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Oral history interview with David Hockney

Creator:
Hockney, David  Search this
Interviewer:
Weschler, Lawrence  Search this
Names:
Archives of American Art  Search this
Extent:
10 Videocassettes (U-matic) (Master: 10 videocassettes (U-matic) (20 min. each) : sd., col. ; 3/4 in. + typescript summary (15 p.))
4 Videocassettes (U-matic) (Duplicate (3 hrs. 20 min.), sd., col., 3/4 in.)
1 Videocassettes (U-matic) (Edited version:"Selections": 1 videocassette (60 min.) (U-Matic), sd., col., 3/4 in.)
2 Videocassettes (VHS) (Edited version: "Selections": 2 videocassettes (60 min.) (VHS), sd., col., 1/2 in.)
4 Sound cassettes (Audio only version , analog)
Type:
Collection descriptions
Archival materials
Videocassettes (u-matic)
Videocassettes (vhs)
Sound cassettes
Video recordings
Interviews
Date:
1984 September 3
Scope and Contents:
An interview with David Hockney conducted 1984 Sept. 3, by Lawrence Weschler, for the Archives of American Art at Hockney's home and studio, Los Angeles, Calif.
Hockney discusses his work with photography, and more recently, painting. Topics covered include perspective, the depiction of the passage of time in an art work, the disintegration of the canvas' edge, and Hockney's rediscovery of the objectives of cubism, and the combining of western theories of cubism with the eastern philosophy used in scroll painting.
Biographical / Historical:
Painter, photographer; b. 1937.
General:
Unedited master version filmed in ten twenty minute segments. Paul Karlstom, Archives of American Art's West Coast Regional Director, edited the master to a 60 minute version, labeled "Selections."
Topic:
Painters -- California -- Interviews  Search this
Photographers -- California -- Interviews  Search this
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.hockne84
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed38689e-ec1a-443f-83d4-aca2f5a2f739
EDAN-URL:
ead_collection:sova-aaa-hockne84

Stanley and Elyse Grinstein papers, circa 1937-2020

Creator:
Grinstein, Stanley, 1927-2014  Search this
Grinstein, Elyse, 1929-2016  Search this
Subject:
Gehry, Frank O.  Search this
Glass, Philip  Search this
Hockney, David  Search this
Gemini G.E.L. (Firm)  Search this
Citation:
Stanley and Elyse Grinstein papers, circa 1937-2020. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Women architects  Search this
Theme:
Architecture & Design  Search this
Art Collectors  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)17445
(DSI-AAA_SIRISBib)386714
AAA_collcode_grinstan
Theme:
Architecture & Design
Art Collectors
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_386714
Online Media:

David Hockney

Artist:
Arnold A. Newman, 3 Mar 1918 - 6 Jun 2006  Search this
Sitter:
David Hockney, born 9 Jul 1937  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 24.7 × 20.1 cm (9 3/4 × 7 15/16")
Sheet: 25.8 × 20.5 cm (10 3/16 × 8 1/16")
Mat: 50.8 × 40.6 cm (20 × 16")
Type:
Photograph
Place:
United Kingdom\England\Greater London\London
Date:
1978
Topic:
Interior  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artwork\Painting  Search this
Artist's Effects  Search this
Nature & Environment\Plant\Flower\Bouquet  Search this
Container\Vase  Search this
Artwork\Photograph  Search this
Artist's Effects\Easel  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
David Hockney: Visual Arts\Artist  Search this
David Hockney: Male  Search this
David Hockney: Visual Arts\Artist\Photographer  Search this
David Hockney: Visual Arts\Designer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution: acquired through the generosity of Robert and Jan Newman
Object number:
NPG.2019.161
Restrictions & Rights:
Usage conditions apply
Copyright:
© Arnold Newman Collection/Getty Images
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4cead8bd8-733b-45a2-a475-15370c0a31d3
EDAN-URL:
edanmdm:npg_NPG.2019.161

