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Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-55; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Art schools -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art schools -- Massachusetts -- Provincetown  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Institute of Contemporary Arts records

Creator:
Institute of Contemporary Arts (Washington, D.C.)  Search this
Names:
Meridian House Foundation  Search this
People-to-People (Organization)  Search this
United States. Veterans Administration  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Copland, Aaron, 1900-1990  Search this
Cummings, E. E. (Edward Estlin), 1894-1962  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fangor, Wojciech, 1922-  Search this
Gabo, Naum, 1890-1977  Search this
Giampietro, Alexander  Search this
Gordimer, Nadine  Search this
Graves, Robert, 1895-1985  Search this
Gropius, Walter, 1883-1969  Search this
Hawkins, Erick  Search this
Huxley, Aldous, 1894-1963  Search this
Jahn, Janheinz  Search this
Phillips, Duncan, 1886-1966  Search this
Raine, Kathleen, 1908-2003  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richman, Robert  Search this
Richter, Hans, 1888-1976  Search this
Sage, Kay  Search this
Tanguy, Yves, 1900-1955  Search this
Williams, William Carlos, 1883-1963  Search this
Extent:
36 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
School records
Date:
1927-circa 1985
bulk 1947-1967
Summary:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Scope and Contents:
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

Robert Richman's professional and personal relationships with numerous artists and writers which the ICA hosted in D.C. are documented in Correspondence and Artists' Files. Correspondence files include letters from Joseph and Anni Albers, Alfred Barr, e.e. cummings, Alexander Giampietro, Naum Gabo, Walter Gropius, Erick Hawkins, Duncan Phillips, Hans Richter, Kay Sage and Yves Tanguy, and William Carlos Williams. Also found is correspondence with benefactors, board members, and arts organizations regarding exhibitions and administrative details; and with teachers and the Veteran's Administration regarding school issues.

Artists' Files contains mostly incoming and outgoing correspondence, but also found are biographies, exhibition printed materials, handwritten notes, newspaper clippings and scattered portrait photographs. Of interest are files on Aaron Copland, e.e. cummings, T.S. Eliot, Wojciech Fangor, Nadine Gordimer, Robert Graves, Aldous Huxley, Janheinz Jahn, Kathleen Raine, and Sir Herbert Read.

In addition to Correspondence and Artists' Files, materials regarding ICA's programming, such as correspondence with artists and galleries, press releases, shipping records, financial records, printed materials, photographs, inventory and price lists, are found in ICA Program Files.

The ICA and Robert Richman collaborated with numerous arts and international exchange organizations to organize exhibitions, performances, symposium, and to host visiting artists. Materials regarding such collaborations are found in Organizations and includes correspondence, scattered financial records, notes, and printed materials such as bulletins, brochures, schedules, reports, and press releases. This series also includes substantial material related to the Fine Arts Committee of the People-to-People Program, an international exchange initiative of President Dwight D. Eisenhower begun in 1956.

The school's records include correspondence, notebooks (attendance books), teacher files documenting classes and grades, extensive student files and student enrollment cards, mailing lists, class cards, and notes for classes taught by Robert Richman.

Administrative and Financial Files include accounting and banking records, budgets, founding documents, fundraising records, grants records, mailing lists, membership lists, and Meridian House Foundation records.

ICA's programs are also documented by comprehensive printed materials arranged by ICA seasons, 1947-1967. Printed materials include program calendars, exhibition announcements, invitations, membership forms, and press releases. Also found are newspaper clippings and three oversized clippings scrapbooks.

Photographs include black and white photographs and negatives of people, most of whom are unidentified. Robert Richman's personal papers includes personal correspondence, correspondence related to "New Republic," handwritten and typed writings, some bills, and his curriculum vitae.

Unrepresented in this collection are records of ICA's ICONART Collection (Contemporary Arts Archives), an archive of films and tapes of artists' performances, lectures and events held by ICA.
Arrangement:
The collection is arranged as 9 series.

