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Peter Pollack papers

Creator:
Pollack, Peter, 1909-1978  Search this
Names:
Archives of American Art  Search this
Federal Art Project (Ill.)  Search this
South Side Community Art Center  Search this
United States. Works Progress Administration  Search this
Abrams, Harry N.  Search this
Adams, Ansel, 1902-1984  Search this
Brassaï, 1899-  Search this
Cole, Sylvan  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
De Diego, Julio, 1900-  Search this
Florsheim, Richard A., 1916-1979  Search this
Gernsheim, Helmut, 1913-  Search this
Halsman, Philippe  Search this
Harissiadis, Dimitrios  Search this
Karsh , Yousuf, 1908-2002  Search this
Mayer, Grace M.  Search this
Newhall, Beaumont, 1908-1993  Search this
Extent:
6.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1939-1979
Scope and Contents:
Correspondence; photographs; writings and lecture notes; and printed material; and a scrapbook.
Circa 300 personal letters, 1945-1970, to Pollack from painter Richard Florsheim.
Files of correspondence and clippings pertaining to Pollack's career as a curator and photography historian. Most of the files concern Pollack's book "The Picture History of Photography." Other files concern Pollack's work on publications for Harry N. Abrams, Inc., the Worcester Art Museum and the Art Institute of Chicago. Also included are writings and lecture notes; a few letters and clippings from scrapbooks; and miscellany. Correspondents include: Ansel Adams, Gyuia Halasz Brassai, Sylvan Cole, Julio De Diego, Helmut Gernsheim, Philippe Halsman, Dimitrios Harissiadis, Yousuf Karsh, Grace M. Mayer, and Beaumont Newhall.
Personal correspondence, 1954-1976, with Richard Florsheim discussing various career choices and projects, exhibition openings, Florsheim's art dealers, and book projects Florsheim was involved in; project files, 1948-1962, regarding Pollack's position as the New York City-based Public Relations Consultant for the Archives of American Art, the Cincinnati Art Museum, the Guggenheim, and other institutions. Included are letters, news releases, catalogs, announcements and some photographs and clippings of such projects as the International Biennial of Prints and the AAA European art tour trip.
Also included is a scrapbook, 1939-1943, concerning exhibitions and activities of the South Side Community Art Center, Chicago, sponsored by the Illinois Art Project of the WPA-FAP and supervised by Pollack, 1938-1942. The center's purpose was to advance African American art and artists. Included are by-laws; letters from Alain Locke, and Richmond Barthe; photographs of Pollack, Jules Carlen, Horace Pippin, Eldzier Cortor, Canada Lee, Julio de Diego, Jesus Torres, and Eleanor Roosevelt at the dedication of the center, 1941; a typescript of a lecture by Daniel Catton Rich "The Art Museum and the Community Art Center," delivered at the Museum Director's conference, Detroit Institute of Arts, May 1940, newspaper clippings, exhibition announcements and catalogs and other printed material.
Biographical / Historical:
Peter Pollack (1909-1978) was a photographer, curator, historian, and writer in New York, N.Y.
Provenance:
Material on reels 822 and 4886-4887 donated 1974-1977 by Pollack, except for the scrapbook which was donated by Jane de Hart, an art historian at the University of North Carolina at Chapel Hill, who received it from Pollack for her research on African American artists and WPA projects. Material on reels 2385-2390 was lent for microfilming in 1981 by Creilly Pollack, Pollack's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Museum curators  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Photography  Search this
African American artists  Search this
Function:
Art centers -- Illinois
Identifier:
AAA.pollpete
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d50daff-d847-4481-a7ea-0b7d7bdeea24
EDAN-URL:
ead_collection:sova-aaa-pollpete

Oral history interview with Richard Shaw [videorecording]

