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Josephine Hopper postcard to Frank K. M. Rehn

Creator:
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Rehn, Frank K. M. (Frank Knox Morton), 1886-1956  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Type:
Correspondence
Place:
Mexico City, Mexico
Date:
1943 July 5
Record number:
(DSI-AAA)20920
See more items in:
Frank K. M. Rehn Galleries records, 1858-1969, bulk 1919-1968
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20920
Online Media:

Josephine Hopper letters to Lila Harnett, 1964-1982

Creator:
Harnett, Lila, 1926-  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Harnett, Lila, 1926-  Search this
Subject:
Bauer, Jack  Search this
Hopper, Edward  Search this
Topic:
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)17436
(DSI-AAA_SIRISBib)386084
AAA_collcode_harnlill
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_386084

Waintrob-Budd photographs of American artists

Creator:
Waintrob-Budd (Firm : New York, N.Y.)  Search this
Names:
American Academy of Arts and Letters  Search this
Budd (Firm : New York, N.Y.)  Search this
Adrian, Barbara, 1931- -- Photographs  Search this
Archipenko, Alexander, 1887-1964 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Barnet, Will, 1911- -- Photographs  Search this
Benton, Thomas Hart, 1889-1975 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Bosa, Louis, 1905- -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Browne, Byron, 1907-1961 -- Photographs  Search this
Carroll, John, 1892-1959 -- Photographs  Search this
Constant, George, 1892-1978 -- Photographs  Search this
De Creeft, José, 1884-1982 -- Photographs  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Delaunay, Sonia -- Photographs  Search this
Dickinson, Edwin Walter, 1891- -- Photographs  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Evans, Walker, 1903-1975 -- Photographs  Search this
Floch, Joseph, 1895-1977 -- Photographs  Search this
Gablik, Suzi -- Photographs  Search this
Goodrich, Lloyd, 1897-1987 -- Photographs  Search this
Gottlieb, Adolph, 1903-1974 -- Photographs  Search this
Goulet, Lorrie, 1925- -- Photographs  Search this
Grosz, George, 1893-1959 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Harkavy, Minna, b. 1895 -- Photographs  Search this
Hayter, Stanley William, 1901- -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Levy, Ellen K -- Photographs  Search this
Lijn, Liliane, 1939- -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lowry, W. McNeil (Wilson McNeil), 1913-1993 -- Photographs  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980 -- Photographs  Search this
Menkes, Sigmund, 1896-1986 -- Photographs  Search this
Motherwell, Robert -- Photographs  Search this
Root, Edwin -- Photographs  Search this
Rorimer, James J. (James Joseph), 1905-1966 -- Photographs  Search this
Shahn, Ben, 1898-1969  Search this
Sheerin, Jerry -- Photographs  Search this
Soyer, Moses, 1899-1974 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Speicher, Eugene E. (Eugene Edward), 1883-1962 -- Photographs  Search this
Speyer, Darthea -- Photographs  Search this
Steinberg, Saul -- Photographs  Search this
Sweeney, James Johnson, 1900- -- Photographs  Search this
Waintrob, A. L., 1908-  Search this
Waintrob, Sidney J., 1903-  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976 -- Photographs  Search this
Walkowitz, Abraham, 1880-1965 -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
68 Items ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1980
Scope and Contents:
REEL 1817: Photographs of: Will Barnet, Jose de Creeft (2), Sonia Delaunay, Walker Evans, Joseph Floch, Suzi Gablik (2), Adolph Gottlieb (also filmed on reel 1886, fr. 33-34), Lorrie Goulet, Minna Harkavy, William Hayter (2), Paul Jenkins, Lee Krasner (2), Lilliane Lijn, Jerry Sheerin (2), and Darthea Speyer (2). Also included is a group photo of Jose de Creeft, Jacques Lipchitz, George Biddle, Thomas Benton, and Ben Shahn at the American Academy of Arts & Letters Ceremonial, May 20, 1964.
REEL 1886: Photographs of: Barbara Adrian, Alexander Archipenko, Milton Avery, Will Barnet, Isabel Bishop, Louis Bosa, Henry C. Botkin, Byron Browne, John Carroll, George Constant, Julio de Diego, Edwin Dickinson, Marcel Duchamp, Joseph Floch, Lloyd Goodrich, Adolph Gottlieb, Lorrie Goulet, George Grosz, David Hare, Minna Harkavy, Hans Hofmann, Edward Hopper, Josephine Hopper, Morris Kantor, Leon Kroll, Jacob Lawrence, Julian Levi, Jack Levine, Reginald Marsh, A. Hyatt Mayor, Sigmund Menkes, Robert Motherwell, Edwin Root, James Rorimer (a cropped version erroneously microfilmed as Sidney Waintrob appears on reel 1817, fr. 1193), Moses Soyer, Raphael Soyer, Eugene Speicher, Saul Steinberg, James Johnson Sweeney, Hudson Walker, Abraham Walker, and William Zorach.
UNMICROFILMED Two photographs: Ellen K. Levy and McNeil Lowry.
Arrangement:
REEL 1817: Microfilmed with AAA's Photographs of Artists Collection II, and appear on microfilm in alphabetical order under artist with other unrelated photographs.
Biographical / Historical:
Photographic studio; New York, N.Y. Sidney J. and his brother A. L. (Bud) Waintrob specialized in photographing artists, curators and other art world personalities. They worked under the name Budd [Studio] before using Waintrob-Budd.
Provenance:
Photographs on reel 1817 and unmicrofilmed photos donated 1974-1987 by Sidney J. Waintrob; photographs on reel 1886 donated 1979-1980 by Samuel I. Hoffberg, whose relationship to Waintrob-Budd is unclear.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish quote, or reproduce requires written permission from David Stekert. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.wainbudd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wainbudd

Wendell Jones papers

Creator:
Jones, Wendell, 1899-1956  Search this
Names:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Bruce, Edward, 1879-1943  Search this
Burlin, Paul, 1886-1969  Search this
Cherry, Herman  Search this
Force, Juliana, 1876-1948  Search this
Greenwood, Marion, 1909-1970  Search this
Guston, Philip, 1913-1980  Search this
Hague, Raoul, 1905-1993  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Martin, Fletcher, 1904-1979  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
0.5 Linear feet ((200 items))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1933-1969
Scope and Contents:
Letters, undated and 1937-1961, mostly dealing with Jones' mural in the Rome, N.Y. Post Office, done for the Section of Fine Arts; correspondence with Edward Bruce, Forbes Watson, Juliana Force, Edward Rowan, and Eugene Speicher; photographs of Jones, his family, his paintings, and of other Woodstock area artists including Philip Guston, Yasuo Kuniyoshi, Harry Burlin, Herman Cherry, Marion Greenwood, Raoul Hague, Fletcher Martin, and Dorothy Varian; a contract, 1940, for a the Post Office mural; and other business records including check stubs, vouchers and receipts.
Also included are a manuscript by Jones entitled "Article of Faith" for MAGAZINE OF ART, October, 1940; a scrapbook of clippings; and exhibition catalogs, 1957-1969, a press release, 1938, and several clippings, 1933-1948.
Biographical / Historical:
Painter and muralist; Woodstock, N.Y.; b. 1899; d. 1956.
Provenance:
Donated 1982 and 1983 by Jane Jones widow of Wendell Jones.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Muralists -- New York -- Woodstock  Search this
Painters -- New York (State) -- Woodstock  Search this
Topic:
Artists -- New York State -- Woodstock -- Photographs  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jonewend
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonewend

Josephine Hopper letters to Lila Harnett

Creator:
Harnett, Lila, 1926-  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Names:
Bauer, Jack  Search this
Hopper, Edward, 1882-1967  Search this
Extent:
6 Items
Type:
Collection descriptions
Archival materials
Date:
1964-1982
Scope and Contents:
Two letters (1964 and 1967) from Josephine Hopper to Lila Harnett. Hopper refers to two works of art, Manhattan Bridge and Lily Apartments, and Sugar Maple by her husband Edward Hopper. Also included is a photograph of Sugar Maple, two newspaper clippings regarding Edward Hopper and a note from Jack Bauer to Harnett commenting about one of the newspaper articles.
Biographical / Historical:
Lila Harnett is an art collector, critic, and patron in Paradise Valley, Arizona.
Provenance:
Donated 2017 by Lila Harnett.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art critics  Search this
Art patrons  Search this
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.harnlill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harnlill

Catherine H. Campbell papers

Creator:
Campbell, Catherine H.  Search this
Names:
Bemis, Samuel A.  Search this
Bierstadt, Albert, 1830-1902  Search this
Champney, Benjamin, 1817-1907  Search this
Derrick, William Rowell, 1857-1941  Search this
Gifford, Sanford Robinson, 1823-1880  Search this
Hill, Edward Rufus, 1852-1908  Search this
Hopper, Edward, 1882-1967  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Kensett, John Frederick, 1816-1872  Search this
Shapleigh, Frank H., 1842?-1906  Search this
Shattuck, Aaron Draper, 1832-1928  Search this
Stone, Benjamin, 1829-1906  Search this
Extent:
2 Items (Reel 3134)
3 Linear feet (Unmicrofilmed)
Type:
Collection descriptions
Archival materials
Place:
White Mountains (N.H. and Me.)
Date:
1856-1989
bulk 1973-1989
Scope and Contents:
Primarily research material on 19th century artists, engravers and photographers of New Hampshire views.
UNMICROFILMED: Correspondence related to Campbell's research, undated and 1972-1983; manuscripts for Campbell's book, CRAWFORD NOTCH (Chapters I -VII); articles and lecture notes on White Mountain (N.H. and Me.) artists and early photography in N.H.; research files for the 1980 exhibition and catalog "The White Mountains: Place and Perceptions"; research and card files on N.H. sites and on 19th and 20th century artists who lived in or painted scenes of the White Mountains, including Samuel Bemis, Albert Bierstadt, James Buckley, Benjamin Champney, Thomas Cole, William Derrick, Sanford Gifford, Edward Hill, John Kensett, Henry Pratt, F.H. Shapleigh, Aaron Shattuck, Benjamin Stone and others. Also included are exhibition catalogs and announcements for New Hampshire artists.
REEL 3134: A Christmas card with a short personal note from Edward and Jo Hopper, 1944, and a letter to the Crawford J. Campbell family, June 7, 1946, from Jo Hopper. She responds to news of the Campbell family in Chicago, comments on the possibility that Hopper's Washington Square studio may be annexed by New York University, and on their trip to Mexico.
Biographical / Historical:
Artist, art historian, summer resident at Center Harbor, N.H. Born 1916. Died 1989.
Provenance:
Material on reel 3134 donated 1971 and 1978 by Campbell. Unmicrofilmed material donated 1990 by Joanna Campbell Dellenbaugh, Campbell's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- New Hampshire  Search this
Art historians -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Art historians -- New Hampshire  Search this
Topic:
Landscape painting -- 19th century -- New Hampshire  Search this
Photography -- New Hampshire -- Landscape  Search this
Engraving -- 19th century -- New Hampshire  Search this
Identifier:
AAA.campcath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-campcath

Isabel Bishop papers

Creator:
Bishop, Isabel, 1902-1988  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Bacon, Peggy, 1895-1987  Search this
Blume, Peter, 1906-1992  Search this
Brooks, Van Wyck, 1886-1963  Search this
Canaday, John, 1907-1985  Search this
Chappell, Warren, 1904-  Search this
Ciardi, John, 1916-  Search this
Cunningham, Merce  Search this
Delevante, Sidney, 1894-  Search this
Deutsch, Babette, 1895-1982  Search this
Dickinson, Edwin Walter, 1891-  Search this
Evergood, Philip, 1901-1973  Search this
Ferber, Edna, 1887-1968  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Force, Juliana, 1876-1948  Search this
Hoffman, Malvina, 1887-1966  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Johnson, Una E.  Search this
Kearns, James  Search this
Kitaj, R. B.  Search this
Kroll, Leon, 1884-1974  Search this
Laning, Edward, 1906-1981  Search this
Lattimore, Richmond Alexander, 1906-1984  Search this
Leighton, Clare, 1899-  Search this
Marsh, Reginald, 1898-1954  Search this
Moore, Marianne, 1887-1972  Search this
Mumford, Lewis, 1895-1990  Search this
Neel, Alice, 1900-1984  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Schmidt, Katherine, 1898-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Tooker, George, 1920-2011  Search this
Van Veen, Stuyvesant  Search this
Vonnegut, Kurt  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Westcott, Glenway  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Date:
1914-1983
Summary:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
Scope and Content Note:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. Scattered biographical documents include awards and a file on her participation in art juries.

