1,195 Prints (albumen, silver gelatin, and platinum)
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographs
Stereographs
Postcards
Place:
Wyoming
Virginia
New York
New Mexico
Vermont
South Carolina
Maine
Louisiana
Massachusetts
Maryland
Montana
Nebraska
Alaska
British Columbia
Arizona
Colorado
California
Date:
1871-1912
Scope and Contents note:
Photographs of geologic features and the natural environment of the American West, Alaska, and Mexico, most of which were created during government surveys and the expansion of railroads during the 1800s. There are also photographs collected and made by individuals who worked or traveled in the west. Depicted locales include Alaska, Arizona, British Columbia, California, Colorado, Louisiana, Maine, Maryland, Massachusetts, Montana, Nebraska, New Mexico, New York, South Carolina, Vermont, Virginia, and Wyoming, and there are some additional images of artifacts, artwork, and portraits. Photographers represented include William Henry Jackson, John K. Hillers, Timothy H. O'Sullivan, E. O. Beaman, James Fennemore, William Bell, and other professional and amateur photographers.
Local Call Number(s):
NAA Photo Lot 37
Varying Form of Title:
Scenic Views of North America
Location of Other Archival Materials:
Charles Savage photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 156.
Bourne & May photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 159.
The National Anthropological Archives holds additional photographs by photographers or from accessions represented in this collection in Photo Lot 24, Photo Lot 40, and other photo lots.
See others in:
Photographs of North American geology and scenery, 1871-1912
Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Place:
Museum directors -- Washington (D.C.)
Date:
1879-1955
Summary:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Scope and Contents:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Notable artists represented in the files include R.N. Brooke, William B. P. Closson, James Earle Fraser, Vinnie Ream Hoxie, Reuben Le Grand Johnston, John LaFarge, Gari Melchers, Thomas Moran, Henry Moser, Hobart Nichols, Violet Oakley, Joseph Pennell, Joseph Henry Sharp, Mary Vaux Walcott, Carl F. Weller, Max Weyl, Irving R. Wiles and George Julian Zolnay.
Arrangement:
This collection is arranged as 1 series.
Series 1: Artists' Files, 1879-1955 (0.2 linear feet; Box 1)
Biographical / Historical:
William Henry Holmes (1846-1933) was a curator, museum director, artist, scientific illustrator, archaeologist, geologist, and anthropologist. He served in various positions in the Smithsonian Institution, and finally as director of the Smithsonian's National Gallery of Art (now the Smithsonian American Art Museum) from 1920-1932.
Holmes was born in Harrison County, Ohio in 1846. In 1870, he graduated from McNeely Normal School in Ohio and, after a short time of teaching at that school, moved to Washington, D.C. in 1871 to study art under Theodore Kaufmann. Thanks to his artistic skills, he was soon hired by Smithsonian paleontologist Francis B. Meek to do scientific drawings. In 1872, Holmes joined the geological survey of Ferdinand Vandeveer Hayden, as an artist and topographer of the survey of Yellowstone National Park and surrounding area, and other regions in the west. In 1879, Holmes went to work for the newly founded U.S. Geological Survey. There he worked as a geologist and chief of scientific illustration. In addition to art and geology, his interests and expertise expanded into archaeology and anthropology.
Holmes worked as chief curator at the Field Columbian Museum (now the Field Museum of Natural History) in Chicago before returning to the Smithsonian in 1897, where he served as curator of anthropology and chief of the Bureau of American Ethnology. In 1910, he became chairman of the Division of Anthropology. In 1920, Holmes became director of the Smithsonian Institution's National Gallery of Art (now the Smithsonian American Art Museum), a position he held until 1932. William Henry Holmes died one year later.
Related Materials:
Collections about William Henry Holmes are also located at other Smithsonian Institution archival units, including the National Anthropological Archives and Smithsonian Institution Archives.
Provenance:
These files were transferred from the Smithsonian Institution's National Museum of American Art Library (now the Smithsonian American Art Museum) to the Archives of American Art in two installments in 1981 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Mollie Garfield papers measures 0.2 linear feet and date from 1874 to 1883 and consist primarily of an album of 26 signed pencil sketches, ink drawings, and watercolors of various subjects by American painters and illustrators, including James Carter Beard, Harry Fenn, William Henry Holmes, Joseph Pennell, and others. Also found are a few items of correspondence and notes regarding the album and the artists, and a few scattered miscellaneous documents from the 1870s.