Oral history interview with Sylvan Cole

Interviewee:
Cole, Sylvan  Search this
Interviewer:
Berman, Avis  Search this
Names:
Associated American Artists  Search this
Barnet, Will, 1911-2012  Search this
Drewes, Werner, 1899-1985  Search this
Florsheim, Richard A., 1916-1979  Search this
Frankenthaler, Helen, 1928-2011  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Johnson, Una E.  Search this
Kainen, Jacob  Search this
Levine, Jack, 1915-2010  Search this
Lewenthal, Reeves, 1909-1987  Search this
Lieberman, William Slattery, 1924-  Search this
Motherwell, Robert  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
83 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2000 June-October
Scope and Contents:
An interview of Sylvan Cole conducted 2000 June-October, by Avis Berman, for the Archives of American Art.
The interviews took place over five sessions in New York, New York. Cole discusses the history of Associated American Artists, the gallery for whom he began working in 1946, and its marketing techniques, customer base, and personalities, such as its founder, Reeves Lewenthal. He also traces his own development as a dealer in prints after he left AAA and recalls many artists and other figures in the art world, including Will Barnet, Werner Drewes, Richard Florsheim, Helen Frankenthaler, David Hockney, Hans Hofmann, Edward Hopper, Una Johnson, Jacob Kainen, Jack Levine, William S. Lieberman, Robert Motherwell, and Raphael Soyer.
Biographical / Historical:
Sylvan Cole (1918-2005) was an art dealer and writer of New York, New York.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 7 hr., 6 min.
Sound quality is fair; beginning and endings of tapes tend to be garbled and low.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Topic:
Prints -- Marketing  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cole00
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw926720f24-6e33-49a1-843c-f73c0aeeaec8
EDAN-URL:
ead_collection:sova-aaa-cole00
Online Media:

David Hockney Self-Portrait

Artist:
David Hockney, born 9 Jul 1937  Search this
Sitter:
David Hockney, born 9 Jul 1937  Search this
Medium:
Color xerox on paper
Dimensions:
Image/Sheet: 55.9 x 21.2cm (22 x 8 3/8")
Mat: 71.1 x 35.6cm (28 x 14")
Type:
Print
Date:
1986
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Self-portrait  Search this
David Hockney: Visual Arts\Artist  Search this
David Hockney: Male  Search this
David Hockney: Visual Arts\Artist\Photographer  Search this
David Hockney: Visual Arts\Designer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.97.171
Restrictions & Rights:
Usage conditions apply
Copyright:
© David Hockney
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44b149583-87b5-41bb-a97b-c90e53ea8e22
EDAN-URL:
edanmdm:npg_NPG.97.171

André Emmerich Gallery records

Creator:
André Emmerich Gallery  Search this
Names:
Galerie André Emmerich  Search this
Sotheby Parke Bernet & Co.  Search this
Sotheby's (Firm)  Search this
Caro, Anthony, 1924-  Search this
Emmerich, André  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Louis, Morris, 1912-1962  Search this
Noland, Kenneth, 1924-2010  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Extent:
311.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Date:
circa 1929-2009
Summary:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Scope and Content Note:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.

The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.

Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.

Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.

André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.

Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.

Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.

Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.

Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.

Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.

Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.

Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.

Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.

Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.

Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.

Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.

Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.

There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.

Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.

Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.

Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.

The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Arrangement:
The collection is arranged as 19 series:

Missing Title

Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)

Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)

Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)

Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)

Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)

Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)

Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)

Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)

Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)

Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)

Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)

Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)

Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)

Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)

Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))

Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)

Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)

Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)

Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)
Historical Note:
André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.

André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.

In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.

In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.

In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.

Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.

In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.

André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.

Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.

Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.

Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.
Related Material:
Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.
Provenance:
The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, executive director (1990-1999), in 2009 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculpture, Abstract  Search this
Color-field painting  Search this
Art -- Economic aspects  Search this
Artists' studios -- Photographs  Search this
Function:
Art galleries, Commercial -- New York (State)
Art galleries, Commercial -- Switzerland
Genre/Form:
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg
See more items in:
André Emmerich Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995f3b4aa-1b0f-46f4-8b5d-e0bf1191a740
EDAN-URL:
ead_collection:sova-aaa-andremmg
Online Media:

Stanley and Elyse Grinstein papers

Creator:
Grinstein, Stanley, 1927-2014  Search this
Grinstein, Elyse, 1929-2016  Search this
Names:
Gemini G.E.L. (Firm)  Search this
Gehry, Frank O., 1929-  Search this
Glass, Philip  Search this
Hockney, David  Search this
Extent:
15.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1937-2020
Summary:
The papers of Stanley and Elyse Grinstein date from circa 1937-2020 and measure 15.5 linear feet. The collection documents the role the Grinsteins played in nurturing and promoting the Los Angeles art scene from circa 1960-2010s through personal friendships with area artists, through the co-founding of artist editions publishing business Gemini G.E.L., and in their art collecting activities. Records include biographical material, artist files including substantive letters and postcards from notable artists, musicians, writers and architects, a small amount of documentation relating to Gemini G.E.L. and Elyse Grinstein's architectural work, printed material, and a few photographs.

There is a 14.2 linear foot unprocessed addition to this collection donated in 2022 that includes biographical material; files on artists; personal photographs and slides of artists and events including Daniel Buren, Carl Andre, Claes Oldenburg, Jasper Johns, Robert Rauschenberg, Richard Serra, Judy Chicago, Lloyd Hamrol, Vija Celmins, Larry Bell, Doug Wheeler, James Lee Byars, Guy Dill, Laddie Dill, John Altoon, Charles Arnoldi, Billy Al Bengston, John Coplans, DeWain Valentine, and many more; personal correspondence with James Lee Byars and other artists; audiovisual material regarding William Wegman, Lynda Benglis, and many more; published material including magazines and magazine clippings regardingn artists and the Grinsteins; documentation regarding the Grinstein's art collection; and project plans and blueprints related to Elyse's career as an architect. Materials date from circa 1937-2020.
Scope and Contents:
The papers of Stanley and Elyse Grinstein date from circa 1937-2020 and measure 15.5 linear feet. The collection documents the role the Grinsteins played in nurturing and promoting the Los Angeles art scene from circa 1960-2010s through personal friendships with area artists, through the co-founding of artist editions publishing business Gemini G.E.L., and in their art collecting activities. Records include biographical material, artist files including substantive letters and postcards from notable artists, musicians, writers and architects, a small amount of documentation relating to Gemini G.E.L. and Elyse Grinstein's architectural work, printed material, and a few photographs.

Biographical material and letters includes records of Elyse Grinstein's education in architecture, records of parties and events at the Grinstein home from the 1980s on, and letters demonstrating the family's involvement in philanthropic and political causes. Artist files include at least one or two items, and often more, from artists, writers, composers, and performers such as letters, illustrated letters and cards, printed material, and photos indicative of the extent to which the Grinsteins were at the heart of the West Coast art scene from the 1960s on, and the warmth of the friendships the Grinsteins enjoyed with many of the artists represented in the files.

Records related to professional activities highlight some of Elyse Grinstein's other work and include a few items from Gemini G.E.L. Printed material documents exhibitions of artists including Joseph Cornell, Robert Rauschenberg, Man Ray, and others, the collecting activities of the Grinsteins, and their connections to art and performance groups such as improvisational dance group Grand Union, and the Los Angeles Fine Arts Squad. A few photographs picture artists including Lloyd Hamrol, George Herms, and choreographer Steve Paxton.

There is a 14.2 linear foot unprocessed addition to this collection donated in 2022 that includes biographical material; files on artists; personal photographs and slides of artists and events including Daniel Buren, Carl Andre, Claes Oldenburg, Jasper Johns, Robert Rauschenberg, Richard Serra, Judy Chicago, Lloyd Hamrol, Vija Celmins, Larry Bell, Doug Wheeler, James Lee Byars, Guy Dill, Laddie Dill, John Altoon, Charles Arnoldi, Billy Al Bengston, John Coplans, DeWain Valentine, and many more; personal correspondence with James Lee Byars and other artists; audiovisual material regarding William Wegman, Lynda Benglis, and many more; published material including magazines and magazine clippings regardingn artists and the Grinsteins; documentation regarding the Grinstein's art collection; and project plans and blueprints related to Elyse's career as an architect. Materials date from circa 1937-2020.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material and Letters, 1937-2008 (Box 1; 0.2 linear feet)