Interviewee:
Shaw, Richard, 1941 Sept. 12-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Archives of American Art  Search this
Names:
Archives of American Art  Search this
Braunstein/Quay Gallery  Search this
San Francisco Art Institute -- Students.  Search this
Braunstein, Ruth, 1923-  Search this
Chanco, Pauletta, 1959-  Search this
Hudson, Robert, 1938-  Search this
Melchert, Jim, 1930-  Search this
Extent:
12 Items (Master: 12 videocassettes (Beta) (30 min. each), sd., col., 1/2 in.)
12 Items (Duplicate: 12 videocassettes (30 min. each) (VHS), sd., col., 1/2 in.)
1 Item (Edited version: "Richard Shaw : Love of the Common Object": 1 videocassette (60 min.) (Beta), sd., col., 1/2 in.)
1 Videocassettes (VHS) (Edited version: "Richard Shaw: Love of the Common Object" (10 min.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Videocassettes (vhs)
Video recordings
Interviews
Place:
San Francisco Bay Area (Calif.)
Date:
1998 April 3 and 6
Scope and Contents:
An interview with Richard Shaw conducted 1998 April 3 and6, by Paul J. Karlstrom, for the Archives of American Art, at Shaw's home and studio, Fairfax, California, and at the Quay Gallery, San Francisco, California.
The interview covers the development of Shaw's career, life, and art. The first session took place in Shaw's studio and introduces his living and working environment. Shown is a step-by-step technical demonstration of Shaw creating his trompe l'oeil ceramic pieces. Shaw discusses his family background, values, his choice of a semi-rural environment of Marin County in which to live; bohemianism; connections with the counter-culture of northern California; relationships with other artists and friends and their importance to the development of his ideas and creativity; the differences in art communities of northern and southern California and the East and West coasts; experiences at the San Francisco Art Institute and instructors there which influenced him, as well as the influences of San Francisco in general. He described his illusionism, alchemy of technique, and his artistic philosophy and goals in his art. The second session took place at the Braunstein/Quay Gallery where a Shaw exhibit was then on display. The interview focused on his work, their meaning, and the evolution of ideas and expressions; his collaboration with Robert Hudson; the idea of a broader collaboration in the Bay Area over the years, especially in the 1960s, and the changes since then; and Shaw's reflections on the importance of ceramics in Bay Area art, his role, and direction for the future. The video was directed by David Bolt, the cameraman was Robert Boudreaux, and sound technician was William Steffanacci. In addition to Shaw, other participants include Shaw's wife, Martha; Ruth Braunstein, owner of the Braunstein/Quay Gallery; Pauletta Chanco, painter and former student; and James Melchert, sculptor and art administrator.
Biographical / Historical:
Richard Shaw (1941- ) is a ceramicist and sculptor from the San Francisco Bay Area, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Occupation:
Ceramicists -- California -- San Francisco Bay Area  Search this
Topic:
Ceramics  Search this
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.shaw98
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw982e72bf5-f6e7-469b-ab87-547ca0d4e70b
EDAN-URL:
ead_collection:sova-aaa-shaw98

The "Pepsi Generation" Oral History and Documentation Collection

Topic:
Pepsi-Cola World
Pepsi-Cola (soft drink)
Creator:
Ellsworth, Scott, Dr.  Search this
Archives Center, National Museum of American History  Search this
Extent:
7.7 Cubic feet (32 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Commercials
Interviews
Oral history
Videotapes
Date:
1938-1986
Summary:
The Pepsi Generation Collection is the result of an oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Scope and Contents:
At the core of the "Pepsi Generation" Oral History and Documention Collection are oral history interviews with individuals involved with Pepsi-Cola and its advertising campaigns. In addition to the oral histories there are research files which include an almost complete run of Pepsi-Cola World, interview abstracts, print advertising, and television commercials from Pepsi's best-known advertising campaigns.
Arrangement:
The collection is arranged into five series

Series 1: Research Files, 1943-1985

Series 2: Interviewee Files, 1984-1985

Series 3: Oral History Interviews, 1984-1985

Subseries 3.1: Reference Copies, 1984-1985

Subseries 3.2: Master Tapes,1984-1985

Subseries 3.3: Original Tapes, 1984-1985

Series 4: Pepsi-Cola Video, 1946-1988

Subseries 4.1: Reference videos

Subseries 4.2: Master Copies

Series 5: Pepsi Cola Audio, circa 1970, undated
Biographical / Historical:
In 1983, as part of the 20th anniversary of the "Pepsi Generation" advertising campaign, Pepsi-Cola donated to the Archives Center approximately 200 advertising and promotional items (see collection AC0092). The Archives Center accepted these items and proposed an oral history project to document the "Pepsi Generation" story.

The Archives Center embarked upon this project in the spring of 1983. A professional oral historian, Dr. Scott Ellsworth, conducted twenty-nine interviews during 1984 and 1985 with twenty-six people involved in Pepsi advertising, including bottlers, advertising executives, producers, directors, a songwriter, a performer, a publisher, the president of Pepsi, the chairman of the board, and two former Pepsi presidents.

The interviews focus primarily on the "Come Alive, You're In The Pepsi Generation" advertising campaign, Pepsi's adoption of youth-oriented advertising, campaign execution, television commercial production, background of the idea for the "Think Young" campaign, and the company's response to the "Pepsi Generation"campaign.