Scope and Content Note:
The Mollie Garfield papers measures 0.2 linear feet and date from 1874 to 1883 and consist primarily of an album of 26 signed pencil sketches, ink drawings, and watercolors of various subjects by American painters and illustrators, including James Carter Beard, Harry Fenn, William Henry Holmes, Joseph Pennell, and others. Also found are a few items of correspondence and notes regarding the album and the artists, and a few scattered miscellaneous documents from the 1870s.
Arrangement:
Due to the small size of this collection, there is only one series consisting of five folders of 19 items. Items are arranged chronologically.
Biographical Note:
Mary "Mollie" Garfield (1867-1947) was born in Washington, D.C. to James A. Garfield and Lucretia Rudolph Garfield. She was 14 when her father became President of the United States in January, 1881. On July 2, James Garfield was shot at Union Station in Washington, D.C. and Mollie and her mother were present when he died of his wounds on September 19. Mollie Garfield's education included Miss Mittleberger's School in Cleveland, Ohio and one semester at Miss Porter's Finishing School in Farmington, Connecticut. She lived with her mother at the Garfield family home, Lawnfield, in Mentor, Ohio until her marriage in 1888 to Joseph Stanley-Brown, who had been her father's private secretary. She died in Pasadena, California at the age of 80.
Related Material:
The Mary Garfield Stanley-Brown papers, 1881-1967, are located at the Western Reserve Historical Society, Cleveland, Ohio.
Provenance:
The collection was donated in 1970 by Mrs. Herbert (Ruth) Feis, daughter of Mollie Garfield.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.
Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.
Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
Arrangement:
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.
Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.
Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.
Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.
Chronology of the Life of Alice Cunningham Fletcher
1838 March 15 -- Born in Havana, Cuba
1873-1876 -- Secretary, American Association for Advancement of Women
1879 -- Informal student of anthropology, Peabody Museum, Harvard University
1881 -- Field trip to Omaha and Rosebud Agencies
1882 -- Assistant in ethnology, Peabody Museum, Harvard University
1882 -- Helped secure land in severalty to Omaha Indians
1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts
1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency
1886 -- Bureau of Education investigation of Alaskan native education
1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency
1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency
1890-1899 -- President, Women's Anthropological Society of America
1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University
1892-1893 -- Department of Interior consultant, World's Columbian Exposition
1896 -- Vice-President, Section H, American Association for the Advancement of Science
1897 -- Collaborator, Bureau of American Ethnology
1899-1916 -- Editorial board, American Anthropologist
1900 -- Published Indian Story and Song from North America
1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley
1903 -- President, Anthropological Society of Washington
1904 -- Published The Hako: A Pawnee Ceremony with James Murie
1908-1913 -- Chair, Managing Committee of School of American Archaeology
1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science
1911 -- Published The Omaha Tribe with Francis La Flesche
1913 -- Chair Emeritus, Managing Committee of School of American Archaeology
1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports
1923 April 6 -- Died in Washington, D.C.
Chronology of the Life of Francis La Flesche
1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska
1879 -- Lecture tour, Ponca chief Standing Bear
1881 -- Interpreter, Senate Committee on Indian Affairs
1881-1910 -- Clerk, Bureau of Indian Affairs
1891 -- Informally adopted as Fletcher's son
1892 -- LL.B., National University Law School
1893 -- LL.M., National University Law School
1900 -- Published The Middle Five: Indian Boys at School
1906-1908 -- Marriage to Rosa Bourassa
1910-1929 -- Ethnologist, Bureau of American Ethnology
1911 -- Published The Omaha Tribe with Alice Fletcher
1921 -- Published The Osage Tribe, Part One
1922 -- Member, National Academy of Sciences
1922-1923 -- President, Anthropological Society of Washington
1925 -- Published The Osage Tribe, Part Two
1926 -- Honorary Doctor of Letters, University of Nebraska
1928 -- Published The Osage Tribe, Part Three
1932 -- Published Dictionary of the Osage Language
1932 September 5 -- Died in Thurston County, Nebraska
1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Related Materials:
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.
Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Separated Materials:
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.
Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
Provenance:
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.
Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
The collection consists of studio portraits and expedition photographs of anthropologists, administrators, scholars, and others. It includes some photographs of an Native American demonstrating sign language, possibly made during W J McGee's Seriland expedition.
