National Portrait Gallery, Smithsonian Institution; acquired through the generosity of Fred M. Levin and Nancy Livingston, the Shenson Foundation, in memory of Ben and A. Jess Shenson; 2015 Portrait of a Nation Prize Recipient
National Portrait Gallery, Smithsonian Institution; acquired through the generosity of Fred M. Levin and Nancy Livingston, the Shenson Foundation, in memory of Ben and A. Jess Shenson; 2015 Portrait of a Nation Prize Recipient
Cooley, D. A.; Liotta, D.; Hallman, G. L.; Bloodwell, R. D.; Leachman, R. D.; Milam, J. D.. Orthotopic Cardiac Prosthesis for Two-Staged Cardiac Replacement
The Charles E. Qualls papers, which date from 1899 to 1988 and measure 3.02 linear feet, document the career of pharmacist and community organizer Charles E. Qualls. The papers are comprised of correspondence, documents from community organizations, magazines, newspaper clippings, photographs, and scrapbooks.
Scope and Contents note:
This collection documents the professional life of Charles E. Qualls between 1960 and 1983. It contains materials related to Mr. Qualls's education, community involvement, and pharmacy business. Included in the collection are awards and citations, certificates, correspondence, financial records, photographic albums and prints, printed materials, and scrapbooks.
Arrangement note:
The papers are organized into six series. The content of each series is arranged alphabetically. There are oversize materials in the Biographical, Photographs and Miscellaneous series. The oversize materials in the Biographical and Miscellaneous series contain scrapbooks. The series are arranged as follows:
Series 1: Biographical
Series 2: Community Organizations
Series 3: Correspondence
Series 4: Photographs
Series 5: Printed Materials
Series 6: Miscellaneous
Biographical/Historical note:
On May 23, 1912 Charles Edward Qualls was born in New Bern, Tennessee to Fred and Ary Watts Qualls. Shortly after his birth the family of fourteen moved to South Bend, Indiana. He graduated from high school there in 1932 with a dream of becoming a business owner. After a few diversions along the way, in 1941 he graduated from Howard University's School of Pharmacy. Mr. Qualls's determination to fulfill his dream proved quite strong; a few months after his graduation he opened his own drug store, the Anacostia Pharmacy. From that point on, he became "Doc Qualls" to all who knew him. Two years later he married Aleneitha Johnson of Conway, South Carolina and they had one son, Neal Frederic Qualls.
The Anacostia Pharmacy, located on Nichols Avenue – later renamed Martin Luther King Avenue – became a gathering place for the community. Young people socialized at the soda fountain while older people planned for the future of Anacostia. It was from these gatherings that the vision for a community business organization developed; a vision that was realized in 1949 with the establishment of Anacostia Business and Professional Association (ABPA).
The ABPA provided assistance to local businesses by garnering grants and loans, lobbying politicians, and, at times, enforcing business regulations. To maintain its presence in Anacostia, the Association sponsored awards for organizations throughout the community: schools, police precincts, and cultural organizations. Additionally, the organization contributed time and money to various politicians, serving as an intermediary between Anacostia and the city at-large.
His influence in Anacostia and District of Columbia extended beyond the interests of local businesses. His concern for the health of Anacostia's residents led him to found the Washington Pharmaceutical Association in 1947. He was also instrumental in the establishment of the Southeast Unit of the D.C. Chapter of the National Cancer Society, which opened to great fanfare in 1968. Undoubtedly his most important contribution in the area of health was his tireless lobbying for a hospital in Ward 8. Eventually the city gave its approval, and Mr. Qualls got right to work conducting several fundraisers. The Morris Cafritz Memorial Hospital (Greater Southeast Community Hospital) opened in the spring of 1966 and Mr. Qualls served on its board.
As if addressing Anacostia's economic and health concerns were not enough, Mr. Qualls found time to work on the cultural front. He was a founding member of the Anacostia Historical Society whose mission was to preserve and promote the history and culture of Anacostia. The Society operated under the auspices of the Anacostia Neighborhood Museum, and together the two organizations created an exhibit, Anacostia Story: 1608–1930. The show opened in 1977. On the historical front, Mr. Qualls and the ABPA lobbied the federal government – the National Park Service, in particular – to take ownership of Frederick Douglass's home. He, along with many others in the community, believed that only the stewardship of the government could save the house from ruin. His efforts paid off and he had a front row seat at the dedication ceremony for the newly established National Park Service historic site, Cedar Hill.
This pillar of the community died in 1984 at the age of 72. The official cause of death was cancer. But his family and friends would argue that point; many felt that he died of a broken heart. In late November 1983, the venerable Anacostia Pharmacy was robbed at gunpoint and then ransacked; all of this while Doc Qualls was undergoing what would be successful cancer surgery at his alma mater, Howard University. When he returned to his beloved pharmacy a few weeks later, he was absolutely devastated, so much so that he all but stopped working with the community organizations to which he had been dedicated. With his store padlocked and boarded up, his family and friends watched helplessly as his health declined. He was eventually readmitted to the hospital in late March of 1984 where, except for a few days in May, he remained for the rest of his life.
Charles Edward Qualls died on June 21, 1984.
Related Archival Materials note:
Anacostia Historical Society records located in Anacostia Community Museum Archives.
Alice Bell Finlayson papers located in Anacostia Community Museum Archives.
Ella B. Howard Pearis papers located in Anacostia Community Museum Archives.
Dale/Patterson family collection located in Anacostia Community Museum Archives.
Provenance:
The Charles E. Qualls papers were donated to the Anacostia Community Museum in 1990 by the estate of Charles E. Qualls. Additional materials from his estate were donated by Dianne Dale in 2006.
Restrictions:
The collection is open for unrestricted research. Use requires an appointment.
Rights:
The Charles E. Qualls papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Copeland, Jack G. et al. Bridge to transplantation with the CardioWest total artificial heart: the international experience 1993 to 1995
Copeland, Jack G., III, M.D. et al. Comparison of the CardioWest Total Artificial heart, the Novacor Left Ventricular Assist system in bridge to transplantation
The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.
Scope and Contents:
The collection consists of advertisements collected by Dr. Robert Jackler for his "Not a Cough in a Carload: Images from the Tobacco Industry Campaign to Hide the Hazards of Smoking" exhibition. The heart of the collection consists of paper advertisements from national magazines and newspapers dating from 1898-2017. The bulk of these materials are for cigarettes but also include cigars and tobacco. A smaller amount of material are advertisements for holders, lighters and matches, pipes, smokers' drops, and toothpaste. Included among these materials are also some point of purchase displays and ephemera from major tobacco companies.
The material emphasizes the deceptive advertising practices intended to convince people that tobacco use was safe, and the use of doctors, dentists, athletes, opera singers, actors, and others to endorse them. Actresses and actors that appeard in some of these advertisements included Lucille Ball, Madge Bellamy, Constance Bennett, Sam Bernard, Billie Burke, Eddie Cantor, Richard Carle, Sue Carol, Madeleine Carroll, Boake Carter, Charlie Chan, Charlie Chaplin, Ina Claire, George M. Cohan, Claudette Colbert, June Collyer, Betty Compson, Gary Cooper, Clifton Crawford, Myrna J. Darby, Marlene Dietrich, Dolores Del Rio, Sally Eilers, Clifton Fadiman, Douglas Fairbanks, William Faversham, W.C. Fields, Muriel Finley, Sidney Fox, Kay Francis, Janet Gaynor, Bill Haines, Jean Harlow, Miriam Hopkins, Jack Holt, Leslie Howard, Edmund Lowe, Al Jolson, Harry Lauder, Carole Lombard, Myrna Loy, Dorothy Mackaill, Herbert Marshall, Groucho Marx, Norina Matchabella, Philip Merivale, Robert Montgomery, Catherine Moylan, Ramon Novarro, Maureen O'Sullivan, Barbara Stanwyck, Margaret Sullavan, Norma Talmadge, Lawrence Tibbett, William T. Tilden, Spencer Tracy, Helen Twelvetrees, Lenore Ulric, Lupe Velez and David Warfield. Some of the athletes that endorsed tobacco products included Ty Cobb, James J. Corbett, Johnny Farrell, Lou Gehrig, Walter Hagen, Willie Hoppe, Matt McGrath, Vincent Richards, Damon Runyon, Babe Ruth, Earl Sande, Martin Sheridan, Fred Spencer, Jr., Gaston Strobino and Ted Williams. Musicians that appeared in some of the advertisements included Frances Alda, Carl Gantvoort, George Gershwin, Dinh Gilly, Nanette Guilford, Jack Henderson, Helen Jepson, Karl Jörn, Lauritz Melchior, Dick Powell, John Philip Sousa, and Leo Slezak. Other note worthy celebrities included Robert Lee, Amelia Earhart, Georges Fontana, Rube Goldberg, Martin Johnson, Alice Roosevelt Longworth, Marjorie Moss, Robert Taylor, Rudy Vallée, Amy Vanderbilt, King Vidor, George White, Florenz Ziegfeld, and Elsie de Wolfe.
To appeal to even wider audiences, advertisements incorporated iconic images such as Mount Rushmore, the American flag, the Statue of Liberty, and Santa Claus. Other advertisements used images of happy times and personal milestones, such as weddings, graduation day, Father's Day, etc., which smokers were told were incomplete without the aid of a cigarette.
