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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Sen. Edward Brooke, American, born 1919  Search this
Morris Brown College, American, founded 1881  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
General Daniel James Jr., American, 1920 - 1978  Search this
Roy Wilkins, American, 1901 - 1981  Search this
Rufus B. Shorter, American  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
Prince Hall Freemasonry, founded 1784  Search this
Howard University, American, founded 1867  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Avon, founded 1886  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
The Links, Incorporated, American, founded 1946  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Urban League, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Association of University Women, American, founded 1910  Search this
National Association of Market Developers, American, founded 1953  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
American Bridge Association, American, founded 1932  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
The Salvation Army, American, founded 1865  Search this
National Dental Association, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Sammy Davis Jr., American, 1925 - 1990  Search this
Congressional Black Caucus, American, founded 1971  Search this
Rev. Martin Luther King Sr, American, 1899 - 1984  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
National Urban League Guild, American, founded 1946  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
369th Veterans Association, American  Search this
Prince Hall Freemasonry, founded 1784  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
California, United States, North and Central America
Houston, Texas, United States, North and Central America
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Jamaica, Caribbean, North and Central America
Barbados, Caribbean, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
West Africa, Africa
Date:
1978
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Enterprise  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.12
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8
EDAN-URL:
edanmdm:nmaahc_2012.167.12
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  • View <I>Delegate</I> digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Sigma Phi Rho Fraternity, American, founded 1978  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
Association of Black Women Attorneys, American, founded 1976  Search this
National Urban Affairs Council, American, founded 1971  Search this
Raymond A. Jordan Jr., American, born 1943  Search this
National Association of Market Developers, American, founded 1953  Search this
The Links, Incorporated, American, founded 1946  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Medical Association, American, founded 1895  Search this
Dr. Leslie L. Alexander, Jamaican American, 1917 - 2002  Search this
Smithsonian Institution, American, founded 1846  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Count Basie, American, 1904 - 1984  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
National Bankers Association, American, founded 1927  Search this
369th Veterans Association, American  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Signed by:
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Date:
1985
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Enterprise  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.19
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ee110782-b949-43b4-bbec-56a00d4f086e
EDAN-URL:
edanmdm:nmaahc_2012.167.19
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  • View <I>Delegate</I> digital asset number 1

Charles W. White papers

Creator:
White, Charles, 1918-1979  Search this
Names:
Belafonte Enterprises  Search this
Heritage Gallery  Search this
Otis Art Institute  Search this
Barthé, Richmond, 1901-1989  Search this
Catlett, Elizabeth, 1915-2012  Search this
White, Frances Barrett  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Scrapbooks
Date:
1933-1987
bulk 1960s-1970s
Summary:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.
Scope and Contents:
The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

Biographical material includes documentation of awards received by White, biographical notes, resumes, White's high school report cards, interview transcripts and a sound recording of an interview, and records related to Elizabeth Catlett from the 1940s.

Correspondence includes scattered letters from family and friends but is primarily professional. White's correspondence was often conducted by Benjamin Horowitz and, occasionally, by Frances White, although some scattered original drafts of letters by White can also be found in this series. The series documents many aspects of White's career including: his relationship with Horowitz and Heritage Gallery as his representative; sales, loans, and exhibitions of White's artwork at many museums, galleries, and art institutions; the publication of his work in journals, magazines, and books, and it's use in the film and music industries; and his relationships with others in the arts and the entertainment industry including Richmond Barthé, Margaret Burroughs, Bing Davis, David Driskell, Lorraine Hansberry, and Harry Belafonte's company, Belafonte Enterprises.

Writings by White include two addresses made to the Annual Conference of Negro Artists, statements on his philosophy of art, and an autobiographical essay. Writings by others include drafts of Benjamin Horowitz's book Images of Dignity:The Drawings of Charles White.

White's professional activities are further documented through records related to the many boards, committees, and exhibition and art contest juries he served on, as well as lectures he delivered, and panels and symposiums he participated in. White's professional files also contain records relating to fellowships he received and document projects such as designs for books, films, and magazines.

White's teaching files primarily relate to Otis Art Institute and contain some records related directly to his work there as well as general faculty and board material. The records document, to some extent, White's role as spokesperson for the faculty and students during the transfer of the Otis charter to Parsons School of Design in 1979. Documentation of White's association with Howard University is minimal and includes letters related to his appointment and resignation in 1978-1979.

Gallery and exhibition files document specific solo and group exhibitions and include records on two visits White made to Germany in 1974 and 1978.

