Skip to main content Smithsonian Institution

Search Results

Collections Search Center
18 documents - page 1 of 1

Emiliano Sorini, Irwin Hollander, June Wayne and Emerson Woelffer inspecting one of Woelffer's lithographs

Subject:
Hollander, Irwin  Search this
Sorini, Emiliano  Search this
Wayne, June Claire  Search this
Woelffer, Emerson  Search this
Type:
Photographs
Date:
196-
Topic:
Lithography  Search this
Record number:
(DSI-AAA)5941
See more items in:
Tamarind Lithography Workshop records, 1954-1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5941

Bunraku

Artist:
James Rosenquist, born Grand Forks, ND 1933-died New York City 2017  Search this
Printer:
Irwin Hollander, born 1927  Search this
Fred Genis, Dutch, born Netherlands 1934; active USA 1965-1972  Search this
Publisher:
Hollander Workshop  Search this
Castelli Graphics, n.d.  Search this
Medium:
lithograph on paper
Dimensions:
sheet: 32 x 23 1/2 in. (81.2 x 59.6 cm)
Type:
Graphic Arts-Print
Date:
1970
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mr. and Mrs. Jacob Kainen and museum purchase through a grant from the National Endowment for the Arts
Object number:
1975.12.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk70b5ad73f-8c10-4f00-82b8-75fce3af0ca6
EDAN-URL:
edanmdm:saam_1975.12.1

Irwin Hollander Self-Portrait

Artist:
Irwin Hollander, 30 Nov 1927 - 16 Nov 2018  Search this
Sitter:
Irwin Hollander, 30 Nov 1927 - 16 Nov 2018  Search this
Medium:
Gouache and ink on paper
Dimensions:
Sheet: 30 x 25.5 cm (11 13/16 x 10 1/16")
Type:
Drawing
Date:
1995
Topic:
Self-portrait  Search this
Irwin Hollander: Male  Search this
Irwin Hollander: Visual Arts\Artist\Printmaker  Search this
Irwin Hollander: Crafts and Trades\Craftsman\Printer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection
Object number:
S/NPG.2002.275
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b9575c71-0df6-4f64-9013-d2db8183cd39
EDAN-URL:
edanmdm:npg_S_NPG.2002.275

Sandra Irwin

Artist:
Margaret Holland Sargent, born 1927  Search this
Sitter:
Sandra Irwin  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 102.2 × 127cm (40 1/4 × 50")
Type:
Painting
Date:
1976
Topic:
Sandra Irwin: Female  Search this
Sandra Irwin: Military\Navy\Officer  Search this
Portrait  Search this
Credit Line:
Owner: Navy Art Center
Object number:
1976.40
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ce630156-193c-4377-b92c-ad7f3eb78a98
EDAN-URL:
edanmdm:npg_1976.40

Oral history interview with Irwin Hollander

Interviewee:
Hollander, Irwin  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Tamarind Lithography Workshop  Search this
Callahan, Harry M.  Search this
Francis, Sam, 1923-1994  Search this
Genis, Fred, 1934-  Search this
Wayne, June, 1918-2011  Search this
Extent:
1 Sound tape reel (Sound recording (1 hour), 7 in.)
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1970 June 19
Scope and Contents:
An interview of Irwin Hollander conducted 1970 June 19, by Paul Cummings, for the Archives of American Art.
Hollander speaks of his family background and education; attending the Brooklyn Museum School of Art; travels in Mexico; the Arts Students League; his woodcuts and book illustrations; joining the Tamarind Lithography Workshop staff as a printer and technical director; starting his own workshop and lithography studio; artists using his presses; his partnership with Fred Genis; new techniques in printmaking; the advantages of the hand press. He recalls June Wayne, Sam Francis and John Cage.
Biographical / Historical:
Irwin Hollander (1927-) was a printmaker from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hollan70
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hollan70

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Names:
Acconci, Vito, 1940-  Search this
Anderson, David K., 1935-  Search this
Benglis, Lynda, 1941-  Search this
Benyon, Margaret, 1940-  Search this
Bochner, Mel, 1940-  Search this
Brooks, James, 1906-1992  Search this
Castelli, Leo  Search this
Chase, Doris, 1923-  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L., 1930-  Search this
Glimcher, Arnold B.  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, Dan, 1942-  Search this
Hollander, Irwin  Search this
Insley, Will, 1929-2011  Search this
Jackson, Martha Kellogg  Search this
Janis, Sidney, 1896-1989  Search this
Kirby, Michael  Search this
Levine, Les, 1935-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mazur, Michael, 1935-2009  Search this
Meyer, Ursula, 1915-  Search this
Nauman, Bruce, 1941-  Search this
O'Doherty, Brian  Search this
Parsons, Betty  Search this
Richter, Hans, 1888-1976  Search this
Siegelaub, Seth, 1941-  Search this
Smith, Tony, 1912-1980  Search this
Sonfist, Alan  Search this
Weiner, Sam  Search this
Wise, Howard  Search this
Extent:
20.9 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Date:
1943-1975
bulk 1964-1975
Summary:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.

Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.

Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.

Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.

Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)

Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)

Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)

Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.

Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.

Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.

The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."

Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.

Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.

The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-finccoll
Online Media:

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Adams, Kenneth M.  Search this
Antreasian, Garo Z., 1922-2018  Search this
Berman, Eugene, 1899-1972  Search this
Charlow, Jean  Search this
Funk, Joseph, 1917-1981  Search this
Grosman, Tatyana, 1904-1982  Search this
Hollander, Irwin  Search this
Horak, Bohuslav, 1914-2004  Search this
Kistler, Lynton R., , 1897-1993  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Ray, Man, 1890-1976  Search this
Sommers, John, 1927-  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas, 1918-  Search this
Wayne, June, 1918-2011  Search this
Extent:
49 Pages (Transcription)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 March 29
Scope and Contents:
An interview of Clinton Adams conducted 1974 March 29, by Paul Cummings, for the Archives of American Art.
Adams speaks of how he got involved with the Tamarind Lithography Workshop; how and why Tamarind came about; the lack of artists doing lithographs; the need for the artist to collaborate with the printmaker in order to make a good print; writing a book about the workshop; how in order to interest American Artists into making lithographs, there needs to be a market for it; how it was difficult collecting works of art for the University of New Mexico (UNM); the current art scene in Albuquerque; the arts programs at UNM; moving the workshop to UNM in order to make Tamarind a permanent institute and get more funding; and how more women are becoming printers. He recalls June Wayne, Lynton R. Kistler, Man Ray, Jean Charlow, Eugene Berman, Stanton Macdonald-Wright, Garo Antreasian, Joe Funk, Romas Viesulas, Tatyana Grosman, Irwin Hollander, Ken Tyler, Julie Duristo, Bohuslav Horak, Kenneth Adams, John Sommers, and many others.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator from Albuquerque, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adams74

Oral history interview with Irwin Hollander, 1970 June 19

Interviewee:
Hollander, Irwin, 1927-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Callahan, Harry M.  Search this
Francis, Sam  Search this
Genis, Fred  Search this
Wayne, June  Search this
Tamarind Lithography Workshop  Search this
Type:
Sound recordings
Interviews
Topic:
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13345
(DSI-AAA_SIRISBib)212417
AAA_collcode_hollan70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212417

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Subject:
Acconci, Vito  Search this
Glimcher, Arnold B.  Search this
Benglis, Lynda  Search this
Anderson, David K.  Search this
Bochner, Mel  Search this
Benyon, Margaret  Search this
Janis, Sidney  Search this
Castelli, Leo  Search this
Brooks, James  Search this
Jackson, Martha Kellogg  Search this
Hollander, Irwin  Search this
Insley, Will  Search this
Gottlieb, Adolph  Search this
Graham, Dan  Search this
Smith, Tony  Search this
Siegelaub, Seth  Search this
Richter, Hans  Search this
Parsons, Betty  Search this
O'Doherty, Brian  Search this
Nauman, Bruce  Search this
Kirby, Michael  Search this
Chase, Doris  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L.  Search this
Wise, Howard  Search this
Weiner, Sam  Search this
Sonfist, Alan  Search this
Mazur, Michael  Search this
Meyer, Ursula  Search this
Lichtenstein, Roy  Search this
Levine, Les  Search this
Type:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Topic:
Sculptors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Record number:
(DSI-AAA_CollID)8114
(DSI-AAA_SIRISBib)210285
AAA_collcode_finccoll
Theme:
Communities, Organizations, Museums
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210285
Online Media:

Oral history interview with Clinton Adams, 1974 March 29

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Adams, Kenneth M.  Search this
Antreasian, Garo Z.  Search this
Berman, Eugene  Search this
Charlow, Jean  Search this
Funk, Joseph  Search this
Grosman, Tatyana  Search this
Hollander, Irwin  Search this
Horak, Bohuslav  Search this
Kistler, Lynton R.  Search this
Macdonald-Wright, Stanton  Search this
Ray, Man  Search this
Sommers, John  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas  Search this
Wayne, June  Search this
Tamarind Lithography Workshop  Search this
University of New Mexico  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Record number:
(DSI-AAA_CollID)11669
(DSI-AAA_SIRISBib)216442
AAA_collcode_adams74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216442
Online Media:

Dead Center I

Artist:
June Wayne, born Chicago, IL 1918-died Los Angeles, CA 2011  Search this
Printer:
Irwin Hollander, born 1927  Search this
Tamarind Lithography Workshop, Inc.  Search this
Medium:
lithograph on paper
Dimensions:
sheet and image: 30 1/4 x 22 3/8 in. (76.8 x 56.8 cm)
Type:
Graphic Arts-Print
Date:
1963
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Stone Circle Foundation
Object number:
1969.111
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7125d4967-2bf2-4c70-8aab-8a710dafaddb
EDAN-URL:
edanmdm:saam_1969.111

Flying Pizza, from the portfolio New York Ten

Artist:
Claes Oldenburg, born Stockholm, Sweden 1929  Search this
Publisher:
Tanglewood Press  Search this
Printer:
Irwin Hollander, born 1927  Search this
Medium:
color lithograph on paper
Dimensions:
sheet: 17 x 22 1/4 in. (43.2 x 56.5 cm)
Type:
Graphic Arts-Print
Date:
1964
Topic:
Object\foodstuff\pizza  Search this
History\United States\New York  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Copyright:
© 1964, Claes Oldenburg
Object number:
1971.84.219
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk72c038f8c-103e-4d4b-bb30-dbd3e8891fe3
EDAN-URL:
edanmdm:saam_1971.84.219

Untitled from Portfolio 9

Artist:
Robert Motherwell, born Aberdeen, WA 1915-died Provincetown, MA 1991  Search this
Publisher:
Irwin Hollander, born 1927  Search this
Printer:
Irwin Hollander, born 1927  Search this
Hollander Workshop  Search this
Medium:
lithograph on paper
Dimensions:
image: 19 3/4 x 14 1/4 in. (50.2 x 36.2 cm)
Type:
Graphic Arts-Print
Date:
1966
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1971.84.78
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk712a37b67-9c5c-4100-a0ff-7e2ae23fe6b7
EDAN-URL:
edanmdm:saam_1971.84.78

Untitled

Artist:
Robert Motherwell, born Aberdeen, WA 1915-died Provincetown, MA 1991  Search this
Publisher:
Society for the Arts, Religion, and Contemporary Culture  Search this
Printer:
Irwin Hollander, born 1927  Search this
Medium:
lithograph on paper
Dimensions:
image: 19 x 13 in. (48.3 x 33.0 cm)
Type:
Graphic Arts-Print
Date:
1966
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Woodward Foundation
Object number:
1976.108.88
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7ba4849c9-7d94-4308-b8f2-664c6408f0e9
EDAN-URL:
edanmdm:saam_1976.108.88

Untitled

Artist:
Sam Francis, born San Mateo, CA 1923-died Santa Monica, CA 1994  Search this
Printer:
Hollander Workshop  Search this
Irwin Hollander, born 1927  Search this
Fred Genis, Dutch, born Netherlands 1934; active USA 1965-1972  Search this
Medium:
lithograph on paper
Dimensions:
sheet: 30 1/8 x 22 1/4 in. (76.4 x 56.4 cm)
Type:
Graphic Arts-Print
Date:
1969
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1971.20
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk755b83050-945a-4ac3-95f3-3a5854d022eb
EDAN-URL:
edanmdm:saam_1971.20

Clam Digger, from Portfolio 9

Artist:
Willem de Kooning, born Rotterdam, Netherlands 1904-died East Hampton, NY 1997  Search this
Publisher:
Hollander Workshop  Search this
Printer:
Irwin Hollander, born 1927  Search this
Medium:
lithograph on paper
Dimensions:
image: 15 3/4 x 12 in. (40.0 x 30.5 cm) irregular
Type:
Graphic Arts-Print
Date:
1966/published 1967
Topic:
Abstract  Search this
Figure  Search this
Occupation\industry\fishing  Search this
Animal\fish\clam  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1971.84.139
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76275b94a-0e8c-4ace-a418-f1d4e4405689
EDAN-URL:
edanmdm:saam_1971.84.139

Willem de Kooning : printer's proofs from the collection of Irwin Hollander, Master Printer / text by Lanier Graham ; with contributions by Barry Walker and Dan Budnik = Willem de Kooning : Druckerazüge aus der Sammlung des Meister-Druckers Irwin Hollander = Willem de Kooning : Pruebas de impresor de la colección de Irwin Hollander, Maestro Impresor

Author:
De Kooning, Willem 1904-1997  Search this
Graham, F. Lanier  Search this
Hollander, Irwin  Search this
Salander-O'Reilly Galleries  Search this
Subject:
De Kooning, Willem 1904-1997  Search this
Hollander, Irwin Art collections  Search this
Physical description:
184 p. : ill. (1 col.) ; 27 cm
Type:
Books
Exhibitions
Date:
1991
C1991
Call number:
N40.1.D32y G73 1991
N40.1.D32yG73 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_435628

Irwin Hollander [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_57164

Modify Your Search







or


Narrow By