Series 1: Correspondence, 1937, 1944-1980 (2.7 linear feet; Boxes 1-3)

Series 2: Artists' Files, 1943-1967, 1970-1979 (4.9 linear feet; Boxes 3-8)

Series 3: ICA Program Files, circa 1947-1968 (5.2 linear feet; Boxes 8-13, 27)

Series 4: Organizations, 1927, 1940s-1967 (7.3 linear feet; Boxes 13-20, OV 39)

Series 5: ICA School Files, 1945-1953 (7.0 linear feet; Boxes 21-27)

Series 6: Administrative and Financial Files, 1945-1979, 1983 (5.2 linear feet; Boxes 28-33, 38)

Series 7: Printed Materials, 1945-1970 (2.9 linear feet; Boxes 33-35, 38)

Series 8: Photographs, circa 1930s-1960s, circa 1985 (0.4 linear feet; Boxes 35-36)

Series 9: Personal Papers of Robert Richman, 1940s-1980 (0.4 linear feet; Boxes 36-37)
Biographical / Historical:
The Washington, D.C. arts and educational organization, Institute of Contemporary Arts (ICA), was founded by poet Robert Richman in 1947 to bring arts and culture to the nation's capital. The school, originally named the King-Smith School of Creative Arts, was redesigned and renamed Institute of Contemporary Arts by Richman in 1948. The school's philosophy was based on Sir Herbert Read's Education Through Art, and provided professional training in painting, sculpture, literature, music, and theater. In addition, the ICA operated an evening school and brought prominent artists and literary figures to the nation's capital for exhibitions, concerts, workshops, lectures, readings, and performances. Teachers at the school included potter Alexander Giampietro, sculptor David Aaron, designers Beatrice Takeuchi and Hubert Leckie, and painter Kenneth Noland.

The school closed in August 1951, but the ICA continued to provide an impressive roster of programs and performances held at the Corcoran Gallery of Art and other D.C. institutions, such as exhibitions by Naum Gabo, Bernard Leach, Isamu Noguchi, and Hans Richter; readings by W.H. Auden, T.S. Eliot, Katherine Anne Porter, and Dylan Thomas; lectures by Charles Eames, Aldous Huxley, Octavio Paz, and Frank Lloyd Wright; and performances by Aaron Copland, Paul Hindemith, José Limón Dance Company, and Ravi Shankar. The organization also sponsored visiting professorships for international artists and writers, such as Nadine Gordimer, and hosted an annual Congress of Artists and Writers from 1959-1964.

In the late 1950s and early 1960s, the ICA was successful in securing some large grants to continue and expand its programming and to secure permanent space at the Meridian House Foundation. However, by the late 1960s the organization's programming declined.

ICA founder Robert Richman was a poet and literary editor at New Republic magazine in the early 1950s. He was active in the arts community in D.C. and in international exchange organizations, including the Fine Arts Committee of the People-to-People Project, an initiative started by President Dwight D. Eisenhower in the late 1950s. Robert Richman passed away in 1987.
Provenance:
The Institute of Contemporary Arts records were donated by Maida Richman, the wife of the ICA's founder, Robert Richman, in 1986.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Societies, etc. -- Washington (D.C.)  Search this
Genre/Form:
Scrapbooks
Photographs
School records
Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.instcona
See more items in:
Institute of Contemporary Arts records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-instcona
Online Media:

H

Collection Creator:
Parsons, Betty  Search this
Container:
Box 40, Folder 40
Type:
Archival materials
Date:
circa 1940-1981
Scope and Contents note:
Haberman, Daniel

Hamblett, Theora

Hamilton, C.

Hamilton, George Heard

Harman, E. Terry

Harper, Lindsay

Harwood, Nina Conan Doyle

Hawkins, Erick

Hayashi, Kaname

Herbert, David

Hero, Mrs. Alvin (Martha)

Herzel, Eileen

Hillis, Sue

Hirshhorn, Joseph and Olga

Hock, Robert

Hoff, Margo

Hood, Dorothy Gregory

Hooker, R. Wolcott

Hopkins, Harry L.