Bishop was friends with many artists and cultural figures and her correspondence includes letters to and from artists such as John Taylor Arms, Peggy Bacon, Peter Blume, Warren Chappell (many letters from Chappell are illustrated), Sidney Delevante, Edwin Dickinson, Philip Evergood, John Folinsbee, Malvina Hoffman, Jo Hopper, James Kearns, Leon Kroll, Clare Leighton, Jack Levine, Alice Neel, Hobson Pittman, Fairfield Porter, Abraham Rattner, Katherine Schmidt, Henry Schnakenberg, Raphael Soyer, George Tooker, Stuyvesant Van Veen, Franklin Watkins, Mahonri Young, and William Zorach. Bishop not only corresponded with artists but also many poets, authors, historians, and dancers, such as Van Wyck Brooks, John Canaday, John Ciardi, Merce Cunningham, Babette Deutsch, Edna Ferber, Richmond Lattimore, Marianne Moore, Lewis Mumford, Kurt Vonnegut, and Glenway Westcott. Also found are letters from many galleries, museums, and schools which exhibited or purchased her work, including curators Juliana Force and Una Johnson.

Bishop kept files from her affiliations with the American Society of Painters, Sculptors, and Gravers and the New Society of Artists, containing mostly membership and financial records, and a file on a UNESCO conference. Unfortunately, files documenting her membership and vice presidency of the National Institute of Arts & Letters are not found here.

A small amount of Bishop's writings and notes include essays about friends and artists Reginald Marsh and Warren Chappell. Printed material consists of exhibition catalogs and announcements, news clippings, magazines, and a design by G. Alan Chidsey for a book about Bishop. Photographs depict Bishop with her husband and in her studio, her artwork, and also include three photographs of her friend, Reginald Marsh.

Original artwork includes eight small sketchbooks, loose pen and ink sketches, intaglio prints, watercolor figure studies, and a drawing of Bishop by Aaron Bohrod.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Material, 1943-1975 (Box 1; 4 folders)

Series 2: Correspondence, 1939-1983 (Box 1; 0.6 linear feet)

Series 3: Organization Files, 1924-1937, 1951-1952 (Box 1; 0.2 linear feet)

Series 4: Writings & Notes, 1937-1960s (Box 1; 4 folders)

Series 5: Printed Material, 1930-1979 (Box 2; 0.6 linear feet)

Series 6: Photographs, 1914, circa 1920s-1975 (Box 2, OV 5; 0.2 linear feet)

Series 7: Artwork, circa 1940s-1970s (Box 2-4, OV 5; 0.4 linear feet)
Biographical Note:
Isabel Bishop (1902-1988) was born in Cincinnati, Ohio to John Remsen Bishop and Anna Bartram Newbold Bishop. Shortly after her birth the family moved to Detroit, Michigan. As a child Bishop took art classes and had a growing interest in drawing. In 1918 at the age of 16 she left home and moved to New York City where she enrolled in the School of Applied Design for Women to be an illustrator. However, her real interest was in painting, not the graphic arts, and she enrolled in the Art Students League in 1920. There she studied with Kenneth Hayes Miller and Guy Pene du Bois and met many young artists, including Reginald Marsh and Edwin Dickinson, both of whom became close friends. She took classes until 1924 and rented a studio and living space on 14th Street in a neighborhood where many artists maintained studios at the time.

Bishop began exhibiting her work and participated in artist groups, including the Whitney Studio Club and the New Society of Artists. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932 Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career.