Dr. Jackler later donated additional material which includes updated advertisements on modern themes, such as the economy (advertising touting bargain prices); technological changes (hard pack, improved filter, "light" cigarettes); and include more images of minorities. The initial donation had a series of advertisements with images of African Americans, but these additional ads allow researchers access to an even larger and more diverse set of examples of how tobacco was marketed to minorities. Dr. Jackler also expanded his research into much older magazines and newspapers. The addendum features advertisements from defunct, obscure, and short lived brands, in addition to the most popular and familiar ones. This enables researchers to study such themes as why the more successful companies' advertisements succeeded. These materials were integrated with the rest of the collection.
The collection is arranged into twelve series. Series one is cigarette advertisements dating from 1903-2017 and is divided by the media where it appeared in. Series two, contains advertisements for cigars dating from 1901-2017 and is also divided by media. Series three is chewing tobacco advertisements dating from 1898-2010 and is arranged into two subseries magazines and newspapers. Series four through series nine are advertisements marketing non-tobacco products and accessories for smokers. In addition, series ten contains point of purchase displays. Series eleven is born digital content. And finally, series twelve contains other forms of advertising and ephemera created by tobacco companies to assist in the sale of their products.
Arrangement:
The collection is arranged into twelve series.
Series 1, Cigarette Advertisements, 1903-2017, undated
Series 4, Holder Advertisements, 1923-1957, undated
Series 5, Lighters and Accessories Advertisements, 1934-1977, undated
Series 6, Matches Advertisements, 1949, undated
Series 7, Pipes Advertisements, 1920-1971, undated
Series 8, Smokers' Drops Advertisements, 1958
Series 9, Toothpaste Advertisements, 1920, undated
Series 10, Point of Purchase Displays, undated
Series 11, Born Digital Content, undated
Series 12, Ephemera, 1960-2013, undated
Series 13: 2017 Addenda
Biographical / Historical:
Dr. Robert K. Jackler was born on January 29, 1954 to Dr. Jacob Marlowe Jackler and Marilyn Epstein. He was raised in Waterville, Maine, and attended college and medical school in Boston, Massachusetts. He moved to California for a residency in Otolaryngology-Head and Neck Surgery. In 1985, Dr. Jackler accepted a Neuroethology fellowship at the House Ear Clinic and joined the faculty at the University of California, San Francisco where he remained until 2003. Later that year he became the Sewall Professor and Chair of the Department at OHNS and professor in the Ddepartments of Neurosurgery and Surgery at the Stanford University School of Medicine.
Dr. Jackler's medical work exposed him to numerous patients suffering from tobacco-related health problems. In addition, his mother, Marilyn Jackler, died of cancer in 2007. That year he and his wife Laurie founded the research group SRITA (Stanford Research into the Impact of Tobacco Advertising). The purpose of SRITA was to use an interdisciplinary approach to examine the ways in which the tobacco industry targeted minority groups. SRITA also wanted to examine how the industry marketed new products. During this time Dr. Jackler and his wife also began to amass a collection of advertisements and artifacts relating to tobacco products. These effors cumulated in an exhibition of advertising imagery tracing how tobacco companies used deceptive and often patently false claims in an effort to reassure the public of the safety of their products. "Not a Cough in a Carload: Images from the Tobacco Industry Campaign to Hide the Hazards of Smoking" was dedicated to his mother, Marilyn Jackler, who started smoking as a young woman because "it was the sophisticated thing to do" and later was unable to quit. Dr. Jackler received support from Stanford's Lane Medical Library, where the exhibit opened with an accompanying website (http://lane.stanford.edu/tobacco/index.html). Dr. Jackler has authored numerous papers, textbook chapters, editorials, and books in addition to his teaching, medical practice, and collecting.
Related Materials:
There are several collections relating to the advertising and marketing of tobacco in the Archives Center. The Warshaw collection's series on "Tobacco Trade" consists of nine cubic feet of business ephemera, circa 1850-1950. The N W Ayer Advertising Agency Records contain complete advertising campaigns for over 130 tobacco brands, 1899-1951, for companies such as Fatima, Murad, Pall Mall, Philip Morris, and R.J. Reynolds. The Marlboro Oral History and Documentation Collection documents the development of the Marlboro Man advertising campaign, 1940-1986. The Virgil Johnson Collection of Cigarette Packages, circa 1890-1997, contains over six thousand packages arranged into albums. The Cornelius and Horne Collection of Cigarette Packages consists of seventy three labels collected by a United States Navy captain in the Pacific theatre in 1945.
Provenance:
The collection was donated by Robert K. Jackler in 2011.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
Marilyn E. Jackler Memorial Collection of Tobacco Advertisements circa 1890-2013, Archives Center, National Museum of American History.