Printed material includes announcements, exhibition catalogs, articles in journals, magazines, and news clippings, and publications with artwork by White that provide extensive coverage of White's career from the 1930s to his death. Also found is printed material collected by White on other artists, and on subjects of interest to him.

Three disbound scrapbooks provide compilations of printed material and occasional letters further documenting White's career. A small series of photographs includes holiday card photos of White, Frances White, and their two children, and photos of White and others taken at a workshop in 1969.

Throughout the collection there are folders containing notes written by Frances White, circa 1980-1981, which provide important contextual information about people, organizations and subjects in the collection, and sometimes highlight the racism White encountered, particularly during his early career. The dates of these notes are not included in folder dates.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, circa 1934-1979 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1937-1984 (Boxes 1-4, 13; 3.64 linear feet)

Series 3: Writings, 1936-circa 1981 (Boxes 4-5; 0.45 linear feet)

Series 4: Professional Activities, circa 1942-1982 (Boxes 5-6, 13, OV 15; 1.81 linear feet)

Series 5: Teaching Files, 1950-1979 (Boxes 6, 13; 0.72 linear feet)

Series 6: Gallery and Exhibition Files, 1946-1980 (Box 7, Box 14; 0.98 linear feet)

Series 7: Printed Material, 1933-1987 (Boxes 8-14, OVs 15-17; 4.8 linear feet)

Series 8: Scrapbooks, 1936-1970s (Box 12; 0.15 linear feet)

Series 9: Photographic Material, 1940-1976 (Box 12; 0.15 linear feet)
Biographical / Historical:
Painter, printmaker, and educator, Charles W. White (1918-1979), was a prominent figure in the Chicago Black Renaissance and became one of the most celebrated and influential African American artists of the twentieth century. Born and raised in Chicago, Illinois, White lived and worked in California beginning in 1956, and taught at the Otis Art Institute from 1965 until his death.

White began painting at a young age, earning first prize in a nationwide high school art contest. He studied at the School of the Art Institute of Chicago, where he was awarded a full scholarship, from 1937-1938. After graduating from the school, White worked as a muralist for the Illinois Federal Arts Project sponsored by the Works Progress Administration from 1939 to 1940. He then received two fellowships from the Julius Rosenwald Foundation in 1942 and 1943 and created the mural The Contribution of the Negro to American Democracy at the Hampton Institute. From 1943-1945 he taught at the George Washington Carver School in New York City, and was artist-in-residence at Howard University in Washington, D.C., in 1945.

White's first marriage to Elizabeth Catlett ended in divorce and he married Frances Barrett in 1950. The couple relocated to Los Angeles where White was represented by Benjamin Horowitz's Heritage Gallery. White was widely exhibited in Los Angeles, and at the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Newark Museum, the Santa Barbara Museum of Art, and elsewhere. Working primarily in black and white or sepia and white drawings, paintings, and lithographs, White's artwork was primarily figurative and depicted African American history, socio-economic struggles, and human relationships.

Charles White received a number of awards and honors and in 1972 he was the third African American artist to be elected a full member of the National Academy of Design.
Related Materials:
The Archives of American Art also holds the Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson, the Lucinda H. Gedeon research material on Charles W. White, and an oral history interview with Charles W. White conducted by Betty Hoag, March 9, 1965.
Separated Materials:
The Archives of American Art also holds microfilm of loaned materials (reels LA7 and 3099). Reel LA7 includes photographs of White, his work, and a career resume. Reel 3099 contains 31 items consisting of three travel diaries kept by Frances White, photographs and a recording of their trip to Russia in 1950, and 11 record album covers designed by Charles White. Loaned materials were returned to the lenders after microfilming and are not described in the collection container inventory.

Charles White's "Black Experience Archive," originally received with the papers, was donated to Howard University's Moorland-Springarn Research Center in 1985 at the request of Frances White.
Provenance:
Photographs on reel LA7 and material on reel 3099 were lent to the Archives of American Art for microfilming in 1965 and 1982, by Benjamin Horowitz, White's dealer, and by Frances White. Material on reel 2041 was donated by the George Arents Research Library, Syracuse University, 1976, who had originally received it from Horowitz. The remainder of the papers were donated by Charles White, 1975-1978, and after his death by Frances White and Benjamin Horowitz, 1981-1989.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Scrapbooks
Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitchar
See more items in:
Charles W. White papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9280ca62a-d068-4695-872f-041df8333648
EDAN-URL:
ead_collection:sova-aaa-whitchar
Online Media:

Heritage Gallery, List of Costs

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 2, Folder 40
Type:
Archival materials
Date:
1965-1969
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f54ce176-c81b-471f-9f4c-39e17727c85e
EDAN-URL:
ead_component:sova-aaa-whitchar-ref184

Citation Notes from Catalogs

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 4, Folder 65
Type:
Archival materials
Date:
1940-1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 3: Writings / 3.1: Writings by White
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ecf58d57-0859-4f7b-b2a1-3a17786b0774
EDAN-URL:
ead_component:sova-aaa-whitchar-ref197
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Bibliographies, Biographies, and Resumes

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
circa 1941-circa 1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d341657-9dcb-4c11-98ea-f84e1e6f538a
EDAN-URL:
ead_component:sova-aaa-whitchar-ref20
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  • View Bibliographies, Biographies, and Resumes digital asset number 3
  • View Bibliographies, Biographies, and Resumes digital asset number 4
  • View Bibliographies, Biographies, and Resumes digital asset number 5
  • View Bibliographies, Biographies, and Resumes digital asset number 6
  • View Bibliographies, Biographies, and Resumes digital asset number 7
  • View Bibliographies, Biographies, and Resumes digital asset number 8
  • View Bibliographies, Biographies, and Resumes digital asset number 9
  • View Bibliographies, Biographies, and Resumes digital asset number 10

Heritage Gallery Clippings

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 10, Folder 20
Type:
Archival materials
Date:
circa 1966-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 7: Printed Material / 7.2: Printed Material Regarding White, Named Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96fb225ac-873a-4a6b-bae7-a165f9d19b6f
EDAN-URL:
ead_component:sova-aaa-whitchar-ref480

Burroughs, Margaret and DuSable Museum

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 1, Folder 43
Type:
Archival materials
Date:
1971-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cab9414b-a613-4f5a-81c1-cbb9be970c86
EDAN-URL:
ead_component:sova-aaa-whitchar-ref53
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Heritage Gallery

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 10, Folder 19
Type:
Archival materials
Date:
circa 1964-1987
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 7: Printed Material / 7.2: Printed Material Regarding White, Named Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d0b9f819-976c-4e7a-be4b-59ad50e77efb
EDAN-URL:
ead_component:sova-aaa-whitchar-ref532

Oversize Heritage Gallery

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 14, Folder 8
Type:
Archival materials
Date:
1964-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 7: Printed Material / 7.2: Printed Material Regarding White, Named Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9692bb5c4-2055-4815-8949-86a186de6389
EDAN-URL:
ead_component:sova-aaa-whitchar-ref533

Driskell, David C. (Fisk University)

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 2, Folder 11
Type:
Archival materials
Date:
1967-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bd1d39e6-6900-4fae-82e3-8d693a3fd67e
EDAN-URL:
ead_component:sova-aaa-whitchar-ref64
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Heritage Gallery

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 2, Folder 39
Type:
Archival materials
Date:
1970-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cac59ef8-36c4-4d98-a92c-cfb6abe4a907
EDAN-URL:
ead_component:sova-aaa-whitchar-ref668

Smithsonian Institution, National Collection of Fine Arts

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 4, Folder 3
Type:
Archival materials
Date:
1953-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw966b0914f-82a0-4d88-b07d-31ecb4c5cc26
EDAN-URL:
ead_component:sova-aaa-whitchar-ref717
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Heritage Gallery

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 2, Folder 38
Type:
Archival materials
Date:
circa 1962-1969
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9285fa776-d1e3-4dbb-b037-00d94fc4eb44
EDAN-URL:
ead_component:sova-aaa-whitchar-ref75

Smithsonian Institution, Hirshhorn Museum and Sculpture Garden

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 4, Folder 2
Type:
Archival materials
Date:
1972-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c73b07ee-0b37-457b-a8aa-cf37be8d3ed2
EDAN-URL:
ead_component:sova-aaa-whitchar-ref76
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  • View Smithsonian Institution, Hirshhorn Museum and Sculpture Garden digital asset number 1

Charles W. White papers, 1933-1987, bulk 1960s-1970s

Creator:
White, Charles, 1918-1979  Search this
Subject:
White, Frances Barrett  Search this
Catlett, Elizabeth  Search this
Barthé, Richmond  Search this
Heritage Gallery  Search this
Otis Art Institute  Search this
Belafonte Enterprises  Search this
Type:
Interviews
Sound recordings
Scrapbooks
Citation:
Charles W. White papers, 1933-1987, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Theme:
Diaries  Search this
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9350
(DSI-AAA_SIRISBib)211546
AAA_collcode_whitchar
Theme:
Diaries
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211546
Online Media:

William Gropper papers, 1916-1983

Creator:
Gropper, William, 1897-  Search this
Subject:
Crowninshield, Frank  Search this
Henri, Robert  Search this
Gropper, Sophie  Search this
Soyer, Raphael  Search this
Parsons, Frank Alvah  Search this
Lozowick, Louis  Search this
Horowitz, Benjamin  Search this
Federal Art Project  Search this
Heritage Gallery  Search this
Type:
Photographs
Drawings
Citation:
William Gropper papers, 1916-1983. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- New York (State) -- New York  Search this
Political activists  Search this
Painters -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Art -- Political aspects  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6052
(DSI-AAA_SIRISBib)216031
AAA_collcode_gropwill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216031
Online Media:

Heritage Gallery records, 1944-2000, bulk 1960-1998

Creator:
Heritage Gallery  Search this
Subject:
Orozco, José Clemente  Search this
Soyer, Moses  Search this
Siqueiros, David Alfaro  Search this
Horowitz, Benjamin  Search this
Soyer, Raphael  Search this
White, Charles  Search this
Gropper, William  Search this
Citation:
Heritage Gallery records, 1944-2000, bulk 1960-1998. Archives of American Art, Smithsonian Institution.
Theme:
African American  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6191
(DSI-AAA_SIRISBib)216438
AAA_collcode_herigall
Theme:
African American
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216438
Online Media:

Oman: Desert, Oasis, and Sea

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Sultanate of Oman lies on the east coast of the Arabian Peninsula, facing the Arabian Sea. Living at this crossroads between Asia, Africa, and the Mediterranean, Omanis have developed a complex culture that draws on the country's Arab roots as well as its long-standing contacts with India, East Africa, and the Middle East. For millennia, Oman has traded throughout the region. Its ships have sailed to Asia and Africa, and its caravans have traveled overland to the shores of the Mediterranean, contributing to the country's surprisingly cosmopolitan history.

In recent decades, Oman has undertaken numerous cultural preservation projects that recognize the fragility of local traditions in the face of globalization - even if global exchange was familiar throughout Oman's history. Oman knows that its place in world history has created a unique culture that deserves support. Encouragement of traditional music and crafts coupled with laws to preserve local architecture and historic sites have been the hallmark of policies that value the past and also anticipate the future. The reign of Sultan Qaboos bin Said and the Omani people's firm belief in Islam have united a people with broadly different experiences and histories. This cultural diversity is reflected in Oman's three vastly different environments - the desert, the oasis, and the sea. The Festival program used these three themes to illustrate how the country's complex culture reflects its people's responses to each environment.

Music in Omani society plays a role at every stage of a person's life. From birth, to coming of age and marriage, during professional life, and finally in death, an Omani is accompanied by traditional arts that express joy or pain or simply help with everyday work. Oman's traditional music is sustained by oral transmission between generations, and each region has its own unique forms. Songs and dances are performed during festivals and ceremonies throughout the country. Songs vary from region to region, north to south, from one environment to another. As Festival visitors could experience first-hand, songs of desert, oasis, and sea differ in purpose, content, and instrumentation.

Although the old is making way for the new in present-day Oman, progress is still a mantle worn lightly by a society that retains a strong commitment to tradition, culture, and heritage. The extent to which Omani craft products continue to have utility in daily life is quite remarkable, as is the extent to which craft producers continue to equate challenge with opportunity in the practice of their craft. Craft skills continue to be passed down from mother to daughter, father to son, and Oman remains among the few nations in the Middle East with a living heritage that remains relevant to both local populations and visitors. Festival visitors had the chance to observe craftspeople at work and to interact directly with them, breaking through barriers of language and distance.

In Oman, a Curatorial Committee included Hassan Mohammed Ali Al-Lawati (Chair), Riyadh Yousef Al Raisi, Majid Said Hilal Al Mahroqi, Khalfan Ahmed Al Barwani, Salim Adil Al Mamary, Abeer Abdullah Al Farsi, Abdullah Hilkal Al Dawodi, Adil Humaid Al Mur Al Alawi, and Saeed Sultan Al Busaidy. Richard Kennedy was Curator, and Saeed Sultan Al Busaidy and Mary N. Sebold were Program Coordinators. Marcia Dorr was Crafts Program Advisor; Khalfan Al-Barwani was Music Program Advisor; and Diana N'Diaye was Adornment Pavilion Program Advisor.