In 1934 she married Harold Wolff, a neurologist, and moved with him to Riverdale, New York. Bishop kept her studio in Manhattan, moving from 14th Street to Union Square. She remained in her Union Square studio for fifty years (1934-1984). From 1936 to 1937 she taught at the Art Students League and in 1940 her son Remsen was born. In 1941 she was named a member of the National Academy of Design and from 1944 to 1946 she was the Vice President of the National Institute of Arts & Letters, the first woman to hold an executive position with that organization. She wrote articles and joined other artists in speaking out in support of realist painting and against the abstract style that was dominating the New York art scene.

During her long career which lasted into the 1980s, Bishop exhibited in numerous group and solo exhibitions, traveled throughout the U. S. as an exhibition juror, and won many awards for her work, including the award for Outstanding Achievement in the Arts presented by President Jimmy Carter in 1979.
Related Material:
Also found at the Archives of American Art are three oral history interviews with Isabel Bishop, April 15, 1959, May 29, 1959, and November 12-December 11, 1987.

The Whitney Museum of American Art and Midtown Galleries loaned additional Bishop papers to the Archives for microfilming on reels NY59-4 and NY59-5. These items were returned to the lenders after microfilming and are not described in the container listing of this finding aid.
Provenance:
The collection was donated in several installments by Isabel Bishop from 1959 to 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Realism  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Citation:
Isabel Bishop papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bishisab
See more items in:
Isabel Bishop papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bishisab
Online Media:

Frank K. M. Rehn Galleries records

Creator:
Frank K. M. Rehn Galleries  Search this
Names:
Bartlett, Frederic Clay, 1873-1953  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Chappell, Warren, 1904-  Search this
Clancy, John C., 1897-1981  Search this
Coleman, Glenn O., 1887-1932  Search this
Cook, Howard Norton, 1901-1980  Search this
Cuthbert, Virginia, 1908-2001  Search this
Dasburg, Andrew, 1887-1979  Search this
Gellatly, John, 1853-1931  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Hopper, Edward, 1882-1967  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
James, Alexander, 1890-1946  Search this
Kroll, Leon, 1884-1974  Search this
Luks, George Benjamin, 1867-1933  Search this
Mangravite, Peppino, 1896-  Search this
Marsh, Felicia Meyer, 1912-1978  Search this
Marsh, Reginald, 1898-1954  Search this
McFee, Henry Lee, 1886-1953  Search this
Melchers, Gari, 1860-1932  Search this
Orton, J. Robert  Search this
Pepper, Charles Hovey, 1864-1950  Search this
Phillips, Duncan, 1886-1966  Search this
Poor, Henry Varnum, 1887-1970  Search this
Russo, Alexander  Search this
Spalding, John T.  Search this
Sparhawk-Jones, Elizabeth, 1885-1968  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Spruance, Benton, 1904-1967  Search this
Strater, Henry, 1896-  Search this
Tucker, Allen, 1866-1939  Search this
Tucker, Richard Derby, 1903-  Search this
Winters, Denny Sonke, 1907-1985  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1858-1969
bulk 1919-1968
Summary:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
Scope and Content Note:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.

Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.

Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.

Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related.

Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.
Arrangement:
Series 1: Correspondence is arranged alphabetically and Series 3: Scrapbooks is in rough chronological order. Series 2, and 4-6 are arranged in categories, as indicated in the Series Descriptions/Container Listing. Unless otherwise noted, items within each folder are arranged chronologically.

The collection is arranged into 6 series:

Series 1: Correspondence, 1858-1969, undated (Boxes 1-15; 14.4 linear ft.; Reels 5849-5869)

Series 2: Financial Records, 1919-1968, undated (Boxes 15-17; 2.6 linear ft; Reel 5869)

Series 3: Scrapbooks, 1919-1940 (Boxes 23-24; 0.6 linear ft.; Reels 5869-5870)

Series 4: Printed Matter, 1882-1969, undated (Boxes 18-20; 2.4 linear ft.; Reels 5870-5872)

Series 5: Miscellaneous Records, circa 1920-1968 (Boxes 20-21; 0.7 linear ft; Reel 5872)

Series 6: Photographs, 1871-1966, undated (Boxes 22, 24, OV 25; 1.0 linear ft.; Reel 5872)
Historical Note:
Frank K. M. Rehn (1886-1956), son of the marine painter Frank Knox Morton Rehn, after several years' experience as an employee of the Milch Galleries and as exhibition manager for the Salmagundi Club, opened his own art gallery in 1918. In its earliest years, the gallery operated as the Galleries of Frank K. M. Rehn. From the mid 1920s through the mid 1940s, the name used was Frank K. M. Rehn Galleries. As early as 1946, the gallery was referred to simply as Rehn Galleries. The gallery closed in 1981.

