Skip to main content Smithsonian Institution

Search Results

Collections Search Center
73 documents - page 1 of 4

[Thomas Hart Benton Statue,] Lafayette Park, St. Louis

Sculptor:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Extent:
1 Stereograph (black and white)
Container:
Box 5
Type:
Archival materials
Stereographs
Date:
circa 1870-1900
General:
Historic Series title : Stereoscopic Views
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Women  Search this
statues  Search this
Trees  Search this
Lawns  Search this
Urns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR072006
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / Gardens and Landscapes / United States / Missouri / St. Louis -- Lafayette Park
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb65b2e7920-7121-4c19-8ef8-b2d004fa3f76
EDAN-URL:
ead_component:sova-aag-str-ref4550

Harriet Goodhue Hosmer letter to Sir James

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Type:
Correspondence
Date:
1881 Aug. 13
Record number:
(DSI-AAA)15154
See more items in:
Harriet Goodhue Hosmer letters, [ca. 1870-1900]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15154
Online Media:

Harriet Goodhue Hosmer letter to Mrs. Silsbee

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Type:
Correspondence
Date:
not before 1852
Record number:
(DSI-AAA)15155
See more items in:
Harriet Goodhue Hosmer letters, [ca. 1870-1900]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15155
Online Media:

Harriet Goodhue Hosmer letter to an unidentified recipient

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Type:
Correspondence
Date:
between 1880 and 1899?
Record number:
(DSI-AAA)13942
See more items in:
Harriet Goodhue Hosmer letter to an unidentified recipient, between 1880 and 1899?
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13942
Online Media:

Harriet Goodhue Hosmer letter to an unidentified recipient, between 1880 and 1899?

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Record number:
(DSI-AAA_CollID)21803
(DSI-AAA_SIRISBib)306218
AAA_collcode_hosmharr2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_306218

Harriet Goodhue Hosmer letters, [ca. 1870-1900]

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Topic:
Sculpture, American  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9023
(DSI-AAA_SIRISBib)211212
AAA_collcode_hosmharr
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211212

Harriet Goodhue Hosmer letter to an unidentified recipient

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Date:
between 1880 and 1899?
Biographical / Historical:
Sculptor; Watertown, Mass.; b. 1830 d. 1908.
General:
Letter is dated Feb. 19, no year given. Date range based on the address Hosmer gives: 1600 Prairie Avenue, Chicago. She is known to have stayed at this address in the 1880s and 1890s.
Provenance:
Donated by Charles E. Feinberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Identifier:
AAA.hosmharr2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a764baaa-2a60-4f74-8f0d-2509a03d93d1
EDAN-URL:
ead_collection:sova-aaa-hosmharr2

Read family papers

Creator:
Read family  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Church, Frederic Edwin, 1826-1900  Search this
Fosdick, W. W. (William Whiteman), 1825-1862  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Knaus, Ludwig, 1829-1910  Search this
Longfellow, Henry Wadsworth, 1807-1882  Search this
Powers, Hiram, 1805-1873  Search this
Read, Harriet Denison Butler, 1837-1935  Search this
Read, Mary Alice, 1845-1870  Search this
Read, Mary Pratt, 1818-1855  Search this
Read, Thomas Buchanan, 1822-1872  Search this
Richards, T. Addison (Thomas Addison), 1820-1900  Search this
Rogers, Randolph, 1825-1892  Search this
Sartain, John, 1808-1897  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Story, William Wetmore, 1819-1895  Search this
Whittier, John Greenleaf, 1807-1892  Search this
Extent:
229 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1848-1935
Scope and Contents:
Correspondence between Read family members, Thomas Buchanan Read, Mary Pratt Read, Mary Alice Read, and Harriet Denison Butler Read, and notable military, literary, political, and artistic figures, particluarly of the 19th century. Correspondents include Albert Bierstadt, Frederic Edwin Church, William Whiteman Fosdick, Harriet Goodhue Hosmer, Ludwig Knaus, Hiram Powers, Thomas Addison Richards, Randolph Rogers, John Sartain, William Wetmore Story, Henry Wadsworth Longfellow, John Greenleaf Whittier, Philip Sheridan, James Garfield, and William Tecumseh Sherman, among others.
Biographical / Historical:
Thomas Buchanan Read was a poet, a portrait and history painter, and sometime sculptor, and worked in the U.S. and abroad.
Provenance:
Lent for microfilming 1979 by Denison L. Burton.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Poets  Search this
Portrait painters  Search this
Identifier:
AAA.readread
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99262ecc1-862a-4343-934c-ede08df92be2
EDAN-URL:
ead_collection:sova-aaa-readread