The program was produced in partnership with the Ministries of Heritage and Culture, Tourism, Information, and Foreign Affairs, and the Public Authority for Crafts Industries of the government of the Sultanate of Oman, and with the cooperation of the Middle East Institute (Washington, D.C.), and the Oman Heritage Gallery.
Presenters:
Jamal Ahmed Ghulam Al Balushi, Khalfan Ahmed Al Barwani, Asyah Al Buali, Mubarak Al Dawodi, Majid Al Harthy, Murtatha Abdul Khaliq Al Lawattia, Hamood Abdullah Al Waheibi, Enrico Derrico, Adam Dorr, Marcia Dorr, Neil Richardson, Muna Ritchie
Participants:
Craft Traditions

Aromatics and Pottery

Mahfoodha Hamed Said Al-Amri, 1962-, incense, Salalah, Oman

Muna Mohammed Mahad Al-Amri, 1960-, incense burners, Salalah, Oman

Ghaliya Ali Mohammed Al-Bas, 1945-, incense, Salalah, Oman

Maryam Ahmad Balhaj, perfume, Salalah, Oman

Calligraphy

Saleh Juma Muslem Al-Shukairi, 1977-, calligraphy, Muscat, Oman

Mohammed Kasim Nasser Al-Sayegh, 1971-, calligraphy, Muscat, Oman

Desert Camp

Nasra Nasser Saad Al-Batahari, 1976-, camel milking baskets, Shleem, Oman

Jawhara Said Ali Al-Duwaiki, 1966-, camel trappings, Ibra, Oman

Haniya Sultan Al-Waheibi, 1952-, camel trappings, Ibra, Oman

Najud Hamoud Al-Wahibi, Bedouin cosmetics, Ibra, Oman

Embroidery

Khalsa Mohammed Abdullah Al-Jabri, 1965-, Cap embroidery, Samail, Oman

Najla Juma Said Al-Sinani, 1978-, Suri embroidery, Sur, Oman

Masar Jamaan Saad Bait-Saad, 1959-, Salalah embroidery, Salalah, Oman

Maryam Ali Rashid Al-Shehhi, 1967-, date palm baskets, Kasab, Oman

Indigo

Amur Saleem Salim Al-Shamakhi, 1940-, indigo-dyed cloth, Bahla, Oman

Metalwork

Mubarak Abdullah Ismail Al-Farsi, 1952-, copperwork, Sur, Oman

Musabah Jaarof Khamis Al-Hadad, 1945-, metalwork, Manah, Oman

Ibrahim Hamood Al-Isma'ili, 1978-, silver jewelry, Nizwa, Oman

Omar Abdullah Khalifin Al-Rashidi, 1944-, silver -- khanjar -- work, Sinaw, Oman

Khalid Naseer Saif Al-Taiwani, -- khanjar -- adornment, Nizwa, Oman

Weaving

Sulaiman Abdullah Basan Al-Khatri, 1961-, wool weaving, Al-Hamra, Oman

Khalfan Amur Khalfan Al-Badowi, 1941-, silk weaving, Al-Mudaibi, Oman

Occupational Traditions

Oasis Kitchen

Samira Bakhit Abdulla Al-Badri, 1964-, Omani cooking, Muscat, Oman

Zahir Hamed Mohammed Al-Dhahli, 1978-, halwa making, Muscat, Oman

Said Abdullah Said Al-Harthy, 1972-, Omani cooking, Muscat, Oman

Ahmed Rashid Abdullah Al-Masroori, 1974-, halwa making, Muscat, Oman

Traditional Building

Khalid Juma Hassoun Al-Araimi, 1974-, boats, Sur, Oman

Ahmed Mubarak Sabeit Al-Oraimi, 1979-, boats, Sur, Oman

Ali Said Khamis Al-Yahyaai, 1946-, traditional structures, Bahla, Oman

Saleh Khalaf Saif Al-Yahyaai, traditional structures, Bahla, Oman

Music and Dance Traditions