Photographers represented in the collection are Charles Milton Bell, A. E. Dumbie; De Lancey W. Gill, Mme de Hermann, of Paris; Holland, of Trenton, New Jersey; Charles Lainer, J. Notman; Parker, George Prince, Macnabb, of New York; Moses P. Rice; Napolean Sarony; S. S. Teel; and A. Yasvoin, of St. Petersburg, Russia.
Local Call Number(s):
NAA Photo Lot 70
Location of Other Archival Materials:
Additional photograph collections of anthropologists held in the National Anthropological Archives are Photo Lot 4822, Photo Lot 33, Photo Lot 39, and Photo Lot 77-80.
See others in:
Department of Anthropology photograph collection of anthropologists, circa 1864-1921
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 70, Department of Anthropology collection of photographs of anthropologists, National Anthropological Archives, Smithsonian Institution
Photographs made by Henry Milton Whelpley in Minnesota and South Dakota in August 1902. Images depict people and pictographs at a quarry in Pipestone, Minnesota, as well as individuals including Mrs. Keochsmoney (Walk Fast and Strike), Dr. Isaac Stinger, and others near Keochsmoney's house in Flandreau, South Dakota.
Biographical/Historical note:
Dr. Henry Milton Whelpley (1861-1926) was a pharmacist in St. Louis, Missouri, a collector of Native American artifacts and an amateur archeologist. Born in Michigan, he graduated from the St. Louis College of Pharmacy in 1883. After a brief period managing a drug store in Mine La Motte, he settled in St. Louis. There he became an editor for the St. Louis Druggist (later the Meyer Brothers Druggist) in 1884 and taught at the St. Louis College of Pharmacy. He later took a teaching post in the medical department at Washington University in St. Louis and received the Remington Medal in 1925 for outstanding achievement in the pharmaceutical profession. In addition to his pharmaceutical interests, Whelpley was an amateur archeologist, known for conducting original investigations as well as for his large collection of flint and hematite implements.
Local Call Number(s):
NAA Photo Lot 4697
Location of Other Archival Materials:
Additional photographs by Whelpley held in National Anthropological Archives Photo Lot 24.
Flint artifacts from Whelpley held in the anthropology collections of the National Museum of Natural History in accession 55830.
The Missouri History Museum holds a collection of personal materials relating to Henry Milton Whelpley.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 4697, Henry Milton Whelpley photographs relating to Pipestone and Flandreau, National Anthropological Archives, Smithsonian Institution.
Photographs depicting members of the Smithsonian's Bureau of American Ethnology and Department of Anthropology. The collection includes photographs of William Duncan Strong, Robert Stephenson, and M.T. Newman in the field (1933, 1938, and 1952); a photograph of Walter Hough and Neil M. Judd (1935); a group portrait of the Department of Anthropology staff on the steps of the Natural History Building (1952); and winners at an award presentation for the department (1952). The collection also includes a photomechanical print with a portrait of William Henry Holmes, made by Harris & Ewing.
Biographical/Historical note:
Clifford Evans (1920-1981) was curator of Latin American archeology for the Smithsonian Institution's Museum of Natural History. Born in Dallas, Dr. Evans grew up in California and graduated from the University of Southern California in 1941. He served in the Army Air Force in World War II and later earned a doctorate at Columbia University.
A former instructor in archeology and anthropology, Dr. Evans joined the Smithsonian Museum of Natural History as a curator in 1951. A pioneer in studies of the prehistoric past of the Amazonian forest and lowlands, he conducted archeological field work throughout South America and in the Pacific Islands. He and his wife, anthropologist Betty Meggers, collaborated on more than 100 scientific articles and monographs. Dr. Evans was honored with the Washington Academy of Sciences Award for Scientific Achievement, the 37th International Congress of Americanists Gold Medal and the Order of Merit from the Government of Ecuador.
Local Call Number(s):
NAA Photo Lot 77-80
Location of Other Archival Materials:
Additional photographs of Smithsonian anthropologists can be found in the National Anthropological Archives in Photo Lot 4822, Photo Lot 7A, Photo Lot 7D, Photo Lot 33, Photo Lot 39, Photo Lot 77-52, and Photo Lot 92-35.
Additional photographs by Harris & Ewing can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 33, and Photo Lot 78-20.
The Library of Congress holds the Harris & Ewing Collection of glass and film negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 77-80, Clifford Evans collection of photographs of Smithsonian anthropologists, National Anthropological Archives, Smithsonian Institution
8 Prints (halftone (including one newspaper clipping))
124 Prints (circa, silver gelatin, albumen, and platinum)
50 Copy prints (circa)
3 copper printing plates
1 Color print
1 Print (wood engraving)
3 Copy negatives (glass)
Type:
Collection descriptions
Archival materials
Prints
Copy prints
Color prints
Copy negatives
Photographs
Date:
circa 1860s-1970
Scope and Contents note:
This collection is an artificial collection of photographs, copper plates, and a few notes, all of which depict or relate to anthropologists, many of which were associated with the Bureau of American Ethnology.