Harriet Hosmer : her era and art / by Margaret Wendell LaBarre

Creator:
LaBarre, Margaret Wendell  Search this
Names:
Curran, Joseph L.  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Extent:
295 Pages ((on partial microfilm reel), ill.)
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Thesis entitled "Harriet Hosmer: Her Era and Art", by Margaret Wendell LaBarre, University of Illinois, 1966 and and index to the thesis compiled by Joseph L. Curran, Jr. of the Watertown Free Public Library in 1973.
Biographical / Historical:
LaBarre did her undergraduate work at the University of Illinois, graduating in 1961. She received her master's degree in 1966 upon completion of her thesis. Joseph L. Curran, Jr. "Hosmeriana: A guide to works by and about Harriet G. Hosmer."
Provenance:
Lent by the Watertown Public Library, Watertown, Mass.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- Massachusetts -- Watertown  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Identifier:
AAA.labamarg
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8397bc2-7aad-44b7-a379-6703a628fed6
EDAN-URL:
ead_collection:sova-aaa-labamarg

Harriet Goodhue Hosmer letters

Creator:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Extent:
2 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1870-1900]
Scope and Contents:
REEL D10: A letter from Hosmer to an unidentified person.
REEL 2814: A letter to a titled English admirer, August 13 [no year].
Biographical / Historical:
Sculptor; Watertown, Massachusetts; b. 1830 d. 1908.
Occupation:
Sculptors -- Massachusetts -- Watertown  Search this
Topic:
Sculpture, American  Search this
Women artists  Search this
Women sculptors  Search this
Identifier:
AAA.hosmharr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9276b1a9d-9b43-493e-bc01-7601cc7df4b4
EDAN-URL:
ead_collection:sova-aaa-hosmharr

Joseph L. Curran papers relating to Harriet Goodhue Hosmer

Creator:
Curran, Joseph L.  Search this
Names:
Hosmer, Harriet Goodhue, 1830-1908  Search this
Extent:
8 Volumes ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1845-1975
Scope and Contents:
REEL 1039: Hosmeriana: A Guide to Works by and About Harriet G. Hosmer, by Joseph L. Curran; and five v. entitled "Harriet Goodhue Hosmer: Collected Sources," edited by Curran, containing information taken from books, periodicals, and miscellaneous printed sources, and correspondence concerning Hosmer.
REEL 1050: "Harriet Hosmer: Collected Sources," edited by Curran (c1974 by the Watertown Free Public Library), consisting of photographs, mainly of works by Hosmer, but also including photographs of Hosmer and of portraits of Hosmer, photographs of diplomas, and a photograph of her father, Dr. Hiram Hosmer.
Biographical / Historical:
Harriet Goodhue Hosmer, 1830-1908, had, by 1860, won an international reputation as the leading woman sculptor of her day. She was raised and studied art in Massachusetts, studied anatomy in the medical department of St. Louis (Mo.) University. In 1852, she went to Rome and studied with English sculptor John Gibson for seven years.
Provenance:
Lent for microfilming 1975 by the Watertown Free Public Library.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- Massachusetts  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Identifier:
AAA.currjose
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d47d4b3-8474-4e32-92a3-2b475fea8393
EDAN-URL:
ead_collection:sova-aaa-currjose

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Function:
Artist colonies -- New Hampshire
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Hosmer, Harriet Goodhue, 1830-1908