The Pepsi Generation Collection is the result of this oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana, Beverages

N.W. Ayer Advertising Agency Records

Pepsi-Cola Advertising Collection
Provenance:
Collection donated by Pepsi-Cola Company through Rebecca Madiera in 1983. Interviews made for the Smithsonian Institution in 1984 and 1985.
Restrictions:
Collection is open for research. One oral history is restricted. Only reference copies of the audiovisual materials may be used. Several reels of television commercials have been digitized and are available in the Smithsonian Institution's Digital Asset Management System (DAMS).
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
Ambiguity in advertising  Search this
Marketing  Search this
Music in advertising  Search this
Prize contests in advertising  Search this
Broadcast advertising  Search this
advertising -- Beverages -- 1930-1990  Search this
Advertising writing  Search this
Television advertising  Search this
Product demonstrations  Search this
Youth-oriented advertising  Search this
Slogans  Search this
Genre/Form:
Audiocassettes
Commercials
Interviews -- 1980-2000
Oral history
Videotapes
Citation:
The "Pepsi Generation" Oral History and Documentation Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0111
See more items in:
The "Pepsi Generation" Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8642412ae-81a3-4bd2-8080-c1a3ce4f732f
EDAN-URL:
ead_collection:sova-nmah-ac-0111
Online Media:

Oral history interview with William E. Woolfenden and Irving Burton

Interviewee:
Burton, Irving F. (Irving Frederick), 1918-  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Interviewer:
McCoy, Garnett  Search this
Names:
Archives of American Art  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1992 December 12
Scope and Contents:
An interview of William E. Woolfenden and Irving Burton conducted 1992 December 12, by Garnett McCoy for the Archives of American Art, concerning the development of the Archives of American Art.
Woolfenden speaks about E.P. Richardson and his intent in founding of the Archives of American Art; the earliest development and collecting activities; his role as assistant director and Richardson's role as director; receiving a Ford foundation grant and other early financial support; fundraising events; auctions; trustees; the founding of regional offices; early employees; forming an alliance with the Smithsonian Institution; and the impact of the AAA on American art history. Irving Burton discusses his involvement.
Biographical / Historical:
William E. Woolfenden (1918- 1995) was the director of the Archives of American Art from 1963-1983.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Michigan -- Detroit -- Interviews  Search this
Topic:
Arts -- Management  Search this
Art, American -- History -- Sources  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woolfe92
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9df35d1c8-45e5-46b1-be94-c3e6de491832
EDAN-URL:
ead_collection:sova-aaa-woolfe92
Online Media:

Oral History interview with Lawrence A. Fleischman

Interviewee:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Interviewer:
Stavitsky, Gail, 1954-  Search this
Names:
Archives of American Art  Search this
Extent:
2 Sound cassettes (Sound recording (90 min. each), analog)
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1994 Apr. 18
Scope and Contents:
An interview of Lawrence A. Fleischman conducted 1994 Apr. 18, by Gail Stavitsky, for the Archives of American Art.
Fleischman discusses his involvement with the British Museum, his personal collection of ancient art, his co-founding of the Archives of American Art and the American Art Journal, and his decision to become an art dealer. He gives his assessment of changes in the American art world since the early seventies, noting the rise of prices for American art, the entry of greater numbers of women artists and scholars into the art world, and changes to the structure of major museums. He reminisces about E. P. Richardson, Ben Shahn, and Stuart Davis, as well as other dealers and artists.
Biographical / Historical:
Lawrence A. Fleischman (1925-1997) was a gallery owner, art dealer, collector, and publisher from New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Art Dealers Association of America.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Publishers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fleisc94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdee0a0b-7f06-4b3e-81d4-f9b154eebe6e
EDAN-URL:
ead_collection:sova-aaa-fleisc94
Online Media:

Barna, Joseph T. and Heritage of Pride (HOP), New York, New York

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Type:
Archival materials
Date:
1910-2014, undated
Scope and Contents:
This series contains documents, photographs, and personal ephemera produced and collected or produced by Joseph T. Barna (1949-2014), associated with his personal life and his position as board member of Heritage of Pride, New York, New York. Barna was born in Middlebury, Vermont and grew-up in Brandon, Vermont. His parents were teachers at Brandon High School and Otter Valley Union High School where Barna was a member of the debating team. While at Otter Valley he organized a group named The Stage Crew to assist with the lighting for dramatic productions. Barna graduated from Otter Valley Union High School in 1967. Barna graduated with a B.A. from Yale in 1971 and later went on to graduate with his M.F.A. from the Yale School of Dramatics in technical design and construction in 1981.

He occasionally taught a course on electrics at Yale as well as working as a computer programmer and later as a lighting designer for theatrical and dance productions in Oregon, New York, New York, and the New York City area. He was adjunct faculty for the Institute of Design & Construction (IDC). He was an amateur historian of wooden roller coasters. Barna died 2014 June 8 at the Jersey City Medical Center, Jersey City from "a combination of illnesses."

Barna's association with Heritage of Pride (HOP), the producing organization for the annual New York Pride Parade, began in the 1980s. He was one of HOP's leading photographers up until his death in 2014. Heritage of Pride (HOP) is the successor organization to the Christopher Street Liberation Day Committee. HOP is a non-proft orgainzation that plans, coordinates, and sponsors the annual Lesbian, Gay, Bisexual, Transgender Pride week in New York City commemorating the Stonewall riots of June 1969. The HOP archives are housed at The Lesbian, Gay, Bisexual & Transgender Community Center, "The Center", in New York City. This series is divided into three subseries.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 15
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a53bb8f4-0e5a-4389-9e12-96d0cd85fe6f
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1271

Milton Wolf Brown papers

Creator:
Brown, Milton Wolf (Milton Wolf), 1911-1998  Search this
Names:
Archives of American Art  Search this
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College -- Faculty  Search this
Century Association (New York, N.Y.)  Search this
City University of New York -- Faculty  Search this
Whitney Museum of American Art  Search this
Brown, Blanche  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Lynes, Russell, 1910-1991  Search this
Meltzoff, Stanley  Search this
Panofsky, Erwin, 1892-1968  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
26 Linear feet
0.225 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Date:
1908-1998
Summary:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Scope and Content Note:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 25.8 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.