Included are portraits of Franz Boas, Q. M. Bond, Arno B. Cammerer, Frank Hamilton Cushing, Edwin Hamilton Davis, J. Woodbridge Davis, Frances Densmore, James Owen Dorsey, Philip Drucker, Jesse Walter Fewkes (including photographs of his home by Frances Densmore), Albert Samuel Gatschet, James A. Geary, De Lancey W. Gill, George Brown Goode, Horatio Hale, Henry Wetherbee Henshaw, John Napoleon Brinton Hewitt, John K. Hillers, William Henry Holmes, William Henry Jackson, Eugene Irving Knez, Alfred Louis Kroeber, Pere Albert Lacomb, Augustus Le Plongeon, James Mooney, Lewis Henry Morgan, Carl Oschsicanes, James Constantine Pilling, John Wesley Powell, Frau Signe Rink, Frank Harold Hanna Roberts, Jr., Charles C. Royce, Robert Lloyd Stephenson, James Stevenson, Matilda Coxe Stevenson, Julian Haynes Steward, Steward Struever, James Gilchrist Swan, John Reed Swanton, Edwin P. Upham, Wilcomb E. Washburn, and Gordon Randolph Willey. Groups depicted include the staff of the Bureau of American Ethnology, 1936; the De Soto Commission; officers of the American Association for the Advancement of Science, 1885; a 1920 expedition group to Hawikuk; staff of the Great Lakes Division, United States Geological Survey, in Salt Lake City, 1882; a group at Moundville, Alabama, 1932; the University of Nebraska archeological field party, 1920; the Pecos conference, 1927; John Wesley Powell with Wild Hank, Kentucky Mountain Bill, and Jesus Aloiso; and the United States Geological Survey staff, ca. 1894.
Among photographers represented are Vernon Orlando Bailey, Blackston Studios of New York, Dana of New York, Frances Densmore, Gene Garrett, C. W. Gilbert, De Lancey W. Gill, John K. Hillers, William H. Jackson, Kets Kemethy, Paul Koby, David McDonough, H. C. Phillips, Rice of Washington, D. C., and J. A. Shuck of El Reno, Oklahoma.
Local Call Number(s):
NAA Photo Lot 33
Location of Other Archival Materials:
Four photographs with negatives by Matilda Coxe Stevenson have been relocated to Photo Lot 23.
This collection includes photographs that have been removed from other collections in the National Anthropological Archives, including MS 4970, MS 4851, MS 4780, MS 4250, MS 4751, MS 4516, MS 4860, MS 4695, MS 4970, and MS 4558.
See others in:
Portraits of anthropologists, 1860s-1960s
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
The collection consists of copy prints depicting Smithsonian anthropologists, including group portraits of the staff of the United States National Museum Department of Anthropology and mounted individual portraits of department heads in 1904, 1931, 1952, 1959, and 1962. The photographs were possibly made as part of a 1969 event, "The Anthropology of Anthropology, or Everything You Wanted to Know About the Anthropology Department but Didn't Know What to Ask." The announcement for this event is available with the collection.
Local Call Number(s):
NAA Photo Lot 39
Reproduction Note:
Copy prints made by the Smithsonian Institution, 1969.
Location of Other Archival Materials:
Original negatives for some images are held in the National Anthropological Archives in the BAE historical negatives.
The National Anthropological Archives also holds the Records of the Department of Anthropology.
