Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
World War I Exhibit Collection, Acc. NASM.1993.0063, National Air and Space Museum, Smithsonian Institution.
Michigan: Albion College; Archdiocese of Detroit; Archives of American Art; Central Michigan University; Chamberlain Memorial Museum; Cranbrook Institute of Science; Detroit Public Library; Flint Public Library; Henry Ford Museum and Greenfield Village...
Container:
Box 5 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 15-217, Joseph Henry Papers Project, Depository Files
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997 Search this
Container:
Box 2, Folder 73
Type:
Archival materials
Date:
1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Reference materials relating to carousels in the collections of Children's Museum, Circus World Museum, Henry Ford Museum and Greenfield Village, Heritage Plantation, Nassau County Historical Museum, New England Carousel Museum, Portland Carousel Museum, Rochester Museum and Science Center, Shelburne Museum, and Smithsonian Institution. Materials are arranged in alphabetical order by name of museum.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
Files and 16 scrapbooks kept during Harris' tenure at various museums and participation in art organizations. Included are files on the Des Moines Association of Fine Arts, 1938-1940, containing material on the 1939 Worlds Fair and the WPA; the J.B. Speed Museum, 1950-1964, containing research material for Harris' FOURTEEN SEASONS OF ART ACCESSIONS IN KENTUCKY 1947-1960; the Henry Francis du Pont Winterthur Museum, containing newsletters, executive committee meeting minutes, letters, budget reports, by-laws and printed material; the Henry Ford Museum and Greenfield Village, containing material on the Edison Institute; American Federation of the Arts, 1969-1972; and the League of New Hampshire Craftsmen, 1973-1974.
Also included are eight volumes of study notes, syllabi and a bibliography from art history classes taken at Harvard University and New York University, 1930-1936.
Biographical / Historical:
Curator, museum director, J.B. Speed Art Museum, Louisville, Ky., 1946-1962; deputy director Henry Francis DuPont Winterthur Museum, Delaware, 1962-1967; director of collections, Henry Ford Museum, Michigan, 1967-1971.
Provenance:
Donated 1980 and 1982 by Paul Stewart Harris.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
American Association of Museums Centennial Oral History Interviews
Extent:
11 compact discs (Reference copies).
Type:
Collection descriptions
Archival materials
Transcripts
Video recordings
Electronic records
Electronic images
Compact discs
Date:
2006
Introduction:
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and
interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
To commemorate the 100th anniversary of the American Association of Museums (AAM) and the 30th anniversary of the Museum Studies Department, The George Washington University,
oral history interviews were videotaped with eleven of the AAM's Centennial Honor Roll honorees as a part of a special Museum Studies graduate seminar taught by Smithsonian
Institution Archives historian, Pamela M. Henson. Interviews were recorded in digital video and deposited in the Smithsonian Institution Archives Oral History Collection.
Descriptive Entry:
The AAM Centennial Honorees that were interviewed were Nina M. Archabal, Director of the Minnesota Historical Society; Rebecca A. Buck, Chief Registrar, The Newark
Museum; Lonnie G. Bunch, Director, National Museum of African American History and Culture, Smithsonian Institution; Robert R. Macdonald, former Director, Museum of the City
of New York; Marie C. Malaro, former Smithsonian Institution General Counsel and former Director, Museum Studies Department, The George Washington University; Kathleen McLean,
Principal, Independent Exhibitions; Keith E. Melder, former Curator, National Museum of American History; Harold K. Skramstad, former Director, Henry Ford Museum and Greenfield
Village; Kathy Dwyer Southern, Director, National Children's Museum; James M. Vaughn, Vice President, Stewardship of Historic Sites, National Trust for Historic Preservation;
and W. Richard West, Director, National Museum of the American Indian. The interviews document their careers and reflections on the museum profession.
Graduate students Melanie M. Blanchard, Lauren A. Boegen, Reagan M. Furrow, Natascha L. Guluk, Heather T. Hawkins, Arthur Kim, Anthony Sankston Wallace, Elizabeth A. Pierson,
Erica I. Nuckles, and Kimberly I. Robinson, from the GWU Museum Studies Program and the course instructor, SIA Historian Pamela M. Henson, conducted the interviews.
These interviews discuss their careers as outstanding museum professionals.
The AAM Centennial Interviews consist of 13.0 hours of digital video interviews and 379 pages of transcript. The original digital video files are preserved in security
storage with Windows Media Video files available for reference.
Interview of Harold K. Skramstad (1941- ) by Arthur B. Kim, on The George Washington University campus covers his career a museum consultant, discusses his youth in relation to his work in museums; education at George Washington University and the Smit...
