This collection contains photographs that were commissioned by Fred Harvey Co. and shot by Carl Moon circa 1907-1914. The photographs depict American Indian communities in the southwest including A:shiwi (Zuni), Acoma Pueblo, Diné (Navajo), Hopi, Laguna Pueblo, and Taos Pueblo among many others.
Scope and Contents:
This collection contains 203 glass transparencies, 2 nitrate negatives, and 1 autochrome (plus 228 copy negatives and copy transparencies) that were commissioned by Fred Harvey Co. and shot by Carl moon circa 1905-1914. The photographs depict the southwest American Indian communities of A:shiwi (Zuni), Acoma Pueblo, Dine (Navajo), Havasupai (Coconino), Hopi Pueblo, Isleta Pueblo, K'apovi (Santa Clara Pueblo), Kewa (Santo Domingo Pueblo), Laguna Pueblo, Nambe Pueblo, Ohkay Owingeh (San Juan Pueblo), San Felipe Pueblo, San Ildefonso Pueblo, Taos Pueblo, Tesuque Pueblo, and White Mountain Apache. Some images were also shot in Grand Canyon National Park in Arizona. The photographs are a mix of portraits, posed action shots, and architecture shots. Some of the photographs appear to have been staged by the photographer. There are a few photographs in this collection that may have been shot by Moon prior to his employment with the Fred Harvey Company.
The copy negatives and transparencies were created by the Museum of the American Indian (NMAI's predecessor museum). There are sometimes multiple copy negatives and copy transparencies per glass plate transparency.
Arrangement:
The collection is arranged into 17 series by culture group or location. Series 1: A:shiwi (Zuni), Series 2: Acoma Pueblo, Series 3: Diné (Navajo), Series 4: Havasupai (Coconino), Series 5: Hopi, Series 6: Isleta Pueblo, Series 7: K'apovi (Santa Clara Pueblo), Series 8: Kewa (Santa Domingo Pueblo), Series 9: Laguna Pueblo, Series 10: Nambe Pueblo, Series 11: Ohkay Owingeh (San Juan Pueblo), Series 12: San Felipe Pueblo, Series 13: San Ildefonso Pueblo, Series 14: Taos Pueblo, Series 15: Tesuque Pueblo, Series 16: White Mountain Apache, Series 17: Grand Canyon National Park, Arizona
The collection is physically arranged first by collection type (transparencies and negatives) and then in photo numeric order.
Biographical / Historical:
Born in 1878 in Wilmington, Ohio, Carl E. Moon (originally spelled Karl) took up photography after serving with the Ohio National Guard. He moved to Albuquerque, N.M. in 1903 and opened a photograph studio where he began photographing American Indians in the U.S. southwest region. After publishing and exhibiting many of his photographs nationally, he was commissioned by the Fred Harvey Company in 1907 to take photographs of American Indian communities in the southwest. The Fred Harvey Company was founded by Frederick Henry Harvey and consisted of a chain of successful gift shops, restaurants, and hotels know as Harvey Houses. Moon photographed individuals in his El Tovar Studio in the Grand Canyon, Ariz. and also traveled to communities in the region including A:shiwi (Zuni), Diné (Navajo), Hopi, and Laguna Pueblo, among many others. The Fred Harvey Company used these photographs in their postcards, brochures, and publications for the tourist industry. The Fred Harvey Company also partnered with the Sante Fe Railroad to help generate tourism to the southwest region and Moon became the official photographer for the railroad. Moon also took up drawing and painting and studied with American painter Thomas Moran. Moon stayed with the Fred Harvey Company until 1914.
After Moon left the Fred Harvey Company, he opened a studio in Pasadena, California and continued his career as a photographer and painter. During this period, Moon painted and donated 26 works depicting Southwest American Indians to the Smithsonian Institution (now in the Smithsonian American Art Museum's collection). He also sold 24 oil paintings and 293 photographic prints to Henry E. Huntington that are now part of the Huntington Library in San Marino California. With his wife Grace Purdie Moon, he also produced and illustrated children's books of collected Native American stories and legends. Moon died in San Francisco, Calif. in 1948.
Related Materials:
The Huntington Library in San Marino California holds a large collection of Carl Moon works, including oil paintings and photographic prints. The University of Arizona Libraries, Special Collections also holds photographs shot by Carl Moon and the Smithsonian American Art Museum holds 26 Carl Moon paintings.
Separated Materials:
Two nitrate negatives are stored at an offsite storage facility.
Provenance:
Donated to the Museum of the American Indian by the Fred Harvey Company in 1963.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Indians of North America -- New Mexico Search this
Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This series contains 63 glass transparencies (plus 64 copy negatives and 3 copy transparencies) shot by Carl Moon and depicting mostly the Hopi Pueblo community in Arizona, circa 1907-1914. A few photos also depict the Hopi-Tewa and Hopi (Sipaulovi) communities as well. The photographs depict mostly outdoor scenes including an unidentified basketmaker; a woman making bread; a woman winnowing corn; a boy riding a donkey or mule; a woman filling a jar with water; and portraits of unidentified men, women, and children. Other portraits include Hopi-Tewa potter Nampeyo, snake priest Koy-zah-wa-ma, and Mu-mu-ya. Many photographs in this series depict landscapes and views of buildings and structures (including kivas) in various Hopi Pueblo villages in Arizona.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Some images restricted: Cultural Sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Cliff stairway at Mishongovi leading to Aul and Kwon Kivas. Copyright 1914. Photograph taken by Carl Moon in Arizona between 1910-1914.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Some images restricted: Cultural Sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs relating to archeology, most of which were made by Bureau of American Ethnology photographers and ethnologists. Much of the collection consists of photographs by Cosmos and Victor Mindeleff of Southwest Indians, pueblos and remains. Images depict mounds and excavations (including Grant Mound in Pennsylvania and additional mounds in West Virginia, Alabama, Louisiana, and elsewhere); Hopi Sipaulovi village; petroglyphs in Wind River, Wyoming; ancient artifacts; Standing Rock; Tohono O'odham Indians; Canyon de Chelly; and Clear Creek. Photographers represented include John K. Hillers; C. H. Bryan of Mt. Sterling, Kentucky; the Mindeleff brothers; Henry Bascom Collins; L. C. Rennick; J. W. Milner; Hattons Studio in Lansing, Michigan; and a drawing by W. A. Rogers.
Local Call Number(s):
NAA Photo Lot 28
Location of Other Archival Materials:
William Dinwiddie photographs documenting Papago Indians, previously filed in Photo Lot 28, have been relocated to National Anthropological Archives Photo Lot 89.
Additional Mindeleff photographs can be found in the National Anthropological Archives in Photo Lot 4362, Photo Lot 14, Photo Lot 24, Photo Lot 40, Photo Lot 78, and the BAE historical negatives.
Additional Hillers photographs can be found in the National Anthropological Archives in Photo Lot 14, Photo Lot 24, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Collins photographs can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 82-23, Photo Lot 86-42, Photo Lot 86-43, and Photo Lot 86-59.
See others in:
Photograph collection relating to archeology, burial mounds, and the Southwest, 1880s-1920s
Photo Lot 28, Bureau of American Ethnology photograph collection relating to archeology and burial mounds, National Anthropological Archives, Smithsonian Institution