Additional photographs of Department of Anthropology staff can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 33, Photo Lot 70, Photo Lot 136, Photo Lot 76-127, Photo Lot 77-52, Photo Lot 77-80, Photo Lot 79-51, Photo Lot 80-17, Photo Lot 83-15, and the BAE historical negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Citation:
Photo lot 39, Copies of portraits of Smithsonian anthropologists, National Anthropological Archives, Smithsonian Institution
Photographs relating to or made during Setzler's archaeological work. Images depict surveys and excavations, artifacts and burials, archaeological crew members, and other individuals. They document work in Ohio (including the original Hopewell site on Paint Creek, Turner site, Newark site, High Bank Works, Tremper Mound, Seip Mound, Turner Group, Miamisburg Mound, Serpent Mound, and the Madisonville site), Wisconsin (including the Schwert group, Nicholls mound, and Trempealeau group), Louisiana (including the Marksville works and sites at Saline Point, Johnson place, and West Carroll, Madison, and Union parishes), Arkansas (including the Foster Place site). Some photographs portray the excavation of an Indian canoe on Cumberland Island in Georgia, and a body found in Mammoth Cave, Kentucky. Photographs of views in Georgia, North Carolina, South Carolina, and Florida relate to the work of the De Soto Commission. Photographs from the 1948 Arnhem Land Expedition largely relate to Yirrkala, Milingimbi, Oenpelli (Gunbalanya), and Groote Eylandt, and include travel scenes, dances, and the preparation of face masks and bark for drawing. Some lantern slides are associated with a lecture at the Smithsonian Institution, while others depict Latin American ruins and artifacts from Jalapa, Palenque, Uxmal, Chichén Ítza, Xochicalco, and Cuzco that once belonged to William Henry Holmes.
Setzler annotated many of the negative enclosures with image information. Photocopies of the enclosures are available in the collection, as well as one box of empty original enclosures. Also in the collection is an index card bibliography on Australia, and an index card catalog of individuals from Groote Eylandt.
Biographical/Historical note:
Frank Maryl Setzler (1902-1975) was an archaeologist with the United States National Museum who served as Head Curator in the Department of Anthropology from 1937 until his retirement in 1960. Setzler specialized in the archeology of the midwestern states, especially the Hopewell mounds, and was also interested in the southeastern states. During his career, he conducted fieldwork throughout the United States, and in 1948 was the deputy leader for the Australian-American Arnhem Land Expedition sponsored by the Smithsonian, the National Geographic Society, and the Australian government.
Local Call Number(s):
NAA Photo Lot 36
Location of Other Archival Materials:
The National Anthropological Archives holds the Frank Maryl Setzler papers.
Artifacts collected during the Arnhem Land expedition are held in the anthropology collections of the National Museum of Natural History in accession 178294.
The National Geographic Society holds motion picture film from the Arnhem Land Expedition.
The National Library of Australia Manuscript Collection holds some of Setzler's papers relating to the Arnhem Land Expedition (Frank Maryl Setzler - Records, 1948-1973, MS 5230).
Restrictions:
Original nitrate negatives are in special storage and require advance notice to view.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Lantern slides
Citation:
Photo Lot 36, Frank Maryl Setzler photographs, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Date:
ca. 1870-1910
Scope and Contents:
Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, genealogical materials, photographs, newspaper clippsing, other printed material, and other types of documents. Although tehc ollection largely concerns Stevenson, it also includes some material of her husband, James Stevenson, and members of her family, especially her father, Alexander H. Evans, a Washington, D.C. attorney.
Many of the documents concern Stevenson's field work among the Pueblo Indians and other official duties with the Smithsonian. some material relates to her activities with the World's Columbian Exposition and the Louisiana Purchase Exposition. A few items concern her membership in scientific organizations. Still other documents are of a personal nature, and some are mementoes, especially of James Stevenson. A significant group of documents concern Matilda CoxeStevenson's friendly and, later, very difficult relationship with Clara True.
The photographs include some items of ethnographic interest but it consists largely of portraits of James andMatilda Stevensonand Mrs. Stevenson's relatives. Also included are images in albums apparently gathered by Stevenson as a collector of photographs. They include images of Kit Carson, Charles Darwin, Charles Dickens, Ferdinand Vandiveer Hayden, Henry Wadsworth Longfellow, and William Tecumseh Shermn. In the albums are also a nubmer of photographic portraits with unidentified subjects, many of whom appear to be actors and actresses.
Ladd, Story B. (Story Butler), 1851-1933 Search this
Extent:
6 Mounted prints
Type:
Collection descriptions
Archival materials
Mounted prints
Photographs
Date:
mid-20th century
Scope and Contents note:
Mounted photographs, probably from a small exhibit relating to Ferdinand V. Hayden's surveys, 1872-1874. The collection includes copies of photographs and drawings depicting Hayden in 1872, Hayden and his assistants in 1874, Hayden's assistants in 1924, the entire survey party at Yellowstone, and a cliff house photographed during the surveys. The collection includes one photograph made by William Henry Jackson.