Throughout its existence, Rehn Galleries specialized in representing American painters. During the first five years Rehn's operation was a private gallery at 6 West 50th Street, New York City. Among the artists he first represented were older, established men such as J. Alden Weir, George Inness, Alexander Wyant, Theodore Robinson, Thomas Dewing, and John H. Twachtman. Occasionally, Rehn handled works by such luminaries of the period as Robert Henri, George Luks, and John Singer Sargent. Among the living artists affiliated with the gallery in its first years were Daniel Garber, Walter Griffin, Dodge MacKnight, and Robert Spencer. Rehn's most popular artist during this time was Childe Hassam, who sued for recovery of a painting that, although acquired by Rehn through a reputable dealer, had been stolen from Hassam's studio many years earlier.

Despite the newspaper publicity surrounding Hassam's lawsuit, the business was a successful venture almost immediately. Very early, a number of important collectors including Duncan Phillips, John Gellatly, John T. Spaulding, Albert McVitty, E. W. Root, and C. Vanderbilt Barton displayed confidence in Rehn's judgment and integrity, which enhanced his gallery's reputation and stature among both collectors and artists. In 1923, the gallery moved to 693 Fifth Avenue and began operating as Rehn Galleries, a commercial gallery in the same building that housed in a building that housed Kennedy and Company and the Bourgeois Galleries. At this time, Rehn hired an assistant, John C. Clancy (1897-1981), who had formerly been with Henry Reinhardt and Son and M. Knoedler.

The Rehn Galleries soon enjoyed a regular following among museum curators and collectors visiting from out of town. The gallery's roster of artists grew along with its reputation. Rehn focused almost exclusively on American painters, occasionally showing drawings and prints by artists who were primarily painters; notable exceptions were sculptor Mahonri Young and Henry Varnum Poor who, in addition to being a painter, was known for his work in ceramics. Among the painters eventually represented were: Peggy Bacon, George Bellows, Alexander Brook, Charles Burchfield, John F. Carlson, John Carroll, Howard Cook, Jon Corbino, Virginia Cuthbert, Andrew Dasberg, Sidney Gross, Edward Hopper, Alexander James, Irving Kaufmann, Yeffe Kimball, Leon Kroll, Peppino Mangravite, Reginald and Felicia Meyer Marsh, Henry Mattson, Henry Lee McFee, Kenneth Hayes Miller, Charles Rosen, Robert Riggs, Alexander Russo, Elizabeth Sparhawk-Jones, Eugene Speicher, Henry Strater, Richard Derby Tucker, Franklin C. Watkins, and Denny Winters.

In 1930, Rehn Galleries moved one block south to the Air France Building at 683 Fifth Avenue, and remained there for thirty years. John C. Clancy, Rehn's long-time assistant, became Gallery Director in 1953 after a stroke prevented Rehn from continuing to run his business in an active capacity. Eventually, Rehn's widow sold Clancy the gallery, which he continued to operate under varying names, including Rehn Gallery, Frank K. M. Rehn Galleries, Frank Rehn Gallery, and Rehn Galleries. From 1960 until 1966, The Rehn Galleries were at 36 East 61st Street from 1960 until 1966, when the gallery moved to a space formerly occupied by Kootz Gallery at 855 Madison Avenue, where it remained in business for another fifteen years.
Related Material:
John Clancy interview by Paul Cummings, July 10, 1970. Oral History Program, Archives of American Art, Smithsonian Institution.

Samuel Adler Papers, 1902-1979. Archives of American Art, Smithsonian Institution. Contains a recording (1 cassette; untranscribed) of Beverly Chesler interviewing John Clancy about the history of Rehn Galleries, 1973; Samuel Adler is present and participates briefly in the interview.