Biographical material includes academic records, travel documents, financial documents, Brown's military records, and a transcript of a 1997 interview. Correspondence is with students, museums, universities, publishers, art organizations, and others. The bulk of these letters document Brown's professional activities, but also found are scattered letters from friends, artists, and colleagues such as Russell Lynes, Stanley Meltzoff, Louis Lozowick, Erwin Panofsky, and Paul Sachs.

This collection also contains 33 detailed travel journals written primarily by Milton Brown's wife, Blanche, documenting their travels in Europe, the United States, and other parts of the world. Within the writings series are notebooks from the period that Brown was a student and while traveling in Europe in 1959 and 1960; book project files, which include draft writings as well as related correspondence, research material, notes, photographs and other material. Files are found for American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography (1979), American Painting, From the Armory Show to the Depression (1955), The Story of the Armory Show (1963, 1988 2nd ed.), and other books. Among the writings are files for lectures written by Brown; essays, articles, and scripts written for various publications; general research notes and student writings; and writings by others sent to Brown for review and feedback.

Brown maintained a set of files documenting his work on the Prendergast Catalogue Raisonne Project, which consist of correspondence, drafts, reports, and research materials, including notes on twenty meetings with Mrs. Prendergast. Exhibition files document Brown's work as curator on several major exhibitions, including a Jacob Lawrence exhibition at the Whitney Museum, and his contributions to others. Also found here are three interviews of Milton Brown and Marcel Duchamp concerning the 50th Anniversary of the Armory Show and anniversary exhibition. Research files include notes, research material, and printed material on various art-related subjects that were maintained by Milton and Blanche Brown for regular use for lectures, teaching, and writing projects. Brown's teaching files contain scattered lecture notes, syllabi, correspondence, faculty records, and other materials from his time at CUNY, Brooklyn College, and other visiting professorships. Organization Files contain correspondence, reports, planning documents, and event materials. These records document his membership or advisory role in various organizations such as the Archives of American Art and Century Association.

This collection also contains printed material, such as exhibition announcements, newsletters, brochures, journals, event programs, and magazine and newspapers clippings compiled by Brown. Scattered photographs include nine photographs of Milton Brown, a few photographs of friends, and photographs of artwork.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, circa 1932-1998 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1908, 1934-1998 (Boxes 1-3; 1.8 linear feet)

Series 3: Travel Journals, 1941-1996 (Boxes 3-4; 1.6 linear feet)

Series 4: Writings, circa 1929-1990s (Boxes 4-13, 25; 8.7 linear feet)

Series 5: Prendergast Catalogue Raisonne Project, circa 1952-1990 (Boxes 13-14, 25; 1.8 linear feet)

Series 6: Exhibition Files, 1962-circa 1997 (Boxes 14-16, 28; 2.0 linear feet, ER01; 0.225 GB)

Series 7: Research Files, circa 1930s-1986 (Boxes 16-19; 3.0 linear feet)

Series 8: Teaching Files, circa 1946-1993 (Boxes 19-21; 2.0 linear feet)

Series 9: Organization Files, 1959-1995 (Boxes 21-22; 1.3 linear feet)

Series 10: Printed Material, 1925-1990s (Boxes 22-24, 26, 27; 3.2 linear feet)

Series 11: Photographs, circa 1956-1990s (Boxes 25, 27; 0.2 linear feet)
Biographical Note:
Milton Wolf Brown (1911-1998) was an art historian and educator in New York City.

Known to his friends as "Mainey," Brown was born in Brooklyn, New York, in 1911. At a young age he intended to be a painter and studied with Louis Lozowick. However, instead of attending art school, he entered New York University to study education and eventually received his master's and doctorate in art history from the Institute of Fine Arts. While there he took courses with Walter Friedlander, Erwin Panofsky, and Mayer Schapiro. He also received fellowships to the Courtauld Institute of Art in 1934 and Brussels in 1937, and studied from 1938-1939 at the Fogg Art Museum at Harvard University. In 1938 he married fellow student Blanche Levine. After serving in World War II, he began teaching in the art department at Brooklyn College in 1946. There he developed a specialization in American art history and his doctoral dissertation, American Painting from the Armory Show to the Depression, was published in 1955. In 1963 he participated in the fiftieth anniversary exhibition of the 1913 Armory Show. The publication of his book Story of the Armory Show coincided with this event.

