The papers of Joe Segura and the Segura Publishing Company records measure 15.0 linear feet and date from 1977-2017. Material documents Segura's career as a printmaker to the founding and operation of his own printmaking company. Included are biographical information, administrative files, correspondence, project files regarding collaborations with artists, photographs of projects and people who work with Segura. Aportion of the collection is born digital.
Biographical / Historical:
Joe Segura (1946- ) is a printmaker in South Bend, Indiana. Segura founded the Segura Publishing Company, Tempe, Arizona, in 1981.
Provenance:
Donated in 2018 and 2022 by Joe Segura.
Restrictions:
This collection is temporarily closed for processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Latinos and the 2016 election Latino resistance and the election of Donald Trump edited by Gabriel R. Sanchez, Luis Ricardo Fraga, and Ricardo Ramírez
Latinos in libraries, museums, and archives cultural competence in action! an asset-based approach Patricia Montiel Overall, Annabelle Villaescusa Nunez, and Verónica Reyes-Escudero
Papers, oral history, and transcripts relating to Emiliano Martinez, a Cuban immigrant.
Scope and Contents:
Papers and photographs related to the immigration experience of Cuban refugee Martinez: a story from the Washington Post, March 12, 1984; a 45-minute cassette recording of an interview (in Spanish) by Richard E. Ahlborn with Martinez; a transcription in Spanish of the interview; six photographs of the hut taken by a zoo photographer; a covering memorandum from Ahlborn; a copy of Martinez's earnings from the sale of cans; and a diagram of his hut. Ahlborn, a curator in the Division of Community Life, was assisted by Juana Martin, a social worker.
Biographical / Historical:
The story of Emiliano Martinez, a Cuban refugee, was publicized as an example of the ingenuity and survival skills of recent immigrants to this nation. Martinez fled Cuba in one of the freedom flotillas of 1980. After a year in a refugee camp at Fort Chaffee, Arkansas, he arrived in Washington, D.C. in April 1981. He shared apartments with other Cuban refugees until October 1982. Using his carpentry skills, he constructed a hut on undeveloped land at the National Zoo, where he lived from December 1982 until March 1984. He then moved into a boarding house in the Adams-Morgan neighborhood. He made his livelihood by selling aluminum cans to a Safeway grocery store for an average of sixty-five dollars a month.
Provenance:
Collection donated by Emilio Martinez.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A colorful drawing (reproduction?) depicting two women in early California Mexican/Spanish costumes, each with a hand on her waist and looking flirtatiously at a man who stands across the plaza.
Arrangement:
In series 3, box 28, grouping World's Fair and Exposition--Panama--California--San Diego.
Local Numbers:
AC0200-0000050 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Drawing of a Mission-style structure with a sign on the side reading "the old Grape Vine..."
Local Numbers:
AC0200-0000015 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Color illustration: man and woman sitting in front of the Santa Barbara mission. The woman wears a long red Spanish-style dress and comb in her hair and holds a fan open. She smiles at the man, who wears a red and yellow serape and Spanish/Mexican costume, including a sombrero.
Local Numbers:
AC0200-0000048 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Parque Borinquen, Santurce, Puerto Rico. [Picture postcard.]
Topic:
Ethnic Imagery Project, Archives Center
Collector:
Blenkle, Victor A., Dr., 1900-1978 (physician) Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution. Search this
Blenkle, Victor A., Dr., 1900-1978 (physician) Search this
Extent:
1 Item (color; Ink on paper, 3-1/2" x 5-1/2".)
Container:
Box 13, Item Grouping U.S.A.--Puerto Rico.
Type:
Archival materials
Postcards
Picture postcards
Place:
Santurce (Puerto Rico) -- 1920-1930
Puerto Rico
Caribbean
Date:
1911
Scope and Contents:
Illustration of a kiosk in a park nestled in palm trees and other buildings.
Local Numbers:
AC0200-0000052 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