Series 2: Artist Files, circa 1961-2010 (Box 1, OV 3; 0.5 linear feet)

Series 3: Professional Activities, 1937-1990s (Box 1; 0.2 linear feet)

Series 4: Printed Material, circa 1964-circa 1988 (Boxes 1-2, OV 3; 0.3 linear feet)

Series 5: Photographs, circa 1960s-circa 1970s (Box 2; 8 folders)

Series 6: Unprocessed Addition, circa 1937-2020 (Boxes 4-20, OV 21-24; 14.2 linear feet)
Biographical / Historical:
Los Angeles art collectors and philanthropists Stanley and Elyse Grinstein were known for their patronage of West Coast artists for over forty years and were important catalysts of the nascent Los Angeles art scene.

Following their marriage in 1952, the Grinsteins began collecting art as a way to pursue a shared hobby. Stanley Grinstein (1927-2014) was the proprietor of a forklift business and Elyse Grinstein (1929-2016) had been an elementary school teacher. The couple co-founded Gemini G.E.L., which published artist editions, with Rosamund and Sidney B. Felsen in 1966. Through celebrated collaborations with Josef Albers, David Hockney, Ellsworth Kelly, Claes Oldenburg, Robert Rauschenberg, Richard Serra, and many others, the studio quickly became the West Coast destination for innovative printmaking.

In addition to having a passion for art, Elyse Grinstein was also an architect who earned her master's degree in architecture from the University of California Los Angeles in the 1970s, graduating at the age of 50. She interned with close friend Frank O. Gehry before forming her own company, Grinstein/Daniels, Inc., with Jeffrey Daniels. Her subsequent work included remodeling David Hockney's Hollywood Hills home, remodeling areas of the California Institute of the Arts (CalArts) campus after the 1994 earthquake, and designing the Kentucky Fried Chicken restaurant with partner Jeff Daniels in L.A.'s Koreatown. Elyse Grinstein was also a philanthropist who raised money relentlessly for art and medical institutions, and devoted time to political campaigns and other causes.

In 1965 the Grinsteins bought a house in the Brentwood area of Los Angeles and moved with their three daughters to the Rockingham Avenue home. In the ensuing years they hosted legendary parties and receptions for their friends in the art world, providing an environment that fostered the relationships and emerging ideas of the burgeoning West coast art scene and helped introduce Los Angeles artists to a wide network of East Coast and international artists. The couple also offered invaluable practical support, that often enabled artists to keep working, buying work they loved for their home, providing other occasional financial assistance, and offering free accommodation and a place to work for their out-of-town artist, writer, and musician friends.
Related Materials:
Also found in the Archives of American Art is the William Burroughs and Brion Gysin writings collection donated in 2017 by the Grinstein family, via Ayn Grinstein, Ellen Grinstein Perliter, and Nancy Grinstein, executors.
Provenance:
The collection was donated in 2017 and 2022 by the Grinstein family, via Ayn Grinstein, Ellen Grinstein Perliter, and Nancy Grinstein, executors.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architects -- California -- Los Angeles  Search this
Philanthropists -- California -- Los Angeles  Search this
Collectors -- California -- Los Angeles  Search this
Printers -- California -- Los Angeles  Search this
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Women architects  Search this
Identifier:
AAA.grinstan
See more items in:
Stanley and Elyse Grinstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d3a01d24-889e-4baf-94b1-b1bad1707a9b
EDAN-URL:
ead_collection:sova-aaa-grinstan
Online Media:

Portrait of Felix Mann

Alternate Title:
Print Collector (Portrait of Felix Mann)
Artist:
David Hockney, born 9 Jul 1937  Search this
Sitter:
Felix Mann, 1893 - 1985  Search this
Medium:
Lithograph on Japan paper
Dimensions:
Sheet (estimate): 74.9 × 53cm (29 1/2 × 20 7/8")
Type:
Print
Date:
1969
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Dress Accessory\Neckwear\Tie  Search this
Costume\Dress Accessory\Eyeglasses\Monocle  Search this
Felix Mann: Male  Search this
Felix Mann: Literature\Publisher  Search this
Felix Mann: Visual Arts\Artist\Photographer  Search this
Felix Mann: Journalism and Media\Journalist  Search this
Felix Mann: Society and Social Change\Philanthropist\Patron of the arts  Search this
Felix Mann: Visual Arts\Art collector  Search this
Portrait  Search this
Credit Line:
Owner: College of William & Mary
Object number:
1987.027
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4d69d4002-fe61-47c2-a3c1-25cb809bb5ba
EDAN-URL:
edanmdm:npg_1987.027

Hockney, David

Container:
Box 5 of 31
Type:
Archival materials
Collection Restrictions:
Box 31 contains materials restricted indefinitely; see finding aid; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 7449, Joseph H. Hirshhorn Papers
See more items in:
Joseph H. Hirshhorn Papers
Joseph H. Hirshhorn Papers / Series 2: ARTIST'S CORRESPONDENCE. / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7449-refidd1e2324

William Theo Brown papers, 1845-1971

Creator:
Brown, William Theo, 1919-2012  Search this
Subject:
Anderson, Eugene Newton  Search this
Bachardy, Don  Search this
Barber, Samuel  Search this
Barton, Betsy  Search this
Beaton, Cecil Walter Hardy, Sir  Search this
Broughton, James  Search this
Callahan, Harry M.  Search this
Callery, Mary  Search this
Carson, Josephine  Search this
Coke, Van Deren  Search this
Craft, Robert  Search this
DeFeo, Jay  Search this
De Kooning, Elaine  Search this
Diebenkorn, Richard  Search this
Donovan, Richard  Search this
Golschmann, Vladimir  Search this
Hamilton, George Heard  Search this
Hess, Thomas B.  Search this
Hindemith, Gertrud  Search this
Hindemith, Paul  Search this
Hockney, David  Search this
Holloway, Sterling  Search this
Howard, Bart  Search this
Inge, William  Search this
Isherwood, Christopher  Search this
Jenkins, Dorothy  Search this
Johnson, Frank  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian  Search this
Lambert, Gavin  Search this
Lathwood, Jo  Search this
Loomis, Amy  Search this
Masselind, Ben  Search this
McLaughlin, John  Search this
Meeks, Everett  Search this
Oliveira, Nathan  Search this
Park, David  Search this
Petty, Mary  Search this
Poulenc, Francis  Search this
Rukeyser, Muriel  Search this
Saint, Eva Marie  Search this
Sarton, May  Search this
Schrade, Leo  Search this
Sekula, Sonja  Search this
Shaw, Robert  Search this
Simonds, Bruce  Search this
Stone, Helen  Search this
Stravinsky, Igor  Search this
Stravinsky, Vera  Search this
Swift, Richard  Search this
Tardos, Anne  Search this
Thiebaud, Wayne  Search this
Wonner, Paul  Search this
Zajac, Jack  Search this
Davis, Charles H. (Charles Harold)  Search this
Citation:
William Theo Brown papers, 1845-1971. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Composition (Music) -- 20th century  Search this
Music -- 20th century  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8956
(DSI-AAA_SIRISBib)211143
AAA_collcode_browwilt
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211143

Alain Clement slides of artists, 1976-1977

Creator:
Clement, Alain  Search this
Subject:
Graham, Bill  Search this
Hockney, David  Search this
Picasso, Paloma  Search this
Citation:
Alain Clement slides of artists, 1976-1977. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Photographs  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Theme:
Photography  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10628
(DSI-AAA_SIRISBib)214179
AAA_collcode_clemalai
Theme:
Photography
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214179