In 1971 Brown established the graduate program in Art History at the City University of New York, which became preeminent in the areas of modern art and American art history. During the 1980s he remained a resident professor at CUNY, though he retired in 1979, and he held visiting professorships at Hebrew University in Jerusalem and the Center for Advanced Study in the Visual Arts at the National Gallery of Art. From 1983 to 1987 he had a senior fellowship at Williams College for the Prendergast Catalogue Raisonne Project.

Over the course of his career Brown curated exhibitions, including an exhibition on the works of Jacob Lawrence and The Modern Spirit: American Painting and Photography, 1908-1935, and wrote for numerous publications. He also served as an active member of several professional societies. Brown was close friends with art scholars and artists, such as Jack Levine, Moses and Raphael Soyer, Ad Reinhardt, and Paul Strand. In 1991 he returned to painting landscape watercolors, and had the opportunity to exhibit his work before his death in 1998.
Related Material:
Also at the Archives of American Art is an oral history interview with Milton Wolf Brown, conducted in 1976 by Paul Cummings.
Provenance:
The Milton Wolf Brown papers were donated in 2000 and 2001 by Blanche R. Brown, Brown's widow. Three reel-to reel sound recordings were lent for duplication to cassette and transcript in 1986 by Milton Brown. A cassette copy of the Martha Deane interview was donated in 2006 by Milton Brown's estate, via Naomi Rosenblum. Additional material was donated in 2002 and 2004 by Naomi Rosenblum, executor for the estate of Blanche R. Brown, who died in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art, American History Sources  Search this
Genre/Form:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browmilt
See more items in:
Milton Wolf Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2f1a099-bc53-4b03-a5fd-61e0feca9db8
EDAN-URL:
ead_collection:sova-aaa-browmilt
Online Media:

E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Archives of American Art  Search this
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Michigan -- Detroit  Search this
Art historians -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f0a154af-52ef-402b-b06d-60a290eec749
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

Emily Nathan papers

Creator:
Nathan, Emily  Search this
De Creeft, José, 1884-1982  Search this
Lerner, Abram  Search this
Goldberg, Rube, 1883-1970  Search this
Names:
Archives of American Art  Search this
Smithsonian Institution -- Public relations.  Search this
Towle Mfg. Company -- Public relations  Search this
De Creeft, José, 1884-1982  Search this
Hirshhorn, Joseph H.  Search this
Johns, Jasper, 1930-  Search this
McLanathan, Richard B. K.  Search this
Rothko, Mark, 1903-1970  Search this
Smith, Tony, 1912-1980  Search this
Spyropoulous, Jannis, 1912-  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Photographer:
Namuth, Hans  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
circa 1943-1985
Scope and Contents:
The papers of public relations consultant and journalist Emily Nathan measure 5.0 linear feet and date from circa 1943-1985. Included are files on clients, among them Towle Manufacturing and its gallery; the Smithsonian Institution, including the Archives of American Art, Radio Smithsonian and the National Portrait Gallery.
Interviews conducted by Nathan for Radio Smithsonian include New York, N.Y. cartoonist and inventor Rube Goldberg (1883-1970), 1970; art historian and writer Richard B. K. McLanathan, 1970; Director of the Archives of American Art William E. Woolfenden, 1970, Abram Lerner, Director of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, and art collector Joseph Hirshhorn, 1969. Also found is an interview of William Woolfenden May 6, 1983 upon his retirement as Director of the Archives of American Art.
Among the correspondence are letters to Georgia O'Keeffe regarding a pending oral history with the sculptors Dorothy Dehner and David Smith and a letter from museum administrator and lecturer Daniel Catton Rich expressing his pleasure at having met Jannis and Zoe Spyropoulous in Athens, Greece and describes the painting by Jannis that he purchased for the Worcester Art Museum. The majority of the photographs are of personalities long associated with the Archives of American Art. There are two photographs of Jasper Johns, and one each of Mark Rothko and Tony Smith, all taken by Hans Namuth, 1960.
Also found is a folder of material assembled by Nathan regarding Jose de Creeft's story, as told to Nathan, of his pet rooster, intended by Nathan to be submitted for publication under the title "Roosty Was My Friend." Included are an introduction by Nathan, providing biographical information on de Creeft; sample text for the story (2 pages) and an outline for the remainder (3 pages), 24 drawings by de Creeft illustrating the story; and a photograph of de Creeft with a wire sculpture of Roosty, 1957, taken by Budd studio.
Biographical / Historical:
Emily Nathan (1907-1999) was a journalist and public relations consultant specializing in arts and cultural heritage institutions.
Provenance:
Donated 1973-1988 by Emily Nathan and in 2000 by the Emily Nathan estate, via Edgar S. Nathan, III, executor. The letter to Nathan from Daniel Catton Rich was donated by Rich, 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Cartoonists -- Interviews  Search this
Public relations consultants  Search this
Topic:
Roosters -- Pictorial works  Search this
Roosters -- Anecdotes  Search this
Caricatures and cartoons  Search this
Art, American  Search this
Inventors -- Interviews  Search this
Archives -- Public relations  Search this
Museums -- Public relations  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Art and industry  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nathemil2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9630e4aee-2164-448c-a093-eae54416f3df
EDAN-URL:
ead_collection:sova-aaa-nathemil2