Collection Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
4 Photographs
Container:
Box 27
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Open to researchers by appointment. Contact Photograph Archives, Smithsonian American Art Museum by email: sapa@si.edu.
Collection Rights:
The photographs are owned by the Smithsonian American Art Museum and requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as the photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Metropolitan Museum of Art Study Collection of American Sculpture Photographs, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Metropolitan Museum of Art study collection of American sculpture photographs
Metropolitan Museum of Art study collection of American sculpture photographs / Series 1: Photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih784ae5655-ae8d-4377-b63e-3de8a597a090
EDAN-URL:
ead_component:sova-saam-photo-met-ref386

Daphne, (sculpture)

Sculptor:
Hosmer, Harriet Goodhue 1830-1908  Search this
Medium:
Marble
Type:
Sculptures
Owner/Location:
Washington University Mildred Lane Kemper Art Museum Campus Box 1214, One Brookings Drive St. Louis Missouri 63130 Accession Number: WU 579
Date:
1854
Topic:
Mythology--Classical--Daphne  Search this
Figure female--Bust  Search this
Figure female--Nude  Search this
Control number:
IAS 77002070
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_20223

Portrait of Wayman Crow, Sr., (sculpture)

Sculptor:
Hosmer, Harriet Goodhue 1830-1908  Search this
Subject:
Crow, Wayman Sr  Search this
Medium:
Carrara marble
Type:
Sculptures
Owner/Location:
Washington University Mildred Lane Kemper Art Museum Campus Box 1214, One Brookings Drive St. Louis Missouri 63130 Accession Number: WU 2061
Date:
1866
Topic:
Portrait male--Bust  Search this
Occupation--Education  Search this
Control number:
IAS 76001185
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_2536

Oenone, (sculpture)

Title:
Mourning Oenone, (sculpture)
Sculptor:
Hosmer, Harriet Goodhue 1830-1908  Search this
Medium:
Marble
Type:
Sculptures
Owner/Location:
Washington University Mildred Lane Kemper Art Museum Campus Box 1214, One Brookings Drive St. Louis Missouri 63130 Accession Number: WU 3783
Date:
1854-1855
Topic:
Mythology--Classical--Oenone  Search this
Figure female--Nude  Search this
Control number:
IAS 76001187
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_2538

Beatrice Cenci, [sculpture] / (photographed by Lesch)

Artist:
Hosmer, Harriet Goodhue 1830-1908  Search this
Photographer:
Lesch  Search this
Subject:
Cenci, Beatrice  Search this
Type:
Photograph
Date:
1857
Topic:
Portrait female--Full length  Search this
Occupation--Other--Aristocrat  Search this
Ethnic  Search this
Object--Other--Rosary  Search this
State of Being--Other--Sleep  Search this
State of Being--Evil--Imprisonment  Search this
Image number:
SSC S0001273
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127986
Online Media:

Beatrice Cenci, [sculpture] / (photographer unknown)

Artist:
Hosmer, Harriet Goodhue 1830-1908  Search this
Subject:
Cenci, Beatrice  Search this
Type:
Photograph
Date:
1857
Topic:
Portrait female--Full length  Search this
Occupation--Other--Aristocrat  Search this
Ethnic  Search this
Object--Other--Rosary  Search this
State of Being--Other--Sleep  Search this
State of Being--Evil--Imprisonment  Search this
Image number:
SSC S0001274
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127987
Online Media:

Beatrice Cenci, [sculpture] / (photographed by Lesch)

Artist:
Hosmer, Harriet Goodhue 1830-1908  Search this
Photographer:
Lesch  Search this
Subject:
Cenci, Beatrice  Search this
Type:
Photograph
Date:
1857
Topic:
Portrait female--Full length  Search this
Occupation--Other--Aristocrat  Search this
Ethnic  Search this
Object--Other--Rosary  Search this
State of Being--Other--Sleep  Search this
State of Being--Evil--Imprisonment  Search this
Image number:
SSC S0001275
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127988
Online Media:

Zenobia in Chains [sculpture] / (photographer uknown)

Artist:
Hosmer, Harriet Goodhue 1830-1908  Search this
Subject:
Zenobia  Search this
Type:
Photograph
Topic:
Portrait female  Search this
Occupation--Other--Aristocrat  Search this
History--Ancient--Palmyra  Search this
State of Being--Evil--Imprisonment  Search this
Image number:
SSC S0001276
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127989
Online Media:

Modify Your Search







or


Narrow By