The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.
Scope and Contents:
The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.
Scattered administrative records document the founding and history of the Rose Fried Gallery, biographical materials about Rose Fried, as well as scattered administrative correspondence, press releases, and gallery catalogs. There are two sound recordings of interviews with Rose Fried in which she discusses the origins of the Rose Fried Gallery and some of the gallery's shows.
The bulk of the records consist of alphabetical artists' and clients' files documenting the gallery's dealings with individual artists, clients, other galleries, museums, and universities. Contents of individual files vary but may include correspondence, contractual agreements, financial records, printed material, and photographs. A few of the artists represented in the files include Olle Baertling, Joseph Cornell, Ben Cunningham, Sonia Delaunay, Sorel Etrog, John Ferren, Raymond Hendler, Wassily Kandinsky, Stanton MacDonald-Wright, Piet Mondrian, Russell Morgan, Francis Picabia, Hans Richter, Joaquin Torres-Garcia, and Jean Xceron, among many others.
Arrangement:
The collection is arranged as two series.
Missing Title
Series 1: General Administrative Records, 1947-1970 (9 folders; Box 1)
Series 2: Artists' and Clients' Files, 1936-1972 (7.9 linear feet; Boxes 1-8, OV 9)
Historical Note:
Rose Fried established the Rose Fried Gallery in the 1940s in New York City, New York. Fried established the gallery when she took over the Pinacotheca Gallery owned by Dan Harris. The Gallery specialized in abstract and modern art, and represented cubists, futurists, Dadaists, and masters of Latin American art. The Rose Fried Gallery was instrumental in introducing the American public to many abstract painters, including Mondrian and Kandinsky. The Gallery remained operational until Fried's death in 1970.
Provenance:
The Rose Fried Gallery Records were donated by Rose Fried and her brother and executor Paul Fried in multiple accretions between 1968 and 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy also requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York Search this
Scrapbook compiled by Greenbaum relating to various artists; and untranscribed interviews, including two of Herman Somberg conducted by Greenbaum, ca. 1965; two of Greenbaum conducted by Vivienne Wechter, 1961 and 1978; and one of Greenbaum conducted by Hilda Weltman, 1968.
The scrapbook contains photographs of Greenbaum and artists George Segal, Miles Forst, and Willem de Kooning; photographs of works of art by Franz Kline, Willem de Kooning, Chryssa, Isamu Noguchi, Will Barnet, Barbara Hepworth, and Ilya Bolotowsky; sketches by Herman Somberg and Henry Pearson; a sketch of Greenbaum by Hugo Weber; a catalog, "The 30's -- Painting in New York"; clippings; and printed miscellany.
The interviews of Somberg conducted by Greenbaum include one (5 5" tapes) in which Somberg discusses Pop and Op movements; artist's motivations; realism vs. reality and tradition vs. modern art; the elements of structure, texture, composition and pigment in modern art; social commentary in painting; "pure painting"; Jackson Pollock, Franz Kline, and Willem de Kooning; happenings; and Somberg's disdain for art history. In the second interview (1 5" tape), painter Raymond Hendler is also present; they discuss their favorite television shows, an Op exhibition at the Museum of Modern Art, and the meanings of the words "good," "like," "taste," and opinion" in relation to contemporary art.
The interviews of Greenbaum, include: one (on 2 5" tapes), conducted by Hilda Weltman, July 13 & 20, 1968 in which Greenbaum speaks of the conflicts and opportunities of American artists and his views on Pop art, strobe lights, civil rights, religion, existentialism, the Catholic Church, Vietnam, technology, hippies, and demonstrations at Columbia University; one (on 1 7"tape) conducted by Viviene Wechter, 1961 wherein Greenbaum speaks of collecting, art and affordability, abstract art, the arrangement of paintings on walls, his collection, and artists as personalities independent of their aesthetic; and the third, conducted in 1978, also by Wechter (on 1 cassette) for a radio program entitled "Today's World" on FM radio station WFUV.
Biographical / Historical:
Jack Greenbaum: collector and dentist; New York, N.Y. and an intimate friend of Willem de Kooning, Franz Kline, and Hugo Weber. He did their dental work and was given their paintings in payment.
Provenance:
Donated 1978 by Dr. Jack Greenbaum.
Restrictions:
Microfilmed portion (scrapbook) must be consulted on microfilm. Use of untranscribed interviews requires an appointment and is limited to AAA; Washington, D.C. office.
Occupation:
Painters -- New York (State) -- New York Search this
