This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(collection guide, with introduction by Jacinto Quirarte, undated [post-1970])
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(reports; clippings; TYF's notes on proposal writing, people and organizations; handwritten draft of A Hispanic Plan of Action for the Humanities and the Arts in the 1980s; agendas; typed transcript of a symposium session; letter to TYF from W.J. Findeisen, 08/13/1979, re. TYF's promotion to Assistant Professor; letter to TYF from Alexander L. Fetter, 08/09/1979, re. TYF's appointment as Freshman Advisor; essay proposal; report of the Meeting of Historians and Critics of Chicano Art, San Antonio, Texas)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
(drafts of essays, handwritten and typed; notes; blank contract; photocopy of memo to Concilio de Arte Popular from Shifra Goldman and TYF, 11/1/1978, re. Contemporary Chican Popular Art: Antecedents and Actuality ; photograph of TYF; photocopy of letter to Eva Wisbar, Visual Resources, Inc., from Shifra Goldman, 10/20/1978; clippings; photocopy of letter to Jacinto Quirarte from Shifra Goldman, 03/23/1981; essay by Goldman, "The State of Chicano Art Criticism"; course notes)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
International Arts Relations, Inc. (INTAR) Latin American Gallery and Hispanic American Arts Center, New York, New York (see also: Avalos, David; Baca, Judith; Mesa-Bains, Amalia; Box 30; OV 32)
(lists of exhibits, 1983-86; letters to TYF re. his participation in various exhibits as catalog contributor and lender, 01/28/1985, 03/03/1986, 11/05/1987; photocopy of letter to Inverna [Lockpez], 02/25/1986, with draft of TYF's essay for catalog; clippings; slides; TYF's notes and type- and hand-written drafts of essays [for exhibition catalogs?]; May 1986 issue of ¡AHA! Hispanic News; Chicano Expressions printed material: announcements, press releases, project description, exhibition checklist, schedule; 25th anniversary printed material: announcements, invitations, program, season calendar, typescript of speech honoring Amalia Mesa-Bains made by TYF)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Sea Asi (Let it Be)--Si yo Fuera Carpiniero (If I were a Carpenter)--Laborador de tierra Negra (Blackland farmer)--Brillara La Luz (I will the light ever shine--Un carpinter (Mama)--Dame abrigo (Gimme shelter)--Buenos tiempos vendran (Good times coming)--Playa sollozante (Sobbing crowd)--Adios Mi Amor (Goodbye my love)--Cuando Calienta El Sol--Hey Jude
Local Numbers:
MO-COMM-CD-00830
M.O.R.E.830
Publication, Distribution, Etc. (Imprint):
Albuquerque, N.M. M.O.R.E.
General:
Commercial
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
