Search Results

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-4, 35A.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 35A." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01595

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo746ea8b3f-3940-4d31-bc2f-3d0f5d0fc225

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28683

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-4, 22A.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 22A." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01588

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7007e5639-37df-480f-a810-12708a225733

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28676

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-4, 36A.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 36A." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01596

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7f2c889a3-5531-4a13-9289-76b7231f4969

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28684

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

E 1 BMB 26.1 EE 70

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 13.

Slide No. E 1 BMB 26.1 EE 70

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Dance  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Cultural landscapes  Search this

Vernacular architecture  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3411

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c8e09192-5673-4245-b708-3982c25e52f2

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19787

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

E 1 BMB 27 EE 70

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

Frame value is 12.

Slide No. E 1 BMB 27 EE 70

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Dance  Search this

Cultural landscapes  Search this

Vernacular architecture  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3412

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo72b1aee1f-2062-414e-8690-99987a165df7

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19789

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 4 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Exhibitions Note:

"Convergence," organized and held by Morgan State University on view from December 14, 2002 thru April 13, 2003. LL03-0015

Local Note:

Caption: Bamana Chi-wara (antelope) headdress dancers, near Bamako, Mali. Photograph by Eliot Elisofon, April, 1971. Image no. EEPA 3366. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

48

Frame value is 33.

Slide No. E 1 BMB 4 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3366

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7fd9d54ca-87e6-415b-9882-dbc92f5c6e9f

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19738

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 4.1 EE 71

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Exhibitions Note:

Contexual image in "African Masks from the Noel Collection" held by the Tubman African American Museum in Macon, Georgia, 2003. LL03-0069

Local Note:

48

Frame value is 32.

Slide No. E 1 BMB 4.1 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3367

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7460740eb-a048-4dac-9b68-a1b71179e435

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19739

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 5 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

49

Frame value is 8.

Slide No. E 1 BMB 5 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3368

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7089d9fba-47e5-4060-8d56-aca698f58bd6

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19740

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 6 EE 71

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Exhibitions Note:

"The World Journey: Art in African Art," held by the Speed Art Museum, Louisville, KY, , beginning August, 20, 2002. LL01-0212.

"African Art from the Permanent Collection," exhibited by the Neuberger Museum of Art, beginning in November, 2001. LL02-0040.

Local Note:

48

Frame value is 6.

Slide No. E 1 BMB 6 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Musical instruments  Search this

Music  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3369

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7aa5988e2-d5ba-422c-87dd-32c235bf1a7a

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19741

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 6.1 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

48

Frame value is 32.

Slide No. E 1 BMB 6.1 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Musical instruments  Search this

Music  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3370

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo77ff2910c-720f-4729-8048-a149e521e032

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19742

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

E 1 BMB 7 EE 71

General:

Citation source: Archives staff.

Title is provided by EEPA staff based on photographer's notes.

Local Note:

49

Frame value is 11.

Slide No. E 1 BMB 7 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 3372

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7af471e43-5d52-4145-9221-0afb3dc75b7a

EDAN-URL:

ead_component:sova-eepa-1973-001-ref19745

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Type:

Archival materials

Slides

Color slides

Place:

Africa

Mali

Date:

1971

Scope and Contents:

This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

Local Numbers:

A 1 MAL 4 EE 71

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

N7 3

Frame value is 16.

Slide No. A 1 MAL 4 EE 71

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Clothing and dress -- Africa  Search this

Headdresses -- headgear -- Africa  Search this

Portraits  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 67

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7deaad183-192d-4e92-917a-4377db60cd64

EDAN-URL:

ead_component:sova-eepa-1973-001-ref23462

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"Bamana headdresses are zoomorphic in form and are carved in wood in male and female pairs, each attached to a basketry cap that is worn on a dancer's head. The headdress is inspired mostly by the roan antelope, but distinctive features of other creatures symbolic to the Bamana, including the aardvark and pangolin, are sometimes fused together in one piece. While drawing upon established regional form conventions, the Bamana sculptor also deploys his own imagination to endow each headdress with unique qualities." [LaGamma A., 2002: Genesis, Ideas of Origin in African Sculpture. Yale University Press]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-3, 35.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali. Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 35." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Rites and ceremonies -- Africa  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Wood-carving  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 08649

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo75ea6c165-f423-457c-a09f-198bd554c4ec

EDAN-URL:

ead_component:sova-eepa-1973-001-ref35727

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Pende (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1970

Scope and Contents:

"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

C 3 PND 4 EE 70

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

80

Frame value is 17.