Container:
Interviews
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 9620, American Association of Museums Centennial Oral History Interviews
Harding, Warren G. (Warren Gamaliel), 1865-1923 Search this
Hoover, Herbert, President, 1874-1964 -- Photographs Search this
Lindbergh, Charles A. (Charles Augustus), 1902-1974 Search this
Extent:
0.67 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Date:
1890s-1933
Scope and Contents:
This collection is divided into two series: (a) Silver gelatin prints; and (b) xerographic copy prints made in the museum. The collection consists of approximately 340 photoprints (count to be verified) documenting the life of Thomas Alva Edison, especially the later period, beginning in his early fifties, continuing until his death in 1931 at age 84 (there are also later pictures, including his funeral, and awards and sculptures). The photographs are arranged chronologically and are clearly captioned with pasted labels containing dates, places, notations of circumstances and identification of persons. These photoprints show Edison, his family (including his wife and son Charles), friends, associates, and famous persons, including Charles Proteus Steinmetz, Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh, and Presidents Harding, Coolidge and Hoover, including scenes in New Jersey, Florida, Michigan, and other locations.
Some photographers' rubber stamps appear on the verso of prints. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.
Many of the photographs are not original prints, but were made from copy negatives. Such copies, where fairly obvious, are identified in the Container List.Photographs are clearly captioned with dates, places, occasion and persons identified. More than 300 photoprints show Edison, his family, friends, associates, and famous persons, including Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh and Presidents Harding, Coolidge, and Hoover. Locations include New Jersey, Florida, Michigan. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.
This collection is divided into two series: (a) Silver gelatin photoprints; and (b) xerographic reference copies made in the museum. The collection consists of approximately 340 photoprints (count to be verified) documenting the life of Thomas Alva Edison, especially the later period, beginning in his early fifties, continuing until his death in 1931 at age 84 (there are also later pictures, including his funeral, and awards and sculptures). The photographs are arranged chronologically and are clearly captioned with pasted labels containing dates, places, notations of circumstances and identification of persons. These photoprints show Edison, his family (including his wife and son Charles), friends, associates, and famous persons, including Charles Proteus Steinmetz, Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh, and Presidents Harding, Coolidge and Hoover, including scenes in New Jersey, Florida, Michigan, and other locations.
Some photographers' rubber stamps appear on the verso of prints. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.
Many of the photographs are not original prints, but were made from copy negatives. Such copies, where fairly obvious, are identified in the Container List.
Arrangement:
Collection is arranged into two series.
Series 1: Silver Gealtin Prints
Series 2: Xerographic Copy Prints
Biographical / Historical:
Photographs cover Edison's later life, beginning in his early 50's and continuing until his death in 1931 at age 84. Edison with an electric car: the car is a 1914 Detroit Electric Brougham model 47, serial number 5426. It was shipped December 19, 1913 to East Orange New Jersey, with an Edison Battery but with no motor (very unusual) (according to Galen Handy, 2/09/07; see http://earlyelectric.com).
Dr. Bernard Finn, Curator of Electricity, National Museum of American History organized a traveling exhibition based on these and other photographs (most supplied by the Edison National Historic Site), "Edison After the Electric Light: The Challenge of Success," in 1986; it was circulated by the Association of Science-Technology Centers. In 1994 a revised version of the exhibition was prepared (again curated by Dr. Finn) for display in the National Museum of American History basement photography gallery; it was retitled "Edison After Forty: The Challenge of Success." In 1996, copies of the exhibit were given to museums in Japan, India, Yugoslavia, and China for circulation in those countries. Another version of this compilation had been published as "Thomas Alva Edison After Forty: The Challenge of Success in USA Today, July 1994, pp. 84-92.
One of the most famous of all Americans in any walk of life, Thomas Alva Edison hardly needs an introduction. He was the quintessential "genius" who invented or perfected a variety of electrical and technological devices which are still fundamental features of everyday life, not only in the United States, but around the world. Many of his or his companies' "inventions," of course, built on the pioneering work of others. Another Archives Center collection, the Gordon Hendricks Collection, includes the efforts of one scholar to debunk or minimize Edison's personal role in the development of motion picture cameras and projectors.
Edison was born in Milan, Ohio, February 11, 1847, and died October 18, 1931 at 84 years of age. His Edison Electric Light Company was the predecessor of the General Electric Co. While operating this company, and later working at laboratories in Menlo Park and West Orange, New Jersey, he was credited with patents for over one thousand inventions. A bibliography follows.
Provenance:
Collection donated by ETL Testing Laboratories in 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Most images probably public domain due to expired copyrights.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Subgroup II: Technology and Culture Records
Series 2: Correspondence, 1965-1988
Files are restricted for thirty years from the most recent date of the correspondence. They may be opened, on a case-by-case basis, through appeal to the SHOT Editorial Committee.
Series 4: Editorial Review of Articles, 1960-1993
Files are restricted for thirty years from the most recent date of the review. They may be opened, on a case-by-case basis, through appeal to the SHOT Editorial Committee.
Series 9: Published Files, 1982-1994
Files are restricted for thirty years from the date of the last correspondence in the individual folder. They may be opened, on a case-by-case basis, through appeal to the SHOT Editorial Committee.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees apply when requesting reproductions.
Collection Citation:
Society for the History of Technology Records, Archives Center, National Museum of American History, Smithsonian Institution
Files are restricted for thirty years from the most recent date of the correspondence. They may be opened, on a case-by-case basis, through appeal to the SHOT Editorial Committee.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees apply when requesting reproductions.
Collection Citation:
Society for the History of Technology Records, Archives Center, National Museum of American History, Smithsonian Institution