Lawrence and Barbara Fleischman papers

Creator:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Names:
American Federation of Arts  Search this
Archives of American Art  Search this
Corcoran Gallery of Art  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Kennedy Galleries  Search this
Kraushaar Galleries  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
United States Information Agency  Search this
University of Michigan. Museum of Art  Search this
Whitney Museum of American Art  Search this
Allston, Washington, 1779-1843  Search this
Arms, John Taylor, 1887-1953  Search this
Bailey, Grace  Search this
Bailey, Truman E., 1902?-1959  Search this
Bohrod, Aaron  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Fleischman, Barbara  Search this
Gentle, Esther, 1900-  Search this
Krentzin, Earl, 1929-  Search this
Marin, John, 1870-1953  Search this
Pollack, Peter, 1909-1978  Search this
Rattner, Abraham  Search this
Richardson, Constance, 1905-  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellers, Charles Coleman, 1903-  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Typescripts
Photographs
Date:
1837-1984
bulk 1935-1979
Summary:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
Scope and Contents:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)
Biographical / Historical:
Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.
Related Materials:
Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.
Separated Materials:
The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.
Provenance:
The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- United States  Search this
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Genre/Form:
Typescripts
Photographs
Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fleilawr
See more items in:
Lawrence and Barbara Fleischman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92905ad60-9c85-493f-90b7-272f1486ef69
EDAN-URL:
ead_collection:sova-aaa-fleilawr
Online Media:

Oral history interview with Barbara G. Fleischman

Interviewee:
Fleischman, Barbara  Search this
Interviewer:
Berman, Avis  Search this
Names:
Archives of American Art  Search this
Extent:
4 Items (Sound recording, master: 4 sound files (5 hr., 39 min.), digital, wav)
134 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 Dec. 27-2012 Jan. 23
Scope and Contents:
An interview with Barbara Fleischman conducted 2011 Dec. 27-2012 Jan. 23 by Avis Berman for the Archives of American Art.
Biographical / Historical:
Interviewee Barbara G. Fleischman (1924- ) is an art collector in New York and a member of the Archives of American Art's board of trustees. Interviewer Avis Berman (1949- ) is a writer in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the audio is restricted. Contact Reference Services for more information.
Rights:
Sound recording: Authorization to quote or reproduce for the purposes of publication requires written permission from Barbara Fleischman. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Women art collectors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fleisc11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a98e9b4d-a99b-4b1d-9451-6033ef815c66
EDAN-URL:
ead_collection:sova-aaa-fleisc11
Online Media:

The visual arts and the myth of Southern California, 1900-1950 : panel discussion

Creator:
Archives of American Art  Search this
Paul, Stella  Search this
Schipper, Merle, 1922-2001  Search this
Starr, Kevin  Search this
De Long, David Gilson, 1939-  Search this
Dijkstra, Bram  Search this
Gebhard, David  Search this
Glenn, Constance, 1933-  Search this
Harris, Neil, 1938-  Search this
Larsen, Susan C.  Search this
Möritz, William  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
6 Items (sound cassettes. Sound recording)
Container:
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Type:
Archival materials
Audio [31027000061628]
Audio [31027000061636]
Audio [31027000061644]
Audio [31027000061651]
Audio [31027000061669]
Audio [31027000061677]
Sound recordings
Interviews
Date:
1986 October 18-19
Scope and Contents:
A panel discussion sponsored by the Archives of American Art. The participants were Kevin Starr, Neil Harris, Merle Schipper, Constance Glenn, Bram Dijkstra, Susan Larsen, William Moritz, David Gebhard, and David De Long. Stella Paul is moderator.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 7 hrs., 10 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art critics -- California, Southern  Search this
Art historians -- California, Southern  Search this
Educators -- California, Southern  Search this
Museum directors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c033e6f-c82f-409e-9a10-4292d9275cfe
EDAN-URL:
ead_component:sova-aaa-archiv57-ref1