Slide No. C 3 PND 4 EE 70

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Leaders  Search this

Beadwork  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2250

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Gungu, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo78664ab55-9bdf-4727-b1c5-fb0ea90519ed

EDAN-URL:

ead_component:sova-eepa-1973-001-ref14467

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Slide (col.)

Culture:

Pende (African people)  Search this

Type:

Archival materials

Slides

Color slides

Place:

Africa

Congo (Democratic Republic)

Date:

1970

Scope and Contents:

"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

C 3 PND 9 EE 70

General:

Title is provided by EEPA staff based on photographer's notes.

Local Note:

80

Frame value is 21.

Slide No. C 3 PND 9 EE 70

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Leaders  Search this

Beadwork  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Color slides

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EECL 2255

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EECL / Gungu, Congo (Democratic Republic)

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c7cf85c1-df59-4c63-bcbe-950dcbfb77b8

EDAN-URL:

ead_component:sova-eepa-1973-001-ref14522

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Pende (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Congo (Democratic Republic)

Date:

1970

Scope and Contents:

"The headdress shape conforms to Pende stylistic conventions: the bicorn headdress is said to allude to the strength and power of the buffalo in a reference to the associated powers of chieftancy. Among the Pende these headdresses are called ' Misango Mapende'." [Christine Mullen Kreamer, 1995: Spectacular Hats for Special Occasions. Crowning Achievements, UCLA Fowler Museum of Cultural History]. During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Gungu and its surroundings in Kwilu Pende people's region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-I-38a, 26.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "C 3 Pnd. Pende. Zaire, Gungu. Chief. 4/1970. EE. neg.no. I-38A, 26." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Leaders  Search this

Headdresses -- headgear -- Africa  Search this

Beadwork  Search this

Weapons  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01200

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1970

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo702d6d886-032a-4368-bf0b-b8bf8a1e4e91

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28293

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdress always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-3, 34.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 34." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Wood-carving  Search this

Dance  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Textile crafts  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01585

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7e90ff36f-4874-4c6a-ab3a-ae9a965d3e85

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28673

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-3, 36.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 36." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Rites and ceremonies -- Africa  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Wood-carving  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01586

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7a0dff5db-2621-42a5-8cd5-cce35b28d97a

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28674

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdress always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-3, 37.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress, mask of red cloth and cowries. 7/1970. EE. neg.no. III-3, 34." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Portraits  Search this

Rites and ceremonies -- Africa  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Wood-carving  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01587

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7cf4ac6bd-53d0-4194-a5d8-23acafac8cc6

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28675

Photographer:

Elisofon, Eliot  Search this

Collection Photographer:

Elisofon, Eliot  Search this

Extent:

1 Negatives (photographic) (b&w, 35mm.)

Culture:

Bamana (African people)  Search this

Type:

Archival materials

Negatives (photographic)

Black-and-white negatives

Negatives

Place:

Africa

Mali

Date:

1970

Scope and Contents:

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Headdress (Ciwara). See the Music, Hear the Dance, Prestel]. During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.

Local Numbers:

EENG-III-4, 23A.

General:

Title source: Index card based on photographer's notes.

Local Note:

Typed index card reads, "E 1 Bmb. Bambara. Mali, Bougouni. Acrobatic dancer with antelope headdress. 7/1970. EE. neg.no. III-4, 23A." The card was written in 1977-79 by Archives staff using source provided by photographer.

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Rites and ceremonies -- Africa  Search this

Dance  Search this

Masquerades  Search this

Masks  Search this

Animals in art  Search this

Animals in art -- antelopes  Search this

Animals in art -- Composite animals  Search this

Headdresses -- headgear -- Africa  Search this

Genre/Form:

Black-and-white negatives

Negatives

Collection Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001, Item EEPA EENG 01589

See more items in:

Eliot Elisofon Field collection

Eliot Elisofon Field collection / Mali

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7a8d90768-8707-474b-a896-d409fbd28b53

EDAN-URL:

ead_component:sova-eepa-1973-001-ref28677