Biographical/Historical note:
Ferdinand Vandeveer Hayden (1829-1887) was a physician and geologist best known for his expeditions and geological surveys of the late 19th century. After the American Civil War, Hayden joined the United States Geological and Geographical Survey of the Territories (now the US Geological Surveys) and led the first congressionally-authorized explorations into the geology of the western territories. After receiving appropriations in 1867-1869 for exploration in Nebraska, Wyoming, and Colorado, Hayden presented a plan to Congress that outlined geological and geographical exploration and the creation of territorial maps. In 1871, Hayden led a geological survey into the Yellowstone area, during which photographer William Henry Jackson and painter Thomas Moran produced landscape artwork. As the geologist-in-charge of the USGS, Hayden was accompanied by his assistants, Jackson, William Henry Holmes, George Benjamin Chittenden, and Story B. Ladd.
Local Call Number(s):
NAA Photo Lot 73-43A
Location of Other Archival Materials:
Additional Hayden survey photographs in the National Anthropological Archives are held in Photo Lot 4605, Photo Lot 4420, Photo Lot 90-1, Photo Lot R79, and Photo Lot 95-20, as well as in the Smithsonian Institution Archives and the USGS Photo Library.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 73-43A, Photographs from an exhibit relating to the Hayden Surveys, National Anthropological Archives, Smithsonian Institution.
Photographs documenting Mexican people in built and natural environments, as well as industries, markets, and agriculture. The photographs were originally contained in envelopes labeled by William Henry Holmes, who may have collected them during his travels to Mexico. The collection also includes some photographs made in Cuba, Guatemala, and Chile, as well as Holmes's notes on Argentina. The bulk of the photographs were made by William Henry Jackson; additional photographs were made by Charles Edward Doty, E. J. Kildare, Sumner W. Matteson, C. B. Waite, and Corral and Parker studios.
Biographical/Historical note:
William Henry Holmes (1846-1933) was an artist, geologist, and archeologist who spent most of his career with the United States Geological Survey of the Territories, United States Geological Survey, Bureau of American Ethnology, and Department of Anthropology of the Smithsonian. From 1894-1897, he was the head of anthropology at the Field Columbian Museum (Field Museum of Natural History) and on the staff of the University of Chicago. During this time, he carried out investigations of ancient ruins in the Yucatan and other areas of Mesoamerica as a member of an expedition of Allison V. Armour. Holmes served as head curator for the US National Museum Department of Anthropology from 1897-1902 and head of the BAE from 1902-1909.
William Henry Jackson was a photographer for the US Geological and Geographical Surveys (1870-1878) before he opened a studio in Denver, Colorado, and began making official photographs for various railroad companies. In 1883, he made his first trip to Mexico under the sponsorship of the Mexican Central Railway. On one of his subsequent trips, he was accompanied by William Henry Holmes, who may have collected Jackson's photographs because of this trip.
Local Call Number(s):
NAA Photo Lot 87-20
Location of Other Archival Materials:
Manuscripts and notes by Holmes can be found throughout the National Anthropological Archives in MS 4698, MS 2125, MS 7112, and MS 7570.
The Smithsonian Institution Archives holds the William Henry Holmes Papers, 1870-1931 (SIA RU007084).
Additional photographs by Jackson can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Artists' files mostly consist of correspondence, along with some photographs, printed material, and limited artwork. Items of note include 3 photographs of R. N. Brooke: one a portrait annotated by Holmes, another of Brooke with his Corcoran School of Art class (accompanied by a key identifying a few students); and one of Brooke, E.H. Miller, Max Weyl, and E.C. Messer, autographed by each. Glued to the back of the latter is a typescript of an exchange of letters between Holmes and the donor of the photo, Emma North Messer. The Henry Moser file contains a letter from Moser to Holmes encouraging him in painting and exhibiting, two photographs of Moser, and correspondence with Moser's widow concerning the purchase of Moser's "Evening in the Berkshires" painting by the Cosmos Club. The Hobart Nichols file consists of 4 letters from Nichols to Holmes regarding information on his work and other artists and paintings. The Joseph Pennell file includes a sketch of Pennell. Carl Weller's file contains a watercolor sketch of the French countryside and a brief biography on Weller. The Max Weyl file includes a photo of Weyl, and a photo of a painting of Weyl by Holmes.
Arrangement:
This series is arranged alphabetically by artist name. One folder of correspondence with members of the Washington Water Color Club is filed at the end.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Henry Holmes artists' files, 1879-1955. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Henry Holmes artists' files, 1879-1955. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Henry Holmes artists' files, 1879-1955. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and Terra Foundation for American Art.