The museum and its public: scholarship or spectacle : panel discussion

Creator:
Archives of American Art  Search this
Middlekauff, Robert  Search this
Koshalek, Richard  Search this
Powell, Earl A.  Search this
Karlstrom, Paul J.  Search this
Names:
Henry E. Huntington Library and Art Gallery  Search this
Los Angeles County Museum of Art  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
1 Sound cassette
Container:
Item aaaoh010
Type:
Archival materials
Audio [31027000729877]
Sound cassettes
Sound recordings
Interviews
Date:
1986 February 13
Scope and Contents:
A panel discussion sponsored by the Archives of American Art at the Founders Luncheon and Museum Panel, held at the Beverly Hills Hotel, 1986 February 13. The participants were Richard Koshalek, director of the Museum of Contemporary Art; Earl A. Powell, Director of the Los Angeles County Museum of Art; Robert Middlekauff, Director of the Henry E. Huntington Library and Art Gallery. Paul Karlstrom is moderator.
Moderator Paul Karlstrom introduces the topic and panelists; identifies differences between the three institutions, the appeal of blockbuster shows, and with references to an article by Mortibello of the Metropolitan Museum of Art, questions whether a museum can successfully balance scholarship and interpretation; the high cost of research and programming; and the shift to temporary exhibitions.
Koshalek discusses how MOCA continues to look for a balance as a new organization and their decision to start with temporary exhibits to build an audience and collection. Middlekauff discusses the Huntington as a research institution and its policy to not loan books and papers and the impact then on hosting only temporary exhibits, and the parallel to problems universities face in funding programming. Powell discusses the benefits of blockbuster exhibits, the need to integrate scholarship, and the problems in corporate sponsorships.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 3 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art critics -- California, Southern  Search this
Art historians -- California, Southern  Search this
Educators -- California, Southern  Search this
Museum directors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Function:
Art museums
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927082d57-467c-4a3b-8304-4a92e78c3e7d
EDAN-URL:
ead_component:sova-aaa-archiv57-ref12

Los Angeles in the forties - the pot of gold symposium sound recordings

Creator:
Fadiman, William  Search this
Haswell, Hal  Search this
Karlstrom, Paul J.  Search this
Kaufmann, Edward  Search this
Leach, Douglas  Search this
Lewitzky, Bella  Search this
McCoy, Esther  Search this
Meyer, Michael, 1940-  Search this
Pell, Iris  Search this
Rosen, Robert, 1940-  Search this
Starr, Kevin  Search this
Stein, Leonard  Search this
Steinberg, Michael, 1928-  Search this
Banham, Reyner  Search this
Barr, Claudia  Search this
Diehl, Digby  Search this
Ehrlich, Susan, 1942-  Search this
Humanities West  Search this
Los Angeles in the 40s (1985 : San Francisco, Calif.)  Search this
Names:
Humanities West  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Type:
Archival materials
Audio [31027000708376]
Audio [31027000708434]
Audio [31027000708491]
Audio [3102700708202]
Audio [31027000708269]
Audio [31027000708327]
Sound recordings
Place:
Los Angeles (Calif.) -- History
Date:
1985 March 29-31
Scope and Contents:
Recordings of an interdisciplinary conference co-sponsored by Humanities West and the Archives of American Art, held in San Francisco, California, 1985 March 29-31, at the Asian Art Museum. The participants speak about the environment for the arts in Los Angeles during the 1940s. They include: architectural historian Reyner Banham, actor Claudia Barr, columnist Digby Diehl, art historian Susan Ehrlich, writer William Fadiman, actor Hal Haswell, coordinator Paul Karlstrom, professor Edward Kaufmann, actor Douglas Leach, choreographer Bella Lewitzky, architectural historian Esther McCoy, music historian Michael Meyer, dancer Iris Pell, film critic Robert Rosen, historian Kevin Starr, and music historians Leonard Stein and Michael Steinberg.
General:
Originally recorded on 4 sound cassettes.
Provenance:
Donated 1985 by Humanities West.
Collection Restrictions:
Use requires an appointment.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Arts -- California -- Los Angeles -- History  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebada055-afc0-4e34-b7fd-079321844252
EDAN-URL:
ead_component:sova-aaa-archiv57-ref3

Symposium on still life painting : sound recording

Creator:
Archives of American Art  Search this
Gerdts, William H.  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Wilmerding, John  Search this
Wilson, Jane, 1924-2015  Search this
Bailey, William, 1930-2020  Search this
Bolger, Doreen, 1949-  Search this
Fish, Janet, 1938-  Search this
Anderson, Lennart, 1928-2015  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
4 Items (sound cassettes)
Container:
Item IM100RC.077
Item IM100RC.077
Item IM100RC.077
Item IM100RC.077
Type:
Archival materials
Audio [31027000062113]
Audio [31027000062121]
Audio [31027000062139]
Audio [31027000062105]
Sound recordings
Interviews
Date:
1982 May 21-22
Scope and Contents:
A symposium on still life painting sponsored by the Archives of American Art and the National Academy of Design.
Participants include: Lennart Anderson, William Bailey, Doreen B. Burke, Janet I. Fish, William H. Gerdts, Perry Townsend Rathbone, John Wilmerding, and Jane Wilson.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 3 hrs., 52 min.
Funding note:
Funding for the digital preservation of this recording was provided by a grant from the Save America's Treasures Program of the National Park Service.
Provenance:
These sound recordings are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Collection Restrictions:
Use requires an appointment.
Topic:
Still-life painting, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9adec608a-1e34-4dc1-8b91-d39c8f8163c4
EDAN-URL:
ead_component:sova-aaa-archiv57-ref5