Al Majd, Salalah (South Oman traditions) -- Al Majd, Salalah (South Oman traditions)Said Awadh Salim Al-Hadhrami, 1966-Jalal Awadh Said Alloun, 1979-Abdul Sharif Bakhit Ba-Maalaq, 1971-Dhiyab Nasser Arfah Bait Al-Rabash, 1982-Nassr Bashir Ashoor Bait-Ardhain, 1979-Samid Nasib Farhan Bait-Bu Salasel, 1976-Wafa Said Mohammed Bait-Dashisha, 1982-Appian Said Jamaan Bait-Farhan, 1980-Abdul Hadi Fael Bait-Maaleq, 1983-Abir Gharib Bakhit Bait-Mabrook, 1990Khaloud Gharib Bakhit Bait-Mabrook, 1992-Ataf Saleh Faraj Bait-Mustahil, 1982-Said Aman Allah Said Bait-Naghathit, 1979-Naji Awadh Rajab Bait-Rabia, 1985-Rajab Khamis Saad Bait-Saleem, 1969-Amna Riyadh Rabia Bait-Taroom, 1953-Abdallah Masib Faraj Al-Amri, 1967-Rasam Rabia Nasib Maad, 1977-Anwar Nasib Saad Qafqaf, 1974-Arafat Matar Rajab, 1978-

Qurayat Ensemble (Central Coast traditions) -- Qurayat Ensemble (Central Coast traditions)Namir Khamis Ishaq Al-Balushi, 1979-Said Taraif Saleem Al-Ghazali, 1972-Amal Khamis Juma Al-Habsi, 1986-Nabil Naseeb Sangor Al-Jabri, 1979-Suad Obaid Salmeen Al-Jabri, 1986-Ali Khamis Said Al-Jahdhami, 1964-Naaim Suwaid Sangoor Al-Risadi, 1980-Mubarak Khamis Juma Al-Ruzaiqi, 1969-Talib Khalfan Salim Al-Sha'aibi, 1971-Afrah Juma Sulaiyam Al-Sinani, 1986-Amal Juma Sulaiyam Al-Sinani, 1982-Hadaiyad Rabia Hadaiyad Al-Sinani, 1971-Mahfoodh Abdullah Najim Al-Sinani, 1966-Rahima Rabia Hadid Al-Sinani, 1977-Rahma Juma Sulaiyam Al-Sinani, 1973-Saleh Yousuf Fail Al-Sinani, 1970-Salim Juma Suleum Al-Sinani, 1964-Yousuf Thani Fayil Al-Sinani, 1981-Ahmed Zaid Fail Al-Waheibi, 1980-Zayid Khalif Mubarak, 1979-

Suhar Ensemble (North Coast traditions) -- Suhar Ensemble (North Coast traditions)Abdullah Saleh Al-Balushi, 1935-Ibrahim Mubarak Hamed Al-Balushi, 1952-Juma Khamis Juma Al-Balushi, 1980-Sinan Ibrahim Ali Al-Balushi, 1946-Ali Suhail Salim Al-Dhahri, 1981-Obaid Mohammed Obaid Al-Farisi, 1959-Khamis Ali Mohammed Al-Hamdani, 1954-Mohammed Abdullah Al-Hamdani, 1941-Said Nasib Kharabash Al-Hamdani, 1977-Abdallah Saleh Ali Al-Jabri, 1958-Abdullah Khadeem Dhiwai Al-Kahali, 1952-Abdullah Ali Shinain Al-Maqbali, 1943-Abdullah Salmeen Al-Maqbali, 1977-Khalfan Saleh Abdullah Al-Nofli, 1956-Younis Juma Kharnis Al-Nofli, 1978-Ibrahim Mohammed Al-Qasmi, 1954-Saad Said Nasib Al-Qasmi, 1977-A'saim Ali Mohammed Al-Shafei, 1981-Mohammed Ali Ibrahim Al-Shezawi, 1949-Darwish Saleh Salim Al-Shibli, 1932-Dhahi Ghasab Dhahi Al-Shibli, 1939-Salim Mohammed Abdulla Al-Shibli, 1955-Mohammed Hassan Said Al-Shidi, 1930-Khamis Ali Khaif Al-Hamdani, 1940-
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2005, Series 5
See more items in:
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58512215f-3a32-49e6-b1ca-23f056262e28
EDAN-URL:
ead_component:sova-cfch-sff-2005-ref39

Heritage Gallery

Collection Creator:
Refregier, Anton, 1905-  Search this
Container:
Box 7, Folder 16
Type:
Archival materials
Date:
1963-1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from Bridget R. Sutton via Bridget's son, Tim Sutton. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Anton Refregier papers, circa 1900-circa 1990. Archives of American Art, Smithsonian Institution.
See more items in:
Anton Refregier papers
Anton Refregier papers / Series 2: Correspondence / 2.3: Alphabetical Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d3aab0af-203b-4a76-a5f9-84f8d112c0a8
EDAN-URL:
ead_component:sova-aaa-refranto-ref95

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