Nicholas Wilder Gallery records, 1944-1984, bulk 1968-1979

Creator:
Nicholas Wilder Gallery  Search this
Subject:
Holland, Tom  Search this
Hockney, David  Search this
Hofmann, Hans  Search this
Moses, Ed  Search this
Frankenthaler, Helen  Search this
Nauman, Bruce  Search this
Martin, Agnes  Search this
McCracken, John  Search this
Olitski, Jules  Search this
Price, Kenneth  Search this
Noland, Kenneth  Search this
Yokomi, Richard  Search this
Twombly, Cy  Search this
Wilder, Nicholas  Search this
Francis, Sam  Search this
Graham, Robert  Search this
Goode, Joe  Search this
Avedisian, Edward  Search this
Altoon, John  Search this
Davis, Ron  Search this
Bengston, Billy Al  Search this
James Corcoran Gallery  Search this
Citation:
Nicholas Wilder Gallery records, 1944-1984, bulk 1968-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6190
(DSI-AAA_SIRISBib)216434
AAA_collcode_nichwild
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216434
Online Media:

André Emmerich Gallery records, circa 1929-2009

Creator:
André Emmerich Gallery  Search this
Subject:
Frankenthaler, Helen  Search this
Francis, Sam  Search this
Emmerich, André  Search this
Caro, Anthony  Search this
Olitski, Jules  Search this
Pepper, Beverly  Search this
Louis, Morris  Search this
Noland, Kenneth  Search this
Hockney, David  Search this
Hofmann, Hans  Search this
Greenberg, Clement  Search this
Sotheby Parke Bernet & Co.  Search this
Sotheby's (Firm)  Search this
Galerie André Emmerich  Search this
Type:
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Citation:
André Emmerich Gallery records, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Abstract  Search this
Color-field painting  Search this
Art -- Economic aspects  Search this
Artists' studios -- Photographs  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6275
(DSI-AAA_SIRISBib)216620
AAA_collcode_andremmg
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216620
Online Media:

Judith Wechsler papers, circa 1940-2003, bulk 1971-1994

Creator:
Wechsler, Judith, 1940-  Search this
Subject:
Adams, Ansel  Search this
Albers, Josef  Search this
Cage, John  Search this
Callahan, Harry M.  Search this
Cohen, John  Search this
Falkenberg, Paul  Search this
Hockney, David  Search this
Hopps, Walter  Search this
Johns, Jasper  Search this
Menil, Dominique de  Search this
Meyerowitz, Joel  Search this
Namuth, Hans  Search this
Pearlstein, Philip  Search this
Siskind, Aaron  Search this
Stella, Frank  Search this
Stieglitz, Alfred  Search this
Steichen, Edward  Search this
De Kooning, Willem  Search this
Jaffe, Shirley  Search this
Biala, Janice  Search this
Zuka  Search this
Leacock, Richard  Search this
Kepes, Gyorgy  Search this
Moskowitz, Robert  Search this
Museum at Large Ltd.  Search this
Universal Limited Art Editions (Firm)  Search this
Type:
Interviews
Motion pictures (visual works)
Sound recordings
Citation:
Judith Wechsler papers, circa 1940-2003, bulk 1971-1994. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage  Search this
Art museums  Search this
Filmmakers--Massachusetts--Boston  Search this
Women art historians  Search this
Women filmmakers  Search this
Women educators  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)15836
(DSI-AAA_SIRISBib)292401
AAA_collcode_wechjudi
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292401

David Hockney, "David Hockney at Art Asia - Hong Kong," 1993 November 18-22

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 37, Folder 31
Type:
Archival materials
Date:
1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e616cc1f-6679-493e-845b-45d9458ea1e2
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2074

Hockney, David - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 52, Folder 16
Type:
Archival materials
Date:
1969-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a4a80c3-2617-4926-9da4-568ad7c64d6b
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2752

Hockney, David - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 52, Folder 17
Type:
Archival materials
Date:
1971-1976
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c752b263-e665-44a9-96a1-b8aaf75c3352
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2753

Hockney, David - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Extent:
2 Folders
Container:
Box 52, Folder 18-19
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf7b4db2-8bae-4cdb-990a-d7eee92f8d1c
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2754

Hockney, David - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Extent:
2 Folders
Container:
Box 52, Folder 20-21
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94402dcdf-cb71-4073-885e-61ff592804f4
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2755

Hockney, David - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 52, Folder 22
Type:
Archival materials
Date:
1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa9f1271-40b3-4bb2-83b4-4775167737ad
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2756

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