In addition, the Archives of American Art has among its collections personal papers and oral history interviews of artists and collectors associated with the Rehn Galleries. Researchers are advised to conduct a name search in the Smithsonian Institution Research Information System (SIRIS).
Provenance:
The Frank K. M. Rehn Galleries records were loaned by John Clancy for microfilming in 1959; in 1966, this same material was donated to the Archives. Mr. Clancy made subsequent gifts of additional gallery records in 1978 and 1981. In 1985, the Whitney Museum of American Art donated to the Archives correspondence with Edward Hopper that John Clancy had loaned the museum many years earlier. A death mask of George Luks received with the collection is on extended loan to the National Portrait Gallery, Smithsonian Institution.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Gallery owners  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Works of art  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franrehg
See more items in:
Frank K. M. Rehn Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franrehg
Online Media:

Ruth Gikow papers

Creator:
Gikow, Ruth, 1915-1982  Search this
Names:
Drewes, Werner, 1899-1985  Search this
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Gross, Chaim, 1904-1991  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Nordness, Lee  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
2.4 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1933-1982
Scope and Contents:
Biographical material, letters, financial material, an interview transcript, notes, writings, a scrapbook, printed material, photographs, and an audio tape document Gikow's career as a painter of social commentary.
REEL D230: Exhibition catalogs, 1948-1965; a scrapbook containing a biographical account and clippings, 1937-1965; an undated photograph of Gikow; and 164 photographs of works of art.
REELS 4874-4875: Biographical accounts, 1959-1971; 7 passports, 1947-1972; letters, 1949-1981, from Gikow to critics and galleries, and from colleagues including Karl Fortess and Lee Nordness, and one letter each from Werner Drewes, Jo Hopper, and Raphael Soyer; a file concerning the Kent State Memorial Exhibition, 1971; receipts, 1951-1978; price lists, 1967-1980; a 3 p. interview transcript; an engagement calendar, 1971; miscellaneous notes and writings by Gikow and others; printed material, including clippings, 1947-1979; exhibition announcements and catalogs, 1940-1982; a book, History of the Jews in America, 1957, by Deborah Pessin, illustrated by Gikow; a book, Gikow, 1970, by Matthew Josephson, with reproductions of art works used in the book; and brochures; photographs of Gikow, her husband Jack Levine, her studio, artists, including Chaim Gross, Jacob Lawrence, and Raphael Soyer, and works of art; and an untranscribed reel-to-reel tape of an interview of Gikow conducted by Karl Fortess.
UNFILMED: Correspondence; photographs of Gikow and of her art work, including one of her demonstrating mural painting at the 1939 World's Fair; reproductions of her book and magazine illustrations; and a yearbook, 1933, from the Women's Art School at The Cooper-Union, where Gikow studied with John Steuart Curry. Also found are writings by Gikow including reminiscences about her life as an artist and as an artist's wife; address books; and exhibition announcements and catalogs.
Biographical / Historical:
Painter, mural painter, illustrator, serigrapher. Died 1982. Gikow was born in the Russian Ukraine, emigrating to New York City with her parents in 1920. She studied under John Steuart Curry at the Cooper Union Art School from 1932-1935. She also studied with Louis Ross, Louis Schanker and Raphael Soyer. After working as an assistant mural painter on the Federal Art Project, Gikow was awarded a commission to paint a mural for the Bronx Hospital. Her book illustrations include Crime and Punishment, and History of the Jews in America. Gikow was married to painter Jack Levine.
Provenance:
Material on D230 was lent by Gikow, 1965. Gikow and her husband Jack Levine donated the remainder in 1978 and 1983, which was microfilmed in 1994 with grants from the Henry and Lucy Moses Fund, the Lucius N. Littauer Foundation, the Samuel Bronfman Foundation, and the Louis and Anne Abrons Foundation. After microfilming, an addition to the collection was donated by Levine in May 1999. Papers of Jack Levine donated at the same time have been cataloged separately.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Serigraphers -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Jewish artists  Search this
Artists' studios -- Photographs  Search this
Social realism  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.gikoruth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gikoruth

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