The coming of modernism to Chicago, 1910-1940

Creator:
Archives of American Art  Search this
Kruty, Paul Samuel  Search this
Morgan, Ann Lee  Search this
Moser, Charlotte, 1947-  Search this
Platt, Susan Noyes, 1945-  Search this
Prince, Sue Ann  Search this
Weininger, Susan  Search this
Weller, Allen S. (Allen Stuart), 1907-1997  Search this
Brettell, Richard R.  Search this
Engelbrecht, Lloyd C.  Search this
Germer, Stefan  Search this
Harris, Neil, 1938-  Search this
Berman, Avis  Search this
Coming of modernism to Chicago (1988 : Chicago, Ill.)  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Type:
Archival materials
Audio [31027000062212]
Audio [31027000062220]
Audio [31027000062238]
Audio [31027000062188]
Audio [31027000062196]
Audio [31027000062204]
Sound recordings
Date:
1988 March
Scope and Contents:
Recordings of a symposium on modernism in Chicago, sponsored by the Archives of American Art. Participants include Neil Harris, Charlotte Moser, Allen Weller, Stefan Germer, Ann Lee Morgan, Susan Platt, Susan Weininger, Paul Kruty, Lloyd Engelbrecht, Avis Berman, Sue Ann Kendall and Richard (Rick) Brettell.
The end of Susan Weininger's talk and the beginning of Paul Kruty's talk are missing due to technical difficulties at the time of recording.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hrs., 54 min.
Funding note:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Provenance:
These sound recordings are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art historians  Search this
Topic:
Art, Modern -- 20th century -- Illinois -- Chicago  Search this
Modernism (Art)  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f41c689e-7015-47ae-83a6-f1875aab3982
EDAN-URL:
ead_component:sova-aaa-archiv57-ref7

With new eyes: Toward an Asian American art history on the West Coast

Creator:
Archives of American Art  Search this
Higa, Karin M.  Search this
Kim, Elaine  Search this
Reed, Dennis (Dennis James)  Search this
Villa, Carlos, 1936-2013  Search this
Winther-Tamaki, Bert  Search this
Prabhu, Vas  Search this
San Francisco State University  Search this
Fine Arts Museums of San Francisco  Search this
Names:
Fine Arts Museums of San Francisco  Search this
San Francisco State University  Search this
Gee, Yun, 1906-  Search this
Obata, Chiura  Search this
Tsutakawa, George  Search this
Valledor, Leo, 1936-1989  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
58 Pages (Transcript)
Container:
Item aaaoh063
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Type:
Archival materials
Text [31027000737961]
Audio [31027000738019]
Audio [31027000737730]
Audio [31027000738027]
Pages
Sound recordings
Interviews
Date:
1995 October 21
Scope and Contents:
Session I: The Artists' and Family's Perspective: Looking Toward the 21st Century, moderated by Dr. Paul J. Karlstrom. Panelists include Kimi Kodani Hill, Chiura Obata's granddaughter and Obata family historian; Li-lan, Yun Gee's daughter and artist; Mayumi Tsutakawa, daughter of George Tsutakawa and curator/writer; and Carlos Villa, Leo Valledor's cousin and artist.
Session II: Issues in Interpreting, Documenting and Presenting Asian American Art was moderated by Vas Prabhu; panelists include Bert Winther- Tamaki, Karin Higa, Elaine Kim, and Dennis Reed.
Biographical / Historical:
A symposium co-sponsored by the Archives of American Art, The Fine Arts Museums of San Francisco, and San Francisco State University.
General:
Originally recorded on 3 sound cassettes. Duration is 5 hrs.
Collection Restrictions:
Use requires an appointment.
Topic:
Asian American art  Search this
Asian American artists -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.archiv57, Item AAA.archiv95
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw972663b12-375a-4d13-8211-026693374eb3
EDAN-URL:
ead_component:sova-aaa-archiv57-ref9

Susan Elizabeth Ryan research material regarding Robert Indiana, 1991-2004

Creator:
Ryan, Susan Elizabeth  Search this
Subject:
Indiana, Robert  Search this
Citation:
Susan Elizabeth Ryan research material regarding Robert Indiana, 1991-2004. Archives of American Art, Smithsonian Institution.
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)22203
AAA_collcode_ryansusa
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22203

Oral history interview with Billy Al Bengston, 2020 July 29

Interviewee:
Bengston, Billy Al, 1934-  Search this
Interviewer:
Simms, Matthew Thomas, 1967-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Video recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Billy Al Bengston, 2020 July 29. Archives of American Art, Smithsonian Institution.
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Record number:
(DSI-AAA_CollID)21964
AAA_collcode_bengst20
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21964

Historians Piece Together the Rise of the Tower of Babel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2020-03-18T15:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_-Wxy97LnuNw

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