Humphrey, Ralph

Huyck, Laura Talmage
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.3: Correspondence / 7.3.1: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1552

Hawkins, Erick, Miscellaneous Writings

Collection Creator:
Parsons, Betty  Search this
Container:
Box 42, Folder 31
Type:
Archival materials
Date:
circa 1961-1962
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.6: Writings / 7.6.2: Writings by Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1647

Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967

Creator:
Institute of Contemporary Arts  Search this
Subject:
Phillips, Duncan  Search this
Barr, Alfred H., Jr.  Search this
Richman, Robert  Search this
Albers, Josef  Search this
Albers, Anni  Search this
Copland, Aaron  Search this
Fangor, Wojciech  Search this
Gropius, Walter  Search this
Hawkins, Erick  Search this
Cummings, E. E. (Edward Estlin)  Search this
Giampietro, Alexander  Search this
Gabo, Naum  Search this
Sage, Kay  Search this
Huxley, Aldous  Search this
Eliot, T. S. (Thomas Stearns)  Search this
Graves, Robert  Search this
Gordimer, Nadine  Search this
Williams, William Carlos  Search this
Tanguy, Yves  Search this
Richter, Hans  Search this
Jahn, Janheinz  Search this
Raine, Kathleen  Search this
Read, Herbert Edward, Sir  Search this
United States  Search this
People-to-People  Search this
Meridian House Foundation  Search this
Type:
Scrapbooks
Photographs
School records
Topic:
Art -- Societies, etc. -- Washington (D.C.)  Search this
Record number:
(DSI-AAA_CollID)9688
(DSI-AAA_SIRISBib)211907
AAA_collcode_instcona
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211907
Online Media:

Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Subject:
Zogbaum, Wilfrid  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Mondrian, Piet  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer  Search this
Purdy, James  Search this
MacIver, Loren  Search this
Kiesler, Frederick  Search this
Miller, Henry  Search this
Milius, Tom  Search this
Meredith, Burgess  Search this
Hofmann, Hans  Search this
Hodges, Alice  Search this
Hawkins, Erick  Search this
Kamler, Richard  Search this
Howe, George  Search this
Holtzman, Harry  Search this
Dlugoszewski, Lucia  Search this
Dorazio, Piero  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne  Search this
Dubuffet, Jean  Search this
Duchamp, Marcel  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie  Search this
Arnaud, Leopold  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Buscemi, Steve  Search this
Castelli, Leo  Search this
Bartos, Armand P.  Search this
Bultman, Fritz  Search this
Whitney Museum of American Art  Search this
University of Iowa, Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Anthology Film Archives  Search this
Type:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Art schools -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art schools -- Massachusetts -- Provincetown  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Online Media:

Hawkins, Erick, Sidney Kingsley, Virgil Thomson and Marguerite Young on Kiesler

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 23, Folder 26
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.10: Papers Related to Frederick Kiesler / 1.10.7: Writings and Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref502

Haas, Albert - Hurd, K. F.

Collection Creator:
Howard Wise Gallery  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
1950-1966
1976
1984
Scope and Contents note:
Haas, Albert

Hagen, Yvonne

Hahn Bros. Fireproof Warehouses, Inc.

Hall, John H.

Halle Brothers

Halle, Hortense

Halle, Kay

Halley, Donald M.

Hallmark Art Awards

Hammarstrum, Marianne

Hamon, Jake L. and Nancy B.

Hancy, Lawrence

Hannibal, J.

Harper's Bazaar

Harris, Alfred W,

Harrison and Abramowit

Haskins, Lester

Hathaway Brown School

Haupt, Ira

Hawken School

Hawkins, Erick

Hayward, Elizabeth

Hayter, S.W.

Hazen, Joseph H.

Hecht, Sidney A.

Heller, Ben

Hempel, Gardiner

Henderson, Priscilla A. B.

Herbert, David

Herron Art Institute, John

Hilda Carmel Gallery (see: Carmel Gallery, Hilda)

Hillman, Kay Merrill

Hiser, Mrs. Harold R., Jr.

H. N. Abrams, Incorporated (see: Abrams Incorporated, H. N.)

Hoffman, Junius

Hollis, H. C.

Holzheimers' Interiors

Hooker, Mrs. R. W.

Hoover Company

Horan, Frank J.

Horung, Robert

Horton, John

House and Garden

Howard, Alice

Hrabick, William J.

Hurd, K. F.
Collection Restrictions:
The collection is open for research. Use requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard Wise Gallery records, 1943-1969. Archives of American Art, Smithsonian Institution.
See more items in:
Howard Wise Gallery records
Howard Wise Gallery records / Series 1: Correspondence / 1.1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-howawisg-ref52

Correspondence

Collection Creator:
Goldwater, Robert John, 1907-1973  Search this
Extent:
0.5 Linear feet (Box 1)
Type:
Archival materials
Date:
1934-1973
Scope and Contents note:
Goldwater's correspondence is with academic colleagues, art museums, arts organizations, publishers, and former students. There is also scattered correspondence with artists and with family. Subjects include: requests to write book reviews and employment references, and to critique others' writings and provide research advice; Magazine of Art and Museum of Primitive Art business; awards and memberships; details about publishing texts by Goldwater and others; and congratulatory letters, comments, and questions about his writings. A small number of letters include comments about the personal lives of the correspondents, usually routine news of family and friends; a few letters are of a purely social nature. There are three letters addressed to Louise Bourgeois: two from Erick Hawkins and one from Ronnie Elliott.

Also found here are condolence letters received upon the deaths of Goldwater's mother and father in 1942 and 1958 respectively, and a small number of letters from his parents. Family letters include a few addressed to Clara A. Goldwater (Mrs. S. S. Goldwater).

Small amounts of additional correspondence can be found in Series 2: Subject Files and Series 3: Teaching Records.

See Appendix for a list of correspondents from Series 1.
Appendix: Correspondents from Series 1:
What follows is a complete list of correspondents (and the years of correspondence) in this series.

Abramson, Jerry, 1969

Albright Art Gallery, 1947, 1954-1955

Allen Memorial Art Museum, Oberlin College, 1953

Allen, Harold, 1953

Allert de Lange Verlag, 1952-1954

American Association of University Professors, 1946

American Council of Learned Societies, 1967-1968

American Federation of Arts, 1953

American Studies Association of Metropolitan New York, 1955

Anderson, Wayne V., 1964

Andiron Club of New York City, 1945-1946

Argent Galleries, 1947

Arnason, H. Harvard, 1948

Arnheim, Rudolf, 1945

Art Bulletin, 1940-1945, 1955

Art Forum, 1967

Art Gallery of Ontario, 1970

Art Gallery of Toronto, 1972

Art In America, 1941-1947, 1955

Art Institute of Chicago, 1940

Art News, 1946-1947

Art Students League of New York, 1940, 1943

Arts Magazine, 1964, 1967

Atlantic Transports, 1952

Auchincloss, James C., 1953

Authors Guild, 1947

Baltimore Museum of Art, 1946, 1954

Baltrusaitis, Mr., 1952, 1973

Barnard College, 1954

Barr, Alfred H., Jr., 1938-1939, 1949, 1951-1952

Becker, Marion R., 1945, 1949

Bellew, Peter, 1951

Bennington College, 1950

Benz, Helen, 1946

Bernheimer, Richard, 1955

Bernier, Rosamond, 1955

Besson, Mr., 1946

Black Mountain College, 1948

Board of Higher Education, City of New York, , 1944

Booth, Cameron, 1942

Boston Art Festival, 1954

British Council, 1951

British Museum, 1934

Brooklyn College, 1946

Brown University, 1964, 1968

Burlington Magazine, 1954

Busa, Peter, 1946

California Arts and Architecture, 1944

California School of Fine Arts, 1949

California State College, 1969

Carnegie Corporation, 1942-1943

Carnegie Institute of Technology, 1942

Chanticleer Press, Inc., 1955

Chapman, Ed, 1946

Choate, Mabel, 1946

Church, Howard, 1947

Cincinnati Modern Art Society, 1946-1946

Cleveland Institute of Art, 1952

Cleveland Museum of Art, 1952-1953

Colorado College, 1952

Columbia University Press, 1948

Columbia University, 1940, 1953-1955, 1962, 1965

Comité des Arts du Congres pour la Liberté de la Culture, 1964

Cook, Walter W. S., 1942-1943, 1945-1946, 1949-1950, 1955

Criterion Books, Inc., 1955

Critique, 1946

Crosby, Sumner McK., 1942

Dartmouth College, 1942

Davis, Stuart, 1943, 1945

Dersky, Morris, 1966

Dictionary of the Arts, 1941

Direction Départmentale de la Population de la Giornde, 1948

Dodd, Mead & Company, 1945

Duke University, 1946-1948, 1950

Edman, Irwin, 1942

Elliott, Ronnie, 1950*

Elsen, Al, 1969

Engel, Eugene W., 1946-1947

Exhibition Momentum, 1953, 1956

Falkenstein, Claire, 1951

Farwell, Beatrice, 1968-1969

Federation of Modern Painters and Sculptors, Inc., 1946, 1950

Fitzsimmon, Jim, 1953

Florida State University, 1953

Fogg Art Museum, Harvard University, 1945-1947, 1949, 1954, 1956, 1971

Ford Foundation, 1969

Fox, Milton, 1958

[Frankenthaler?], Helen, 1950-1951

Frederick A. Praeger, Inc., 1969

Frick Collection, 1941

Fried, Richard N., 1950

Friedensohn, Elias, 1956

Fund for the Republic, Inc., 1956

G. P. Putnam's Sons, 1956

Gallatin, A. E., 1944

Goldwater, Barry, 1966

Goodrich, Lloyd, 1945

Goucher College, 1967

Greene, Balcomb, 1942, 1947, 1951-1953

Guggenheim Foundation, 1945-1946, 1953-1955

Hallmark Art Award, 1949

Hammacher, Mr., 1952

Harcourt, Brace and Company, Inc., 1945

Harcourt, Brace and Company, Inc., 1952

Harper and Brothers Publishers, 1939-1942

Harry N. Abrams Incorporated, 1953, 1955, 1957

Harvard University, 1949-1951, 1968

Hawkins, Erick, 1950*

Herbert, Robert L., 1954

Hollins College, 1950

Hope, Henry R., 1943-1944, 1947, 1955

Horizon, 1949

Hunter College, 1967

Hunter, Sam, 1955

Indiana University, 1966

Ingram Merrill Foundation, 1966-1967

Institute for Advanced Study, 1964, 1966

Institute for Sex Research, Inc, Indiana University, 1966

Institute of Contemporary Arts, 1951

Institute of Design, 1947

Institute of Fine Arts Alumni Association, 1954

Institute of Fine Arts, 1969

Institute of International Education, 1953-1955

Intercultural Publications, Inc., 1953

International Ladies' Garment Workers' Union, 1954

Janson, H. W., 1952-1954

Johns Hopkins Press, 1966-1967

Joslin, Andrew, 1972

Kamer, Henri A., 1964

Karl, Aline, 1953

Kenyon Review, 1945-1947, 1954

Kerns Foundation, Theosophical Society in America, 1968

Keyserling, Leon H., 1948

Kimball, Fiske, 1945, 1949

Knowles, Edwin B., Jr., 1945

Koch, Bob, 1954

Komroff, Manuel, 1944, 1946

[Krautheimer], Richard, 1944

Ladies' Garment Workers' Union, 1944

Lee, Rensselaer W., 1942, 1944

Levy, Adele R., 1956

Levy, Julien, 1944

Leylan, Robert M., 1941

Library of Congress, 1944-1947, 1952-1953

Loran, Erle, 1941

Loshak, David, 1946

Lougee and Company, 1952

M. I. T. Press, 1967

MacAgy, Douglas, 1948

Magazine of Art, 1944-1945, 1948, 1950-1951

Massachusetts Institute of Technology, 1967

Masson, Rose, 1944

Mayhew, Edgar deN., 1944

McGraw, Patricia, 1953

McGraw-Hill Book Company, Inc., 1950, 1965

Mellquist, Jerome, 1951

Metropolitan Museum of Art, 1940, 1954

Miller, Peter, 1944

Mitchell, Eleanor, 1945

Moffett, Charles, 1969

Museum of Modern Art, 1942, 1946-1947, 1949, 1953, 1955, 1969

Museum Purchase Fund, 1952

National Arts Club, 1946

Nelson, Kathleen L., 1945

New School Associates, 1953

New School for Social Research, 1949

New School, 1953, 1955

New York Times, 1946

New York University, 1934, 1937-1941, 1945, 1947, 1954, 1956-1959, 1963, 1966, 1970

New York University Press, 1970

Newark Museum, 1944

Okun, Henry, 1967-1968

Old Dominion Foundation, 1969

Ozenfant, [Amédée], 1949

Pantheon Books, Inc., 1944-1946, 1953-1954

Partisan Review, 1946, 1961-1962

Perry, William, 1941

Perspectives U.S.A., 1952

Phillips, Duncan, 1952

Photo Berard, 1951

Pietrantoni, M. L., 1955

Plass, Margo, 1962

Porter, James A., 1942

Prendergast, Charles, 1945

Prentice-Hall, Inc., 1950

Princeton University, 1943, 1949

Princeton University Press, 1947-1949, 1954-1955, 1959

Prior, Harris, 1946

Quadrum, 1956

Queens College, 1938-1957, 1972, undated

Rand School of Social Science, 1945

Random House, 1964

[Rattner], Abe, 1945

Redon, Ari, 1951

Rewald, John, 1941-1942, 1946

Rhode Island School of Design Museum of Art, 1946

Rice Institute, 1954

Rice, Philip, 1952

Richter, H., 1952, 1954

Rijksmuseum Kröller-Müller-Otterlo, 1957

Robb, David M., 1946-1947

Robinson, Cortland A., 1945

Rockefeller Foundation, 1946, 1951, 1954, 1956

Rockefeller, Nelson A., 1957-1958, 1965

Roditi, Edouard, 1951

Rodman, Selden, 1946

Rose Art Museum, Brandeis University, 1967-1968

Ruksmuseum voor Volkenkunde, 1952

Sachs, Mrs. H. F., 1941

Samuel Kress Foundation, 1968

San Francisco Museum of Art, 1953

Sandström, Sven, 1954

Sarah Lawrence College, 1949-1950

Saturday Review, 1951, 1954

Schaefer-Sinnevenm 1945

Scheeffner, Denise Pauline, 1964

Schmalenbach, Fritz, 1951-1952, 1954

Seeman, Hugh, 1953

Seligman, Germain, 1947

Seuphor, Michel, 1951-1953, 1955

[Schapiro?], Meyer, 1941, 1943, 1952, 1960

Sihara, Laxmi P., 1968

Sloane, Joe, 1941

Smyth, Craig Hugh, 1952-1954, 1956

Soby, James Thrall, 1946-1947, 1950, 1955-1956

Société des Africanistes, 1936

Sokol, David M., 1969

Solomon, Alan, undated

State University of New York, Buffalo, 1969

State University of New York, Stony Brook, 1969

Stix, Hugh, 1952

Stokowski, Gloria (Mrs. Leopold), 1952

Sweeney, James Johnson, 1953, 1956

Sypher, Wylie, 1954

Time, 1945

Times Book Club, 1945

Tobé-Coburn School for Fashion Careers, 1947, 1950

[Trilling], Lionel, 1945-1946

Twin Editions, 1944

United States Educational Commission for France, 1951

United States Information Agency, 1959

University Club of Jamaica, New York, 1941

University of Birmingham, 1969

University of Birmingham, 1970

University of California, 1968-1969

University of California, Berkeley, 1948

University of Connecticut, 1950

University of Guelph, 1970-1971

University of Illinois, 1967

University of Iowa, 1968-1969

University of Massachusetts, 1966-1967, 1972

University of New Mexico, 1967

University of North Carolina, 1953

University of Texas, 1947

University of Washington Press, 1967

Valentin, Curt, 1953

Venturi, [illegible], 1941

Viking Press, Inc., 1944, 1968

Virginia Museum of Fine Arts, 1953

Visson, Assia R., 1942-1943, 1947, 1950

Vytlacil, Vaclav, 1942

Walker Art Center, 1954

Walker, Hudson D., 1948

Wardwell, Allen, II, undated

Webster J. Carson, 1945, 1955

Webster, J. Carson, 1955

Weller, Allen S., 1958

Werner-Gren Foundation for Anthropological Research, 1970

Wescher, Herta, 1956

Wesleyan University Press, 1965

Western Illinois University, 1969

Western Reserve University, 1946, 1954

Western Review, 1948

White Art Museum, Cornell University, 1954

Whitney Museum of American Art, 1948, 1954

Who's Who In America, 1952

Who's Who in the Western Hemisphere, 1943

Wiggin, Florence B., 1944

Wilber, Allen S., 1947

Wildenstein and Co., 1949

Williams College, 1969

Withers, William, 1941

Wittenborn, Shcultz, Inc., 1948

Wolff, Werner, 1945

Wurster, E. B., 1944

Yale French Studies, 1956

Yale University, 1954, 1962, 1967, 1972

[illegible], 1943, 1945-1946, 1950-1954, 1962, 1964, undated

[unknown], Alan, 1954

[unknown], Annie, 1952, 1954

[unknown], Donald, 1969

[unknown], Eddie, 1950

[unknown], Edith, 1957

[unknown], Ethel, 1955

[unknown], Fred, 1947, 1954

[unknown], Gerry, 1968

[unknown], Joe, 1953-1954

[unknown], John, 1953

[unknown], Marco, 1954

[unknown], Margaret, 1945

[unknown], Roy, 1969

[unknown], Russell, 1946

[unknown], Sarah, 1970

[unsigned], 1942

[unsigned], 1950
Collection Restrictions:
This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert John Goldwater papers, 1902-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goldrobe, Series 1
See more items in:
Robert John Goldwater papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-goldrobe-ref12

Erick Hawkins

Artist:
Bernard Perlin, 21 Nov 1918 - 14 Jan 2014  Search this
Sitter:
Erick Hawkins, 23 Apr 1909 - 23 Nov 1994  Search this
Medium:
Silver point on paper
Dimensions:
Image: 21.8cm x 16.5cm (8 9/16" x 6 1/2")
Sheet: 36.7cm x 29.5cm (14 7/16" x 11 5/8")
Type:
Drawing
Date:
1942
Topic:
Erick Hawkins: Male  Search this
Erick Hawkins: Performing Arts\Performer\Dancer  Search this
Erick Hawkins: Performing Arts\Choreographer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Bernard Perlin
Object number:
NPG.95.28
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4c426de4b-9006-4ace-a060-1513a73d3b40
EDAN-URL:
edanmdm:npg_NPG.95.28

Erick Hawkins

Artist:
Barbara Morgan, 8 Jul 1900 - 17 Aug 1992  Search this
Sitter:
Erick Hawkins, 23 Apr 1909 - 23 Nov 1994  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 33.3cm x 26.9cm (13 1/8" x 10 9/16")
Sheet: 35.2cm x 27.7cm (13 7/8" x 10 7/8")
Type:
Photograph
Date:
1940
Topic:
Exterior  Search this
Equipment\Rope  Search this
Erick Hawkins: Male  Search this
Erick Hawkins: Performing Arts\Performer\Dancer  Search this
Erick Hawkins: Performing Arts\Choreographer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.92.56
Restrictions & Rights:
Usage conditions apply
Copyright:
© Erick Hawkins - Barbara Morgan Archives, 45 Dorchester Avenue, Hastings-on-Hudson, NY 10706
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm489a3b4cc-4b5b-4390-b01d-60d768cae874
EDAN-URL:
edanmdm:npg_NPG.92.56

Martha Graham in love and war : the life in the work / Mark Franko

Author:
Franko, Mark  Search this
Subject:
Graham, Martha  Search this
Hawkins, Erick Influence  Search this
Physical description:
231 p. : ill. ; 25 cm
Type:
Biography
Place:
United States
Date:
2012
C2012
Topic:
Dancers  Search this
Choreographers  Search this
Modern dance--Psychological aspects  Search this
World War, 1939-1945  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_991929

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