
IAP 56490098
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_424592

Small Painting, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Seattle Art Museum 100 University Street Seattle Washington 98101
Date:
1957
Topic:
Abstract  Search this
Control number:
IAP 56490099
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_424593

Drawing #22, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Gouache and pastel on paper
Type:
Paintings
Owner/Location:
Worcester Art Museum 55 Salisbury Street Worcester Massachusetts 01609 Accession Number: 1959.1
Date:
1957
Topic:
Undetermined  Search this
Control number:
IAP 23570666
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_427257

The Independent Source, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Grand Rapids Art Museum 155 Division North Grand Rapids Michigan 49503 Accession Number: 2004.9
Date:
1950
Topic:
Abstract  Search this
Control number:
IAP 24470107
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_440383

Bivouac, (painting)

Painter:
Howard, Charles 1899-1978  Search this
Medium:
Oil on canvas on board
Type:
Paintings
Date:
1940
Topic:
Abstract  Search this
Control number:
IAP 8F090061
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_462384

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