The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and to a lesser extent, son Jim Berryman.
Scope and Content Note:
The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and his son, Jim Berryman, though the latter's career is not as well represented. The papers also contain material relating to Kate Berryman, including a scrapbook and diaries.
The collection contains biographical material, correspondence, business records, notes and writings, scrapbooks, printed material, photographs, and artwork by Clifford and Jim Berryman and others.
Arrangement:
The collection is arranged into three series according to individual family members; each series is arranged into subseries and material within each subseries is arranged chronologically.
Missing Title
Series 1: Clifford and Kate Berryman papers, 1829-1963, undated (boxes 1-7, 11-12, OVs 14-15, 7.9 linear ft.)
Series 2: Florence Berryman Papers, 1902-1984, undated (boxes 8-10, 13, 2.3 linear ft.)
Series 3: Jim Berryman Papers, 1919-1964, undated (boxes 10, 13, 1.1 linear ft.)
Biographical Note:
The patriarch of the Berryman family, Clifford Kennedy Berryman, was born in Versailles, Kentucky, in 1869. His first job was in the U.S. Patent Office in Washington, D.C. He became a cartoonist for the Washington Post in 1891. From 1907, until his death in 1949, Clifford Berryman was political cartoonist for the Washington Star, earning a reputation as the "Dean of American Cartoonist," and winning a Pulitzer Prize in 1944. His cartoon of Theodore Roosevelt, "Drawing the Line in Mississippi," 1902, began the American Teddy Bear craze, and created Berryman's cartoon trademark. He was also the first cartoonist to become president of the Gridiron Club. His wife, Kate, was an avid member of the Daughters of the American Revolution.
Their daughter, Florence Berryman, 1900-1992, abandoned her study of music because of a loss of hearing and turned her attention to art. In the 1920s, she became a free-lance local art critic, writing articles for newspapers. She later assisted Leila Mechlin, as an art critic for the Washington Star. In 1946, Florence Berryman succeeded Mechlin and worked for the Star until her retirement in 1961. She also served as editor for the American Federation of Arts until 1944.
Clifford and Kate Berryman's son, James Thomas Berryman, 1902-1976, attended George Washington University and the Corcoran School of Art. He worked as a reporter for the New Mexico State Tribune, until his return, in 1923, to Washington, D.C. because of his mother's illness. He worked at the Washington Star, as an editorial artist and illustrator, until 1933, when he became a sports cartoonist. When his father suffered a storke in 1935, Jim intermittently drew political cartoons for the STAR. Jim Berryman also won a Pulitzer Prize for his political cartoons.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel D111) including a scrapbook of memorabilia, 1905-1945, collected by Kate Berryman regarding her husband. The scrap book includes letters from Bernard Baruch, William Jennings Bryan, Harry Flood Byrd, Jay Darling, John Nance Garner, Herbert Hoover, Henry Cabot Lodge, Harry Truman, and Woodrow Wilson; clippings; cartoons; printed material; and photographs of Clifford, family members, William Jennings Bryan, John Nance Garner, Brenda Putnam, and William Howard Taft. Though some items in the scrapbook were subsequently donated, lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Portions of the Berryman family papers were donated in 1965 by Florence Berryman, and in 1992 by her estate. The latter donation included portions of a scrapbook of memorabilia which had previously been lent for filming (reel D111) by Florence Berryman in 1962. The whearabouts of the other items in the scrapbook which were donated is unknown.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Letters; photographs; biographical material; research notes and writings; pen and ink illustrations; catalogs and announcements; clippings; and miscellany.
REELS 1002-1003: 630 letters, 1955-1961, from museums, galleries, libraries, historical societies, and others in response to King's requests for information and reproductions for her books. Two of the letters are from Andrew Wyeth, Sept. 22, 1964, and Nov. 28, 1964. Also included are 125 photographs and reproductions of paintings (mostly American); biographical material on various European and American painters; research notes and writings on subjects such as the mother and child theme in painting, self-portraits of artists; catalogs and annoucements; and clippings.
REEL 3090: An undated letter from Virginia Downes (daughter of Ethel Myers); a letter from William Zorach, May 28, 1960, concerning reproductions of his paintings; 7 pen and ink illustrations; and 12 Christmas cards from President Franklin Delano Roosevelt and Mrs. Roosevelt, President Harry S. Truman and Mrs. Truman, Herbert Hoover and Paul Mellon.
REEL 3483: A letter from Maurice Sendak explaining that a deadline has kept him from answering her letter. He talks about his admiration for Mary Cassatt's graphic works. He does work for other publishers but is taking a year off, and explains why.
REEL 3667: A 7 page typecript of an article on Robert Henri by Rose Henderson. The article was published in THE AMERICAN MAGAZINE OF ART, Vol 21, January, 1940, No. 1; and a 2 page typescript by "N.P.D." also on Robert Henri.
Biographical / Historical:
Writer; Washington, D.C. King wrote mainly books for children, and on art related subjects.
Provenance:
Donated 1958-1968 by Marian King.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The preliminaries (6:39) --The Democratic convention (4:06) --The Democratic platform (4:23) --Nomination and vote for presidential candidate (5:52) - - Nomination and vote for vice presidential candidate (2 :42) --Stevenson's acceptance speech (3:08) --The Republican platform (3:43) --Republican platform & nomination for presidential candidate (5:02) --Nomination & vote for vice presidential candidate (5: 48) --The campaigns (10:38) --The elections (3:19).
Track Information:
101 null / Adlai E. (Adlai Ewing) Stevenson, Dwight D. (Dwight David) Eisenhower, Richard M. (Richard Milhous) Nixon.
101 null / W. Averell (William Averell) Harriman, Estes Kefauver, Harold Edward Stassen.
101 null / Arthur B. (Arthur Bernard) Langlie, Frank Goad Clement, Happy Chandler.
101 null / Herbert Hoover, Joseph W. (Joseph William) Martin, Sam Rayburn.
101 null / Eleanor Roosevelt, Harry S. Truman, Joe Smith.
101 null / John F. (John Fitzgerald) Kennedy.
Publication, Distribution, Etc. (Imprint):
New Haven, CT Yale University 1961
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Political speeches--Fioella La Guardia--FDR--Truman--Henry Wallace-Edward Smith--Adlai Stevenson--Herbert Hoover--Claire Booth Luce--Harold Ickes--Dwight Eisenhower--Nixon--Adlai Stevenson--Herbert Hoover--Robert Taft--Music in politics--Campaigns Introduction. 1928, F.D.R. ; 1933, Huey Long ; Henry Wallace ; La Guardia ; Al Smith --Franklin D. Roosevelt -- F.D.R. ; Robert A. Taft ; Frank Knox --Post World War II. Thomas E. Dewey ; Henry S. Truman ; Harold Stassen -- The Southern faction --Nominations --Humor in politics -- Animals in politics --Music and politics --Campaigns. Wendell Wilkie ; F.D.R. ; Thomas E. Dewey ; Harry S. Truman ; General Eisenhower ; Adlai E. Stevenson : 1952.
Local Numbers:
FW-ASCH-10RR-3161
General:
Folkways 5501
CDR copy--Presents a documentary about American politicians and their election campaigns. Includes excerpts from the speeches of various political figures.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu